“Alone in the dark, inherited creativity, interpreting bipolar mental
 illness, suicidal thoughts, and attempts, the cure for loneliness, the
 Sylvia Plath Effect, and the South African poet Abigail George”
 I was 16 when I first attempted to take my own life. I was seeing a
 psychiatrist (he of the Einsteinian-hair, he had studied at a
 university in Vienna, his son went to the same high school my brother
 went to, the highly-prestigious Grey High School for Boys) at the time
 who was convinced that Risperdal could help me, elevate my mood. I was
 depressed, very, very depressed. I drank some red wine, and took some
 pills, and slept it off. There have been other attempts.
 Anti-depressants, counselling, psychiatrists, a coma, psychosis,
 hallucinations (some auditory), but there also have been periods of
 intense creativity. The psychotropic medication seems to have not
 impacted my imagination, only my dopamine and serotonin levels. I felt
 down a lot in high school. I had no one to eat lunch with. One friend.
 Every year I had one friend. One black friend. I got tired of being
 tired (they call it chronic fatigue syndrome). Sometimes I thought I
 was just pretending. That was why I was attracted to acting in the
 first place.
 I didn’t have to be me anymore. I still think at 40 what people think
 of me, I’m still dying for my mother’s approval. There were
 crushing-and-numbing lows that felt like a succession of deaths,
 clinical depression, insomnia (I found it very difficult to fall
 asleep, would toss and turn the entire night listening to my parents
 fight behind their closed bedroom door, I read into the early hours of
 the morning with a torch under the covers). I’m fragile. I was abused
 mentally, verbally, physically by my mother for most of my childhood.
 Later she isolated me from my so-called friends, from so-called
 family, and then rejected me because of the texture of my
 kinky-peppercorn hair. In her words I was an “wretchedly-ugly
 mistake”, who was “nothing special to look at”, “an intellectual like
 your father”, “take your smarties yet”. According to my mother, for
 years, I did not have a mental illness (see bipolar mood disorder), I
 was demon-possessed and needed prayer.
 High school was difficult for me. I was bullied, and I was a bully. I
 was an obsessive-compulsive perfectionist, a high achiever
 academically but after the first two years of high school my grades
 started to slip). You would think that this would have been a warning
 sign for either my mother, or my manic-depressive father, who was also
 an over-achiever as I was. So, I felt pain every day, no one was
 pulling me through this pain, I hardly could get out of bed in the
 morning, there were no romantic entanglements with boys my own age
 (which meant no heavy petting, French-kissing, making out, distracted
 by sex, boyfriends, or popularity), no girlfriends who came to the
 house, no experimenting with the smoking of cigarettes. I decided I as
 an atheist, although I still went to church with my parents, and my
 siblings, my younger brother, and sister. I can’t put all my happy
 memories, and my childhood, and my elegant and narcissistic mother in
 a time capsule. I have the same nose like my mother.
 My mother thought the obvious, it was drugs. I was smoking marijuana.
 It was my peer-group. I was hanging out with the wrong friends. She
 blamed anything, everything, everyone, family, estranged family,
 cousins, except herself. I take tranquilisers at night to sleep, fall
 asleep watching television. Then there are my sleeping pills, my
 father’s sleeping pills, my aunt’s sleeping pills. Then there’s Pax,
 Lithium, Zolnox, Arizofy, Puricos for the gout, Puresis, the water
 tablet, for my chronic kidney disease. It seems that all I’ve seem to
 do for most of my life is take pills to make me happy, scale the
 seawalls of the depression, but it is seeming, writing keeps finding
 me, and I keep finding writing. Books, plays, novellas, poetry,
 essays, and blog posts. I was a teenage runaway. Sometimes I’m
 stressed out. I know how to deal with that kind of currency now. I’m
 still insecure. I’m like the most vulnerable person I know. I can’t
 turn back time.
