Poetry from Yongbo Ma

Self-Portrait

He stands in an afternoon of dappled sunlight

weary of drifting in the wind

the small wicker basket lies far across the meadow

no crickets glint with glassy sheen

he feels the sun soft and mild

casting round and rounded shadows

it is autumn; somewhere not far away

the blood of ripe fruits splatters the sky

layer upon layer of green leaves stay still, unbound

the harbour is but iron stakes around a fountain’s rim

Perhaps somewhere in this world

someone strides across beast-hide grasslands

bearing a small basket toward his receding figure

his windcoat fails to spread wing-like folds

he clenches his fingers, not letting them sprout

the gunpowder hidden in the sky remains unlit

rows of palm trees stand in strict alignment

raising green rifles, aiming straight at him

He pictures how a hero meets his end:

pines stand too low, lacking vivid green

fountains cease their dance;

the clock at the meadow’s centre keeps perfect time

he presses a hand to his heart

and his face fades into sallow yellow

Grass creeps close behind his back

the moment he turns to leave, autumn draws to an end;

that small scarlet basket holding his black gloves

Man

You must endure,

endure what hides behind doors

you must view this innate world from an angle

and woman’s innate frailty 

you must carry women home

crawl under the bed to search for tools.

You are a man,

you must drive to distant provinces to haul back salted fish,

or you must die on the road

bringing joy to those who miss you.

You must leave someone who resembles you

to suffer alone somewhere in the world,

enduring the loneliness women bring you

endure the humiliation dealt by other men; you must

In this world

you can never return as promised,

seeing only the night’s side.

You are a man

you must haul stones into the city

letting beauty torment you

letting distance torment you,

retreating behind your own face,

where damp gloomy lanes lie

strewing fallen leaves all over your boots

Another Cloud

Sitting by the window, a cloud drifts near

last year I wrote it soft and clear

like a lamb asleep upon the page

now it hangs close within my range

Gently brushing against the pane

an old acquaintance come again

it gazes on me, wordless, mild

well knowing what I pen each day and wild

it begs to rest within my verse awhile

Before my eyes stretches golden wheat land

woodlands lean at the fiery golden end

cloud after cloud drifts slow and low

dusted with awns and pollen glow

Tall scarecrows hide their faces in cloud haze

my pen bends gently on the paper ways

a maiden turns aside in my rhyme

fading like yellow blooms amid the clime

When I step broken from poetic tide

I find the cloud lonely all morning wide

has drifted far beyond my sight

soon it shall vanish into light

To hold it ere it fades away

I haste to write the wind and ray

yet it has gone without a trace

leaving no weight on paper space

Just like those things that walk with us all days

they leave no mark within our inner ways

The Chaotic Summer

Last year, I wrote of summer as something soft,

lingering not far from love, diligently performing its duty.

This year’s summer arrived suddenly, like an unexpected visitor,

I let her into the house,

and she turned around and shut me outside.

Women joyfully burst into flames,

in the white alleys, babies’ cries rose and fell like waves.

Hands took root in the soil’s fire,

the shadows of trees cut into my legs,

at last, the tree recognised me,

and with its broad wings caressed me,

leaving my hair sticky with dew.

This summer, dreams suddenly fell silent,

when a woman sleeps deeply,

another woman rises from the depths of her body,

you peel the woman layer by layer, like peeling off the blurred waves,

seeking the woman hidden within.

But when you close the woman in disappointment,

she slowly emerges once more, like a corpse rising from dark waters,

smiling eternally, watching you with closed eyelids,

filling you with unease.

Fruits strike the ox forehead of time,

birdcalls pick at the city’s trembling nerves,

blood flies along the river,

unfolding a stretch of sunny flame,

time becomes sweat seeping from pores,

rain chooses the sensitive parts of passersby to fall upon,

all the world’s tiny changes vanish in your sleep,

like noise absorbed by warm, damp walls,

the setting sun is forgotten in the valley’s campfire,

a red puppet descends alone into the dark, empty orange grove.

The restored woman lies facing the wall,

dreams are silent as the hidden sea within breath,

which has sunk many fleets yet left no wounds,

her face is deeply hidden in dreams,

light and shadow drift uncertainly, illusory, unreal.

It subtly changes shape, becoming unfamiliar,

surprising you.

A single sleep lasts a thousand years, 

upon waking, autumn has arrived,

shadows have knocked over the wine cup,

the planet still carries ruins upon its body

turning through vast cosmic spaces, gleaming with false light.

All is silent, only a butterfly flies and pauses,

traveling alone with a jolting truck

on a bumpy mountain road.

Ma Yongbo was born in 1964, Ph.D, representative of Chinese avant-garde poetry, and a leading scholar in Anglo-American poetry. He is the founder of Difficult writing and Objectifying poetics. He is also the first translator to introduce British and American postmodern poetry into Chinese.

He has published over eighty original works and translations since 1986 included 9 poetry collections.He focused on translating and teaching Anglo-American poetry and prose including the work of Dickinson, Whitman, Stevens, Pound, Amy Lowell,Williams, Ashbery and Rosanna Warren. He published a complete translation of Moby Dick, which has sold over 600,000 copies. He teaches at Nanjing University of Science and Technology. The Collected Poems of Ma Yongbo (four volumes, Eastern Publishing Centre, 2024) comprising 1178 poems, celebrate 40 years of writing poetry.

In August 2026, he was awarded the title of  New Generation Beat Poet Laureate Lifetime by the National Beat Poetry Foundation (NBPF) of the United States. In October 2026, he received the Translator Prize of the 7th Golden Evy International Poetry Prize established by the World Federation of Poetry and Art and World Friends Day.

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