Synchronized Chaos August 2026: The Unfinished Business of Living

This month’s issue addresses the Unfinished Business of Living.

Image c/o Pennie Gibson

We look at different types of human ventures, including literal business and entrepreneurship, but expanding out to art, literature, cultural preservation, maintaining relationships, living within nature, peacebuilding, and just figuring out whom to be, how to exist in the world. Perhaps the deepest work of a human life is learning how to belong, to land, to history, to one another, to the difficult truths we carry, and to the dreams we still have the courage to pursue.

First, an announcement: our regular contributor Rui Carvalho invites readers and contributors to submit poetry to the next annual Nature Writing Contest.

Our contest, Nature 2025-2026, is a new opportunity that we, as organizers, create to reach the rest of the world. Every Contest is a challenge for authors participating and to people that make it happen. This year we invite all authors to write poetry about:
(i) Flowers;
(ii) Trees and wind;
(iii) Water;
(iv) Nature Conservation;
(v) Turtles;
(vi) Love for people and nature;
(vii) Hope and Happiness.

Rules and submission information here.

Now for The Unfinished Business of Living.

Image c/o Nabamita

Ismoilova Madinabonu Jaloliddin qizi reminds us of our need for and connection to the rest of nature, and this single insight threads through nearly every voice gathered here. We are not isolated atoms; we are woven into a living world.

Business leader Safwan Ahmed outlines mind-shifts that can assist entrepreneurs in his upcoming titles The Solo Founder’s Kite and the Maverick Strategy, suggesting that how we orient our thinking determines what we can build. Dr. Jerry Olivas reflects on how, like sports, life sometimes doesn’t allow do-overs—a bracing reminder that presence and intention matter now, not later. Shah Jehan Asrafi reimagines silence not as absence, but as a latent, creative force, pushing back against the modern terror of quiet. Ananya Guha loves the difficult, noisy, demanding parts of life, even barking restlessness, insisting that vitality lives in the friction, not the ease. Umida Sayfulloyeva encourages society to look at stress and social pressure as we would any other epidemic. Elmaya Jabbarova captures the spark between people when love could have started, and the feeling after the moment passes. Amonboyeva Shahnoza reminds us to notice and reach out to lonely people around us—a small, radical act of repair in a disconnected age.

Mark Young playfully alters the color and texture of Australian geography to craft unique landscapes, showing that the ground beneath us can be reimagined, not just endured. Priyanka Neogi relates a trip to colorful Guayaquil, celebrating the beauty and culture of the developing Ecuadorean city. Su Yun’s Chinese elementary school students’ poetry, which he translated into English, focus in on ordinary, relatable experiences. Abdukarimova Farangiz discusses strategies for helping Uzbek students learn English as a foreign language, bridging worlds through language. Timothee Bordenave finds Jesus Christ within his ordinary life: in legends, in his craft, in his quiet room, not as a doctrine to be believed, but as a reality to be lived—a spirituality of the everyday, not the cathedral. Amina Sunnatullayeva underscores the importance of remembering and teaching history to maintain one’s cultural identity, a thread that runs through several contributors here. Dr. Reda Abdul Rahim traces the history of Palestinian political and military uprisings, grounding memory in the specific, contested weight of lived experience. Lan Xin acknowledges the long and rich history of the Dongba culture in China and her partnership with Dongba elders to preserve the culture through education. Rushana Shomurodova pays poetic homage to Uzbekistan’s scientific, medical, and literary history with her tribute to the works of historical writer Abdulla Oripov.

Saymurodova Madinakhon Zokhidjon kizi discusses the cultural associations given to the sound of various languages, revealing how hearing itself is shaped by belonging. Gulyor Matchonova highlights the importance of reading for personal education, the quiet technology of becoming. Maftuna Rustamova encourages steady work towards our goals and consistent study in order to learn, in a manifesto that attempts to empower ordinary people to achieve aspirations. Elmurodova Charos also notes the importance of history and national memory to Uzbekistan’s young people, so that they can appreciate the sacrifices of their ancestors and the value of hard-won peace—a generational chain of gratitude and awareness.

Image c/o Made by Pixels

Silke Heiss reviews Abigail George’s novella Did You Get Married To Her While I Was In the Mental Hospital? which is a fierce, boundaryless fusion of mental illness, womanhood, and political rage, where survival lies not in being a “writer” but in being a woman who lives, acts, and cares for others. Abigail George’s new poem relates the experience of family life shaped by addiction, illness, and the commandment of silence, the things we are told not to say, and the cost of keeping them buried. J.J. Campbell writes from the trench of a life lived hard, with no romanticism, no filter, and no apology. Yet his poems are acts of resistance: he’s still here, still writing. 

Mahbub Alam’s poem reminds us of the power of a simple word or bit of attention from a friend or loved one. Nidia Amelia García reflects on a love that has healed her, not through rescuing, but through consistent and tender presence. Maja Milojkovic draws on elements in nature that balance and complete each other as metaphors for romantic love. Sumana Bhattacharjee describes love as both otherworldly and grounded in reality, a spiritually grounded physical journey. Gaurav Ojha’s essay brings a philosophical perspective to the experience of falling into romantic love as Milena Pčinjski evokes a quiet, tender, and sacred rhythm of romance unfolding away from the world’s eyes.

Christina Chin’s haiga presents a simple, yet tender, image of departure and separation, the ache of distance rendered in few strokes. Tanja Ajtic portrays the anguish of intimate loss and grief. Milka J. Šolaja acknowledges the grief intertwined with the beauty of aging, losing physical and mental prowess even as we develop wisdom.

