Synchronized Chaos’ First April 2025 Issue: Journeying Inward

“First Day of Spring in Boston” c/o Jacques Fleury

The Global Federation of Leadership and High Intelligence, based in Mexico, is creating a Mother’s Day poetry anthology and invites submissions. They are also hosting a video contest for creative work with paper fibers.

Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.

We’re also having a presence at the Hayward Lit Hop festival this year, and we encourage everyone to attend this free, all-ages event! Many local writers will share their work and we will also host an open mic.

This month’s theme is Journeying Inward.

Lidia Popa seeks her true self, believing in the value of her quest. Samira Abdullahi acknowledges her scant resources and the obstacles before her, yet bravely forges ahead towards her life’s goals. Xavier Womack expresses determination to stay free of a relationship that has turned controlling and toxic.

Maurizio Brancaleoni crafts bilingual English/Italian introspective vignettes. Philip Butera reflects on noticing different types of flowers throughout his life, paralleling his different moods. Christina Chin of Malaysia and Paul Callus of Malta collaborate on haiku resplendent with action and sensory detail about the minutiae of human life, highlighting how even smaller thoughts matter.

Charitha Jammala’s mystical poetry probes the depths of the human mind and soul, celebrating our inner essence and integrity. In elegant poetry, Haroon Rashid reminds us to look inward to find joy and peace rather than expecting it from the outside world. Alex S. Johnson revels in the dreamscape of human consciousness in his expansive poem.

Beatriz Saavedra Gastelum probes the power of dreaming to explore human consciousness in Alfonso Reyes’ writing. Christina Chin and Uchechukwu Onyedikam collaborate on haiku capturing the delicacy and deliciousness of creative tension and human spiritual journeys. Fatima Anisa Ibrahim depicts the peace she finds upon sleeping, waking, and beginning a new day.

Black and white drawing of a young woman in profile view looking out to the side with two other smaller versions of herself seated with her head in her hands in front of her. She's next to a barren tree and clouds.
Image c/o Kai Stachowiak

Stephen Jarrell Williams’ poetic cycle drums up a sense of urgency, evoking human mortality and spiritual quests. Peter Cherches speaks of time and memory, incidents that make us, small puny humans as we are, question all that we remember. Mykyta Ryzhykh renders the dissolution of language and identity through creative poems. Alaina Hammond probes the effect of present experiences to shift memory and identity in her drama, set at an art opening. J.K. Durick’s poems also address identity in a way, pointing out human experiences we face individually, yet share with many around the world.

Philip Butera’s lengthy poem explores existence, seduction, and morality through a lens of mutable personal identity and the archetypes of Greek mythology. Two literary critics, Dr. Selvin Vedamanickam and Grock, explore the struggle of individual people in a world that seems indifferent in Dr. Jernail S. Anand’s epic poem Geet: The Unsung Song of Eternity.

Bhagirath Choudhary’s piece honors and includes the feminine as well as the masculine in what it means to be human, and divine. Jacques Fleury, a Black man from Haiti, asserts his belonging to the universal human family regardless of racial distinctions.

Patrick Sweeney writes disconnected short pieces with an element of whimsy that explore our curiosities and obsessions. Duane Vorhees’ poetry revels in earthy sensuality and explores questions of personal identity, reality, and fantasy.

Fantasy image of a leaping unicorn (bottom right) and flying unicorn (top left) in a sky full of dark clouds. Ground beneath is sunny grass.
Image c/o Dope Pictures

Kylian Cubilla Gomez’ images focus on fun and imagination in his images of children’s toys. Ochilova Ozoda Zufar shares a children’s story about travel, friendship, and new experiences. Abigail George reflects on her life’s trajectory, how circumstances made her the mother of words rather than human children.

Elan Barnehama’s short story places us back in our early twenties, when many of us were still making major life decisions. Still, many people past that age express similar sentiments. Tagrid Bou Merhi affirms the drive towards personal and artistic freedom. Anna Keiko reflects on how she has followed the call of poetry in her life. Chad Norman’s brash poetry celebrates the freedom to do and say and love as he wishes in his native Canada.

