I sit in my room wondering what shape the world will take up next. My body weary from alignments, and compressions, and expansions, and pathless arcs. Outside, there are dragon-flames, the age of Fire: every tongue, a funnel of combustion, fuelled by time’s solubility. The world itself, malleable in destruction—its very essence sets it off on a path of deconstruction, the theory of ashes. Not that my room is resistant but it is the only place I can shed my skin without shame, burn on the altars of solitude. And if this poem is the beginning, my room is Eden. An apple walks into my mouth and I taste Eve’s skin: crunchy with guilt, sugared with condemnation. Something about the tongue veers us away from the palls of redemption. Although I am naked, I am not Adam—I cannot begin this odyssey of perambulations with a crisp curse; what do I say to the serpent when he knocks? Spare me the goodwill, I have seen shapes and shapes and shapes but I have never seen an hour move so strange ticking with shadows and shadows and shadows as though light is a taboo. Spare me. The world is a shapeless plot and before my room ingests a sheet of flame like a story with an incendiary twist, I will say a prayer for this garden where the seeds of death blossom.
Testaments of Highwaves
in this poem you are the restless body of a country courting the apocalypse. your conscription, a willing
plunge, an endearment of desolation, hieroglyphs of manifestation etched on your forehead. you say
it is no scandalous affair: bones forged as effigies of self-denial. the proof sprouts, entombments seeping
out, serpentine strands of hair. how can your lips crave honeyflowers yet revel in the crater, snuffing
gunpowder? what’s the taste of ashes gnawing your tongue? your spine is a dystopian song.
how can you pine, ploughing day’s breath for miracle ridges yet copulate night’s pronging palms on inferno-futons
of unbelief? what’s the taste of ashes gnawing your tongue? your spine is a dystopian song.
a rhino-horn burgeons from your pericardium; ode to an extinction that detests aubades. your thorax, a mapped
sortie of malaise, and your navel is the nascence spurring the great flood. what’s the aftertaste of these songs
when your waist wiles every crevice for climax? in this poem, your heritage is the romance of tragedy
where love is death, and dismantling bodies are borderless memories of dust, the testaments of highwaves.
Mob
All the memories of the past revisit me as ghosts and beckon me to a conversation at time’s table.
I yield like a shore to the carnivorous strides of a drunk tide, unbolt my body for the incursion.
Memory, the foreskin of consciousness, unwithering, undying, hangs with the panache of palatial garnitures.
I try to flee, far from this unheralded swinging of shadows minted in lightspeed, but everywhere I set
my teeth of dust is an enclave of something that refuses to disappear, or admit evanescence. Eyes of fireplaces
knitting snow-forests, the owls in cyclical obsession where my body is the night of oblivion, a disciple that
should be ingested by the drunk tide. Something about the past weaves the caskets of darkness with canes
of grief and ships them to heartposts. And the peril of the hour is that there isn’t enough light lurking
in our marrows to turn these graveyards to regales of pristine fireworks. So, we unbolt the lids and lower
our bodies into a congregation of fleshless beings where every man’s bone is an artefact of nothingness tirelessly marauding the earth as time’s loyal mob.
Osieka Osinimu Alao is a Nigerian writer and poet. His works have appeared in International Human Rights Art Festival, Lumiere Review, Of Poetic Yellow Trumpets, Arts Lounge Magazine, Nantygreens, and elsewhere. He is @OOAlao_ on Twitter & Instagram.
Ajibola Aljanat is a budding poet. She is an undergraduate of Usmanu Danfodiyo University, Sokoto. She tends to write poetry as a means to express and interact to and with the environment. When not trying to write, she struggles with a book or could be caught catching up with something on the phone.
