THE IMPORTANCE AND PRACTICAL APPLICATION OF ARTIFICIAL INTELLIGENCE TECHNOLOGIES IN MEDICINE

O‘roqova Nargiza Sherali qizi

First-year student, Group 102-A

Faculty of General Medicine

Tashkent Medical Academy

ABSTRACT

This article analyzes the role of artificial intelligence technologies in the medical field and their application in diagnosis, treatment, and prevention from a scientific and theoretical perspective. The importance of artificial intelligence–based systems in early disease detection, the development of personalized treatment plans, and the improvement of healthcare system efficiency is highlighted. In addition, the challenges of implementing artificial intelligence in medicine and its future development directions are discussed.

Keywords: artificial intelligence, medicine, diagnostics, personalized treatment, telemedicine, digital healthcare.

INTRODUCTION

Modern medicine cannot develop without information technologies. In recent years, the rapid development of artificial intelligence technologies has led to the emergence of new approaches in the healthcare system. The need to process and analyze large volumes of medical data requires the use of artificial intelligence. Therefore, artificial intelligence is becoming an important factor in improving diagnostic accuracy and treatment effectiveness in medicine.

MAIN PART

1. The Concept of Artificial Intelligence and the Foundations of Its Application in Medicine

Artificial intelligence is the ability of computer systems to model analytical thinking, learning, and decision-making processes characteristic of human intelligence. In medicine, it is used to support clinical decision-making, create analytical forecasts, and develop automated monitoring systems.

2. Artificial Intelligence in Diagnostic Processes

The analysis of medical images is one of the most effective areas of artificial intelligence application. Based on radiological and tomographic data, AI can:

detect pathological changes;

assess the stage of disease progression;

reduce diagnostic errors.

This is especially important in fields such as oncology and cardiology.

3. AI Capabilities in Personalized Treatment

Artificial intelligence makes it possible to develop treatment strategies by considering the individual characteristics of each patient. Based on laboratory indicators, genetic information, and clinical signs, it becomes possible to:

select appropriate medications;

determine the optimal dosage;

predict possible side effects in advance.

4. Artificial Intelligence in the Pharmaceutical Industry

During the process of drug development, artificial intelligence performs molecular-level analyses and shortens the time required to identify new medications. As a result, the efficiency of clinical trials increases and drug development costs decrease.

5. Telemedicine and Remote Medical Monitoring

Remote monitoring systems powered by artificial intelligence track patients’ vital indicators in real time. This helps provide early warnings and prevent complications in chronic diseases.

The Use of Artificial Intelligence in Diagnostics

Radiology is currently one of the most widely used areas of artificial intelligence in medicine. For example, the Google DeepMind Health system has demonstrated higher accuracy than physicians in detecting lung cancer and retinal diseases at early stages by analyzing MRI and X-ray images.

Artificial intelligence analyzes imaging data such as X-ray, CT, MRI, and ultrasound to help detect tumors (cancer), cardiovascular diseases, and lung diseases (such as pneumonia and tuberculosis) at early stages. In some cases, AI can identify minor changes more accurately than doctors.

Moreover, AI also contributes to the evaluation of laboratory analyses. By comparing blood, urine, and other biological test results, it helps detect diseases such as infections, diabetes, and hormonal disorders.

Advantages of Artificial Intelligence in Medicine

Artificial intelligence increases the speed and accuracy of diagnosis and enables early detection of diseases by minimizing the influence of human error. It proposes individualized treatment by considering the patient’s age, gender, genetic condition, and medical history. It also improves access to healthcare services in remote regions.

In addition, AI can predict diseases in advance, identify patients in high-risk groups, enable timely preventive measures, and even forecast epidemics.

Risks of Artificial Intelligence in Medicine

Although artificial intelligence has many advantages, it also has certain risks. In particular, it may reduce direct communication between doctors and patients. Furthermore, incorrect algorithms may lead to incorrect diagnoses. In such cases, the question arises: who is responsible for the misdiagnosis?