Doug Hawley relates his experiences in the natural vastness of mountainous and lesser-known eastern Oregon. Maja Herman Sekulic’s speakers lay exposed in the city, under the weight of human emotion as much as the heat of the sun and the relentlessness of the rain.

J.J. Campbell conveys regret, despair, and the lingering effects of a broken past. Mark Young’s poetry presents with wry humor dreams pursued and derailed. Susie Gharib’s work reflects the anxiety and discomfort of the human condition and her desire to find and choose peace. John Dorsey’s speakers seek various forms of comfort and stability.

Two women in dresses (saris) stand bent over by a tree. Painting is blue and purple with some warm sunlight on the right.
Image c/o Rajesh Misra

Brian Barbeito reflects on the life and death of his beloved dog, Tessa. Taro Hokkyo’s short poems speak to grief and loss, ending on a note of regrowth.

David Sapp speaks to the lingering psychological impact of physical and mental loss during the American Civil War. Dennis Vannatta’s essay explores the wartime inspirations for some of Chopin’s music and compares that with his own Vietnam experience.

Fadwa Attia reviews Mohamed Sobhi’s new play “Fares Reveals the Hidden” which explores identity, homeland, and belonging. Dr. Kang Byeong-Cheol speaks to loneliness, nostalgia, and empathy.

Atabayeva Gulshan examines loneliness through the lens of Chekhov’s writings. RP Verlaine’s work posits speakers surrounded by maelstroms of feeling, unable to do more than watch. Dr. Kareem Abdullah reviews poet Eva Petropoulou Lianou’s work on the power of human emotion and the power of the individual to transcend it.

Face of a young woman superimposed on an image of a chessboard and the ocean and the night sky and stars and galaxies.
Image c/o David Bruyland

Nigar Nurulla Khalilova implores deities, and her fellow humans, for compassion towards struggling people. Eva Petropoulou Lianou misses human kindness and simple pleasantries of life.

Graciela Noemi Villaverde speaks to the physical coziness of true and long-term love. Isaac Aju writes of first love between a generous young man and a strong young woman who doesn’t feel conventionally feminine. Makhmasalayeva Jasmina Makhmashukurovna encourages love and respect for the wisdom of parents.

Poet Eva Petropoulou Lianou reminds us to be kind and show common courtesy. Greek poet Eva Petropoulou Lianou interviews Chinese poet Yongbo Ma about writing as a spiritual practice to seek goodness in a harsh world. Elmaya Jabbarova highlights the power of the poet to engage with the senses and cast a vision for the world. Eva Petropoulou interviews Egyptian writer Ahmed Farooq Baidoon about his hopes and dreams for the human literary imagination to guide and transform our world, and also Venezuelan poet Mariela Cordero, who celebrates the evolution of literature and the unnoticed acts of kindness around us daily.

Sayani Mukherjee rests within a Romantic poet’s verdant natural dreamscape. Bekmirzayeva Aziza’s tale reminds us not to forget as we grow up that we can find happiness through simple pleasures and days in nature. Maja Milojkovic reminds us to care for the planet, asking us some hard questions in the process. Writer and literary critic Z.I. Mahmud compares Michael Crichton’s Jurassic Park to Mary Shelley’s Frankenstein in its critique of humanity’s quest to micromanage and control nature.

Raised fists, brown skin of indeterminate race, painted background of swathes of gray, purple, pink, yellow, green, blue.
Image c/o Linnaea Mallette

Idris Sheikh looks to the awakening and rebirth of Nigeria from poverty and violence. Joseph Ogbonna mourns the Ottoman Empire’s genocide of the Armenian people. Marjona Bahodirova’s story illustrates the pain and loss many women in Central Asia endure, due to class prejudice and intimate partner violence. Bill Tope’s short story explores the evolution of a formerly open-minded person into a bigot and the long-lasting harm that does to his family and ultimately, himself. Taylor Dibbert recollects an encounter with an aggressive and clueless neighbor as Bill Tope and Doug Hawley’s collaborative short story humorously addresses social misunderstandings accentuated by our society’s prejudices. Patricia Doyne’s poem laments political aggression, power grabs, and the rise of autocracy as Daniel De Culla laments the political danger posed to democracies by a culture of brash ignorance.

