Poetry from Allison Grayhurst

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

Sparrow Wars

I

Sludge water dripping

into an already clogged pipe.

Blood in my microscope, torn out

like a diary page, necessary to

analyze the ingredients.

Will the wound lift? be inverted

into a creative windstorm or

a nemesis spread,

spidery-vein spreading

until the curse is complete

and conquers?

I know love is alive,

and that hot and sudden

is the joy that stems from a miraculous shift.

I know building comes with the morning,

comes like brimming sorrow and goes

to a final destination like all things final,

temporary, broken and sliced down the centre –

undergoing a brutal mitosis.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

II

Empty tables

clawed apart within

with spikes a-blazing on the edges,

and the light of the moon

high in the sky,

hardly visible.

Time is a dust heap I roll inside of,

never making a dent

or relieving my extremities from

the grim cover.

Beaten by the relentless overwhelm

and the digging dream that digs further down

more than ever before, pulled in by

gravity unspeakable and charged.

Living each day bent over, cane-walking,

repeating anguish, shooting pain and dough-bread

kneading, never baking, never

consuming.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

III

When grief comes

it comes at the maximum degree

of chaos, doubt and all things

unsustainable.

Even there, in the squander and grave

disadvantage, I will surrender to trust,

protect the embryo of my new understanding

as precious as it is,

as the only intention worthy of holding,

clinging to despite the toxic smog encircling,

twirling over my extremities, nose-diving into

my internal organs, shutting me down.

It is there and its power is the past, old.

It is able to kill but I am not afraid.

I hold the jewel of this glowing budding faith

and that is all I will look at.

My heart is crushed, undone by the weight of grief

but my soul is tiny blooming. Let it be key.

Let everything be where everything needs to be.

Both are real. Only one will have authority

and receive my attention, elixir formed, a trickle,

ingested.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

IV

Drum beat

no beat

I raise my arms

and scream hosana.

The drawers are empty

hunger parts my soul

into quarters. Stand up

and take account, no one

is listening.

Four months of stagnant emotion,

upheaval at the roots, planted again

somewhere less familiar and less fecund.

Faith and despair overlap, cross paths, join

together as a new entity.

Who understands? There is no understanding

to be had, only the ceramic bird on the shelf, winking,

and the air, heavy and humid one minute

and cold, oxygen-free, the next.

In my mind is an argument

existential, without possible resolution.

In my core there is shock at the terror

of disintegration, and for how long?

How much more? And still there is more.

In my being, I knew God

came with mercy, with Jesus and the peace

of infinity – washing clean, a soft joy

without degrees but only flowing, showering, eternal.

In between I wake up and I cannot see forward,

I listen, but I cannot be one with what I hear.

Holy Spirit, holy, do not escape me,

be clear, re-construct my devotion,

find me my union seed, to plant and tend to

simple devotion.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

V

Jesus, you let me live.

I will sit with you

hand in hand.

I know you

in my personal crisis –

faith obliterated, reseeding

in a lucky garden.

I will trust you with all my problems,

with my anxiety like a dysfunctional

city, polluting the roadway, the airway

with its violence and indifference,

I will breathe easy, knowing you are here,

that you own it because I give it to you

and reckoning is rescue, in your hands,

miracles are coming – life changing,

a kinship with your divinity.

You are sovereign, my still-point, my doorway

into perpetual redemption.

I will collect the fruit and sit beside you,

eating together – no hunger, no hurry –

You and I, I with you, you

holding my hand.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

VI

When I see the unseen

in a twisted longing

death-circle fantasy,

irresistible hope,

and drive to make that hope happen

even though

I am not a citizen of that land,

not meant to come forward

and shine with those deeds,

then I fail and live for an

illusionary future, creating a

hellish now, ripe with lack

and disappointment.

Bend on your knees, bow

to the one-name of God,

feel the slap of sobriety,

the consequences of depending

on your own wit and power

which is like a gnat trying to cross through

a tornado or a choir that sings without

glorifying.

I am learning that being conceived

and being re-conceived

is the cure for fear, the fire

that watches a greater fire,

burning enough,

releasing enough

to rejoice and just burn, a light, a warmth

transient, but elementally,

in this way, everlasting.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

VII

It is hard to hold purpose

when purpose no longer holds you

when the single curtain seals the window

blocking the sun and sky,

making you blind so you only touch corners

and never a door.

All things lost their ownership, just wandered

aimless, squandering energy like tossed pebbles,

no pattern, sinking.