Duane Vorhees’ work explores false promises and hidden costs: sometimes we don’t get what we expect or bargain for in life. Rehaan Khan’s piece is a plea and prayer for a visit from the divine, or from a departed loved one—the hunger for presence beyond the veil. Joseph Ogbonna’s simple yet profound piece reminds us that life and death are paths traveled by all. Graciela Noemi Villaverde weaves a vision of loss incorporated into future life, transformed into future growth. Dr. Debabrata Maji’s poem shows that togetherness transforms losses that would break you into something you can carry. Bahtiyar Hidayet mourns the devastation of war and longs to return to the days when people and animals were cared for and respected—a vision of peace that includes the whole created order. Danijela Ćuk insists that peace is not a distant ideal but something we give each other, moment by moment.

Image c/o Camerawalebhaii

Alan Catlin’s poetic portrait illuminates the humanity of school shooting survivors. Stephen Jarrell Williams suggests that humanity has a last chance to wake up, speak up, and choose sanity over destruction, both personally and globally. Christopher Bernard’s story portrays young children caught between idealism and the betrayal of national institutions.

Saeed Koushan’s work illuminates love that arrives and departs in the same wet night, leaving nothing behind but the memory of something that briefly, impossibly, shone. Noah Berlatsky’s piece speaks to the gap between spiritual ambition and clumsy, human reality—the comedy and tragedy of trying to be better than we are. Hassan Ismail Adekunle shows how one doesn’t build a bridge only by laying steel, but through asking, listening, leaving room for mystery, and honoring the ones who cross with courage and return with compassion.

Jacques Fleury’s poem brings humanity together in solidarity against injustice: it’s always a fresh new morning for someone on the planet. Marjorie Thelen’s short story “The Alien Jazz Band” is about found family, identity, and escape from a broken system, while also serving as a cautionary tale about AI, surveillance, and the loss of human agency, a warning that the technologies we build can sever the connections we need. Bill Tope’s short story is about the gap between what people see and what a person is really like, and how, for some, allowing the gap to remain is a refuge, strategy, and quiet form of grace. Saymurodova Madinaxon Zohidjon qizi points out how ownership of the English language has shifted from a small group of native-speaking nations to the global community of users, a democratization of voice that mirrors the broader themes here. 

Chidimma Ewelukma illustrates what it means to be there for someone: to witness their difficult moments even when you can’t solve their problems, and to stay with them through the different seasons and versions of themselves over time. Srijani Dutta’s collection of poems and paintings embrace questioning, resilience, and self-discovery as a way of living, through recurring images of light, water, wind, dawn, journeys, circles, and flames. In Patrick Sweeney’s monostich poems ordinary moments, memory, faith, and imagination constantly intersect, revealing how people search for meaning amid imperfection, mystery, and everyday life. J.K. Durick’s poetry captures the feeling of being a tourist in one’s own life: perpetually out of place, unable to change situations, and curious about the mysterious lives of the locals around you.

Image c/o Mike Gonzalez

Photini Karamouzis Chalkias’ work reflects a journey through deprivation, survival, and a desperate attempt to find meaning and connection in a world where truth is veiled by blood and silence. Cyril Etchev’s work highlights the power of the dreaming, loving, creative spirit to rise from the grounded, the silent, the ordinary and transform both self and world into light. Mykyta Ryzhykh depicts a reality in which time melts, language fragments, bodies decay, love becomes entangled with violence, nature becomes contaminated by human suffering, and death seems to be the only stability—a counterpoint that makes the acts of connection elsewhere in this gathering all the more urgent. Türkan Ergör expresses a nostalgic wish to return home where she feels she belongs, although life has inevitably changed her. Alex S. Johnson’s interview with musician Militia Vox highlights how for her, authentic artistry is forged in the stubborn refusal to abandon the raw, relational reasons you started, and reclaiming that impulse is itself an act of rebellion. 

Dr. Jernail Singh’s piece argues for ethical action on a broader timescale, regardless of visible consequences in our lives. Sayani Mukherjee’s speaker seems to ask: What truly makes a nation? The answer is not simply borders or governments, but the memories, emotions, songs, cultures, and stories shared by its people. Shlok Pandey explores the weight of generational trauma and impossible social expectations through a mother-daughter story, the inheritance of wounds and the possibility of healing. Thi Lan Anh Tran’s piece suggests that childhood is often happy because then we know how to be fully present, wonder at small things, and love without condition.

Brian Barbeito offers a meditation on authenticity, simplicity, and the harmony that exists when humans, animals, and land live in honest relation to one another, circling back to the opening note from Ismoilova Madinabonu Jaloliddin qizi.

Shannon Scoates speculates through a tone poem on a decaying piano on what remains of our art and creation as natural cycles and time pass.

Image c/o Arti Kh

Finally, Madina Shodmonova encourages us to summon up all our courage and live our dreams with gusto.

What emerges from this constellation is a single, insistent truth: we are beings whose survival and meaning depend on the quality of our connections—to nature, to history, to language, to the divine, to the lonely, to the difficult, to the departed, to the dreams we have not yet lived. The work of being human is not to transcend these ties, but to deepen them, to show up for them, to carry what breaks us together, and to keep writing, making, and loving through the wreckage and the wonder alike.

Essay from Sayfulloeva Umida

The Silent Epidemic of the 21st Century

Centuries ago, epidemics were visible. Their symptoms could be seen, and their consequences were measured in overflowing hospitals and rising death tolls. Today, humanity faces a different kind of epidemic—one that often leaves no visible scars. It is called stress.

Unlike infectious diseases, stress spreads quietly. It affects children struggling with academic pressure, university students uncertain about their future, employees facing demanding workloads, parents carrying financial responsibilities, and older adults coping with loneliness or illness. Regardless of age, profession, or social status, stress has become one of the defining challenges of modern life.