Shahnoza Ochildiyeva explores the impact of literature on the lives of characters in Markus Zusak’s novel The Book Thief. Even though books cannot save them from the Nazis, they consider literature worth the risk of their lives. Lilian Dipasupil Kunimasa calls on humanity to seek knowledge and cultural advancement in the pursuit of peace.

Tarane Turan Rahimli speaks to the burgeoning literary scene and cultural heritage of her native Azerbaijan. Alex Johnson’s poem celebrates the enduring literary legacy of Patti Smith and William S. Burroughs and the Beat generation. Malika Abdusamat suggests possibilities for the role of artificial intelligence in language learning. Grock outlines the work and career of Indian poet Dr. Jernail S. Anand and considers his originality and suitability for a Nobel prize.

Christopher Bernard reviews Cal Performances’ production of William Kentridge’s The Great Yes, The Great No, praising the vibrant stagecraft while questioning the value of celebrating the absurd in a time of real political absurdity. Chimezie Ihekuna observes that the world’s ways have become upside-down, strange, and unusual.

Art Nouveau wallpaper, dark background, twining green leaves and branches, light tan flowers of different brightness.
Image c/o Maria Alvedro

Dr. Andrejana Dvornic, in a presentation at the Belgrade Book Festival, explores themes of love, longing, and loneliness in the works of Umid Najjari. Teacher Liu Xingli sends in poetry from the elementary school students of the Xiaohe Poetry Society in China’s Hunan Province, which explores themes of nature and society, love and compassion, and heroism and sacrifice.

Federico Wardal honors the legacy of actor Marcello Mastroianni. Texas Fontanella sends up some vibrant, avant-garde music. Cristina Deptula reviews the anthology White on White: A Literary Tribute to Bauhaus, edited by Alex S. Johnson with a foreword from Poppy S. Brite.

Vernon Frazer plays with splashy words and images. Rizal Tanjung situates the paintings of Anna Keiko in the developing history of world art. Scott Holstad probes Husserl’s philosophical understanding of phenomena and being.

Norman J. Olson evokes the wonderment and curiosity we can experience when we look at art and history. Isabel Gomez de Diego’s photography honors the Spanish heritage of faith and craft. Erkin Vahidov reflects on Uzbekistan’s proud cultural heritage. Toxirova Ruxshona highlights advances in modern world modern medicine in her piece on diagnostics and treatment for a variety of skin diseases.

Neolithic house on a partly cloudy day, clay and mud walls, thick straw layered roof and door and fence. Surrounded by hardened dry dirt.
Image c/o Vera Kratochvil

Bangladeshi writer Mahbub Alam expresses his respect and humility before God in his Ramadan poem. Jake Sheff draws on mythology and history as he memorializes his family members and other figures from the past. Nilufar Anvarova’s poem tells the story of an elder encouraging modern people to remember the past.

Dr. Lalit Mohan Sharma reviews Dr. Jernail Anand Singh’s epic work “From Siege to Salvation,” comparing the battles of the Mahabharata with the siege of Troy and affirming commonalities of our human experience. Cristina Deptula interviews Nigerian poet Uchechukwu Onyedikam about transcending cultural barriers through his international haiku collaborations.

We hope that this issue will draw you out to peek at the world from different cultural and generational vantage points, then pull you inward to consider the value and wonder of your own thoughts and psyche.

