Slipping Through the Zones
I make my way through security
by having nothing at all
so x-ray me to the codes
even those are forgeries
I hide behind pillars of Guanine
guards can’t see among the caravans
as young Adens trick you into chains
thinking I’ll go here and I’ll go there
leaves chattering about their lottery numbers
as wind blows them down the street
Miescher has declared this a no fly zone
and with Frank and James it doesn’t take
a Holmes to unlock that crick in the neck
as a radiant fury waiting to be born
so I cruise the ergodic outposts
where a congregation of vapors sigh
against all likelihood and odds
laying gifts at the infant feet
in story of triumph disguised as defeat
Thought Experiment
I am painting the door
to the garden
and I am reading
Orizaba Blues beneath
The Buddha fountain
tending a stomach ulcer
and my tai chi den tien
glowing from the black
hole of several decisions
which means I am
in the basement
refining the invisible hand
reclining on waters of the deep
waking even when I sleep
Diamond
At the breath’s edge
spirit left the body
to commune with exploding
pinpoint light arriving
opening eyes in the universe
black-winged agents placed
a diamond in my head
to carry back into the world
I began full of force and fury
among blue waves of warm fire
flowing in their ocean-making
but ink is a fuse in a burning door
and each word etches away
what the diamond has to say
Fast Awake
I am reaching for the amethyst
center of the sea
trying to name every tree
on the peninsula
but in the back of my mind
I’m still worried about money
and calculating if I don’t eat
I can save enough for school
how many pounds must I shed
to clear the cobwebs of hunger
while the dog scratches at the door
with that deep-woods look
room consumed by drinking rounds
crows collecting as time shifts
and I am back in this brackish
current between a falling apple
and a puff of smoke
so I ripple my way
and sometimes come up for air
sometimes eat the earth
with eyes like meteors
burning in a green bay
Siren Song
on a ferry ride from there to here
a sea current spiked by whitecaps
we slide parallel to the island
so close you could almost touch it
and I imagine jumping over rail
ice cold into water like a needle
with a dream body striking west
through sunlit magical whirlpools
an undeniable desire to swim on
on the island we find the trail
and hike up out of the creek bed
and up and over green slopes
trail mucked up from heavy rains
and catch ourselves in open blue
stinging nettles and fern hollows
ascending as the trail switch-backs
on climbing legs powered by pollen
through thistle groves to the bluffs
and shed the weight of all worry
a lifetime of shadowy scenes
with evening settling on cliffs
that shudder from incoming tides
our forms under trees beaten back
by storms coming off the straight
bull kelp drifting in the ocean below
bell buoy ringing this way this way
in the singing wind and waves
The Morphic Field Hotel
rough-hewn logs embedded in gray mud
shaker roof green-layered with moss
a deck o’er-looking the west cove
and a slip of blue land cutting into the sea
the deep dream buttery night moon rising
its tail of white fire glowing on the waves
as the old ghosts wander in the bone mist
rubbing hands together by a warm fire
as other stately bodies carry ancient faces
that appear in windows and look out
their names on lists in yellow ledger pages
fluttering as the wind sweeps through
and sparks fly up from the chimney
flaring then diving into men with bent backs
carving trails from the beach to the spring
where frogs just under the surface of pools
fill the air with their night warbles
and the wind slides through Madrona trees
lifting limbs with the first feelers of spring
stuck in a 1938 Brown University Yearbook
I find Frank Foster the smarmy student president
a cruel general and corporate henchman
tax-paying fire-builder in plaid jacket and flap hat
out at the water’s edge fishing at dawn
not a sound from the world but an occasional loon
then ducks rising with the light
and here’s Paul Welch we used to call Lantern Jaw
Forbes and Robert Reigler arrested on Bankers Row
and happy Marvin Carton we called The Maestro
Leonard Carpenter the lawyer of Buckingham
and many more who went to war
athletes and scholars caught in a book
on a cabin shelf over an Underwood
typewriter with a dry ink ribbon
dust
a frontier stone fireplace glowing with heat
We float in rooms
on a cliff over the sea
the equation for wind
the never ending waves
in the air in the water
in our blood in our dreams
staring centuries
into the heart of fire
A couple went out one night for a walk
down along the beach and were caught
when the tide came surging back in
cutting them off and trapping them
in a cove against a sandstone cliff wall
at first they tried to climb up the rocks
but the waves yanked them out
where they struggled looking back
at the room where they left a fire going
He came to the end of the world
overlooking the sea with one intention
to kill the body or kill the self
so lined the floor with bottles and drank
lit a fire that burned hot and high
drew deep fueling wind into the room
through windows and a wide open door
filling the fireplace so the fire seethed
and a spark shot free and caught the rug
ember-burning as it crept and glowed
to the room edge and slipped up the walls
as the dry-grass curtains caught fire
and the man danced in the orange black
feathers of wind-engorged flame
looking through pages in an old yearbook
as if he might find a familiar face
spectral people on the lawn
gentle glowing constellations
dancing and smoking in the gazeebo
walking down to the beach
rowing into the cove and the sky
in cyclical rotation of soul lights
coming and going and flowing minds
one there with a hand on a doorknob
hotel throbbing halls full of laughter
river stone fireplace chugging away
guests book reading in leather chairs
as the night arrives swirling down
with heavy world-swallowing clouds
rain and wind and nothing out there
nothing but black night sight snuffed out
a fist closing the world shrunk down
these rooms and the fireplace snapping
lamp lights occasionally flickering
sound of the ocean vicious and menacing
sparks from the chimney floating up
like soul rockets afterburning then gone
the ghost hotel hoves in the middle of it
the spiral punching whip-cracking wind
slithering through windows and doors
ruffling framed movie posters on the wall
