Lyrics from Chimezie Ihekuna

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna
Song Title: Take The First Step
Genre: Pop

Chorus
Take the first step  (2ce)
And see what comes out of it (3ce)

Verse 1
They say ‘the journey of a thousand mile begins with a step’
Yea, taking a step could be very herculean
Fear of failure would suffice as the rationale
However, taking the risk is worth it
After all, failing forward is better than not stepping out
The journey of success begins with taking the first step
So, take the giant stride
Take the first step!

Chorus
Take the first step (2ce)
And see what comes out of it (2ce)

Verse 2
Discouragement is a part of success
Success is a journey, not a terminus
Determination without conception is like reaching a destination without intention
Consistency is inevitably important
Life is what you make of it
Walk your talk to see your worth
You learn those only if you take the first step
Now, take the first step!

Chorus
Take the first step  (2ce)
And see what comes out of it (3ce)

Verse 3
The first step in life is uneasy;
It’s like you taking the bull by the horn
It’s similar to how tasking it would be putting the crown on your head
The first step is a lesson that would give room for further learning;
It’s like getting past the hurdles of life
It’s similar to taking away life’s road blocks
The first step marks the road to your freedom
A great feat it would be when you take the first step!

Chorus
Take the first step  (2ce)
And see what comes out of it (3ce)

Poetry from Olawe Opeyemi

The Way I’d Like to Die

When my folk penned the lines

“The way I’d like to die”

Short but as a hero

With gold amass, laid dead on them

Then I posted to myself how I’d like to die

And my heart pondered a whit

I’d like to live wealthy, abound

Enough to acquire my desires without a sigh,

For that makes life easier.

I’d like it long and old

Telling tales of yesteryears to my grands,

For nothing more refreshing than that.

I’d like it calm and tranquil

With faces of loved ones to gaze at,

Without them, life is a misery.

I’d like to live on, ages ahead

In the minds of men, both acquaintance and aliens

With my footprint seen on the Niger

For that’s the greatest achievement ever.

I know no death bad, for none which is good

But I fair not as a dog on the road

Neither like a prey to a predator

Yet when at last death did me seek

I’d like it gentle and fast

Peaceful, with little regret behind

Then I’d have the rest I crave

Only then would death be a release

Short story from Lorena Caputo

TRUJILLO

You are a town spun in history, from Cristóbal Colón’s last voyage to a port protected from pirates by the Spanish Fortaleza Santa Bárbara, from the first capital of this nascent country to the execution of filibuster William Walker. Many had their embassies here: France, Spain, England, the US.

And both United Fruit and Standard Fruit left their cobwebs, too.

~      ~      ~

I wander through the odd clutter of Señor Galván’s museum. A band’s musical instruments, collections of coins and bills. Ship anchors and moorings. Old wine and patent medicine bottles. Treadle sewing machines, branding irons, the chair and bed of a man who lived to be 106. Mayan artefacts from the sierra. Assorted alligator and shark skulls. Caged monkeys reaching for a human hand.

And from the Companies themselves. A Standard Fruit lamp and sugar cane press. A United Fruit telephone and fan, railroad jacks, a brakeman’s lantern. And a 1940s brick of the Yunay Fruit Co. Mamita Yunai … United Fruit

Out front corrodes the wreckage of a C130 that crashed near Puerto Castilla. All 21 crewmembers were killed from Howard AFB in Panama. It was never explained to us what this plane was doing here that 22 January ’85 … in Contra territory.

~      ~      ~

I am spellbound by the tangled web. I pass days talking with Mr Galván and in the public library unraveling history.

For only a short two years did Vaccaro Brothers and Co (later Standard Fruit) spin its domain eastward to here. Those siblings had their fincas of sugar cane and syphilis-curing sarsaparilla. They timbered the precious hardwoods of these surrounding jungle hills.