Poetry from Norman J. Olson

Leaving LAX

the big plane lifted over

El Segundo leaving the lights of

Los Angeles like a million

pinball machines

lined up to the

black water Pacific shore…

I ordered a drink and some

warm nuts, started watching

a movie

and headed for London…

Visiting the National Gallery

Nelson stood atop his

column, looking

small and forgotten

as the waves of

tourists

crashed on the steps of

the National Gallery…

I got in line, showed them

my backpack with my extra

layers of jacket, and walked

into a room

fishy with underwater light

to pry secrets from the shadows

of Vermeer…

when I started to think that

maybe the only one

who ever really got it

right was

Francis Bacon, I knew it

was time to leave…

In Florence, Italy

we flew in over

the ridiculously beautiful

Tuscan countryside

to land with a roar

of reverse thrust

on the short Florentine

runway…

later, the sun was warm

on my cheek and

I looked at Brunelleschi’s dome

and wondered what it was like

for the bricklayers

350 feet up on a scaffold

made of planks and rope…

there were a million of us,

tourists,

running around with our

fashion designer shopping

bags, gazing in awe

at the sheer audacity

of the cathedral…

then we went into

one of the swanky

restaurants and got a plate

of rigatoni and a rich,

sour Chianti…   

Rizal Tanjung reviews Anna Keiko’s paintings

Large colorful oil painting by Anna Keiko, with splashes of yellow and red and green and purple paint. Figure of a bird or person on the right, face and body suggested.

Review of Anna Keiko’s Painting: Contemporary Expression in the Context of Art History

By: Rizal Tanjung

Anna Keiko’s painting presents an expressionist approach with the use of vibrant colors and bold brushstrokes, creating a dynamic and emotionally charged composition. This work appears to be part of contemporary art, emphasizing individual expression and freedom of form. To understand Anna Keiko’s position in the evolution of world painting, we must examine the long history of visual art from prehistoric times to the contemporary era.

The Evolution of Painting: From Prehistory to Modernism

Painting has undergone a long evolution, reflecting humanity’s cultural and intellectual development.

1. Prehistoric and Ancient Art (40,000 BC – 476 AD)

The cave paintings in Lascaux, France, and Altamira, Spain, are early examples of human visual art.

Ancient Egyptian, Greek, and Roman art began to show structured composition, perspective, and symbolism.

2. The Middle Ages (476 AD – 1400 AD)

Painting was dominated by religious iconography with Byzantine and Gothic styles.

The use of gold colors and flat perspectives reflected spiritual values rather than realism.

3. The Renaissance (1400 AD – 1600 AD)

Leonardo da Vinci, Michelangelo, and Raphael revolutionized art with scientific perspective and realistic human anatomy.

Art became more human-centered, emphasizing intellectual exploration.

4. Baroque and Rococo (1600 AD – 1800 AD)

Artists like Caravaggio and Rembrandt highlighted chiaroscuro (light-dark contrast).

Rococo was more decorative and feminine, with soft colors and pastoral themes.

5. Neoclassicism and Romanticism (1750 AD – 1850 AD)

These movements combined classical elegance with emotional expression.

Artists like Jacques-Louis David and Francisco Goya challenged academic traditions.

6. Impressionism and Post-Impressionism (1860 AD – 1900 AD)

Claude Monet and Vincent van Gogh emphasized light effects and spontaneous colors.

Post-Impressionism (Gauguin, Cézanne) focused more on structure and emotion.

7. Modernism and Avant-Garde Movements (1900 AD – 1950 AD)

Cubism (Picasso, Braque) deconstructed forms.

Expressionism (Kandinsky, Munch) highlighted subjective emotions.

Surrealism (Dalí, Magritte) explored the subconscious.

Contemporary Art and Anna Keiko’s Position in Artistic Evolution

Anna Keiko appears to follow the path of abstract expressionism, which emerged after World War II, where freedom of expression became the core of artistic creation. Artists like Jackson Pollock and Willem de Kooning popularized this style with spontaneous gestures and expressive use of color.

In her painting, Keiko combines intense contrasting colors and distorted figurative forms, reminiscent of German Expressionism (such as Egon Schiele) with a touch of Neo-Expressionism (such as Jean-Michel Basquiat). This combination suggests that she is part of the contemporary art movement, continuously exploring the boundaries of form, emotion, and interpretation.

Anna Keiko’s painting reflects the evolution of art, which has undergone numerous transformations from prehistoric times to the digital era. Through her expressive approach, she becomes part of a generation of contemporary artists who continue the tradition of experimentation and artistic freedom. In the context of art history, Keiko’s work manifests the modern spirit—unbound by classical rules but focusing on human expression and subjectivity.

West Sumatra, March 19, 2025.

Young East Asian woman with dark hair and brown eyes and a small necklace and yellow shirt.

Poetry from Eva Petropoulou Lianou

Light-skinned middle-aged European woman with green eyes, thick blonde hair, and a sparkly green sweater.

I miss the hug

A hug that they give you and you forget the weaknesses of your existence.