dormito troppo: la formica di caffè sul mio pollice
overslept — the coffee ant on my thumb
binario 1: la gran croce bianca del mendistrillone
platform 1 — the big white cross of the hawkbeggar
Roma Termini Christmas Tree
Roma Termini: il santo in ciabatte guarda l’albero
Roma Termini — the holy man in flip flops gazes at the Christmas tree
ite missa est: e fuori l’inferno a bocca aperta
ite missa est — and outside hell gaping wide
notte d’estate: incollata al lenzuolo la mia insonnia
summer night — glued onto the bed sheet my insomnia
Bet
Santo Ignazio: s’inginocchia il turista per uno scatto
at Saint Ignatius — a tourist down on his knees for another shot
sbianca la luce gli sbrecchi della tazza: sera d’inverno
the light whitens the nicks on the cup — winter evening
Fountain and Pigeon
tombola: l’amore della bimba per le monete
tombola — the little girl’s love of coins
spia paparazzo dalla finestra sull’unghia dell’alluce
a paparazzo spies from the window on my big toe nail
pesce scontato: il giorno dopo saltella ancora
discounted fish — the day after it’s still leaping
San Paolo
acchiappaspettri: annoiati a morte tutti i fantasmi
specterbusters — all the ghosts bored to death
penna ïn resta respingo moscerini dal volo a zig zag
pen in rest I repel zig zag flying gnats
igienizzata persino la salvietta: spesa post-Covid
even the Kleenex gets sanitized — post-COVID shopping
Posing Crow
Giorno dei morti: nel cric croc dei muri si rispondono
Day of the Dead — through the creaks and squeaks of walls they respond to each other
solo d’estate: persino i ragni hanno le loro mosche
lonely in summer — even spiders have their flies
affreschi a Pisa: anche Satana soffre di emorroidi
frescoes in Pisa — even Satan suffers from hemorrhoids
Urban Intimacy
studio medico: contaballe aggancia sexy menope
doctor’s office — fibber hooks up with menopausal hottie
per il dottore: al mio turno tocca al nuovo arrivato
at the doctor’s — when it’s my turn the newcomer is up
Roman Ruins
pronto a scattare parte prima l’allarme del ranocchio
ready to shoot the frog alert goes off first
stasi ardente: tutt’uno con l’antenna l’uccello grigio
scorching stasis — one with the antenna a gray bird
La Fornarina
La Fornarina: la folla si delizia della tettina
La Fornarina — the crowd delighted with the tit-ina
Maurizio Brancaleoni has had poems and short stories published in numerous journals and anthologies. In 2018 he received an MA in Translation Studies with a thesis translating and commenting on Thomas Wolfe’s “Passage to England”. In recent years he localized Adrian C. Louis, Jean Toomer and Justin Phillip Reed. Earlier this month, he put out his first short story collection “New Parables And Other Oddities” after a twelve-year publishing career.
Full of Plugs
Hogtied westerns
The village horse
can't see arms
The cow poked
the trough water again
Rootin tootin
brown hashed
gun heat
feather and
tar
nation
Of Ulterior External Value
Orthographic memories
of all the dead sheets
Evenings think without the woods
poems frozen of famous words
flourishing narrow examples
My near high stops writing
Note is not a home
It must birth around a will
I will be collapsing through
old-growth woods somewhere
Tomorrow a pond sabi poem
will snow my anxieties
Think the year
and there deeply
Trillium Oxidation
Midyear past neuritis
a hairdo blossom falls
milkweed blurred vision
a dust storm shrugs
A usury of obligations
without hardship or inhibitions
the power to point
to your hurried nudism
Sweeping up the wet trail
of still more beasts
your body thinks it will take longer
than a llama queue
you need a bit more time degreed
An effete moth is an indirect reference
to something outgrown
you are now accepting silence and urgency
of a new agent
Public Futilities
desperate summer
a single line of ants dividing time
in a skydiving office
unfit genome
who is a wall of the day
leave instead to get back into town
head to a jogging house
with the door left open for you
and autumn in the bottle
A Row In Which The Sky Was Restless
a perfect time
for another tree
quiet phantoms accept
the offer of your quarter
to make quarter ends
sorting through
all the ancient problems
all of millennia
dragging the harrow from
this morning's walk. full time.
petro c. k. lives in the aggressive greenery of Seattle, but lets no moss grow on him. His creative life has included painting, graphic design, sound art, and DJ'ing, but only just recently dove headfirst into writing. His haiku and other short-form poems has already been widely published in dozens of eminent journals, has been nominated for several Touchstone and Pushcart awards, and he has completed his first collection of poetry.