According to the World Health Organization (WHO), more than one billion people worldwide live with a mental health condition, making mental health one of the most urgent public health priorities of our time.

Ironically, we often fail to recognize stress because it rarely announces itself dramatically. Instead, it appears as constant fatigue, irritability, difficulty concentrating, insomnia, emotional numbness, or a persistent feeling that something is wrong. Many dismiss these experiences as “just being tired.”

From my own experience, I have come to believe that our emotions never change without a reason. Feeling emotionally exhausted, becoming unusually impatient, or losing interest in things we once enjoyed is not a sign of weakness. It is often our body asking for something we repeatedly deny it: rest.

Unfortunately, modern society tends to celebrate productivity over well-being. We convince ourselves to keep going despite exhaustion. We continue studying, working, and meeting expectations while ignoring what our minds and bodies are trying to communicate. We act as though we are machines programmed to function without limits.

Yet the human brain does not work that way.

When we experience stress, our body releases hormones such as cortisol and adrenaline. These hormones are essential in short-term emergencies because they help us respond quickly to danger. However, when stress becomes chronic, constantly elevated stress hormones can disrupt sleep, weaken the immune system, impair memory and concentration, and increase the risk of anxiety and depression.

Perhaps the greatest mistake we make is believing that stress must be defeated immediately.

Whenever we notice ourselves struggling emotionally, we often try to escape the feeling as quickly as possible. We distract ourselves with social media, loud music, crowded places, or endless work. While distraction can sometimes provide temporary relief, it is not always healing.

Sometimes the healthiest response is simply allowing ourselves time to recover.

Crying is not failure. Spending a quiet day resting is not laziness. Sleeping longer after weeks of emotional exhaustion is not something to feel guilty about. Just as an injured muscle requires time to heal, an exhausted mind also deserves recovery.

This does not mean ignoring life or withdrawing indefinitely. Rather, it means recognizing that healing is an active process. If emotional distress persists for weeks, interferes with daily functioning, or becomes overwhelming, seeking professional psychological support is a responsible decision—not a sign of weakness. Effective treatment and support are available, yet many people never receive the help they need because of stigma or limited access to care.

There is a saying that resonates deeply with me: Ignoring a problem does not make it disappear; it only gives it more time to grow.

The same is true for stress.

The greatest challenge of the 21st century may not be technological change, economic uncertainty, or artificial intelligence. It may be remembering that behind every achievement is a human being whose mental well-being matters just as much as productivity.

Perhaps the strongest people are not those who never break down.

Perhaps they are those who recognize when it is time to pause, listen to themselves, and begin healing before silence turns into suffering.

Poetry from Hassan Ismail Adekunle

Instructions for Building a Bridge

Begin

not with steel,

but with a question.

Ask the child

what the other side

looks like.

Ask the fisherman

how the current

learns every name.

Ask the woman

who crosses each morning

balancing fruit,

hope,

and tomorrow

on her head.

Measure

not only the river,

but the distance

between strangers.

Leave room

for birds

that refuse

to recognize borders.

Leave room

for silence,

because every honest conversation

must pause

long enough

to hear another heartbeat.

When the bridge is finished,

do not name it

after the richest donor

or the loudest speech.

Name it

after the first person

who crossed

without fear,

and the second

who turned back

to help someone else.

The Library of Borrowed Voices

My grandmother

never called herself a historian.

She simply remembered.

The names of rivers

before they were renamed.

The recipe

that survived three migrations.

The lullaby

that crossed a border

without a passport.

She shelved stories

inside ordinary afternoons,

between washing clothes

and slicing mangoes,

between power cuts

and the first drop of rain.

When she laughed,

entire generations

leaned closer.

When she fell silent,

the room understood

that forgetting

is the first language

of disappearance.

Now I write

because memory

is too heavy

for one heartbeat.

Each poem

is a borrowed shelf,

each line

an invitation

for tomorrow

to recognize

the voices

today refused to lose.

The Cartographer of Smoke

They hired me to map a country

that refused to remain still.

Every border lifted at dawn

like birds startled from a field.

Mountains traded names with rivers.

Cities folded themselves into pockets of fog.

Even the compass developed a conscience,

turning away from every certainty.

So I drew with charcoal.

Not because it lasts,

but because it remembers fire.

Each morning, the wind corrected my work,

crossing out kingdoms

with the patient hand of weather.

Each evening, I began again,

learning that failure is only another alphabet

waiting for a different mouth.

I met an old woman

carrying an empty basket.

She said,

“You cannot measure a place

by the roads that survive.

Measure it by the footsteps

that refuse to disappear.”

Then she walked into the horizon

as if distance were merely

another kind of doorway.

When my employers returned,

they asked for clean lines,

accurate distances,

a legend explaining every symbol.

I handed them a page of ash.

“This,” I said,

“is the only map

that tells the truth.

Everything living

keeps moving.”

Hassan Ismail Adekunle is a Nigerian poet whose work explores memory, family, place, resilience, and the quiet beauty of everyday life. His poems seek to uncover moments of grace and humanity within ordinary experience through clear, evocative language. His work has appeared in The New Verse News and Willy-Wash Webzine, among other literary publications. He continues to write from Nigeria, where he is at work on new poems.

Excerpt from Christopher Bernard’s novel Otherwise: The Children’s Crusade

Fifth Installment of “Otherwise: The Children’s Crusade”

Later Petey would remember it had been like riding for days inside a lightless cave made of steel and smelling of oil and wet rags: a giant empty tank rumbling around them as it swayed and sped down streets and roads and the intimidatingly straight “autobahns” of the abolished republic. It had been like being in the belly of a whale inside the belly of an even larger whale inside the belly of an even vaster whale: a Russian doll that seemed, dizzingly, to have no end.

