Torment in the Heart
I became a captive among sorrows,
My head struck against stone again and again.
In the life I live, I am but a poor soul,
No one ever reached out a hand to me.
Trials have broken my strength,
My face no longer smiles at any joy.
What remedy can I seek now?
Is there still a chance for me to love?
Juraeva Aziza was born on March 26, 2000, in Uzbekistan. She graduated from Kokand University in 2023 with a degree in Primary Education.
The Easter Lamb
I bear the brunt of the world!
It’s back-breaking, tedious and heavy.
I do so with tears rolling down my cheeks.
The sun caresses me with its scorching touch,
and even much deeper into the marks that the whips had scourged me with.
I can hardly bear the discomfort!
I feel the blistering heat of its palms all over me.
I feel fagged out with a traverse burden over my wearied shoulder.
It is an intersect burden of all global transgressions.
And it does weigh down my exhausted and pierced body.
I am absolved of all blame, but carry it I must!
I am guiltless and blameless, like the mildest of tender lambs.
But condemned with every verdict from the world’s outset to its end.
Joseph C Ogbonna is a widely published poet. Some of his works have been published online and in print. He has poems published in waxpoetry online magazine, written tales online magazine, PoetryXhunger, Spillwords, Micromance magazine, All your poems, All your Stories, Ihram, Urban witchcraft magazine, Poetrysoup and in about thirty different printed anthologies. He is also an Amazon International best selling co-author. He is an amateur historian. His poems ‘Napoleon to Josephine and Josephine to Napoleon,’ were aired by the BBC Radio 3, to mark the bicentenary of the death of Napoleon Bonaparte on May 2nd, 2021. He lives in Enugu, Nigeria.
THE LIVING POWER OF LANGUAGE: PHILOLOGY IN THE MODERN WORLD
Hamdamova Sevara Saidmurodovna
First-Year Student, Uzbek Language and Literature
Tashkent State University of Uzbek Language and Literature named after Alisher Navoi
Abstract
Language is not merely a tool of communication; it is a living organism that reflects the history, culture, and identity of a nation. This publisistic article explores the relevance of philology in the modern world, particularly in the context of Uzbek language and literature. It highlights how language evolves alongside society, how philological studies preserve cultural heritage, and how globalization challenges linguistic identity. The article argues that young scholars play a crucial role in sustaining linguistic richness and adapting it to contemporary needs.
Keywords: Philology, Uzbek language, cultural identity, linguistics, literature, globalization
Introduction
In an era defined by rapid technological advancement and globalization, language remains one of the most powerful markers of identity and cultural continuity. Philology, as a field that studies language in its historical, literary, and cultural contexts, serves as a bridge between the past and the present. It allows us to understand not only how language functions but also how it shapes human thought and social development.
The Uzbek language, with its deep historical roots and rich literary tradition, offers a unique case for philological exploration. From the classical works of Alisher Navoiy to contemporary linguistic reforms, the Uzbek language has undergone significant transformations while maintaining its core identity. This dynamic evolution demonstrates the resilience and adaptability of language in response to changing socio-political environments.
For young scholars like first-year students of Uzbek language and literature, philology is not merely an academic discipline—it is a mission. It is about preserving the linguistic heritage inherited from previous generations while also contributing to its modernization. In this sense, philology becomes both a scientific pursuit and a cultural responsibility.
Philology as a Cultural Mirror
Philology reveals the soul of a nation through its language and literature. Every word carries historical significance, every idiom reflects cultural experience, and every literary work embodies the worldview of its time. By studying language in depth, philologists uncover layers of meaning that are often invisible to the ordinary speaker.
In Uzbek literature, classical texts serve as repositories of cultural memory. The works of Alisher Navoiy, for instance, are not only literary masterpieces but also linguistic treasures that demonstrate the richness of the Chagatai language. These texts provide insight into the philosophical, ethical, and aesthetic values of their era.