He is the founder and editor of dadakuku (https://www.dadakuku.com), a new poetry journal of extremely short-form absurdity.
Influenced by surrealism and dada, the poems presented here have been created in part by using predictive text.
Living in tents may not be so comfortable as you sleep in the royal palace Living in tents it’s my choice to live in Though not for every time You can feel some difficulty at first time No fear dear, You have entered such an amiable and lovable room So easily adjusted Living in tents I enjoy at times Feeling light in the eyes.
Chapainawabganj, Bangladesh 27/01//2023
At Your Speech
When you deliver your speech A hawk suddenly waves its feather over head You speak, speak and speak The hawk spreads softly all around Enchanting all the way You are on the stage delivering speech I enjoy the fly resonating something strange As the two doves once loved each other on the branch of a tree And I watched through the window beside My teacher forbade me not to see outside But subconsciously I observed and observed I hear your speech I look through the flying hawk I can hear you both One is speaking loudly One is silent and so smooth.
Chapainawabganj, Bangladesh 30/01//2023
Rat-Rat Play
The world feels sick The people of the land fight for what is achieved or not No sense of good or bad No heart for the rest Some pieces of land always busy with their trump card And raise the hands of joy Staring at the sky the thundered eyes never turns back to the pool Surrounded by the shady trees Others are tired to watch The Rat-Rat Play Who can stand by living in peace?
i. Snaps bold, impressive wind as what turns descendant up-on tree top stoled, shopped quick in limelight compounding sunrise its solace so that what haste makes for ash, cedar if then aspen, appears in driftings, snowflakes the teardrops hearts’ broken footprints their sought journey shaped of day to remain dissipating in heats chinook lost now, gone for morning.
ii. The stint of gesture dispossesses breaths within the bundle of feet moved nowhere lain a beach in travelled stanzas rhythms once spoke of to advert a lakefront the naked eye maims as undusted pleats, quick storm abounding with purpose, Time’s truth relays us—what tells of here now if/then cropped-down and delving such notes to tomorrow makeshift happens that we stay here, ready assembled as wind, sand’s trademark, effaces.
iii. Kept near solitude, that trap of obsolescence, is another door silent out-breaks us on tacit scenes up-turned of lines it happens we composed them, alone with such rectitude prominence imposes for a froth of gravity sensed its own of skulled ferns the long trail remembered, half-stumbled in memory what it was we walked for; neat the appendage indicative of warnings.
The mid-week workday is winding down when the girl shod in high clacking heels boards at Granville and strides briskly the length of the west-bound bus. Weary passengers gawk at the affected flip of the hair and the short skirt clinging like Saran Wrap to gymnast buttocks. The pout is outlined in carnal raspberry swipes. Her skin is a smoky topaz.
A hard autumn rain falls. Those discharged out the back of the bus are replaced by sopping arrivals squeezing in through the front. He’s on the elevated bench at the rear, sequestered behind an advertising flyer. The only time her eyes leave the iPhone is when the bus swerves to the curb, and she absently palms the fogged-up window.
She disembarks at Alma, flares an umbrella the colour of those puckered lips, struts south with parade-ground resolve. He follows discreetly. The shopping bag he embraces as prop might contain bread and milk. It could be Cheerios or cat food.
The quiet street where she leads him is shielded by a canopy of still-leafy Japanese maples and mature oaks, the ancient roots pushing up through the boulevard like freshly excavated fingers. Many of the homes are West Coast heritage, immaculately preserved. He circles the block and ducks into the yard. From the deck he can see that she’s alone in the kitchen, and apparently in the house. She kicks off the heels, slides into bunny rabbit slippers. Disengages from the phone just once: reaching under that skirt, answering an itch. — The Delhi Detective Agency specializes in pre-matrimonial investigations for the East Indian diaspora. Its office is on the third floor of a renovated art deco building on West Hastings. Technically, the high-rent district, but with a clanking elevator and claustrophobic lobby. The squalor this part of town is known for begins a few blocks east, metastasizing up to Main and beyond, circling around into Chinatown before bleeding northward to the brackish dockyards. The agency’s logo, a squinting eye peering through a magnifying glass, is splashed across the narrow entrance.