Afterwards United Fruit came (in 1904, Señor Galván says) and later hid under the guise of the Trujillo Rail Road Co. For lands in this area, it promised to build the railroad to Jutigalpa and beyond to Tegucigalpa. It laid the line from port to plantations: Puerto Castilla and Trujillo to Olanchito, Tocoa, Savá and no further. Amid excuses of land blackened by sigatoka, United left in 1940, before the Honduran government could confiscate the fincas and rails for not fulfilling its contract.

When the Boston Octopus pulled out, families sold their furnished homes for a mere 400 Lempiras. Still, to this day, some rich people have a hundred houses or more.

And so this town fell into a quiet backwater. Black Caribe and whiter ladino intermarried. Over the years, the memories faded. Only Mr Galván remembered why the Fruit Company submerged a train east of the pier: To protect the beachhead from erosion. The plantations way out yonder changed once more to Standard Fruit.

In the 1980s, the US-Contras arrived with training camps and cocaine-for-arms trade routes. Within these jungle swamps, the US military had clandestine bases (or so say its veterans, in fear-hushed voices).

And little by little, the foreign travelers came, seeking the tranquil sea, the safe beaches, a town free from crime.

A new posh resort is built, The Christopher Columbus. Ninety-two full-time staff but few guests. The locals say it’s a CIA den owned by Ollie North, Secord and former-Contra friends.

And after almost 90 years, Standard Fruit makes its return. A high concrete wall with barbed wire surrounds the eight or so unseen houses within. Strong floodlights safeguard the grounds. These are the homes of the CEOs who work at Puerto Castilla.

~      ~      ~

One evening in a pleasant hide-away café – with rattan chairs, glass-topped tables, plants, English newspapers – an ex-pat United Statien tells the owner and me her family wants to move from Tela. The scene is getting too heavy there – the crime, the cocaine. They have found a house near the Company’s complex. But it has no electricity. They must ask Standard Fruit for permission to put it in. Its security comes first.

When I first came to Trujillo during Christmas holidays in ’93, I could stroll alone several kilometers along the beach. I’d leave my belongings on the powdery sand and swim in that crystal-blue Caribbean.

But two years later, with clenched fists and teeth, trujillanos tell me, It isn’t safe any longer to walk those isolated stretches. Inlander ladinos are migrating in search of the work the tourism surely brings. But there are no jobs … One night from Olanchito they came to the Garífuna bars in Cocopando. A white woman danced with a black man. Six redneck ladinos shot up the place.

Two more years or so pass. One evening, walking through town, seven foreigners are robbed and stabbed. One dies.

And that cocaine now floats like a blizzard along these ex-Contra coastal routes. 	

Poetry from Z.I. Mahmud

Christendom of Sir Walter Scott-the connoisseur and realm of Ivanhoe

Peevish abbotsford enchanted a woodcraft with holding a candle to the devil

The fair Jewishness of the Maiden incumbent Rebecca’s life endangered in chastisement

O holy daughter of Rachael cried and lamented the Isaac of York in agony, grief and fear

Chivalrous Ivanhoe, forgotten and oblivious of of the atonement of the sylphlike Damsel?

Unflinching moral realism struck the heart of Sir Walter Scott adhering to the devastating plight

And indulgence in carnage of conflagration among the vainglorious; and fierce and haughty Templar’s temperamental outburst; and vehemence

The necromancy of witchcraft and wizardry, avaricious sorcery and gluttonous elixirs were the allegations the daughter of Isaac of York: beautiful Jewish Maiden being convicted,

Despite the precarious predicament she wasn’t dissolute, seduced or profaned!