Artificial intelligence provides answers based on the information available in its database. Currently, data resources in languages such as English, Chinese, and Spanish are extremely rich, which allows AI systems to analyze patient symptoms more accurately in those languages. In other languages, however, there may still be certain limitations.

CONCLUSION

The introduction of artificial intelligence technologies into medicine is taking the healthcare system to a new stage of development. It serves as a supportive tool that complements physicians’ work and makes diagnostic and treatment processes more efficient.

Artificial intelligence has also brought major changes to the field of medical diagnostics. It accelerates the diagnostic process, increases accuracy, and significantly improves the efficiency of the healthcare system. However, artificial intelligence should remain a supportive tool, and the final decision must always be made by a qualified physician.

REFERENCES

Topol E.J. Deep Medicine: How Artificial Intelligence Can Make Healthcare Human Again. Basic Books, 2019.

World Health Organization (WHO). Ethics and Governance of Artificial Intelligence for Health. Geneva, 2021.

Rajkomar A., Dean J., Kohane I.S. Machine learning in medicine. New England Journal of Medicine, 2019; 380: 1347–1358.

Esteva A., Kuprel B., Novoa R.A., et al. Dermatologist-level classification of skin cancer with deep neural networks. Nature, 2017; 542: 115–118.

Yu K.H., Beam A.L., Kohane I.S. Artificial intelligence in healthcare. Nature Biomedical Engineering, 2018; 2: 719–731.

Zenodo.org – The Role and Importance of Artificial Intelligence in Medicine.

Kun.uz – The Benefits and Risks of Artificial Intelligence in Medicine.

O‘roqova Nargiza was born on March 26, 2001, in Ishtikhon district of the Samarkand region. She is currently a first-year grant student at Tashkent Medical University.

In the 2024–2025 academic year, she works as a biology teacher at School No. 33 in Ishtikhon district of the Samarkand region.

She graduated from the Faculty of Biology at Jizzakh State Pedagogical University in the 2020–2024 academic years.

She has an excellent command of English, Russian, Arabic, and Turkish languages.

Señor Despaïr

Against a Hopeless Time

A Poem by Christopher Bernard

3. The Angel

I waited for the old man

to answer, but all I heard was waves,

suddenly distant, as though withdrawing with

    the tide.

Then I saw a dim glow above the horizon

and watched as it grew stronger, felt my shadow

deepen with the appearance of the light.

The sky grew dull and stretched with cloud ribbons

and flattened out. The sea looked like pewter.

Then an edge of startling brightness

appeared beneath the scrambled glow,

and the sun edged upward, red and gold.

I turned to look at the old man,

but there was no one there. I was alone on the beach.

Had he walked away in disgust at my last speech?

Had he given up on someone so incorrigibly naive?

Had he even been there at all? No, he’d been there,

of that I was sure. Perhaps he had thrown himself

back into the sea from which he had come.

I watched as the sun rose like a head or like an eye

staring across a world that was all sky.

And a form broke from the sun and the far

calling of the waves. Nebulous as fog or cloud,

it seemed to step toward me over sand

brilliant and slippery as glass,

and I saw behind it a throng

of brilliant, smiling – were they angels? –

misty and fragrant as the breeze

that lifted from the sea.

The glowing form seemed to speak,

and it was the voice inside me,

bright and soft as an angel’s,

or as I would imagine an angel’s.

“Know this,” it spoke, as if close to my ear,

almost a whisper, and I strained to hear.

“Know this: we are perpetual creation.

Know this: we are the infinite world.

Time wee enter to work out the possible,

which knows no end and no beginning.

Know this: your task on earth

is to build possibility.

Know this: we are nature,

nature is ourselves.

Just as you are nature,

nature is you.

You are our hands and eyes

as we are yours in all that is.

The power of evil and good

is in your eyes and hands.

The ultimately beautiful is the ultimately real.

Know this: You are free. So: choose.”

And the smile of the diaphonous glowing figure

burned my face.

Suddenly the throng of angels,

and the sea and the shore and the sky

rang, like all the bells in all the cities

of the earth.