Inside, a pasty-faced man gowned in an off-the-rack business suit waves him into a seat. Sal, who authored the ad, he assumes. Sal has kangaroo pouches under each eye, the stub of a smouldering cigar clamped in a clean-shaven jaw. A girl he believes to be Amrita is facing a computer screen in the corner. She set up the interview, gave him directions. “So you’ve been mopping floors,” Sal says, “and you’re looking for a career change.” “Doesn’t hurt to try.”
“You go by the name Sonny T, says here.” The pages of his resumé are scattered across the desktop. Some bits are highlighted. “Why’s that?” “Most Canadians can’t pronounce my surname. Too many syllables.” “I’m a busy man, Sonny T, so talk to me: What makes you special?”
He explains that he was studying web design, but had overspent his allowance from home and had to take a job cleaning offices. He’s wearing a jacket and tie. The hands are buried in his lap, fingers interlocked. “In Mumbai I was enrolled at an investigation school, but I dropped out when my student visa for Canada came through.” Sal frowns, closes the file. “Why don’t I tell you about the job. We can go from there, ya? I’ve gotta client needs us to X-ray a girl from Uttar Pradesh; their son wants to marry her. They met online. The clients heard sexy young things are seducing their way into prominent families and sticking around long enough to make babies and qualify for citizenship. We need a bird dog.”
“It was homework back home. We’d shadow a classmate. They spot us, we’d fail.” Sal hands over the girl’s photo. “We find enough info in about a third of our investigations to kibosh a wedding. At least ten percent of the targets are frauds. The clients’ boy, Dilip, is an introvert, but book-smart. Pre-med, I think.” He fires the kid’s head shot across the desk with the cool indifference of a casino croupier. “He’s been pampered all his life. Probably never jerked off.”
“I get the picture: Gold digger stalks clueless virgin.” “Whoever gets the job will team with my assistant,” Sal says, glancing at Amrita, who’s on the phone now, chattering in Telugu. “I’ll be the contact with the folks and do everything requiring a PI certificate. If we miss something, it’ll be the talk of the temples. There’s no room for mistakes in this business, ya?” Sonny lines up the photos. The target’s name is scrawled in black felt pen across the back: Radha. Sal says, “They say men fib most about their weight, their income, and the size of their wigglestick.”
“And what do women fib about, Sal?” “You tell me, Sonny T. I bet you’ve known a few.” He considers the answers he thinks a man like Sal wants to hear, and picks one: “Everything.” Sal smiles weakly. “The pay is minimum wage. In cash, plus incidentals. We’ll leave the visa police out of this, but the bird dog gets a share of any bonus.” “Does that mean I’m hired?” “It means I’ll sleep on it.”
Along the poorly lit hallway he trudges, down the lurching elevator to a slab of cracked sidewalk where he’s struck by an unsettling thought: What if Sal examines his bona fides as diligently as he probes his targets? Finds out he dropped out of school before getting turfed for indifference, and that he and his half-sister have just under a year left on their student visas. Little sister is working off-the-books as an executive assistant to a property developer. Living in nice digs in exchange for occasional babysitting and light housekeeping duties. His landing was hard. He’s renting a closet-size space in a rooming house on Victoria Drive, sleeping on a piss-stained futon. Blistering wallpaper, a shared bathroom, sketchy neighbours. That bit about PI studies? Didn’t happen. For a time back home he’d helped his Uncle Dinesh clean offices a few nights a week. One of them was a private investigator’s. — They meet up at the MoMo Grill, in the city’s Little India. It’s halfway between her place and his, and there’s a market that sells groceries from the subcontinent. The restaurant is wallpapered with posters of the country’s glamour sites: the Golden Temple, Taj Mahal, the River Ganges, a beach in Goa, places most Indians will never see. She orders the chicken makhani; he, the baked pakora and a couple of beers. They share a father neither of them knew well, a bigamous son of a bitch, according to their respective mothers, which accounts for the different surnames. They suspect the cad pollinated others throughout Hindustan. “A regular Johnny Appleseed,” snarled a relative. The two of them were forced to live together for a time while growing up; they fought constantly. He’s known her to be loose, calling her, because he knows how much she hates it when he does, a “cum dumpster,” and believes she’s screwing her current boss, a married Punjabi. “If you aren’t, it would be a first.” She returns the slam: “And you, big brother, are an arrogant, self-centred prick.” She takes a deep draw on her cigarette, tilts her head theatrically. “I think you’d be a good bird dog, though. You’ve had plenty of experience as a pooch, but I’ve never seen you fly.”