Had had the fierce Brian De Bois-Guilbert in proclamation of misdemeanor; amidst irksome, wearisome and starvation and imprisonment, blows and strikes, journeys and indigestion; I profess this avowed and promised solemn ambition of entreating a relationship: succour and relish through consummation of nuptial and procurement

The valiant and renowned Ivanhoe’s fair and royal Christian Mistress Lady Rowena’s aphoristic relation

Didn’t give Ivanhoe a dirty look from Rebecca’s shimmering and, starkly starry eyes in the glimmering twilight

Exorcisms performed with the errand of obsequies towards apparition dwelling grotesquely in English blood and countryside and farmyards:

Deeming rectitude of Norman and English aboriginality

Wherefore minstrels, swineherds fools, chaplains and bishops

Singing the song in chorus of phantom delight in reverie;

The Black Knight restored to the monarchy whilst yonder venison bestowed in grace abounding :

Endowed amidst the Sherwood foresters anchorites Robin Hood, Friar Tuck and the merry men

Spellbinding merry men thus rejoicing and obliged in aura of disencumber and entwined enticement and delusion

Recurrence beams of the sundown dissolved in ecclesiastical importunities;

Apostle’s epistle enrolled and entitled to the sepulcher of Rebecca:

Sherwood forests blaze and romanticize a chakra and mantra in the nirvana as an incantations to bid adieu and farewell to thee: Rebecca The Blessed Virgin!

To the Drunken Spirit of William Blake- A poetry written as fiction in free and blank verse

William Blake

Oh Blake with your drunken spirit you’ve adorned,

The everlasting grace and beauty of the Gospel.

You’ve illuminated mankind with your Poetical Sketches,

I love the Lamb and sympathize the ecstasy of a little kid.

With the proclamation of lifelong belief you have painted;

Through imagining The Marriage of Heaven and Hell.

Humanity burst into warring fragmented lamentations;

Ah! Milton and Jerusalem appeared in reconciled visions.

Your engravings sculptured, color drawings printed:

And the water color illustrations giving a feeble and tottering The Real Man The Imagination which liveth forever.

I read William Wordsworth’s commentary in the pleasantries exchange with the saying goes:

“There is no doubt that this poor man was mad, but there is something in the madness of this man which interests me more than the sanity of Lord Byron and Walter Scott.”

I narrate the gladdening and overwhelming tidings of:

Henry in a letter to the Damsel Dorothy-

He lives…enjoying constant intercourse with the world of spirits. He receives visits from Shakespeare, Milton, Dante, Voltaire etc..etc..etc and has given me repeatedly their words in conversations.

Have you been pondering in enchanted walks too Blake?

Might have nymphs and fairies in bewilderment.

Wherefore divine incarnations of Blake stare at distress

In stunning blasphemy thus Antichrist dwells in dismay.

Jesus voice thundering sounds in compelling spirits

As stones bleed John; Satan put sin in the cross and tomb.

You are a mental traveler Blake: preacher romantic

And here I present my farewell to your soul spiritual heal.

My Quill at Parchment Upon Reading Banquet Lecture of Lord of The Flies Laureate Novelist and Playwright William Golding

Golding’s holiday privilege -heyday castle of ‘Seashore’

Beached cavern where King David and King Solomon

Resigned at proverbs and psalms

A mermaid entombed of Julia of Norwich

Buried upon the banks of the Western seashore amidst rocky cliffs

Whereupon and hithertofore silvery greyed Golding’s ivory epitaph parchments

Gracing engraved magical spells-‘We need more humanity, more care and more love’

The Earth Mother Gaia washes away the flotsam jetsam along with her tresses of waving bluish splashing caresses

Quintessentially I have reached there and been starkly marvel

Wondering the blazing thought of mysteries sea creatures and marine life

We as children of the dear stars

What shine sparkling stellar wreaths of laurels

No sooner had I reached tumult and strife creeping pavements bleakish thoroughfares, than it became clear to me that the place I should be was the isle of seashore’s I had just forlorn

Aaaargh! Pity me my dearest soul!     

Had I but a glimpse of noon-time with my Julia Juliet upon the weeds and reeds

Serenading my beauty’s bosom, me and the  seashore’s flowering oasis purplish greenery

Being a universal pessimist forevermore; I shall detest fairy tales

Allegorizing ghoulie ghostie or weea beastie.

