Wilder Shores of Love
(after the painting by Cy Twombly)
I
After the river is crossed
so many unspeakable words
so many excuses
so many photographs
torn and burned
chairs thrown
and mirrors shattered
on its wilder shore
no peaceable kingdom
no place for devotion
conciliation and love.
II
The other side is littered
with broken promises
fragments of concession
and accord
so little time together
and so much apart
we are left as creatures
of our inner wild.
III
You and I have crossed
the river too many times
but now with no way home
and nowhere else to go.
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Night Form
(after the painting by William Baziotes)
In the darkness of the night
when the moon is hidden
from the iris of an eye
not even a demon has shape
nor has the mind a memory
of what it might have been
in another time.
It comes and goes with words
and embraces
the touch of an invisible force
the sounds of prayers
petitions and chains
blurred by the absence
of any light
and the far-off prospect
of the dawn.
It is a shameless thing
deceiving, deceptive
cunning and alive
as if its substance
could be measured
by a scale and caliper
as by the mention of its name
from beneath the rocks.
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Time/Timeless/No Time
(after the installation by Walter De Maria)
It moves in mysterious ways—
now a slithering snake
and then a velvet worm
hiding in the dark
with neither color nor design
neither substance nor an idea
of what it is
other than its name
now a river, then a lake
now a sea of birthing stars
then a graveyard
for the barely born
forbidding, relentless
remorseless, grim
with no memory of its birth
or premonition of its death—
the sound of a crying child
at the midnight hour
the screech an owl
and of a train
grinding to a sudden stop.