“He said he’d let me know in a few days. There are more candidates.” “You’ll have to improve your technique, brother. I spotted you the minute I got on the bus the other night. How long did you stand out in the rain?” — Besides the shared DNA, and despite the acrimony, the siblings have much in common. Those born into their hapless caste rarely escape a life of deprivation, so a tag-team scam is purely self-interest. She’s built like a cruise missile, but knows there are term limits on her attributes. He was saved by Ramesh, an ailing con man from Bhopal who’d taken him under his wing after he’d left school early. His street education began with how to nick food, the ancient art of diversion. “If you pluck the chicken one feather at a time,” Ramesh said, “people won’t notice.”
The old bugger specialized in burglary. “Always make sure the escape route doesn’t lead to a locked door, a stubborn window, or a dead end. Bones grow brittle with age, so never drop from a height higher than two stories. Three, and you’ll walk with a limp the rest of your life.” He’d conclude the lesson with a rattle of his leg brace. It was his teacher’s insistence on the importance of a side hustle that inspired Sonny to join a football club shortly after his arrival in Canada. He’d learned the sport in the backstreets of Kolkata, and had competed at the amateur level into his twenties. Kicking a synthetic leather ball across a dusty pitch was the only task he performed reasonably well. “Sink several lines if you want to catch a fish,” Ramesh tutored. “Only one need bite.”
All of his new teammates have homeland ancestry, and are keen to counsel on how best to navigate this damp and frosty land. They socialize at a bar and restaurant, the Indo Kush; it’s owned by a retired player. A lot of the guys are doing well, either because they work in a prominent family business or because they have big brains. After getting to know them better, he learns most have both. Their success is a maddening reminder that he has neither. Harjit, the goalkeeper, is a hedge fund executive. He drives a Mercedes and lives in swanky Shaughnessy. Darra, the club’s top scorer, teaches high school physics. “My younger brother, Amar, is a tax lawyer, so he has an encyclopedic knowledge of loopholes. My sister is an emergency room physician. She has an encyclopedic knowledge of bullet holes.” Until he’d pinched an expensive touring bike at the university, Sonny’s only transportation had been public—the “loser cruiser,”—so Dev, a kindly midfielder, drove him to games and practices. A financial advisor with a mortgage brokerage, Dev is poised to inherit substantial acreage in Surrey. Sonny tells everyone he’s in the import-export business. Prodded to elaborate, he tacks craftily.