Days earlier, the five had escaped through a manhole to the street a block and a half away from a huge circular auditorium called the Garten von Nosidam, the name displayed in enormous spaced-out letters beneath the roof. The building was festooned with Izan flags that reminded Petey, sickeningly, of Nazi flags he had seen in movies about World War Two, and golden reliefs of rampant eagles emblazoned with wreaths. A banner, quietly loughing in a cross breeze, hung above the entrance showing the face of a man that seemed vaguely familiar, then he remembered: it had been on the front page of the newspapers they had passed as Yram marched them across the city from the ruins of the library; the headlines had announced the man’s upcoming appearance. A “major oompah,” as Chace might call him. Their two “handlers” had referred to someone they called the “fur lighter,” or whatever. Maybe this was him: the Führer of the Night Reich of Acirema.

The far side of the Garten had caved in and was belching smoke under a dozen white streams of water arcing through the air like silvery rainbows from a fleet of fire trucks as a small army of firemen tackled the blazing building. The air was filled with an acrid stench. Crowds milled and gawked just beyond the trucks. Petey hadn’t seen anything like this many people in the entire city, let alone crammed into one spot, and, for a moment, curiosity conquered fear.

At sight of the half-collapsed building, Chace leaned over to Petey and Bumper: “I was wondering where we were so rudely interrupted.”

Petey caught a quiet exchange between Ruhtra and Yram spoken under Chace’s joke: “So here our betrayal be.”

A unit of Poliz including black-uniformed SS-like guards was beating a young man behind a food truck. It would be a matter of minutes for the news to spread and the crowd to vanish back into their frightened holes. In the meantime, their distraction by other people’s disasters made it easy for the five to escape unwanted interest as they melted away into it.

Ruhtra led them west down several long blocks to a wide, wharf-laden river, then turned north up a broad, half-deserted avenue. Once they escaped the crowd near the fire, the city was once again strangely vacant except for the five refugees who stood out like sore thumbs attached to a freakish hand. It was uncanny. Though there were few if any of the cars, trucks, busses one expects to find in any large city, every street corner had a set of traffic lights, beaming green, yellow, red, green, yellow, red, in rigidly timed sequence though seemingly without point because for little or no traffic of any kind. It was like being in a ghost city, like one of the ghost towns Petey had heard about out west, though on an enormous scale, flanked by towering skyscrapers and riddled with a labyrinthine warren of endless streets and alleys: a vast city long dead except for its madly automated electrical systems, a phantom of civilizations past. Petey had the bizarre feeling that he was intruding on someone else’s nightmare. But now it was his own, their own—or would soon be if they didn’t escape.

“Have you seen my cloak of invisibility anywhere, old son?” Chace joked nervously into Petey’s ear. “It’s always missing just when I most need it.”

Bumper seemed to be getting paler by the minute as he struggled to keep up with the rest. His mouth kept opening as if he were trying to say something but nothing would come out. Petey hadn’t realized before just how much Bumper looked like a fish in a bowl when he was feeling mystified—which, to be perfectly frank, was not unusual. He had to control himself from bursting out laughing at the thought, and turned the unrestrained cackle into a faux cough and sneeze just in time, muttering, “Excuse me!” like the polite young man he had always prided himself on being. He was startled at his reflexive, almost uncontrollable giggle; he must really be in a bad way. But then, this wasn’t the only horrible thing about himself he had learned he couldn’t control after turning thirteen. This whole world had become a gigantic thirteen!

The two older youths halted everyone beneath a red light. 

“What are we waiting for?” asked Chace, surveying the deserted intersection and the empty streets stretching for miles in three directions and a river’s edge lined with pilings on the fourth. “It’s not as if jaywalking is about to get us killed.”

The two turned on him.

“Exactly that be what will,” Yram rebuked him. “Smaller the infraction, deadlier the response. When it you least expect.” She pointed toward a small, innocuous-looking reflector on the side of the nearest streetlight pole. “That do you see?”

The three younger boys followed her look.

“Camera activated be whenever anyone on a red light cross. A photograph to Poliz headquarters it send. Some of them be primed at random the jaywalker to kill.” She let that sink in. “And of littering do not even think. A fifteen-year-old I know to death tortured for a single toss of a cigarette into the gutter near the Garten we just escape.”

“This place is absolutely crazy!” Petey said, indignant and aghast, though the thought was by no means new.

“When madness normal be,” said Ruhtra bitterly, as though speaking from personal experience, “to act sane may you kill.”

“So, when in doubt, ask yourself what you would do if you were crazy?” said Chace.

“Exacty,” said Ruhtra dryly.

“Can they hear us too?” asked Bumper, his eyes growing wide as saucers.

“To do so they wish,” said Yram. 

“Working on it one can certain be,” said her companion. “A question of addicting us to a machine we can in our pockets put.”

“I feel so comforted to know they haven’t figured that out yet,” Chace said with a rueful glance at Petey.

Petey returned the look with his best friend as they both thought of their useless cell phones absconded from home—“Howtiz”—or was it Otherwise? 

“Oh they’ll figure that one out,” Bumper burbled insouciantly, then, catching dagger looks from Chace and Petey, realized what he was saying, continued, dubiously, “. . . some . . . day? . . . ”

“They will I sure be,” said Ruhtra with a shrug, giving up trying to figure out the subtext being shared by the three friends from “elsewhere.”

The light turned and they crossed without incident.

On the opposite corner, Ruhtra recommended they split up.

“‘Sitting ducks’ we be, as my father used to say,” said Ruhtra, “if together we stay. Five a conspiracy to the suspicious appears. Groups of two or three, not so much.”

“Anybody at all in this desert,” chimed in Chace, “looks like a revolution.”

