Streams Stepping across, carefully, there’s a stumble built into this, a foot on the closest stone then onto the next and next, till you have crossed with your feet, shoes almost dry. I did this in a dream last night, like when I was young crossing that stream by my in-laws camp in Bakersfield. It would be full in the spring, the water racing downhill and only a trickle by late summer. Crossing was the challenge and I was young enough to do it without thinking twice. And I remember the stream up by Bingham Falls, even earlier high school, college, and when I was first back around here. I would step off and feel safe, so surefooted that it was just another thing to do. Now, even in my dream, I stumble then step out and over, afraid the whole way, as if the streams have been waiting for me, as cocky as I was, waiting for me, ready to get their revenge. Flee They flee from me from fear or instinct – grey squirrels, the few red even chipmunks run scramble away and birds of every feather color and size, fly away from something they fear and yet there I am, filling the feeders sunflower seeds and seed mixes handfuls of peanuts every morning a free soup kitchen of sorts but they flee from me even when I use my soothing soft voice, the one I reserve for small children and animals of all sorts and I make a real effort to seem harmless, calm, slow moving and yet they flee from me as if there’s a line we never can cross and they’ll flee from me regardless of what I try to do. Last Day With one day left before you leave Planning becomes awkward Dividing time between The obligatory and the sentimental Between the need to go and The urge to stay The what to do next and The what can be left undone. The hours slow down and Then disappear Get used up and are gone As you become gone. Last time I was caught in this Awkward setting, this space and time Twenty-four hours left I walked around taking pictures Random pictures of the place I was leaving – The table and chairs we sat in most Afternoons, reading or just watching The water around us The statue we liked – that rabbit’s head Its ears flopping forward Even the couch and bedspread And a single picture of my right foot Held up to show the carpeting and how Close my wife’s foot was on that carpet. More the sentimental than the obligatory But that’s what I did.
Monthly Archives: December 2022
Poetry from Clyde Borg
A PORTRAIT Her eyes followed me, Not like many portraits. It was a sly shifting, There and not there. Her breast seemed to heave, Much like her eyes stirred. She lived for a moment. I wondered why.
Poetry from Mark Young
klvat
Namaste, all.
Yelp is a fun & easy
way to find that the
official web site for
inputs used in inter-
state sales out of
Kerala is a low-power
television station
licensed to a
nun living in sin
in Garfield, Texas.
locale
Precis a place by its
skyline. In this case
microwave & water
towers, the smokestack
of the sugar mill, the
elegant but dated shape
of the old pump station,
in its current iteration
sitting idle as a simple
sign post for the stacks
of fertilizer & gravel &
sand that lurk beside it.
From the Pound Cantos: CENTO XXXV
Flame leaps from the hand, the
rain is listless. The backswell now
smooth in the rudder chains. Ply
over ply, thin glitter of water
quiet in the buff sands. Topaz,
I manage, & three sorts of blue.
Souls stained with recent tears —
first ill fate & then abundant wine.
The talks ran long in the night
& many things were set abroad
& brought to mind. Wherever the
speech crept, there was mastery,
an ear for the sea-surge. In the half-light,
mead & then sweet wine.
For Martin Edmond
Much more
cuckoo-
looking than the
male, with
its / barred tail
& brindled
body,
a
female koël
moves rapidly
from branch
to branch in the
large tree which,
incidentally, has
just come into
flower,
a
fact that is of
no import to
the bird, even
though, judging
by the attention
given her by the
two male koëls
that alternatively
trace or try to
anticipate her
movements, she
is in much
the same state.