 I ran away to Johannesburg, and then to Swaziland, and wanted to go to
 the London Film School when I was 16. I’m designer playwright, keen
 diarist, hooked on becoming a memoirist, and inspiring ideas when I’m
 found hibernating in my room, lying in the foetal position on my bed
 listening to music blaring from my radio, and yes, I’m still running,
 carrying the cross. I’m only happy though when I’m a failure. I’m only
 unhappy when I’m adding another accomplishment, onto an already full
 list of accomplishments. Acting my heart out on the stage, drama
 rehearsals at the Opera House, lead role in the house play, Quiz,
 editor of the school newspaper, swimming laps in the local Gelvandale
 Olympic-sized swimming pool etcetera, etcetera. The everlasting list
 goes on, and never-ending on. I make money out of writing now.
 I’ve lived with the naming, the shame-and-blame for all of my life.
 Whose fault was it that I was abused, or that I was molested as an
 adolescent, or that I was too trustworthy of men in positions of
 power, and thought that every female that I met was my friend. Last
 year, I baked a cake for my birthday. It was the most beautiful cake
 in the world. I decorated it with mini-meringues and African violets,
 but nobody touched it, put it past their lips. And so, my 39th
 birthday collapsed, fell to pieces around me. I cut out recipes from
 magazines, and in the kitchen, I have this burning desire, this
 burning search to be chef, and baker. I sleep with cookbooks next to
 me on my bed. And like the high priestess of soul, Nina Simone, or the
 actress-celebrity Dorothy Dandridge, Oprah Winfrey, Misty Upham, you
 can only bury your thoughts, your shame, the people that you hold
 responsible for not loving you unconditionally, or protecting you.
 Or nurturing you, or saying that they were proud of you, you can only
 bury your feelings for so long. So, now I write about the stigma, the
 bipolar struggle, the anxiety and fear that depression brings up
 inside of me like a storm, and you will usually find me crying in the
 dark, stifling my sobs into my pillow at night, dark is the night,
 winter has moved on, and I shy away from autumn, I’m battling
 survival, my survival, and I’m so well aware of the women who have not
 lived to fight another day (Sylvia Plath, Anne Sexton, Assia Wevill,
 Virginia Woolf, Elizabeth Donkin, Iris Chang, Petya Dubarova). I’m
 battling daily. There are days that I feel deceived with burning
 desire by every single man, woman, and child that I encounter. I think
 of my happy childhood memories. I think of my sadness, my
 introspection, my reflections that mirror my soul. Sometimes a certain
 smell will take me back to childhood. Usually my mother’s perfume.
 YSL’s Opium. To this day, that perfume gives me flashbacks.
 Sometimes, just sometimes I think of the love of my life touching my
 face, and then I see him walking away from me in a parking lot, and I
 smile at this memory. I smile at the injustice of it all, that a man
 had loved me after all, and I ask myself, do you want even more
 heartache, more pain, more despair, then tell him that you love him
 back, that you only live for him. I smile at the memory of Ted Hughes,
 and Sylvia Plath, because after all he chose her to be his wife, and
 the mother of his children. Weddings are happy occasions marked by
 pomp and ceremony, and the happiness, and difficulties of both bride,
 and groom. It hurts too much on the inhale of the howl, and inside I’m
 a philosopher in the tradition of Nietzsche, and inside I’m a
 preacher. And sometimes, just sometimes the history of the bipolar,
 the madness life, the life that I live on my terms hurts too much on
 the exhale. In the bathroom mirror I write the narrative of love to
 myself.
 There is a link between creativity, and mental illness, genius, and
 madness, and then I think of my extraordinary achievements, of my
 father’s giftedness, my mother’s own capacity for spells of
 melancholy, and giddy happiness, her talent for flowers. I see things
 that other people can’t. I hear things that other people can’t. I
 can’t turn back time to the good old days. I have moths, and
 butterflies, and swallows, and birds in my stomach, a reputation, an
 angel-tongue in my mouth. Love has passed me by. I made a conscious
 decision not to marry, not to have children, but it didn’t make me
 less unafraid of the world around me. I made a conscious choice not to
 experiment with illicit drugs. I don’t drink. And, yes, I thought the
 love of my life, and I would live the years together, from the
 infatuation-phase to the honeymoon-phase. It is better to have loved,
 and lost, than never to have loved at all.
 I have tried to take my own life four times now. I have relapsed more
 times than I can care to remember, but I still believe in the
 inter-communicative, inter-related, grassroots-secret of longevity. I
 love life.