Moreover, philology enables us to trace the transformation of language over centuries. It shows how external influences—such as Persian, Arabic, and Russian—have shaped the Uzbek lexicon and syntax. This historical perspective helps us understand the complexity of modern Uzbek and appreciate its diversity.
Language and Identity in the Age of Globalization
Globalization has brought unprecedented connectivity, but it has also posed challenges to linguistic diversity. Dominant global languages, particularly English, often overshadow local languages, leading to concerns about linguistic homogenization. In this context, philology plays a crucial role in safeguarding linguistic identity.
The Uzbek language, like many others, faces the dual challenge of modernization and preservation. On one hand, it must adapt to new domains such as science, technology, and digital communication. On the other hand, it must retain its unique characteristics and cultural depth.
Young philologists are at the forefront of this balancing act. They are tasked with developing new terminology, promoting correct language use, and fostering appreciation for literary heritage. Through research, education, and public engagement, they contribute to the vitality of the language.
The Role of Literature in Philological Studies
Literature is an integral part of philology, as it represents the highest form of linguistic expression. Through literature, language reaches its full aesthetic and emotional potential. It becomes a medium for artistic creativity, moral reflection, and social critique.
Uzbek literature, both classical and modern, offers a rich field for philological analysis. From epic poetry to contemporary prose, it reflects the evolving concerns and aspirations of society. By studying literary texts, philologists gain insight into linguistic structures, stylistic devices, and narrative techniques.
Furthermore, literature serves as a tool for language preservation. By reading and analyzing literary works, new generations become familiar with the richness of their language. This engagement fosters linguistic awareness and cultural pride.
Digital Era and the Transformation of Language
The digital revolution has significantly altered the way language is used and perceived. Social media, instant messaging, and online platforms have introduced new forms of communication that are often informal and abbreviated. While these changes reflect the dynamic nature of language, they also raise concerns about linguistic degradation.
Philology must adapt to these changes by studying digital language practices and understanding their impact on traditional language norms. Rather than resisting change, philologists should analyze it critically and guide it constructively.
In Uzbekistan, the increasing use of digital technologies presents both opportunities and challenges for the Uzbek language. On one hand, digital platforms can promote language use and accessibility. On the other hand, they can lead to the spread of incorrect forms and reduced linguistic accuracy.
The Responsibility of Young Philologists
As future specialists, students of philology bear a significant responsibility. They are not only learners but also custodians of language. Their role extends beyond the classroom to society at large.
Young philologists must develop a deep understanding of linguistic principles and literary traditions. They must engage in research, participate in academic discussions, and contribute to the development of language policies. At the same time, they should promote language culture among the general public.
Education plays a key role in this process. Universities like the Alisher Navoiy Tashkent State University of Uzbek Language and Literature provide the necessary foundation for philological studies. Through rigorous academic programs, students acquire the knowledge and skills needed to address contemporary linguistic challenges.
Conclusion
Philology is more than an academic discipline—it is a vital force that connects language, culture, and identity. In a rapidly changing world, it provides the tools to understand linguistic evolution and preserve cultural heritage. The Uzbek language, with its rich history and dynamic present, stands as a testament to the enduring power of language.
For young scholars like Hamdamova Sevara Saidmurodovna, the study of philology represents both an intellectual journey and a cultural mission. By embracing this field, they contribute to the preservation and development of their linguistic heritage.
Ultimately, the future of any language depends on the commitment of those who study, use, and cherish it. Philology, therefore, is not just about analyzing words—it is about sustaining the voice of a nation for generations to come.
References
MY UZBEKISTAN
May your sky always remain clear,
You are my paradise on earth, so dear.
In your gardens, let pomegranates grow,
You are my pride, Uzbekistan, you know!
Your wheat and bread I cherish with my sight,
Each moment you grant me joy and light.
Your kindness lifts me to the skies above,
You are my soul, Uzbekistan, my love!