He unpacks the grift at a team party. They’d just won a critical match in their march to the playoffs, Sonny had netted one of two markers, and the lads are well-lubricated. Several teammates bet large on sporting events, but have never wagered on the Kentucky Derby, the legendary horse race held at Churchill Downs in Louisville. “A sprint for the sport’s top three-year-old thoroughbreds,” is how he introduces the notion. “It’s been running every spring since 1875.” He name-drops a few of the favourites running in the next contest: Justify, Good Magic, Audible. Eyes light up when he tells them the purse is two million American. He doesn’t mention the ponies again, and he doesn’t have to, because one Saturday night a few weeks later, Dev does. Seems the punters had been discussing the derby amongst themselves. Surfing the internet for more info, exchanging racing publications. “What’s the best way to place a bet?” he’s asked. “I know a guy,” Sonny says. “Leave it to me.” By the end of the month he’s holding almost thirty thousand dollars, and more has been pledged. He makes a show of recording the names and wagers in a scribbler. The rooming house is no place for such a sum, so he rents a locker at the airport. — Bean Bistro, an upscale coffee and pastry shop, is on the north side of the trendy Robson strip. The place is tarted up with muted lighting and canned easy-listening jazz. The waitresses wear low-cut blouses and advertise plenty of leg. Beauties all, and in assorted shapes and colours. A multicultural Hooters for teetotallers. Amrita is wearing a classy pantsuit and boots. She’s mahogany-skinned, with deep-set, sorrowful eyes. In her early thirties, he figures. A bit weighty, not his usual preference, though she carries it well. A nasty wen has attached itself to her chin, blighting what would have been a very attractive face. What she’s left with, he decides, is even better: an interesting one. He wonders if Sal is tapping her.
He’s reminded of his school days, when he and a mate would mark up newspapers on days real estate outfits were promoting their sales agents with full-page ads. In the upper corner of each photo he’d make a check mark of those he’d do. His friend would notch a star. Sometimes they’d print the letters OWD across a photo: Only When Drunk. Or OWVD: Only When Very Drunk. He’d always fancied himself something of a player. Stays in shape, watches what he eats. For a night on the town, he’d squeeze into tight trousers and apply plenty of hair grease, slap on too much aftershave. He’d frequent dance halls and clubs popular with divorcees, the top three shirt buttons undone, a faux gold chain swinging from his neck. He’d modelled himself after Bollywood heartthrobs and wore—and is wearing tonight with Amrita—a pair of lucky underwear. By design, most of his romantic relationships had been short-lived. It’s another trait he shares with his sister: The only person either of them has ever truly cared for is themselves. As kids they were vulnerable. The prey. They took a vow: Never again. Amrita leans back, sizes him up. “You beat out some very qualified candidates; Sal must have been impressed.” She avoids revealing anything personal, as in a husband or boyfriend, but she does mention that her family’s been in the country for more than a hundred years, and has prospered. “My grandfather owns a fleet of taxis. An uncle in Prince George has a lumber mill.”
Sal made it clear Amrita would take the lead, which she quickly establishes by shutting down the small talk and steering the chatter back to business. She says, “The boss is the face of the agency; the help remains out of sight. He has contacts with the police, so he’ll take care of the criminal record check and her financial profile. Sal will also interview Radha, and then you and me will look into the grey matter. See if what she says checks out.” “The dirt,” he says. “The truth.” “And I’m the water boy.”
“A junior associate.” She retrieves from her purse a palm-sized plastic container. His business cards, but a probationary number. The two of them, she continues, will be responsible for a written report regarding the girl’s reputation. “For a lot of our clients, this is the important stuff: Is she promiscuous? Is Radha a smoker or have a tattoo? Does she do recreational drugs, go out for drinks with colleagues? Are her educational credentials legit? How about her health? What skeletons are in the family? Is she someone the clients would be comfortable having in their home?” “I didn’t know having a drink with workmates was a disqualification.” “With you and me, no, but it’s not our call, is it?” “I know how to get answers back home,” he says. He rubs his thumb and index finger together. “Here, I’m not so sure.” “It’s not any different, but you’re right, some info can be harder to get. We have to do everything by the book. Sal’s orders.” “By the book?” He’s thinking of his under-the-table remuneration. The absence of a work visa. Of the lines he’ll be expected to cross. She allows a smile, a first, and out pop the dimples. Her cheeks glow like ripe apples. — Amrita is responsible for liaising with Sal and dividing the assignments between them. When his are complete, they meet up at the bistro to discuss their findings and plan the next move. “The prospective mother-in-law wants to know if the girl is trained domestically,” she’d said, the reason he’s outside Radha’s basement suite pretending to be a metre reader for the gas company. He squeezes in through an unlocked window. He snaps photos of the spotless living room. In the kitchen, dishes are neatly racked. The fridge is lightly stocked and orderly. There is no sign of alcohol. A print of the Lord Shiva hangs above her single bed. Modest undergarments dry on a clothesline in the shower stall. The mother also requested a shot of the toilet bowl, so he hops onto the rim of the tub for an aerial. Even the roll is Martha Stewart perfect, two leaves smartly folded. Amrita, meanwhile, is back at the office scrolling through Radha’s slim Facebook entries.