Yram laughed grimly.

“Point taken,” said Ruhtra. “But sometimes in dispersal strength be.”

At the next light change, the two leaders crossed to the eastern side of the avenue and proceeded north. When they had gone half a block, the boys followed. A beaten-up bus from a distant era coughed and sputtered past them. Petey stared at the windows, then looked quickly away.

“Packed,” he murmured.

“Packed?” asked Bumper, imagining a suitcase bursting its seams.

“With soldiers.”

“Did they see us?” Bumper asked, alarmed.

“Definitely not you!” snickered Chace.

“Leave Bumper alone!” Petey muttered in reproof. 

But Bumper, though at first offended, felt a curious sense of satisfaction. Sometimes it was an advantage to be too small to be noticed.

“It’s all right,” he said stoutly. “If they can’t see me, how can they shoot me?”

“That’s the spirit,” said Chace. 

For all his sarcasm, Chace was not as mean-spirited as he sometimes tried to appear. He was just more fond of his friends than he liked to let on. Petey, his best friend, having no such fears, sometimes wondered what Chace was so afraid of, though he didn’t put it to himself in so many words. Chace’s pretense of toughness was a mirage, but one that depended on others believing it. 

“You’ll survive us all,” he said to Bumper. “Poor world!” he added mournfully.

“Kick him, Bumper,” said Petey. 

Bumper pulled back his foot for a good kick at his personal bully, but, thinking better of it, unleashed his foot against a crushed beer can on the side of the curb, sending it flying across the avenue.

The sound of a shot rang out. 

The can split as a bullet pierced it, ricocheted off the street, and passed over the boys’ heads.

The boys froze as the shiny metal pieces spread across the middle of the street. The two ahead stopped and looked back. 

The silence that followed was as deafening as the common expression said. Nothing stirred, nothing moved. There was no sign where the shot had come from or who had taken it. Petey thought he heard echoes of the shot in the canyons of skyscrapers and office towers. But maybe it was just a hallucination.

We were warned about littering, he thought. Though their notion of “litter” seemed fatally broad.

“Looks like nothing’s too small,” Chace murmured, “for these fellows to notice.” 

Bumper’s momentary satisfaction in his unnoticeable littleness instantly collapsed.

Petey watched as the two across the avenue turned and began moving north again. The boys followed half a block behind.

Petey noticed a peculiar smell of the city: of hamburger wrappings, eggs, bacon and coffee, of subway soot, crankcase oil, burnt plastic and diesel exhaust, with wisps of perfume, sea air and freshly pressed laundry, blended together in a smell at once rich, dirty and strangely stimulating in the sharp air under a sun as vibrant as an enormous neon sign.

He saw, at the top of many of the smaller high rises, curious cylindrically shaped huts with cone-shaped roofs. They were odd, cute little structures. They all seemed to have the same purpose, but what could it possibly be?

He would find out at least one purpose sooner than he expected when, after half an hour of trudging up the desolate avenue, the two ahead of them stopped at the foot of an abandoned building from generations ago, looming above them in dirty, worn brick. It had probably been a stylish address at one time, with offices for lawyers, accountants, stock brokers, doctors, middle men, but was now the forlorn token of a neighborhood long abandoned by the prosperity and fashion seekers of an era long vanished. It stood alone, surrounded by abandoned grocery stores, a furniture store, an automobile showroom; tall for its time though now dwarfed by the skyscrapers of midcentury, courtly, proud and vulnerable, a dozen stories high with the stylized, fresh-air windows, an Italian-revival shadow roof and ornaments of a decades ago; the only contemporary signs were the raw plywood planks hammered against the first-floor windows and doors, and the posters pasted on them warning against entry. Ruhtra waved them over.

Careful to cross only when the streetlight showed green—and above all not to drop anything inadvertently on the street as they crossed—the three joined them.

Signing them to silence, Ruhtra led them to the back of the building, facing an alley, where he pulled at a loose plank opening into the musty interior. The four snuck in while Ruhtra kept watch. Petey saw him pull out a handkerchief and stick it into a crack between planks before pulling the open plank shut behind them.

“Follow,” he ordered the little troop as he led them to an inner fire escape that rose to the roof. Climbing a dozen stories after walking miles was not so wearisome for young adolescents, but the small, rotund Bumper was complaining mightily before they were half-way up.

“When! Are! We! Going! To! Get! There!” he huffed and puffed as they passed the sixth story.

“When! Ever! We! Do!” said Chace blithely, hardly breaking into a pant.

Petey gave Bumper a sympathetic look, as if to say, “I know. I get it.” And panted along with the little doughball.

When they finally got to the roof, Bumper, ignoring the splendid view, immediately plumped down on the black creosote. But Petey immediately lost any sense of fatigue when he saw, to his unexpected pleasure, one of the cone-topped huts sitting atop an open-work wooden stand not a dozen yards away.
Ruhtra walked up a set of stairs to a door in the cylindrical hut and, opening it, beckoned everyone else in. 

Even Bumper for a moment forgot his exhaustion and Petey, feeling excited to find out what these structures were all about, clambered inside with the others.

And what he found inside was . . . a small round room with a conical ceiling. And no windows. When Ruhtra closed the door, the darkness was complete.

“Hm!” thought Petey. Inside a small cylindrical building with a conical roof was . . . a small round room with a conical ceiling. Duh!

This would not be the only time discovering the solution to a problem felt vaguely disappointing.

And yet, not entirely. He had to admit: it felt quite cozy inside the hut, removed from the world, safe, almost invulnerable. The outside world suddenly felt infinitely far away. He remembered pictures he had seen in his mother’s art history books, illustrations from an illustrated manuscript showing knights and ladies and peasants in the fields and forests and, on top of little hills, tiny castles arrayed with waving banners. That was it: he felt like a knight inside an ancient castle painted, centuries ago, by a monk for a young prince, say, or a nobleman or a king, in the margins of a magnificent volume. He liked it!

