HER BARBWIRE LIPS: Why is my I not the same I as our I your I their I et ceteri? Let’s meet any whensday where my we invites our them to break bread with their them (us!) and Is together are. Iless weness incorporates theynessthyness till allness is. But beware: I begets they if we neglects me (ourusness minus myness), so any part of(or)part from Iness may well martyrize my we :HER WATEFALL EYES

HAIKU IN SONNET

Blots advertise coming austerity.

Cross farmers and their inner flatterers

spring back into kinetic energy.

Skies are, after all, false benefactors.

(Crows)

“Take careful stock of your remaining fruit,

dead orchards are abandoned and condemned.

Worms sap tunnels through sturdy apple faults.”

Home seems familiar. We don’t understand.

(to)

The ambitions stretched beyond my quarters,

nests of desires planted over mountains.

Young dreams imagined crisp, boundless borders.

Birds of hope winged themselves across oceans.

(call)

For all that wishful repast was ancient

food that I thought only mine and recent.

Blots cross spring skies: Crows

take dead worms home to the nests.

Young birds call for food.

GESTALT

to/get/her

my singularity

we reformed

to/get/her

A POEM INDEBTED TO A SERMON BY LUTHER

Banner and anthem. Flag and slogan.

Tattoos and a uniform.

Your circumcision and your tzitzit.

A tonsure and crucifix.

All the princes impose their standards

and propagate their watchwords

by which to their followers they’re known

and to which lord they belong.

FLIGHT OF FANTASY

The name’s Duane, a recovering romantic.

And this sonnet’s microcosmically me: intelligent

to an extent, yet unutterably inelegant.

The twisted yogapoetry falls far shy of the tantric.

But the doomed, pure gooneybird still tries liftoff,

flopping/jerking incongruous across your Canada Shield,

this tropical spirit beating its blunt clumsy appeal

against your ever-stubborn massif.

Frantic wings pump and flutter.

Their antics, doubtless, amuse: as awkward

as the balance between golden orator

and the motley’s drooling stutter.

The question, then: Can nature’s clownbird conquer the runway

and slide into sky’s butterandgoney?

Anna Keiko (China)

Anna Keiko, a distinguished poetess and essayist from Shanghai, China, has made a profound impact on contemporary literature. A graduate of Shanghai East China University with a Bachelor’s degree in Law, she has achieved global recognition for her poetry, which has been translated into more than 30 languages and published in over 500 journals, magazines, and media outlets across 40 countries. Keiko is the founder and chief editor of the ACC Shanghai Huifeng Literature Association and serves as a Chinese representative and director of the International Cultural Foundation Ithaca. Her affiliations extend to Immagine & Poesia in Italy and the Canadian-Cuban Literary Union, reflecting her commitment to fostering cross-cultural literary exchanges.

Her poetic oeuvre spans six collections, including “Lonely in the Blood and Absurd Language”, showcasing her exploration of human emotions, environmental concerns, and existential themes. Her innovative style and evocative imagery have earned her numerous accolades, such as the 30th International Poetry Award in Italy and the World Peace Ambassador Certificate in 2024. Notably, she was the first Chinese recipient of the Cross-Cultural Exchange Medal for Significant Contribution to World Poetry, awarded in the United States in 2023.

Her works, including “Octopus Bones” and other acclaimed poems, have resonated with readers worldwide, garnering invitations to prominent international poetry festivals and conferences. Her dedication to the arts extends beyond poetry, encompassing prose, essays, lyrics, and drama, underscoring her versatility as a writer. Nominated for the Nobel Prize in Literature in 2020, Anna Keiko continues to break barriers, bringing Chinese literature to the global stage.

His Mercy in my Depressed State 

In His shadow of warmth 

I take solace 

when my bouts of despair 

seem to set in.

When I get exhausted by 

the realities of my own 

trials and adversities.

I look to the hills from whence

my teary eyes get their arid relief.

There are moments I find myself sunken deep in my own melancholy.

When I seethe with frustration at the slightest provocation of my own depression.

At such unpleasant moments, I find myself diving instantly into His Ocean of grace and infinite mercy,

only to emerge later from my baptism of succour.