Trapped in the ballet barre
Claiming to have more
than enough expertise
to transform the
marketing potential
of the space available on
the inner t-shirt into
venture capital, a
consortium of lentils
& lean beef has launched
a so-called “lads’ magazine”
which examines the
spiritual & therapeutic
benefits of taking
retreats into metaphysical
darkness whilst wearing
only flimsy underwear
Poetry from Daniel De Culla

BURGOS EUROPEAN CAPITAL OF THE CULTURAL DOG POOP “Whoever gets up early and watches Dog poop is revealed to her/him” This saying is used a lot By all these men and women Boys and girls That early in the morning Take out their dogs or bitches To piss or shit. It is worth seeing what emotion they show All of them That even some Cry crocodile tears Picking up its poo In plastic bag And, with devotion, they throw it In the first trash can they find. Also, proud of your dog or bitch Some gentlemen, few ladies Leave the shit So that pedestrians or children Step on that shit Like Núñez who stepped on That Bimba shit In green garden Or Candle that he took in his hands Such a shit By Bimbo That it seemed to us all A Christian weapon seized from the Moors. On this earth As in the entire Iberian Peninsula In the shield of its lineage There's some big pooch shit Who is sniffing the ass Of a white bitch. Domingo (Sunday), who is a vegetarian And doesn't pick up his dog's poop The one he calls Sancha Tells me: "That shit That my bitch has left at the gates From the “Damn Madness” Bar It is for two drinkers That You knows What are Zorita la de la Mancha When leaving the bar they step on it And the one who stands the best wins By stepping on it That it is culture ¡ -Daniel de Culla
Poetry from Shine Ballard
i-fifteen Sourdough and sharp cheddar— enter the daily entry into the journal— a quick lunch with a politically kneaded history. ii–three Say cozened, repeat. The red-tail on green carpet. Only in pencil. iii–two Cornstalks stalking, four to six feet, A chorus of scolding greets steps. Twelve days of abundance won’t quench. Cornstalks stalking, four to six feet, A squirrelish racket among the leaves. There is no song titled “Plight Of.” Cornstalks stalking, four to six feet, A chorus of scolding greets overstep. i-nine (so servile have i lived to my fears) for a short while i’ll have a cookie— ii–one Reminisce at the padded rataplanning of flam taps. Ruminate. Lament my atrophied sticking. The nuisance dog notices it’s been making no noise. Resent my easily exhausted grip. Notice the Chinaberry tree newly leafing. Mimic the mmmzing of the bumble bee at the screen. Another pickup pummels down the road.
Story from Alison Owings
Before the monthly Native Alliance potluck dinner in the church basement got underway, Dede (Hoopa) carried a smoldering chunk of sage in an abalone shell around the room. Dede was thorough, offering the smoke to anyone who wanted to smudge. At the front table, which held the donation basket, flyers advertising upcoming powwows, and information packets about diseases and various kinds of help, she paused to let a group of women standing there each take their time. She then strolled into the kitchen where people warmed up their food contributions on the church’s stove or arranged cookies from a bag onto a plate or poured themselves a glass of juice.
Next, she walked over to the drum circle in the back of the room, where Norris (Choctaw), offered traditional rhythms and songs. He wore what he always did, work coveralls stitched with Norris on the left breast. This evening, the circle seemed less energetic than usual, the singing less robust. Norris kept pausing, patiently helping a teenaged girl, a beginner having trouble keeping the beat. The fact that a female was allowed into a drum circle would not have sat well with some tribes, especially if the female were menstruating. But this was an open-minded group. Another drummer, Charles (Lakota) expressed particular gratitude to Dede. He was having arthritis problems, he said, and after gesturing the smoke over his head and shoulders, lifted each leg to let the medicine go under his feet.
When Dede finished her rounds, including various clusters of people already claiming their dinner places at one of the dozen or so round tables, she joined a table herself, of three other women. After smudging themselves, they resumed their conversation, typically about life. Sandra (Coastal Miwok) asked Dede about her ex, still in prison. A newcomer didn’t know about him and expressed concern. Dede shrugged. “Three strikes, just drinking, we’re Indians of course, then boom, 25 to life.” Nods and head shakes accompanied her recital.
“Anything violent?” asked Sandra.
“Nothing,” Dede answered. “Never! And now he’s grey, turning into an old man. Not that cute grass dancer I fell for.”
The subject turned to the powwow last Saturday. “Chuck went, I couldn’t get off work,” said Roseanne (Yurok). “Work meaning babysitting my granddaughter.” Work and no work led to talk of health insurance, as it often did, and this evening to the urban Indian clinic, its pluses and minuses.
At a shout (“Okay!”) from Anita (Kiowa), who founded the Alliance decades earlier, people stopped whatever else they were doing, got up, and formed a hand-holding circle, unclasping to make room for stragglers. The circle this evening included some 30 people, two with walkers, one with crutches, and five children.
Anita asked Norris to say a prayer. He raised his head, his long black hair brushing his shoulders, closed his eyes, and spoke at length in Choctaw, which he then translated. Part of it went, “Thank you Creator, for making me an Indian.”
Many prayers followed his. For individuals with cancer. For families of the individuals. For the drought-stricken land. Happy announcements came, too. Celine (Yakama) said her daughter just got accepted to Dartmouth.