“This is so cool!” he said, in the darkness that fell after Ruhtra closed the door of the hut.

“Petey,” said Chace, in his best grown-up voice. “You never cease to amaze me.”

“No! Really! It is!”

A hanging bulb, switched on under Yram’s touch, revealed the hut’s modest accommodations: cots with blankets, a cabinet with a hot plate and stored with cans of soup, boxes of crackers, bottles of soda, and the like. There was a mysterious closed rack on the wall near the door. Something about it made Petey think of rifles; it was just large enough to hold several.  

“A few days we can here stay,” said Ruhtra, “till the city quiet be.”

“Do you have a lot of hideouts like this?” Petey asked.

“A few,” the other replied cautiously, “for use only when need.”

“Do you mind if I ask you something?” Petey said later on, after they had settled in, the boys on the cots, the other two cross-legged against the wall.

“Depends it on what it be,” Ruhtra replied. Petey noticed Ruhtra kept close to the wall rack; he was now sure it held weapons. 

“How many are in the Link?”

“We know not,” said Yram, sadly, ignoring Ruhtra’s warning look. “But long it gathering be.”

Bumper glanced back and forth between Petey and Yram, clearly about to burst with curiosity. Chace lay back staring at the curious ceiling, pretending not to care, but not doing a good job of it. His stillness was suspect; he was just as intent. The body language of both boys almost shouted, “Well, go on!”

“How did it start?” 

“The story,” said Ruhtra, “be that with a group of runaways it began ten years after the victory of the Izan: kids who from brutal families, neighborhoods, schools had escaped. A few in the group in it saw a possibility into something to grow that might take the Izan on, in local communities harass, then in villages, counties, towns, eventually across the whole kolonie. Maybe a wider revolt inspire and the whole hellish system bring downaa: the konzentrazionlagers, the new plantations where black people were once again slaves made, the great armed cities. Memories were still, legends about how Acirema had been before the conquest. An occasional book that the great fires of the fifties escaped. How free and strong Acirema had been. Not a place perfect, far from it, but a place where people their lives could live as they wished without others doing harm, where hope possible and enough fulfilled not to make it futile seem. Not like the place of fear and despair it has become. Those memories, though the Izan tried them to erase or turn to ridicule for their weakness in letting the country by them conquered be, in stories lived and songs and even the games children under the noses of adults from generation to generation pass down. The Link from those seeds grew—link from a past we knew to a future we know again can be. More runaways it took in, then kids at home spies became and even . . .”

“A fifth column,” said Petey.

“A ‘fifth column’?” the other asked, puzzled.

“Never mind,” said Petey.

“Anyway, so it grew. But how large it be no one know, or how far across the kolonie to extend. The Izan of pockets here and there seem to know. Rumors we have of cells infiltrated, exposed, terrorized, liquidated. Other rumors that central command our groups separates us to protect, by much in the dark about each other us safe keeping.”

“If even a central command there be,” said Yram, scornfully. 

“Sometimes about that too I wonder,” said Ruhtra. “Our numbers I hear from the thousands to the millions The penalties for rebellion harsh beyond imagining. All of Imaim’s cohort in the Floral southeastern peninsula six months ago from the face of earth erased—into the marshes of the interior escaped but starved or attacked by alligators that there live. But to prevent others from joining in rebellion they have failed. And so to grow we continue.”

“Unless be rumor that too,” said Yram, bitterly.

“One secret we seem to have kept.”

“And what’s that?” asked Petey.

“That we all children be. This Izan believe cannot. Certain they be the Link by adults run, for distraction us using. Or, cynically, fodder. Know they nothing we the rebellion rule. Our goal to include every child in Acirema.”

“And beyond, if possible,” Yram added. “Because take every child in the world it may take the Izan to eliminate forever.”

“Our operation ‘the Children’s Crusade’ we call.”

“Like in the Middle Ages,” said Petey.

The two looked at him curiously.

“How you mean?”
  “In the Middle Ages there were a number of crusades to recapture the Holy Lands,” said Petey, wondering that they didn’t know this, then remembering that where they were: nothing could be assumed in a world with a country called “Acirema” where the U.S.A. should have been. “One of them was a crusade of children that moved across Europe, gathering thousands as they marched, and almost made it to Constaninople.”

“They also thought they’d succeed where the adults had failed,” said Chace coolly as he examined the ceiling. 

“And did they?” asked Ruhtra. “Did they their ‘holy land’ retake?”

“They died of hunger and disease long before they got there.”

Ruhtra stared glumly at the floor.

“At least that way we shall not die.”

He was interrupted by the wailing of a siren—then a second, a third, finally what sounded like dozens echoing across the city below them.

Chapter Fifteen: A Traitor’s Traces

They hunkered down in the hut for several days, Ruhtra and Yram taking turns as rooftop guards scouting the streets beneath them and during the day reconnoitering the neighborhood. The reports they brought back were not encouraging. The city was in lockdown since the attempted assassination of the Fürleiter (“or for the masses staged,” Yram added; she suspected a false flag operation by agent-provocateurs or a contingent of Izan seeking to leverage power within the party’s notoriously chaotic hierarchy—“its pecking order of murderers,” as Ruhtra called it). Suspects were being rounded up en masse and kept in a detention center the old Museum Metropole had been converted into in Park Zentral. Sounds of a firing squad had been heard near the park. 