with stars who swept in like magic beings
come to live among us sleeping in rooms
thinking and dreaming and reading
titles on book spines in the upper alcove
looking through windows by the black stove
reaching with hands like this one
I extend to you from a yearbook
typing out letters with an Underwood relic
about hiking through hill trail grass
through trees with that wind-twisted shape
even stones lying flat on the ground
wind from the straight flowing up
scoring the clouds with a parting cut
sun bolts appearing that light the world
and green shimmer over the snakeskin road
and the pools and ponds where we dive in
feeling the clean cold black water depths
sliver thread falling from a sun coin above
as we rise and step out perfectly renewed
walk the shore through the Madrona trees
each an individual flame of eternity
and it takes eternity to read it all
as mind that writes the world keeps writing
and mind that reads the world keeps reading
and a thought like that’ll make a person
stop in mid-step and regard at the horizon
seeing everything furiously happening
white mountain peaks dissolving in distance
as we back dive into Big Dipper and Gemini
The Bear scrolling over us night into day
night into mysterious green hills
hotel windows glittering like diamonds
as I read the life of John Keats
he is hiking over the chilly moors
in a storm like this one out of the north
talons of wind clawing out spring
he reads every grove stone river and gull
a young man alive walking
the magical landscape rain soaked
to the skin in love with the cold
because he is on fire inside
with passionate ideas of beauty
so that water steams off of him now
as he hikes and eventually comes to
a little hotel overlooking a cove
where he climbs the grand stairs
and pushes the door open and enters
a front room with desk and couch
and leather chairs and big fire going
in a black river rock hearth so
he takes a room and sits at a table
lights a candle and begins to write
The Kiss of Life
You see
when you wake up and can’t remember
if you cleared out the flower beds
or swept up the walkways
or repaired the sage garden arrow pond
and black stone twin-fish fountain
sky breaking open behind white clouds
as she says that shell is a horsehead
incoming wind is raven stealing the sun
while on main street I’m peddling booklets
and saying maybe this will cure
the madman and his distortion box
red waves in his eyes when he claims
the mayor’s wife is running the frog club
down the stone stairs in a secret grotto
where silence bounces back transformed
by crystals green as cat’s eyes in a cave
a woman dances slow in the moonlight
holding a blue star globe in her hands
like a glittering thought in the void
so put another mark on the chalkboard
for this one good kiss today
The Star
you see I’m trying to get
away from the booze hound
in the Mexican cantina
under these festive chili lights
like it was Christmas in July
like a heat spell that foretells
the end of the world
and launching off the planet
with a tear in the eye
and a hopeful woman floating
in her silver zero gravity suit
and that star just a number
where our great great grand
children will begin again
life with the same mix of
tragedy and vice and loneliness
and occasional tenderness
and a glass of green fantasy
but even here they come up
with those faces of broken
blood vessels like sculptures
rough-hewn from a raw scream
saying I left my distortion box
out there in the rain and now
it’s picking up signals from old
Soviet Union cold war days
prairie wind and mile on mile of
empty road rolling right back
where the needle goes in
and the nurse explains this may
make you a little dizzy
and she’s right and what a glorious
sea it is and that rickety dock
I dive from into liquid sky
to swim out through the sun’s eye
into clouds of unknowing where
I see the great architecture of
crystalline light bridges that
I realize I’m only making up
as I look through a manhole
cover in the ground in the
city of the dead that trembles
with a breath and shatters
as I’m sucked back into
Langley by the sea
Island spirit floating
in the never never mist
where when the desperate reach
that point of exhaustion
the last of the fuel burned
the lights gone out and the final
relative buried in the common grave
I’m out here and take nothing
but what fits in these pockets
with the screen door open
and wind like a ghost rushing in
walking out through empty streets
and every step feeling like now
I’ve made it so I’ll start again
realizing wait a minute wait a minute
as those steps circle back to town
over and over with less
to return to but the Bulldog
over the bay with the last
fishing boat beached and listing
dry on the sand and armies of
crabs none too happy with the way
the water’s been clouding down
march up over the pylons
growing bigger as they come
their claws flashing like swords
as they descend on the homes
and click cut pluck up
sleeping people and snap
timbers in apocalyptic devastation
ha that’s one
to wake up from in a daze
saying what a doozy
to an empty room on a gray day
dressing slowly as a good citizen
filling a lunch box with an apple
and a sandwich wrapped in wax paper
and heading up the old road
under the mill smoke piling up
with tin hat crane operators
and massive movement of earth
as I pass the gate and stand among
the red spirits of the yawning
excavation pit while the whole
scene vanishes with a voice narrating
weather trends and ship lanes
and drinking songs and memories
old lays and things thought gone
you’d never believe were true
and making it up as we go
I’ve published four poetry collections and have another forthcoming this year called The Gold tooth in the Crooked Smile of God, My work appears in anthologies such as Best New Writing, Bully Anthology , and Coming Off The Line (published through Mainstreet Rag)as well as journals such as The Chicago Quarterly Review, Owen Wister Review, Slipstream, Red Rock Review, and Midwest Quarterly. More is available online in The Adirondack Review, Ithaca Lit, Talking Writing, as well as recorded stories in Bound Off and The Baltimore Review.
I’ve been nominated for two Pushcarts and a Best of the Web. I received the Leslie Hunt Memorial Prize in Poetry; the Best of Poetry Award from Clapboard House; and First Prize in the “Picture Worth 500 Words” from Tattoo Highway.” Interviews and publication links can be found at douglastcole.com.