Topic: “In New Uzbekistan, youth issues have been elevated to the level of state policy”

Author: Abdulaapipov Azamat Abdulazizovich  

Chief Leader of the Tashkent City Branch of the Organization of Children of Uzbekistan  

11th Grade Student of General Education School No. 186,

Shaykhontohur District, Tashkent City.

All over the world, youth are the continuators of all spheres of activity. Currently, the world’s population has exceeded 8 billion people, with about 20% being young people. In Uzbekistan, this figure exceeds 60%.

In 2016, an important document was signed for Uzbek youth. It was the first normative legal act signed by Shavkat Mirziyoyev as President of the Republic of Uzbekistan—the Law on State Youth Policy dated September 14, 2016. This law opened up significant opportunities for all the youth of Uzbekistan. Since more than half of the country’s population consists of young people, the consistent implementation of youth policy has become a crucial factor in Uzbekistan’s entry into the ranks of the most developed countries in the world. This is well understood by the country’s leadership and government.

When talking about attention to youth in our country, one cannot forget the figures of the Jadid movement who lived during the era of Turkestan, such as Gulom Zafarij, Munavvar-kori Abdurashidkhanov, Abdulla Qadiri, Abdurauf Fitrat, Iskhakhan Tura Ibrat, Abdulla Avloni, Abduhamid Chulpon, and Mahmukhodja Behbudi. They promoted knowledge among the youth of Turkestan. Our President speaks about these ancestors as follows:  

«The new schools, theaters, libraries, museums, newspapers, and magazines created by the Jadids, as well as charitable societies that sent children from Turkestan abroad for education, awakened our people from centuries of slumber and gave a powerful impetus to the national liberation movement,» says President Sh. Mirziyoyev.

Today, youth policy, issues concerning youth, protection of their rights and interests, and the upbringing of well-rounded, energetic young people are defined as a priority direction for all state bodies and ministries in Uzbekistan.

In Uzbekistan, based on the principle of «Youth Balance,» youth are divided into three categories: «good,» «average,» and «difficult.» It is important to note that youth from the «difficult» category do not go unnoticed. On the contrary, the state pays special attention to them, providing support and involving heads of ministries, departments, khokims (governors), and leaders of all divisions who are assigned to such young people, treating them as their own children. They listen to their problems and help resolve socio-economic issues.

To raise independent and patriotic young people who can use the internet rationally, training centers for «Digital Technologies» have been established in all regions. The state views the opportunities provided to youth and the funds allocated not as expenses but as investments in the future of the country.

In 2019, the President proposed «5 Initiatives» covering five important areas that played a significant role in the fate of youth. For example, gifted young people receive a car as a presidential prize by winning one of the contests. The implementation of these 5 initiatives marked a new milestone in the history of youth education in Uzbekistan. Additionally, young women have been given opportunities to engage in entrepreneurial activities thanks to financial resources allocated by the state, which has become another incentive for them.

At the initiative of the President, children of law enforcement officers can enter universities on state grants without entrance exams and are provided with all necessary conditions.

A fund called «Youth – Our Future» has been established to finance youth business initiatives, startups, ideas, and projects.

To support people with disabilities and low-income families in need, a system called «Unified Social Protection Registry» has been created. Additionally, «National Agency for Social Protection,» «Iron Book,» and «Women’s Book» have been introduced to address the problems faced by needy families.

Youth who are unemployed receive financial support through the «Youth Book» program to acquire desired professions. It should be noted that in the «Action Strategy» for five priority areas of development of the Republic of Uzbekistan from 2017 to 2021, special attention was given to youth issues. In particular, the protection of youth rights was designated as one of the main tasks.

In Uzbekistan, youth is viewed not as a «problem» of society but as a powerful force driving the country’s development, a strategic resource for the state. As a result, today educated, progressive-thinking, principled young people are becoming an increasingly important driving force for the future of the country.

An Agency for Youth Affairs has been established in the republic to develop and implement youth policy. This agency actively works on and develops new projects and initiatives aimed at benefiting the youth. It has become a support system for young people living in the country. Today, the agency sets ambitious goals and, with the trust of the state, works at the grassroots level—in villages, towns, districts, and regions. Now, advisors to khokims and youth leaders in mahallas provide support for their development.