Though how could that be? How could any of this

    be?

And I was surrounded by the flocking and singing of

    many birds.

And the waves glittered before me,

and I heard enchanting laughter.

And the air smelled of shells and brine and roses

and smoke, perfume, wine, and brandy and

     apples.

And a crab made mock with a clam, and a blade of

    grass

traced in the dunes the outline of the loveliest of girls

to the dip of a breeze and a turn of a sun ray. And a

    falcon

traded mysteries with a dove. And wind

swept up the sand in a glory of wind devils

swirling in shapes of Carmen, Venus, Tamara,

formed in a moment, in the next cast back

to sand and wind. And whiteness throned in clouds

    above,

and wind and galleons moved across the blueness

    like a sea,

a moment hoped for, lost, here, once, forever.

And the sun as it rose opened and filled the sky

for a moment that passed like a breath

with a beauty that was infinite

and a love that was for all time.

_____ Christopher Bernard’s most recent collection of poems is titled The Beauty of Matter, “A Pagan’s Verses for a Mystic Idler.” Señor Despaïr will appear in book form from Real Magazine Productions,

We Haven’t Met Yet

We haven’t met yet,
We were supposed to go to war together;
Yet, you went to battle alone, becoming my very adversary.
Still, we haven’t met yet,
Because I never went to war.

A black cat blocked my path,
Facing the movement of the parrots,
I have withdrawn my weapons.
The sissoo trees have welcomed me into their fold—
Whose shadows fall even in the sun, like a drizzling rain.
There is no wailing in the sound of the wind,
Only the eternal friendship of sunlight, breeze, and leaves.
I am now with the fish, we do not have to go to war…

Even then, we are marked for slaughter…
Since we haven’t met yet,
You haven’t been able to kill me.
To destroy me, you are building heavy missiles,
Warplanes, even nuclear bombs;
While I am weaving a net of sky-blue dreams.

If we ever meet, I will give you the messages of the birds,
I will take flight with you like wild geese,
I will build nests on new islands;
If we ever meet, I will give you love.

We haven’t met yet;
You are searching for me to kill,
And I am searching for you to love.

Flight of Bones

The spell of the red flowers
in the nursery seeds planted
in World War Two Japan
in the afternoon shadow
of the Japanese Alps
in the personality shade
of a troubled family
a berating mother
sending the child to spy
on the playboy father
sexual obsession and fear
sitting side by side by
the smooth white river
stones, flowers speaking

of the war lingering
in the blackout factory
thinking of hanging
herself throwing herself
in front of a train
a shrink called her
a genius helped her
gain recognition
planning her escape
from self-obliteration
from endless revolving
in the infinity nets
the absoluteness
of reality
and unreality
a proliferation
of talking pumpkins
only to be reduced
to nothingness.

Yayoi Kusama grew up in a small mountain town west of Tokyo in a wealthy, high society family, owners of successful wholesale seed nurseries. As a child she had asthma and a partial hearing loss, and she suffered from hallucinations and periods of depersonalization. Her domineering mother forced her to spy on her father and his geishas, ripped up her artwork and tried to marry her off.

Infinity Nets

Out in the purple fields
of flowering spring
the blossoms sprung
tiny individual faces
opened pistil mouths
to her, to the child
the violets spoke
chasing her back
to her mother’s house
of anger, fighting
and a pencil, paper
the art supplies
her father gave
her only escape.

Her spirit floated
from her little body
wandering the border
between life and death
a thin curtain of gray
like a personal cloud
shadowing the  girl
the young woman
bent over body
drawing, sketching
painting, creating
in a wild fever
born of desperation
reproducing endlessly
on the conveyor belt
to infinity, net
cast over her
life, art
her creed.

Paintbrush in hand
imagination overdrive
obsessions crawling
mind and body
working herself
away from madness
on an endless highway
of fear and visions
fleeing hallucinations
seeking obliteration
following the flowers
following red thread
on the path
to freedom
allowing her
to live.