Your colorful flag waves high in the blue,
It holds the blood of ancestors true.
My tender heart beats for you, my land,
You are my existence, Uzbekistan, so grand!
Even your ruins are palaces to me,
Your deserts turn into gardens I see.
You live forever within my heart’s domain,
You are my soul, Uzbekistan, again!
My name is Munisa Islomjonova, a young poet from Uzbekistan. I am a 10th-grade student at a specialized school in Kosonsoy, Namangan region. From an early age, I discovered that words have the power to express what the heart cannot always say, and since then, writing has become a part of who I am.
I am the author of “Sarhad Bilmas Orzular” (“Dreams Without Borders”), a book that reflects my dreams, emotions, and deep love for my homeland. Through my poetry, I try to inspire others, to show that no dream is too far and no border can limit imagination.
I believe I am only at the beginning of my journey, but my passion for literature continues to grow stronger every day. My goal is to share my voice with the world and leave a meaningful mark through my words.
I can’t keep quiet about this: why do people have no sense of personal boundaries anymore?
Every human being is created unique — from a fingerprint to a single strand of hair.
So why, as time passes, are people trying to dress the same, think the same, behave the same?
Why does “What will people say?” still remains the strongest fear in our minds?
Life is given to us only once.
Even in old stories, this life is described as a test — the result of Adam and Eve’s mistake.
Yet despite that, God Himself says: “Walk the earth I created, see it, live it.”
Then why should we spend our lives imitating someone else?
Why do we immediately label a person as strange if they think differently, choose their own path, or bring a new idea?
Why do we rush to voice opinions no one even asked for?
As for me — I would rather protect my identity than live as a copy of someone else.
Because this is my life: my face, my body, my style, my channel, my blog.
In my opinion, the most foolish person is the one who changes themselves just to please others.
If I want to dance — I’ll dance.
If I want to laugh loudly — I’ll laugh.
If I feel like wearing an eye-catching hairstyle or my favorite clothes — I will.
If I’m overwhelmed and feel like crying — I’ll cry.
This is my personal space.
I don’t have the mindset of: “They didn’t play with me, so I won’t play either.”
I’m not afraid of being different.
And crying over the words of people who don’t matter? To me, that’s completely pointless.
Life is unbelievably beautiful…
Whatever judgments people may have, I will never lose my true self.
For some, I may be a joy; for others, an inspiration; and for others still — someone they can’t quite understand.
But no matter what, I am still one of a kind.
I will always live while respecting my own desires.
And even if I make mistakes sometimes, I’ll have no regrets — because I walked the path I truly wanted.
My conclusion is simple:
Respect yourself. Love yourself.
People’s opinions are nothing more than dust blown away by the wind.
Maxsudbekova Farog‘at Izzatbek qizi (born 2010) is a talented student of the Ogahiy Creative School, as well as a young poet and publicist. Her scientific and literary works have been recognized both nationally and internationally. Farog‘at’s article was published in Turkey’s prestigious academic journal “Bilgi Çeşmesi,” which is indexed in databases acknowledged by the Higher Attestation Commission.
Her poems are regularly featured in well-known national publications such as “Tong yulduzi,” “Ezgu so‘z,” “Gulxan,” and “G‘uncha.” Her works have also appeared in several major anthologies, including “Successful Generation” (USA, Lap Lambert Publishing), “Raven Cage Zein,” and the inter-school anthology “Ijod bog‘idan guldasta,” where her poems have been published multiple times.
Farog‘at manages her own creative channel, where she shares her poetry in collaboration with over 200 fellow young authors. Her article dedicated to Muhammad Rizo Ogahiy was published in South Korea, further strengthening international interest in her literary work.
Today, Farog‘at is known as a promising young literary enthusiast distinguished by her dedication, consistent creativity, and profound love for literature.