Governance failed, was only an imagined

corridor leading to a chaotic marketplace

that doled out meals, lacking nutrients and staying power.

Each shape to take and hold and shift from each day

was hard labour, exhausting to perform,

pretending hope existed when hope had abandoned.

I was not afraid because my fears

were pushed hard into my face,

swelling my eyes so they could only see behind.

Death won out over the light, won obedience –

the middle and opposite, smelling.

Death smells bad

smells like an inevitable succumbing

to rot, betrayal, rendering

endurance useless

and even the holiest of faith debunked.

There is a string before me,

thin and golden and unbreakable.

There is something I see I never saw.

I have collided with the consuming tyranny death,

felt it swerve and twist through

every vein, enter, break my heart,

break the truths I had before.

The string dangles,

dripping down from

of my inadequate cries

and a mangled prayer,

comes shining a faint intermittent glow.

It is small and so am I, minute,

hardly there, but there.  

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

VIII

If I talk again,

I will keep my end-mind twisted

so it cannot speak or formulate

a plan.

I have no constitution for plans

or wherewithal for achieving

human-made provisions.

If I talk again,

silence me into prayer,

conversing only with the angelic order,

strengthened by devotion and the power

of obedience.

If I try to be a player,

remind me of my meek capacity,

sting me with regret and slap me

into a state of surrender.

If I try to enter a world not my own,

laugh at me, call me out

and put me in my designated low-chair place,

a dreamer, advancing

no further.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

IX

Falling away like before

launching water at the moon

then releasing it, scattering it

onto a lifeless surface.

Songs and singing are murderous,

selling the false business of a buffet

inspiration, and poetry, like a sober

prayer or pleading, blossoms in a place

where no one comes or looks or even cares.

Things that once stretched

with divine determination towards health,

now fall backwards into addiction and defeat.

Chaos always hovering at the entrance door,

violence a few footsteps away.

Idealism once trapped in my mind has sieved through

incrementally and now in my mind, a faint flow

of tainted possibility, mostly consumed by despair, mostly

non-existence, more hesitant than youthful,

more resigned than risking.

The days drive on the same,

and how I wish I was in a state

of conspiratorial superiority

or in a social bliss of nonchalance.

How I wish I could be like I used to be,

believing despite the odds,

calling for help and receiving it.

What is this weakness,

this futureless waste of now,

pressing on all my joints,

an aching misery perpetual?

What are these days

when I can find no hope

to master this tortuous doom?

I am removed. A thin slice everywhere

between me and reality. Only sorrow brings

me near enough to touch, only happiness lives

inside my dreams or in my memories,

stripping the peel from the fruit,

dropping it to rot in the mud-marsh with the rest

of my wearied hold on merciful possibilities.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

X

I don’t see

the far-reaching joy

to build a future on,

just disappointment, false-starts,

isolation and how can-that be?

I don’t see

but I know the builders take their time

to make sure what needs to be aligned

is aligned, that broken hearts can

become hardened hearts

and hope is dangerous for those who are desperate,

perishing at the foot of the mirage.

But there is a noble prophesy to follow,

to stand by and wait for.

There is true love, love that alters bitter grief

that wraps your love in its healing balm until

it blooms and your dry throat is

finally soothed, your wounds are rewarded,

transformed into strengths exposed,

safe on the marriage altar.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XI

Time does not help

to lessen the sharp scream

of amputation, or to help gain

a way to cope, maimed as I am,

lacking resilience.

Prayer does not answer

any questions or bury the emptiness

outside of my body, allowing

room that can be filled, even with only

a faint groaning microscopic creation.

Love that sits beside me,

day-after-day, holding my hand,

stays with me – miraculous devotion –

helps while it is there,

but does not stop the welling-up of sorrow,

that will not ease or be appeased

in solitude or by distraction.

Faith is a word that sparks

but cannot ignite. I sink down again

on my broken knees. I cannot rise.

I try and I try, but

I cannot overcome.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XII

God do you love me?

Everyday I fall short

of receiving your love,

blocked and stalled and wading

knee-deep in sewage mud.

I cannot take a step. I cannot

hear you anymore or

feel your mercy move the spoke

a mile, an inch, a fraction of

a way out of this criminal sleep,

arrested every day.

I try to take a breath,

try to step but I cannot

move. Please God, show yourself

to me again. I am aching all over,

joints on fire, mind – ablaze in jet-fuel burning

heat, tired all the time, cut off

from your glory.