A dozen of the children had been caught in the abandoned subway station and held for twenty-four hours, then released, according to a newspaper Yram bought when sneaking out the next day, after a fourteen-year-old named Dahalag (Ruhtra’s lieutenant, it turned out) convinced the Poliz they were homeless urchins escaped from an orphanage in Xnorb after it had burned down the year before: fires were common in the city because of lax supervision of the fire code and steady defunding of the fire department over the years. The Izan couldn’t have cared less about the orphanage or the orphans (the steady deterioration of the city’s physical infrastructure was suspected by Ruhtra, as he said  when they discussed the article, of being strategic; it was one more way to keep the population cowed and malleable); they even found the story entertaining. “Amor fati. Alles der fatum dey deserve get” was the local motto in “the pig German and weird English,” as Chace called it, used by the authorities. If the children were homeless, it was their own fault. They could live “in die Strasse oder unter die Strasse!” they joked; it was no concern of Izan. “Bin ich mein Bruders kieper? Nicht! Bin ich mein Bruders blooty kinders kieper? Doble nicht!”

Ruhtra was unable to find out where the released children had gone. In fact any communication to the outside was difficult to impossible; the telephone system was hopelessly undependable, and anyway the phones in the building where they were holed up were dead.

From the newspapers they learned that the abandoned station had been sealed shut. The scores of children who hadn’t been caught had scattered; the group it had taken so long to gather might be lost for good. 

“If Dahalag escaped, why here not he us has met?” Ruhtra said to Yram in Petey’s earshot as they stood outside the hut. “Or anybody else at central? To meet here they knew if we scattered.”

Yram tried to be consoling.

“Maybe afraid we too infiltrated be and a trap they suspect?”

“But at least a handkerchief leave, as the sign we agreed. Left I ours; so where theirs be?”

So that explained the handkerchief Ruhtra had stuck into the crack when they snuck into the building, thought Petey.

“Unless…,” said Yram.

“Unless,” Ruhtra interruprd bitterly, “one of them the traitor be.”

“Or all of them,” said Yram, “captured.”

Late that night, they finished a frugal meal of canned schnitzel and crackers and separated, each lost in their own thoughts, going over for the thousandth time either the steps that had brought them there or what possibilities they had of escaping. 

Petey was trying to remember how he had gotten back home the two times he had been in Otherwise (assuming this was Otherwise), but he could detect no pattern or formula in the escapes. They seemed to have depended entirely on the luck of the moment—or the diabolical whim of the place itself. He seemed to be in the hands of a little devilish god who did with him whatever it wished. He just had to trust that the demon cared enough for his little toy not to let it perish. To say nothing of Bumper and Chace. And even Ruhtra and Yram, who were being so good to them all. But he knew that was asking a lot. And he continued to be haunted by what Ruhtra said. What if after all it was this world that was “reality”? If so, there was no escape for any of them . . .

“It’s awfully quiet out there,” Bumper whispered. Then he burped, loud. “Oops! Excuse me!” (His mother had always told him good manners were never out of place.)

The silence that followed was oppressive. Usually, even in this quiet part of town, there was a low-bass rumbling of distant traffic, far sirens and the like—inescapable signs you were inside an enormous city. But right now there was nothing at all: just dead silence.

“What’s that sound?” asked Bumper.

Now that Bumper had mentioned it, Petey could hear it too: cutting gently through the deep quiet, a sound vaguely familiar, a distant pulsating rotary groan; very distant but getting louder.

“A helicopter!” It was Ruhtra. He gave everyone a look of alarm. “Betrayed we have been! Leave we must! Now!”

They had little or nothing to gather—Chace his pocket handkerchief, Bumper a lucky pebble, Petey the wallet he had been given for his thirteenth birthday, since he was now “almost a grownup,” though of course there was nothing inside it except the first dollar bill he had ever gotten for allowance; and Ruhtra and Yram a can opener and a pair of forks—not only utensils but weapons, Petey thought. Yram turned off the hanging bulb, Ruhtra carefully opened the door and scanned the empty rooftop, and they stepped down the steps into a night strangely dark for a city: there were almost no lights in the blocks around them; office towers rose like black monoliths into a moonless sky scattered with stars almost as densely as above Halloway, which gave Petey an unexpected pang of homesickness. Then they saw a tiny constellation of red and white lights moving toward them across the glittering night accompanied by the regular, chopping sound of spinning blades.

Ruhtra hustled them to the indoor fire escape, and they moved downward as fast as they could in the dark. As they reached the floor second from the roof, they saw a harsh beacon through the abandoned building’s broken, sooty windows and heard the chattering roar of the helicopter as it landed heavily on the roof, and a voice blaring through a megaphone: “Achtung! Achtung! Achtung! Komm jetzt nach draussen! Komm jetzt nach draussen! Komm jetzt nach draussen!”

There was a burst of machinegun fire. 

“Faster!” Ruhtra hissed as, in the pitch dark, they stumbled down a dozen landings and an interminable length stairs to the ground floor, making it miraculously without anyone falling (Bumper staggering once on the fifth floor but caught by Petey before he went tumbling to the fourth floor landing) and then forced their way, bumping into walls, old office screens, half-closed doors, abandoned furniture and factory equipment, to the door with the plywood plank they had entered a few days before.

They waited in the dark and quiet, expecting to find the building surrounded by Poliz. It wasn’t. Were they lucky or what? Petey gave an audible sigh of relief.

“Do not in the street start dancing just yet,” said Ruhtra. “Here stay till I return,” he ordered, then snuck quietly out.

“Hey,” Chace whispered to Petey, “that was my line.”
“Don’t make me laugh,” whispered Petey.

“Why are we laughing?” Bumper asked in a terrified whisper.

“So we not to die,” whispered Yram.

“Et tu, Yram!” whispered Chace.

