CUTTING THROUGH SNOW
Whose son is this? I think I know
the one who lost his mind in snow
Why did we freeze him out again?
Why didn’t we listen in blizzard
after blizzard?
What drug is this? I think
I know: purple hash or heaven
knows, ecstasy- Wandering deeper
into the web he popped pills drank
the chill of lacy flakes of roaring winds
of frozen lakes- Can we heal
his shimmering soul strain the stones
from melting snow? What blazing sun
what glacier gone
can keep the ice from
moving on
WHAT WILL WE GIVE?
In memory of Sandy Hook
What will we give to the Queen?
the dreams of her own sweet
children
What will we give to the King?
our taxes and castles
What will we give to the Dark
Knight? The souls of children
mowed down one by one
in their horrified rows
What will we take from the story?
two hand guns a rifle stashed
in the back seat
What do we bleed as a nation?
our children
our children
our children
once more
once more
our children
our children
our children
Each one stands and falls
for them all
ON DEPARTING JOHN WAYNE AIRPORT
High in the friendly United skies
a video screen explodes on the upright back
of the seat a foot and a half in front of me
As soldiers charge a hill bombs explode
with no clear way to stop them-
The guy across the aisle has
tacked a black cloth over the screen
to spare himself the devastation-
He tells me: If you press long enough
on the faintly marked arm of your chair
the war eventually disappears-
But you have to press hard and
keep holding-
REGRET
We vacillate in the luminous night under white blue stars
like steering wheels like flies over
pudding
It’s a true translation except for the vowels
guttural with unpronounceable sounds we keep
trying to prove
We insist grapple search out corners empty
pockets of coins of tissue unsure who paid us
who loved us
Even the tumultuous river contracts with
autumn’s caution: crackling leaves bodies, stiff
with sudden indescribable sorrow
We vacillate pull paper from the windows then regret
the light
MIRROR
Mirror to yourself,
mild mercy You look
only when called when
your mother calls you back
to her- Gray sheep
apple blossom and
you come as you did
as you must bringing
the bread or broom
helping helping till
all is clean all is wiped
dry till you look up though
she does not smile back
already planning the next
meal purging dirt that rises
at her door Mirror to yourself,
mild mercy Search again
and again but only
her face stares
back
OUTPOSTS IN THE DARK
The moon is a lemon floating in a vat of
tar glowing really impossible to
peel my heart is a car window stuck
in its groove that won’t slide down my
emissary shut in its safe embassy when
I look up stars shoot down like fiery bees or bullets I
think no where is safe where there is no mother I try but
maybe never ever recover from not enough inside the lemon is healing
juice that’s sour the heart pounds from the strength of its fibery mass
tough woven walls never drop down completely like tired stars Are
they torches in night these tiny guide lights that keep falling or anonymous
weapons from an omnipotent sky I can’t know for sure but sometimes
sense the shining the steady beats of my heart as stepping stones
to jump from then precariously balance one two three before I’m swept
back into treacherous motherless
seas.
From Claire Blotter:
My poetry has been recently published in Barnwood, Gargoyle Magazine, the California Quarterly, Canary, the We’Moon 2012 & 2013 Datebooks and the anthology, KINDEGARDE: AVANT-GARDE POETRY FOR CHILDREN, among other anthologies and journals. As a performance poet who competed in the early National Poetry Slams in Chicago and Boston, I’ve concentrated on spoken word performance and collaborative theatrical work in the past. For the last 2 years I’ve focused on revising and refining my poetry for the page. My third chapbook, MOMENT IN THE MOMENT HOUSE, was published this year by Finishing Line Press.
Claire may be reached at savesongbirds@yahoo.com and lives in Sausalito.
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