 Since these very spirits dehumanizing and denaturalizing

That drives my heyday temperance of sanity to formidable cauldron of vanity 

Foggy and frosty mournful snowman Golding’s threshold fireplace

Suppertime roaring howler alderman, corporations and liveries harangue

Disgracer supper a bad lobster thrown away into the gutters

In disenchantment sea butter feather fluttering in abysmal dismay

Abhorring in abominable spirits of phantom spectre chunk of undigested beef

Legions of goblins

Despising in admonishing guffaw of a fragment of potatoes undone

Essay from Christopher Bernard

8,000,000,000 Genders; Or, Why “Gender” Should Be Abandoned
And Why All Social Constructions Should Never Be Taken Too Seriously

By Christopher Bernard

A Personal Note

One day, coming into my bedroom with an unusually serious expression on her elegantly beautiful face, my mother sat me down and gave me a brief talk that turned out to be one of the most influential in my life. I was nine years old.
 
What she said, in her characteristically direct, even blunt way, was that I was a boy because I had a penis and testicles; my sister, on the other hand, was a girl because she had a vagina. (We were easygoing about nudity in our household, without making a fetish of it, so I knew precisely what she meant; I was only puzzled why she was making a point about something she knew I was fully aware of.)

At this point you might think, and dismiss, my mother as a biological determinist. But not so fast, because then she came to her main point. Men and women were not (according to her definitions) absolute categories; they were not walled off from each other in impenetrable silos: all men had some so-called feminine traits, and all women had some so-called masculine traits. This was essential, she said, to their “emotional balance” and psychological wellbeing.

She went on: Some men were excessively “masculine” (I was reminded of the Charles Atlas ads I had seen in comic books; the posturing muscleman had always struck me as ludicrous) and some women were excessively “feminine” (and I thought of Marilyn Monroe, who struck me, then and now, as almost a caricature of femaleness; both Atlas and Monroe were performing, theatrical, false; healthy men and women did not let themselves to be bound and throttled by appearances). In both cases, this was unhealthy for both males and females, to say nothing of their relationships. Gender excesses (she said) had a number of bad effects: they created a wall between the sexes, and locked both women and men away from parts of their own psyches, creating sometimes irresolvable emotional conflicts within them.

As she said this, I was thinking of both her and my father. My father, from a family that came to America from England in the early seventeenth century, with old Norman blood and later native American heritage (according to family legend), was a television director and producer and involved in the arts and literature (he was a gifted draftsman, musician, and writer; his own father had had literary ambitions in his youth, and his mother was a gifted poet). Dad was also the main, and an adventurous, cook at home and the main wit at our family dinners, often reducing the rest of us to tears of laughter. He had no interest in sports, automobile mechanics, or the sorts of things my friends’ fathers cared about, aside from shooting pheasant in the farm country where we lived during the hunting season each fall.

My mother had traits some might call masculine: the elder daughter of a Czechoslovakian father and a Welsh mother, she had a blusteriness and directness, and an impatience with insinuation and communicative hints, to say nothing of an irascible fearlessness that had no time for squeamishness and timidity (such as my own), that I didn’t see in my friends’ mothers or other females. She swore like a sailor and made no pretense of extreme sensitiveness, though she was a talented photographer and sculptor and had a gift for pithy phrases that was legendary in the family. I have often said that Polly had more testosterone than most of the men I knew.

So I felt I had examples right before my eyes of what my mother was saying. And since I loved and trusted both of my parents implicitly, and was convinced I had by far the best family that walked upon the green earth, her lesson met no resistance from me.