With nerves at breaking point, all four nearly choked on their laughter.

Ruhtra soon reappeared out of the darkness. 

“Thank Endo nobody there,” he said sternly. “Otherwise your laughs might your last have been.”

“And we wouldn’t want it otherwise for all the tea in China,” Chace muttered into Petey’s ear. “Would we, old son?”

Knock it out, wise guy! Petey wanted to reply. 

The truth is he’d wish it otherwise for a good deal less than a black mountain of the fragrant tea his mother loved to sip (with milk and honey) each mid-afternoon on the back porch under the ageing maple that flourished in their backyard. For a moment, he could almost smell the tea, the honey, the grass, the tree and its rich autumn sap, as vividly as he could see them in his mind’s eye . . .

Boy, he wished he were there right now! It had been less than a week, but it felt like a year since he had last seen home. He never realized how much he could miss anything! But he couldn’t indulge in nostalgia just now.

    Ruhtra pulled back the plank for them to leave, then led them through the dark streets beneath a parade of pale yellow street lights, every other one either flickering sickly or not at all, in the civilized wreckage of a once thriving country, frozen in time as much as it was paralyzed by fear.

The stars sparkled tantalizingly above the city: This is how it is done, they seemed to say, over and over, like a lesson repeated to an obstinate pupil. This is how it is done. This is how it is done. Learn from us. As you have learned everything else, proud child, that you have ever known.

_____

Christopher Bernard is a prize-winning author of both poetry and fiction. The two earlier stories in the “Otherwise” series are If You Ride A Crooked Trolley . . . and The Judgment Of Biestia (winner of the Independent Press Award in Preteen Fiction and short-listed for the K M Anthru International Literature Award).

Poetry from Stephen Williams

Last Call

So here

we are,

what is

true

and what

is not,

bombs blasting

eardrums

and hearts,

across the sea

and coming soon,

many of us

not wanting

to believe,

but we must

do something…

to change

the insanity.

City Coup

Hop on that daily train,

a rolling computer screen.

Hum of the rails

ignoring all the neighbors.

Habits

dictating.

On-and-off

stops.

Perhaps always leaving

and arriving…

in the same state

of mind?…

sick and unchangeable?

Somewhere

He dreams

of her

every night.

Believing

there is someone

good…

somewhere.

Everywhere

Searching for the Saints of Glory

long prairies into the sky

mountaintops with sun highlights

sea washing shores of continents

songs singing upward

a mighty voice

with millions joining

heaven here and everywhere.

Poetry from Danijela Ćuk

May peace awaken all across the earth,

may golden sunlight warm us, chasing clouds of gray.

We long for smiles, for freedom, joy, and hope,

let love’s true paths forever guide our way.

Let nature bloom in all her grace,

for she belongs to every heart and land.

Do not destroy the gifts she freely gives,

for she remembers all by nature’s hand,

even when your eyes can no longer see.

Let the young embrace the light of life;

let sorrow cast no shadow on their days.

Do not teach them hatred for one another,

for hatred fills the world with grief and pain.

Let children keep the wonder of their youth.

Teach them to give with love and to receive.

Every child deserves a place of peace,

a safe haven where their dreams may gently breathe,

not hands that steal their innocence away.

Offer peace to one another.

If you take this world’s bright light,

its darkness will return to you.

Be humble, grateful, cherish every breath,

for no one has the right

to imprison another’s peace.

Release each other from pain and hate,

what good have they ever done?

Peace is the gift we all are searching for.

Why turn against each other,

making this beautiful world

a kingdom built on sorrow and chains?

Long live peace.

May your hearts forever shine with light.

It takes so little,

only one sincere,

truly human embrace.

Danijela Ćuk

Croatia

Poetry from Milena Pčinjski

MINUET AT MIDNIGHT

Thou art my minuet at midnight,

a primal ember, softly stirred;

the tender call of the turtledove at dawn

that gently heralds the morn.

Thou art my silence, and my trembling,

which in longing I weave into verse.

Thou art the flame of a restless body,

a fervent yearning that warms within.

Thou art the depth and essence of my soul,

long hidden from unworthy eyes.

A love awaited since days of childhood;

a tender blossom that I tend in rapture.

Woven of the same mystic substance,

in a gleam that sets each atom aflame;

fate hath bestowed us one upon the other,

in a wondrous fire that dreams of the eternal.

Milena Pčinjski, MA – Biography

Milena Pčinjski (Милена Пчињски) was born on October 28, 1986, in Prokuplje, Republic of Serbia, and currently resides in Ćuprija. She holds a Master’s degree in English Language and Literature. She is recognized as an international poet who writes in both Serbian and English. Her poetry has been published in numerous collections and anthologies of contemporary Serbian literature, as well as in international and online poetry compilations. Her poems have been translated into English, Hungarian, Russian, Romanian, Bengali, and Finnish.

She is a member of several book clubs in Serbia and regularly participates in literary events and poetry competitions. In 2025, she published her poetry collection Verses Imprisoned (Заробљени стихови). She works as an online English professor and also serves as a translator and editor for Area Felix, an international Serbian e-magazine dedicated to creative literature and culture. Additionally, she is a proofreader for the Association of Writers –SKOR, where she also serves as the President for the Pomoravlje Region.

Her collection Verses Imprisoned was awarded the Honorary Silver Diploma by the Orthodox Cultural and Artistic Almanac Arina NN in Nizhny Novgorod in 2025.

Milena is an honorary member of the International Advisory Board of the Academy of Farsala in Greece, as well as of the Global Literary Society, where she received a Certificate of Appreciation for „her excellent contribution to the Global Movement of Positive Literature” from Bhagirath Choudhary, the founder of the organization. She is currently preparing her second poetry collection.