Late Happiness
Dark fate knocked on the door twice in a single day: as Bayna momo laid her two beloved ones into the earth, it felt as though not only the sun of that day, but the sun of her entire life had set. The yard fell silent and desolate, the tandoor grew cold, and even the wooden platform by the door lay quiet, as if it too had lost its owner. Once, the sound of a man’s footsteps and her son’s cheerful laughter echoed through this yard. Now, Bayna momo was condemned to live among memories and restless loyalty.
People came and went, offering words of comfort, and then dispersed, each returning to their own concerns. Bayna momo was left alone, face to face with her solitude. At times, she would sit by the hearth, gazing far into the distance, as if waiting for someone from the past to return.
Zamon the horse keeper still walked about the village with pride. Not a trace of regret could be seen in his eyes. Yet in the hearts of the people, heavy words toward him were ripening; all the elderly women of the village cursed him silently from within. Before long, Zamon’s affairs began to fail: all his horses died in a single day, his trade collapsed, and his reputation fell to the ground. People turned away from him. It was as if an invisible curse followed him wherever he went.
One day, Bayna momo went to the market. There, she noticed a young man working as a cart driver. There was a calmness in his face, mixed with a quiet sorrow.
“Thank you, my child,” she said involuntarily.
“Your voice… your gentle voice and your words reminded me of my mother…” he replied, his eyes filling with tears.
From that day on, the yard came back to life. Tea would boil on the platform, the smell of fresh bread would rise from the tandoor, and in the evenings, the quiet conversations of two souls would fill the courtyard. Bayna momo straightened her back, and light returned to her eyes. She no longer thought of the past, but began to think of tomorrow.
The wind blew again. But this time, it was not destructive—it was a warm breeze circling the yard.
Bayna momo finally understood: a human life is made of trials. Some fall while standing against the wind, while others rise again after it passes. Meaning had returned to her life—the happiness of being a mother once more.
Saparboyeva Laylo Xajibay qizi (born in 2010) is a student of the Ogahiy School of Creativity and a young writer.
She began her creative journey in primary school by writing poetry. After a certain break, she returned to literature and is currently working in the field of prose. Her dedication piece titled “I live in Your Heart” was published in the newspaper “Xiva Tongi”.
Laylo actively participates in scientific and practical conferences, where she expresses her ideas and perspectives on literature and creative thinking. In addition, she writes short stories and fanfiction, which she shares on online platforms.
Her works mainly focus on human emotions, inner experiences, and observations of life. In the future, she aims to further develop her creative potential and become an internationally recognized writer.
RAMADAN
Like a lost camel, sad and weary,
I don’t understand how time is passing.
A mysterious cry roars within my heart—
The holy Ramadan is slipping away.
So many sins, countless and easy.
Saying “forgive me, God” is so simple.
Some are careless, some are joyful,
The holy Ramadan is slipping away.
One says, “Faith lives in my heart,”
Another walks the path of injustice.
Have we still not understood even now?
The holy Ramadan is slipping away.
Maqsudova Anora Alisherovna was born on November 2, 2010, in the village of Gazovot, Kushkupir district, Khorezm region. In 2017, she was admitted to School No. 30 in Kushkupir district.
In 2022, while studying in the 5th grade, her first poems were published in a collective anthology titled “The Praise of the Motherland in Hearts.” In 2023, during the 6th grade, her first personal poetry collection titled “A Little Heart’s Gift” was published. Later that same year, several of her poems were also included in the anthology “Hearts Passionate About Creativity.”
In 2023, she won honorable first places at both the district and regional stages of the “Creative Children” competition. That same year, with high results, she was admitted to the “Ogahiy” Creative School in Khiva city as a 7th-grade student.
In November 2023, several more of her poems were published in the collective anthology “Hearts Passionate About Creativity.”
In 2025, while in the 8th grade, her second personal poetry collection titled “Awakened Poems” was published. In addition, a number of her poems were also published in literary collections in Russia, Azerbaijan, and Turkey.
Currently, Anora is studying in the 9th grade at the Ogahiy Creative School.