In the modern era, the youth of Uzbekistan can read books online, learn foreign languages remotely, and acquire professions through online courses. The Children’s Organization of Uzbekistan is engaged in activities aimed at the active participation of children in public life, despite their young age. Members of this organization, known as leaders, can hold positions at the level of class, school, district, region, city, and republic. School students can become leaders, which allows them to grow as future political figures and gain deep knowledge. Leadership is an important process. Students who go through leadership activities can occupy high state positions in the future.

On the international stage, Uzbekistan is recognized as one of the fastest-growing countries in the field of youth policy. The country has entered the top ten states participating in the implementation of the UN strategy «Youth Strategy – 2030.» Furthermore, Uzbekistan’s capital, Tashkent, has been declared the youth capital for the first time in the CIS.

Thus, the youth of New Uzbekistan continues to inherit the strength, knowledge, and initiative of their ancestors, such as the great mathematician al-Khwarizmi, scholar and engineer Ahmad al-Fergani, hadith scholar al-Bukhari, philosopher al-Farabi, encyclopedic scholar al-Biruni, physician Avicenna, poet Alisher Navoi, statesman Amir Timur, and many others. The youth of New Uzbekistan continues to strive for development and the construction of a prosperous future for the country.

Mother Courage and Her Children is a theatre of the absurd canonizing nihilistic expressionism in modern European drama through the nebulous and meteoric phenomenon that crusading battlements feed people better as Marxist dialectics of warfare polity enterprise. Modernist playwright and avant-gardist theatrical theoretician sheds light in the evolution of constant revolutionizing of production, the uninterrupted disturbances of all social conditions, and the everlasting agitation and agony. Anna Fierling’s femininity, womanhood and motherhood is marred by the deterrent of trauma, violence, famine, poverty, bloodshed and civil wars, massacres and genocides and finally the bereavement of family members to geopolitical crises. Kattrin is a dumb disability rape victim of beleaguered Catholic regiment and her life is doomed to the brink of death at the expanse of messianic heraldry to awaken the Ingolstadt community and Utretch neighbourhood against the impending imperilment.

In context of postmodernism, post marxism, post communism, post stalinism, post fascism, postnazism the post Brechtian epic theatre is a treasure hunt of excavating and critiquing geopolitical tensions and conflicts amid globalization, liberalization, privatization, internationalization and sanction-counter sanction policies. Terrains and frontiers of capitalistic mercenary profiteering warfare politics usher satire of Mother Courage and Her Children to be cornerstone significance in contemporary legacy of Israel and Gaza or Russia and Ukraine. However, Mother Courage’s stony heartedness disentangles and estranges the stance of motherhood for preservation stake of survivalist livelihood; coldheartedness diminishes in grief stricken soul and freezing heart to glimpse the postmortem view of Swiss Cheese’s dead corpse. Resourcefulness, resilience, craftiness, perspicacity and intuitiveness deserves heartfelt kudos and laurel accolades as a gendered quester and displacement refugee of racial and ethnic migrant to spatiotemporal dystopian apocalypse. Exilic Brecht’s rage and fury was subjected to the temperamental vehemence of the then World War II Nazi German Holocaust. Atisemitism forges a cascade of hatred, oppression, antipathy, intolerance, inhumanity and barbarism towards Jewishness. Perpetual horror and terror of Nazi Germany substantively mirrors excruciating endangerment of Mother Courage as foretold by the tragic death chronicles of her Swiss Cheese and Eiliff. In Mother Courage and Her Children, Kattrin symbolically  resurrects the foreshadowing of Anne Frank’s afterthought that “Dead people receive more flowers than the living ones because regret is stronger than gratitude”. Through Kattrin’s heroic demise and sacrificial martyrdom Brecht spotlights the Marxist resistance and Marxist revolution. Her dumbness is transformatively changed to the libertarian human voices from the performativity of forces which render silence. Destruction and desolation of entrenched warfares afterall allegorizes the wartime backdrop of the theatrical production. Furthermore, Mother Courage’s staking of autonomy and individuality vis a-vis establishment and enfranchisement for her labour, worth, power and profit parallels resistance and struggles of the serfs and proletariat of Nazi Germany.  