As usual, the circle included a few non-Natives, brought along by Native acquaintances. Sometimes strangers showed up, uninvited. One difficult evening, a banged up blond drunk staggered in from the church parking lot. The elders conferred, then sat him down on one of the pews lining the basement hall and brought him a plate of food to help him sober up, even though – a significant consideration – a prayer had not yet been offered. He was absent tonight. So was the sad-faced wannabe, a thin woman who felt she was “Indian in another life.” A few regulars were wary of her. “Needy,” said Daniella (Pomo).
This evening the group comprised more or less the regulars. An accountant, an engineer, a seamstress, an occasional media celebrity, a nurse, a counselor, a museum employee, retirees, a number of people between jobs.
Following the prayers, the circle broke up into a line for the food (“Elders first!” shouted Anita). As usual, the two food tables, one for desserts, one for everything else, were covered. This evening’s bounty included several casseroles of such dishes as spaghetti cut small, with hamburger. It was not the only contribution that had the look of leftovers used inventively. Something else with chicken, it looked like, and celery. There was also tonight the taco melt Diane (Sac and Fox) usually contributed, and the tossed salad a white guy always brought.
At the table where Dede sat, conversation continued about the Indian health center. You have to be eligible for medical first. Disgusting, said Sandra, after chewing on a piece of chicken Thomas (Ohlone) brought. Thomas always brought chicken. She said she herself is lucky, having health insurance through her pension with the state. Even for teeth and eyes. “These glasses, seven bucks!” Murmurs reached over the hominy stew and Lina’s (Onondaga) chocolate cake. Each woman had placed a square of it on her paper plate next to her main meal choices, in case it disappeared before she went back to the dessert table. Lina’s baking was always a hit, even when she tried a vegan pie.
Sandra, the enviably insured, used to drive truck for the state, she said. An 18 wheeler. This impressed no one at the table. Roseanne had been married to a truck driver before Chuck. “15 gears, right?” she asked. “High range and low range.”
“My rig had 10 forward, two reverse.” Sandra shrugged. “Some had more.”
The women hooted about drivers of little Hondas who think you can stop on a dime if they dart in front of you. “You’re lucky you don’t run over them. Literally. Turn them into a pancake,” said Sandra. She now makes jewelry she sells at powwows, and wore several bracelets of her own design. Truck talk led to recollections of shifts and rest stops, of truckers getting robbed in some overnight truck stops, not to mention the presence of “lizards” – prostitutes. Lina liked the fenced in places where you could pull in for the night, be safe. A fastidious woman, she had placed a piece of her own cake on a separate plate to take home to her husband. Lina oversaw cleanup after the potluck, too.
“Showers,” she added.
Showers, the other women agreed. Sometimes that is all you want.
In Canada, the rest stops, camping places, too, are unbelievably clean, added Dede. Harrison (Cherokee) from the next table heard her and agreed. “Spotless!” he exclaimed. Dede said that’s where her ex wants to go if he ever gets paroled. Canada. Some of his people are up there.
The drum circle started again. Harrison, finishing a cookie, rose to join it. Tonight there were six drummers: five men and the teenager.
At the table of the four women with and without insurance, husbands, and jobs, conversation stopped entirely. Nodding in time to the drum, they moved on to their chocolate cake squares. Some evenings they and other women pulled fringed shawls from their big purses, wrapped them around their shoulders, and danced slow swaying movements, circling the drummers. This evening nobody danced.
“It’s been a long day,” commented Roseanne. “I’m pooped.”
More about Alison Owings here. She's an editor and oral historian who has just completed a book about a formerly homeless man.
Poetry from Rose Knapp
Adams’ Hill Walkabout Dreamscapes dart into Mosaics of marble Triune streak on streak Cocaine Codas Cocaine waves of codas code walkabout Fire escapes within Firestorms Of diamond glistening utopias of the mind Λήθη Sanguine Spiritus mundi amor faux fati Fatima Five fath Omniscient Oms Osiris thy Father in Paradiso lies to us Oeuvre of Isaiah Patmos revelation Revealing Lotus Set Sethian Loki Awaiting thee sol in Lethe lake of diamond Damnation pure pulsating numinous Eros Roses Danse singing Cathar Cantos Inner eternal and ephemeral Fluxus Where did gods and goddesses come from? Are they mere mirror representations, shadows of Ourselves, our own psychological states Anthropocene amplified to mythological heights? Time Is time progressive and linear or Circumambulating Recurring and circular? Why can’t time be both? History repeating Itself but making progress too?