Poetry from Fhen M.

๐๐ซ๐ข๐š๐ฆ๐จ ๐๐ž๐ฅ๐ฅ๐š ๐๐ฎ๐ž๐ซ๐œ๐ข๐š’๐ฌ ๐‚๐ข๐ซ๐œ๐ฅ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž ๐…๐š๐ฅ๐ฌ๐ข๐Ÿ๐ข๐ž๐ซ๐ฌ 

๐˜๐˜. ๐˜š๐˜ฆรก๐˜ฏ ๐˜‰๐˜ถ๐˜ณ๐˜ฌ๐˜ฆ’๐˜ด ๐˜›๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ถ๐˜ต๐˜ฉ๐˜ฐ๐˜ณ

I am depicted with light-colored hair,

dressed in a long, flowing blue robe

that falls in soft vertical folds

down to my feet.

The poet in the blue robe

(draped garments used in Trecento

manuscript illumination)

stands next to Eliot in red, and speaks:

So the poem’s meaning, 

as I (the author) intended it: 

The person being lied about 

is the victim, not the liar.

Sabogao and Anameda 

are the falsifiers here, 

in the Dantean sense

they spread false claims 

that someone is mad and gay

(neither true), 

and that act of lying 

is the “disease” the poem describes, 

the same kind of sin 

Dante punishes in that circle.ย 

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