I miss a kiss

The kiss that someone give you and your stomach make those noise like is full of butterflies

I miss the smile

That childish smile that you have

U are smiling and all nature become

Pink

I miss the walk to the beach

The waves

The perfume of the salt

I miss the sunshine and the sunset

All the simple things that I had

I miss the generosity of people

I miss the kindness of grandparents

I miss the relaxing moments of drinking a coffee

Now, they all want your friend, your position, your talent, your contact, your potential, your life almost but no one…

Nobody want to get in your shoes

They are too tide.!!!! 

Poetry from Taro Hokkyo

Middle-aged Japanese man with reading glasses and short dark hair seated in front of a curtain and computer.

愚かさの夢

a dream of foolishness

プーシキン『神聖喜劇』に花栞恋と死のためその勿忘草を

Pushkin’s

flower bookmark

in The Divine Comedy

for love and death

that forget-me-not

椅子坐り足首の下なき少女それでも生きよガザの廃墟に

girl in a chair

with no lower

than ankles

still live!

In the ruins of Gaza

偽善者の甘い蜜には気をつけろ麻薬のやうに汝を洗脳す

beware

of the sweet nectar

of hypocrites

brainwashing you

like a drug

友逝きてしばらく筆の止まりけり春雨つづき灰湿るかも

a friend has passed away

and the writing has stopped

for a while

spring rain continues

ash may be damp

生まれては死にゆく夢に右往左往するこの世の人の無粋かな

to dreams

that are born and die─

the inelegant

of the world’s people

who move right and left

南天の実は人知れず落ちてゐし春に逝きし友は空と地に盈(み)つ

the heavenly bamboo seeds

had fallen

unnoticed

a friend who passed away in the spring

filled the sky and the earth

人類の滅びしあとの春の月見る人もなく澄みにけるかも

the spring moon

after the fall

of mankind

no one will be there to see it

It will be crystal clear

愛求めさまよひ続ける人愚か愚かさゆゑに愛をし信ず

those who continue

to wander in search of love

foolish

People believe in love

because of their stupidity

失望を重ね重ねて桜花咲くころまでの遠き道のり

disappointment

after disappointment

a long way

until the cherry blossoms

bloom

裏切られ来しことさへも人の常山茶花ひらく無垢の紅かな

even coming

to be betrayed is

what people always do

open sasanqua

In immaculate crimson

恨みなぞ愚かさの夢人よ知れ生死の迅さの虹のはかなさ

resentment is

a dream of foolishness

know, O man!

that the speed of life and death

is as fleeting as a rainbow

夢の世をうつつと信じさらに未来を夢みる人の業(ごう)し哀しき

believing

the world of dreams

to be reality

and the karma of those

who dream of a future even more sad

花咲かば散るのは定め勝敗も夢の遊戯や何を浮かるる

when a flower blooms

it must fall

winning or losing

is a dream game

what is there to be buoyant about?

深き根や冬の土壌に蜜を吸ひ春来たるれば白き花成る

deep roots

suck nectar from the soil

in winter

when spring comes

they will be white cherry blossoms

Poetry from Maja Herman Sekulic

Reason for the Rain

There was all this talk about Botticelli.

There was all this wine in our veins.

There was all this rain.

And all those people coming and going

Through my brain

Dancing on the ferry to another shore

Changes of scenery, of geography

Changes of heart

And there was this wall between words,

Erected with pain.

Will this rain ever stop?

Will the summertime

Open a window

And let the sun shine

From inside

Through my eyes again

After all these years

Of waltzing all alone

All by myself

Amidst the crowds?

Notes toward a Ballad

The August sun is intense, I undress

On the beach, sand in my toes

I hold sunrays in my hair.

I take refuge in a café 

On the nameless street

Tired of the heat

White wine goes green in my glass

Sun still fire in the sky.

No shade, no break,

His eyes dance on me,

They burn my skin 

I accept the figs he gives me

They are too soft. 

The coffee is too strong.

And the sun doesn’t give up.

And he does not give up. 

And now I lie awake pretending

That he lies awake

And that the whole world is awake

As we were then

In that summer heat

In that café

Without a break.