My mother gave me a serious look and asked if I understood. I nodded, though I was still puzzled why she had told me this at that particular moment. Then I recalled I was being referred to more and more as “a sensitive boy” and already showing signs of artistic interests and a complete indifference to sports and other traditionally boyish pursuits, so I guessed there might be some connection; my mother was doing this to reassure me, and I felt a warmth of deep gratitude such as I have rarely felt. It is only in the last few years I have come to realize what a profoundly wise and kind thing she had done for me. She died too long ago for me to have had the chance to thank her, and I can only wish I had had this realization sooner.

Her talk had the great benefit of allowing me never to doubt my “masculinity”; whatever I did or whoever I was, I was “male” by definition. I would have other problems to deal with – how, for example, to be a decent human being in an often indifferent and brutal world and what it meant to be a successful grownup – or merely how to talk to “girls” without offending them (a talent I have never quite mastered). But “gender issues” had no meaning for me. Who was a “real man”? I was. Next question.

Social Illusions and a Modest Proposal

What a difference a handful of decades can make.

What is “gender”? What used to be a convenient two genders has, in recent decades, morphed, according to some, into as many as 78 – a meaningless number. And the dazzling invention of pronouns confuses the matter further. In my more puckish moments, I claim that my own pronouns are “I/me/mine.” Or if I want to be really annoying: “we/us/ours,” though whether I am being royal or merely editorial depends on whose skin I am trying to get under.

I have come to suspect that “gender” may have no useful meaning at all.

The social construction “gender” has come to represent, for some, what no social construction, by definition, can be: an essence, an ultimate reality about a person, an “identity” (that other dubious and fashionable idea), when it is, at best, a rough intellectual model that, like any model, only approximates what it represents, and therefore must not be taken with complete seriousness and never, under any circumstances, literally.

One of the many pitfalls of the human condition is a perennial temptation to take our intellectual inventions and “social constructions” as well as the surrounding web of insights and projections, guesses and delusions that make up human culture, as ultimate realities; even among secularists, as somehow sacred. And any deviation in the real world from those imagined realities may find itself attacked as “false,” “inappropriate,” or “politically incorrect.” I recall the futile controversies during Obama’s first presidential campaign over whether he was “black” enough; one of the more ludicrous moments of that time. But it takes only a glance at recent history to see how such illusions, and the futile attempt to impose them on real human beings, can lead to psychological, social, and political pathologies of the most horrendous kind; to personal despair and mass violence.

Any concept, any idea we have about the world, is, of course, a more or less crude, more or less effective, tool for living in it. A useful concept grows and changes over time, adapting to circumstances and molding with the times; a useless concept is one that has frozen at a given moment and is now used as a weapon with which to hammer people who refuse to be paralyzed by fear of change. By the same token, every worthwhile concept is living, never to be completed because never a perfectly accurate picture of reality.

My favorite example is “house”: certainly we mean something very different when we say “house” from what was meant during Shakespeare’s time – our “house” is likely to contain dozens of devices and items of “infrastructure” that Shakespeare could only have dreamed about in his most exalted inspirations, and yet it retains the same function in the “real world”: a structure to keep out the wind and the rain; a shelter, a place to make a home.

But imagine if we had saddled the concept “house” with details irrelevant to its function: if we had said a “house” must be half-timber, or built of bricks, or have at least one chimney and hearth, or not be higher than twenty feet – and if we had taken these details with complete seriousness so that not only was any building that deviated from these “norms” not a “house,” but was some sort of threat to the community, to social order, even to human life – and one can imagine the (to speak charitably) violent lunacy into which we would have descended.

When taken literally, “gender” is a form of just such misapplied Platonism: it presents the idea as more real (a “real man,” an “ideal woman”) than the scrubby, scruffy reality of actual boys and girls, of men and women trying to live in the world. As soon as one says this, it is obviously true. But when it comes to gender, we seem to immediately forget it and become hypnotized by phantoms.