Cut off no matter my prayers

and my pleas.

Please God, take my hand,

recognize me as one of your own.

I long for you.

I need your grace

to lift me, now,

trumpets calling,

advancing, only with you,

loved, permitted.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XIII

A hive blasted

by poison.

A blood-letting

in crave of a cure.

Two close-together cliffs

jumped across, looking

closer than they are.

In the whirlspin of a fall –

arms broken, extremities blasted,

crying out for someone from the angelic order

to swoop down and placate the pain.

But no angel-being arrives and what is broken

remains broken, deformed and starting to heal

that way, into a permanent liability.

Even then, when stuck thigh-deep in forsaken ground,

God is close, washing our cracked bodies,

cradling our defeat, saying

My Love doesn’t always answer with a clean slate

or a put-on spell so all hurt is forgotten,

not a trace left traceable. Sometimes

My Love just sits with you, beside the pain,

lets you know I am here,

here, in the empathetic love of others,

here, in your own resilience each morning to carry on,

here, in your determination to stay close to me

as you anguish and ache,

unable to walk or fully wake,

seeing that nothing turned out

the way you saw it

in your times of highest harmonic resonance

the way

you were sure it would.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XIV

Will you speak to me again

like before death cracked my windpipe

like when death still hovered thick in the air

but you were there surrounding everything

with the weight of your love?

Will you answer me again

cooling my shape, giving back force

to my petering-out flame

so I can grow again, still tied to your mercy

and the joy of having dreams?

Will I know you again

despite my mutations

and the iron that rotates sickeningly

in my core, using my energy

for lesser aspirations?

Will you love me again

and I will know that love

igniting its current through

my every predicament,

bonding me unbreakable

to your side, inside

your privileged embrace?

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XV

First thing,

you are here.

I wake up and we are talking,

merged in a matter-of-fact

conversation. My need, my only way

to take a step in the morning.

More and more, without you, I can’t

exist or comprehend a thing.

Then why this endless desert, the

hard bloated boils erupting

every time I do move?

How is it, you are here, but there

is so much pain still, so much struggle

just to keep alive?

How do I feel so close to you and need

you more than I ever have, have you

more than I ever have, with such

drought and trembling-burns burning everyday,

throughout the days, echoing – no medicine, no food,

just you and I in this high heat,

where I am barely capable,

but somehow capable.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XVI

Then the bitter defeat

was burning like a sin

committed, recognized

and unforgiveable.

Then on a hill, heavy with

weighted down legs and

an injury there, debilitating but

unexplained, the challenge came

to walk.

Walk slowly at first, walk like

I can walk even though the reins

are dropped and I have lost my mother,

lost life’s victory over death and the comfort

of an unbreakable love broken,

altered, intangible now as an angel’s skin

or a hope held for decades unrealized.

Walk with my mortal burden, stumbling without

a path, a cane or a flat plane. Twist in my ankle, twist

in my knee, swollen, bloated with a hot fever, walk.

Face a direction, walk, slowly,

commit and make it my own.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

XVIII

Soak the born

in their own initial conception

to remember the pure-memory-pockets,

the truth of miracles.

Underline everything that matters

and read it again until no small word

is skimmed over or taken for granted.

Open the shelter doors and let all animals

in, wild ones, broken ones, aggressive and tame.

Free with a blessing

every dream that isn’t false,

and follow your deepest duty –

both desirous and undesirous divine commands.

Under the blanket, conspiracies are made.

They grow limbs that look like light but exclude

humility and the thumb-print of surrender.

The atmosphere is big,

the button-hole is small.

I am small when I toss

my self-determination out as wisdom

and fail at every turn.

Mercy comes with obedience,

obedience comes with trust, and then finally

freedom.

The dying are trapped in their wounds.

The living, in their success at survival,

but the gift is always

open for everyone, and changing

even without core movement.

I have a boat and that is all I own.

I see flowers on the shore, rooted in the sand.

I see yellow and sometimes, I see gold.

Close-up image of a clay sculpture of a human face. Each photo here is of a face from a slightly different angle, close up near the mouth.

Allison Grayhurst has been nominated for “Best of the Net” six times. She has over 1,400 poems published in over 530 international journals, including translations of her work. She has 25 published books of poetry and six chapbooks. She is an ethical vegan and lives in Toronto with her family. She also sculpts, working with clay; www.allisongrayhurst.com

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