Yayoi’s art has been called feminist. It’s been labeled pathological art brut, or outsider art. She doesn’t think it fits any category. She mixes East with West, realism with surrealism, hallucinations with humor and pathos. Her work is eclectic and electric and eccentric. It is her own, unique. 

The Scandal Queen of Japan

“Ultimately, behind the impulse to fight is the simple fact that men have penises.”

Soft-sculpture figures
by the boatload
the couch load
the chair load
furniture obsessions
macaroni mannequins
overcoming fear
machine-made
naked polka dots
all the way
to her studio
across the street
her permanent residence
a psychiatric ward.

If it were not for art
I would have killed myself
a long time ago
before global fame
before legions of fans
her alter-ego pumpkin
black spots on a pier
of plastic and I’m here
but nothing
in Tokyo infinity
in mirrored rooms
dancing lights fly up
to the super-reality
to the unclothed universe
all together
in the altogether
the dissolution of self
via immersive obsessions
repetitions and intrusions
transporting us too
to another cosmos.

In the midst of the mid-century avant-garde art revolution, Kusama’s large scale paintings of nets and polka dots caught on. Critics called her work obsessional, austere, disturbing, and a tour de force. She expanded her work to include political theater, fashion design, and body art. Her clothes were sold in Bloomingdale’s, and she appeared on The Tonight Show. But in Japan she was a national disgrace and her family shamed.

Fire Burning in the Abyss

The Manhattan suicide addict
starving, suffering
the vertigo of nothingness
crawling into cold hands
no heat, no bed, no money
the downtown den of resistance
a shimmering veil across reality
fate like a chorus of violets
launching her like a moonshot
into the bright eye of acclaim
crowds at galleries, museums
drawn to her strange beauty
blending personal revelations
bare-faced self-promotions
branding the self as product
art as fiery weapon:
Go live your shining life.

Back home in Japan
the castle of shed tears
a studio down the street
from the stark white room
at the soft sculpt loony bin
in the moon dot aftermath
of obliteration
of eternity
the world’s
most successful
living artist
transcending
female Asian identity
art genres and cataloging
unnecessary boundaries
barriers and structures
dancing swarms of fireflies
fly up and out
of this universe
showing the route
to full happiness
to spending
everyday
every day
embracing red flowers.

Yayoi believed that Japan had ostracized her for her mental illness. But she returned there after 17 years in the U.S, famous and successful and so ill she chose to live in an open ward of a Tokyo mental hospital for her own safety. In the 2000s, she collaborated with several brands to share her style including polka dot Cokes and pumpkin-like BMW Minis. She continues to create at age 97 and traveling retrospectives of her work still draw massive crowds.

The Belfry of St. Vincent Ferrer

My heart bursts into a flock of ricebirds

Each time I hear its tolling; for years

I live on the shade of its imposing

Memory – all the running & screaming

& sliding races down the hillsides, firemaking

& pissing contests, toy parades, death by voodoo

Gossip-broker Miss B. & and her rare orchids

Tonio’s mysterious death at the mangrove –

All point me to that church on top of the hill

Overlooking our town wharf that eats

And spits natives & transients alike

Where all the coming and going each

Has its own distinct ring – tintinnabulations

Of open-ended declarations, promises, affairs –

Gangrenous goodbyes on the breast of tears smothered

Or the corrosive taste of briny eyes with every furtive hello.

But time has done nothing to exempt the heart from

The onslaught of raging waves crushing into

Empty shores –like the old bell ringing

Through my ears at Angelus –

Dusk, our favorite time of day

Before you left without that anticipated

“Look, I’m sorry, okay?” backward glance.

And bells do not have a memory of tunes 

For awkward silence, silence, silence.