“Gender” is especially, even tragically, problematic because of the explosive emotions regarding sexuality and physical desire (different from gender though easily confused with it). This is true above all during adolescence, when young people have yet to learn that the “concepts” and “norms” of their society have no objective reality outside practical necessity and the dictates of power, and therefore they try, hopelessly, to conform to them, often down to the most exacting, and delusive, details. Indeed, their peers are often the worst offenders, as they seek to impose these illusions not only on themselves but also, through peer pressure, on their fellows. The violent dance of delusions and paranoia that makes up so much of human life often takes its first cruel steps in the corridors of high school.

The mistake we have made is splitting off the concept of gender from the biological reality of sex. This mistake has had disastrous consequences.

If we believe that “maleness” (to choose a glaring example) is reflected in a particular concept of “gender,” and then try to impose that concept, we are certain that, at some point, we will get wrong what actual boys and men do and what they really are. No concept of “maleness” can cover all the details of how actual men and boys behave and exist in the world; and many of those details are often conflicting and ambiguous and change over time. Many details regarding “gender” are illusory, though an illusion shared by powerful and influential figures, from parents to teachers, from peers to priests to presidents. The particulars of males will fall outside any concept of maleness and confuse people who cling to the concept no matter how much reality contradicts it. Most importantly, they will confuse the boy or man himself over who and what he “is.”

Whenever we take a concept as more true than the physical reality the concept represents, we become at best wrong-headed and at worst actively evil – both delusional and cruel, even murderous. The history of the past century provides more examples than many may be willing to fully absorb: the lessons, that is, of human delusions followed to the point of murder and mass murder.

All social constructions are illusions, socially shared will-o’-wisps, socially agreed plausible absurdities that are useful but have no ultimate reality; that have only the most tangential relationship to the reality we must deal with if we hope to live for moment to moment in the world. To take them seriously is to court madness and death, for an individual or a society. They should be handled, like any belief, lightly and ironically, and willingly discarded as soon as they cease to serve their purpose, which is to help us survive – no, thrive and know happiness in this world. As soon as they prevent that, they have become our enemy and must be mastered and conquered.

Speaking for myself (and I present this only as a catalyst for further discussion), I would define “masculine” as whatever physical human beings born with penises and testicles and the hormonal system that goes with them be and do.

And I would define the “feminine” analogously; that is according to sex, not gender.

In other words, I would abandon “gender” as a normative or even a useful term. It has done more damage than almost any other word or idea in the language in recent history. It is time to add it to such anachronisms as “phlogiston,” “phrenology,” and “bloodletting” – the obsolete social constructions with absurd or horrendous consequences in the real world that we abandoned long ago.

When asked my “gender,” I reply (puckishly!): myself.


Christopher Bernard is a novelist, poet and critic as well as essayist. His books include the novels A Spy in the Ruins, Voyage to a Phantom City, and Meditations on Love and Catastrophe at The Liars’ Café, and the poetry collections Chien Lunatique, The Rose Shipwreck, and the award-winning The Socialist’s Garden of Verses, as well as collections of short fiction In the American Night and Dangerous Stories for Boys. His new poetry collection, The Beauty of Matter, will be published in 2023.

Poetry from Sayani Mukherjee

Green
By Sayani Mukherjee

Awake to the surrounding-
The lime that freshly given, 
A sumptuous gift. 
Divine feminine and Universal harmony
Grazing luscious green tumbling
Forever anew. 
Fresh drops and confined circles
Turning grief rivers in white aromas 
Of Smell sniffing
Nature's basic instincts
Coupling harmony meadows deep inside
The Earth river flows through
Tiny bushes like thoughts sip of
Rejuvenation 
Soaking in the green wilderness
The link for unison. 

Understanding comes at the heart
Awakening swollen mid October
The lily mossed burnt cross 
Melts 
The river soakes it all
Salem haunts and fiery furnace
It smooths the rocks
Universal harmony 
The pasture the innocent invitation
Lamb grazed Christ consciousness
Of all embracing synchronized green
The feminine vastness
Bountiful art like 
Meadows deep down inside
It rains.