Audiences and theatre critics speculate anti war play today as a reflection of warzones wherein mother courages are locked into the closets of detention centres throughout certainly. Bold and radical theatres and productions stage the modern European drama Mother Courage and Her Children as theatrical revue. Suffering and survival of the battlefields in the war frontiers of geopolitical disruptions lead to victimhood from war casualties. Dramatis’ personae of Mother Courage’s pragmatism engulfs her sentimentality into obscurity through the let bygones be bygones realism of continuity with the trade. Moreover, the future and safety of Eiliff and Kattrin are of paramount importance as revealed by the brunt of conservancy of the wagon. Mother Courage’s socioeconomic status facilitates her transcendentalist redemption from economic encumbrance and financial bankruptcy. However, “when the war gives you all you earn, one day it may claim something in return” is denunciation of the sergeant starkly apparent in the pawnship of Swiss Cheese’s life. Formidable survivor Anna Fierling is much more a character of the petty bourgeois class evolving into the exemplar premise of socialist realism with the coalescence of the Cold War as anti-capital and anti-war epic theatre. Afterall, Mother Courage’s polarized dual personality as both heartless speculator and tormented maternal figure are entrenched with inexpressibly incompatible paradoxical gulf between herself and the world. Anna Fierling’s modern disfigurement foreshadows the relationships between commodities, money and the marketplace that perverts human relationships and is ultimately inimical to life. Her wagon is a hallmark symbol of profiteering capitalistic enterprise of a doggerel and bloody warfare as well as unfolkloric and unsentimental victimhood of traumatic survival. 

Bertolt Brecht as a precursor of anti war epic theater heralds the harbinger of impending second world war and the dangers associated with victimization in traits of Solomon, Julius Caesar, Socrates and St. Martin. Although these personages are heroically admirable for their humane virtues, however, they are cowardly and despicable for being preys of wartime. The Brechtian epic theatre focuses dialectical social critique rather than tragicomedy to educate critical faculties for the reception of alienated point of view and detached perspectives. Willing suspension of disbelief  is somewhat polar opposites to Brecht’s engendering of illusion.

Further Reading, References, Endnotes and Podcasts

Belvoir 2015 production of Mother Courage and Her Children by Bertolt Brecht Translation Michael Gow Music Composition Stefan Gregory Director Eamon Flack Notes for Teachers, pp: 1-23

https://journeys.dartmouth.edu/mothercourage/historical-context/

Rational Irrationality

Review Paper on Mother Courage and Her Children by Bertolt Brecht

The Death of Tragedy George Steiner pp. 1-40

Konstantin Stanislavski An Actor Prepares pp. 1-20

Mother Courage and Her Children On Stage and Screen by Ralf Remshardt, pp. 1-10

Mother Courage and Her Children Study Guide Bertold Brecht in a new version with Peter Hinton a national Arts Center English Theatre Company Manitoba Theatre Centre (Winnipeg) Coproduction, pp. 1-28

As kind as a mother, as dear as a father,  

There is a being who is cherished like a friend.  

Carrying my burdens on their shoulders,  

Holding my hands, helping me overcome hurdles.

Introducing the good and the bad,  

Enlightening the heart with the light of knowledge.  

Awakening beautiful virtues in the heart,  

Completely forgetting their own comfort.

NATION, MOTHER, FRIENDSHIP, LOVE, and AFFECTION,  

Demonstrating their essence like a guiding flame,  

Burning for someone’s destiny,  

Spending sleepless nights in their thoughts.

Yet there’s no debt for all this love!  

Only a bright future is my only reward.  

If my heart is a mountain, should I succeed,  

It will embrace me, saying, “My child!”

If I achieve my goals,  

All my efforts are merely a drop in the ocean.  

If I weigh both of us on the scale,  

THIS HUMAN is the ocean, and I am simply a drop.

Life flows like a rushing river,  

Constantly adding youth with every passing moment.  

But I will not erase this person from my heart,  

The loving TEACHER who introduced me to the world.

Musurmonova Gulshoda Olimjon qizi was born on March 9, 1997, in Jizzakh district of Jizzakh region. After completing secondary school, she attended an academic lyceum and then continued her education at Jizzakh State Pedagogical Institute in the Faculty of Primary Education.

During those years, her interest in writing poetry began to develop. Currently, she is teaching primary classes at school number 42 under the system of MMTB in Sharof Rashidov district of Jizzakh region.

Gulshoda is married, and her poetry predominantly covers themes such as Parents, Homeland, Love, Consequences, and Life. She deeply expresses human feelings and promotes enlightenment in her works.