:

Nominated for “Best of the Net 2025” for his poetry, Emeniano Acain Somoza, Jr. considers himself the official spiritual advisor of his roommates, Gordot and Dwight – the first a goldfish, the other a Turkish Van cat. His works have been published in The Poetry Magazine, Moria Poetry Journal, Fogged Clarity, Everyday Poem, Loch Raven Review, The Buddhist Poetry Review, The Philippine Graphic, The Philippines Free Press, Troubadour 21, Full of Crow, Indigo Rising, Asia Writes, Triggerfish Critical Review, Troubadors 21, Gloom Cupboard, TAYO, Haggard & Halloo, and elsewhere. His first book, A Fistful of Moonbeams, was published by Kilmog Press in April 2010. His second, Kleenex Theory, published by Createspace-Amazon, came out in 2015. He is busy anthologizing emptiness and boredom at the moment.

About Wan Yilong 

High-Dimensional Wisdom Mentor / High-Dimensional Spiritual Poet / Inheritor of Dongba Culture  / Master of Traditional Chinese Culture / Great Master of World Multiculturalism /  Donor and Founder, Dean of Yulong Wenbi Dongba Culture Academy / Dean of Aming Gaotu High-Dimensional Wisdom Academy / Philanthropist

Beyond the Firmament

(Homeward Chapter)

Poem By Wan Yilong

Translated By Lan Xin

When the morning star rises in the east

In the starry sky hang countless sorrowful eyes

I open my wisdom eyes and gaze

Beyond the galaxy tears have long been pouring

I whisper to the universe what happened

She unfolds a picture before me

Countless mechs overturn heaven and earth

Countless planets burn with raging war

Myriad races slaughter each other

Billions of lives wither in strife

Ruined walls and fragments turn to glaze

Dead planets only cold iron shadows remain

Surviving star people struggle to forage in black water

All I see is rotten bones

Hungry rushing here and there

Mutated beasts no longer fit to eat

They hunt in packs spread plague

Despair spreads silently in the dust

Desperate beings pray to heaven

A voice echoes slowly

We have stored food

When rows of dark caves are opened

Out step

Men women and children in swaddling clothes

All gasp in astonishment is this our food

The voice replies

They are our clones

I close my eyes in sorrow

The universe whispers admonition

All beings must awake

Every life is a child of the universe

Every soul yearns for ascension

Dark technology will eventually turn on itself

Cold power only destroys life

We are all brothers born of the same womb

Without love there is no universe

Without compassion even destruction cannot be reborn

Love and compassion are the eternal themes of the universe

With this thought even in purgatory

We can be reborn

That scene is the universe’s past

And also the mirror of the future

Mother universe is calling out

Wake up

Greed confuses the eyes

Souls sink in delusion

Love and hate are self-imposed barriers

Greed anger delusion are the cages of the heart

Every planet can be a cage for the heart

Everybody can be a dojo for awakening

Look within you are complete

Every soul yearns for light

Compassion can break the curse of all dark technology

Souls will ultimately live forever at the source of the universe

The ultimate civilization of the world is about to begin

Its name is universal harmony

We come from eternity rush to this moment

Only to wake up the sleeping beings

Live in the present change the past determine the future

The past and the future are but a single thought

I wake slowly from meditation

The morning sun illuminates the mountains and rivers and every heart

From now on I have no choice but to move forward

This is my fate

Is also your fate

And even more the common fate of all beings

Technology must ultimately serve the ascension of souls

Footnote

Taking homecoming as its central metaphor, this poem lays bare the absurdity and spiritual awakening of an age dominated by technology. Mechs and warfare, cloning and alienation unfold in layered progression, striking straight to the spiritual predicament of modern society. Breaking free from linear narrative, it employs vivid visual metaphors and interior monologue to explore the eternal themes of love and redemption, selfhood and the mirrored self. The fate and awakening revealed at its close represent the homecoming not only of the individual, but of all sentient beings.

Note on this poem’s process, from poet AG Davis:
Gathering info/data then intuitively applying to matrices that intertwine and reconfigure yet relate on multiple levels of dimensionality. however, these matrices can be read linearly, or reinforced in any manner the reader chooses: my theory is that there should be at the very least resonance/or purely mental vibrance with the words themselves; that although not direct sometimes in apparent semantic content, there is still some para-semantic content, or ur-semantic content that will ‘stick” to make a ”meaning” ”ravel”. 

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