They’re getting on well, he and her. She vets his findings before forwarding them to Sal, but doesn’t share hers with him. When asked why, she frowns, says “Because you’re still learning, and I’m your supervisor.” Yet when she sees that he’s delivering the goods, taking the work seriously, she loosens up. After their meeting one night they go for a drink at a Gastown cabaret. A single glass of wine and she opens up like sesame. She alludes to a fling with a married man. Two glasses, and they’re grinding on the dance floor, but Amrita makes sure it doesn’t go any further. A hug and a peck on the cheek and she’s slapping his roving hands, wagging a supervising finger. — He’s to talk up some neighbours. The grey matter. Exactly which ones are his call. “Just get some juice,” she’d said. The next day he cycles across town. Most residential areas have their snoops, it’s the same all over the world. He makes a few passes of the target’s home, stopping alongside an elderly woman raking leaves. He pretends a tire leak. “You’re not fooling me, young man. I know what you’re up to.” His sister had been right: Not even a month on the job and he’s already been made. The lady says, “You’ve passed a half dozen times in the last thirty minutes, and you show a great interest in the house across the street. I’ve been asking myself why. Thieves don’t ride expensive bicycles, they sell ’em. And then I figured it out: You and the girl living in the downstairs suite are both brownies. Same tribe.”
“I was hoping to find out if she had a boyfriend.” “Get in line. I’ve seen guys pounding on her window late at night. She’s got some proportions, that one. In my day, those outfits, she’d be considered a jezebel.” He must have furrowed his brows. “An incurable fornicator.” “That’s not much of a recommendation, Mrs.…” He needs a name for the report. “Townsend, Mrs.,” she says. “You’re a good-looking young man, despite the tan. Set your sights higher. A girl who goes to church is a safe bet. Frumpy maybe, but clean where it counts.” — At their next meeting Amrita is all business, avoiding eye contact, as she peruses his intell. It’s like she’s encouraging him to scale her prudish defences, which makes him lust after her even more. Still embarrassed by her friskiness on the dance floor, he assumes. “This is a good start,” she says. “Sal likes to give the client three testimonials. We need two more.” She hands him a slip of paper containing the names and cellphone numbers of several adolescent girls. “Teens here listen to radio station CJJC; they do all these wacky contests. Tell them the station is doing one about neighbours, and that there are cash prizes and concert tickets for the winners. They have to say something funny or provocative about the crankiest, the richest, the prettiest, and they don’t have to provide names. It’s all in good fun. These kids know the drill.”
He tunes into the station for a few days, familiarizing himself with the teenybopper format and the frenzied hosts who’ve assumed snappy showbiz aliases like Bart Ender and DJ Voo. It’s mostly the girls who call in requests. This is for Richie in community rec. He has trouble making contact with the first two on Amrita’s list. They’re at dance class or working the after-school shift at Burger King. He gets lucky with the third, a Vicky. “Mrs. Townsend is a nosy bitch!” Vicky says. “Every Halloween we dump a pile of dog shit in a paper bag on the hag’s porch and set it on fire. We’re gonna do it again this year, but it won’t be a dog’s.” She names Radha as the sexiest female. “That butt, those legs. I think she’s a Negro or something. From, like, the Congo or wherever. Even our dads stare at her. How sick is that?”
The third testimonial prospect is Janine. The former assistant to Radha’s boss, a Caucasian. She doesn’t seem to have run a brush through her frizzy hair or splashed water on her sullen mug. He tells her he’s doing a background check for a headhunting outfit. They meet for lunch at a sushi bar in Yaletown. “Are you some kind of cop?” “Something like that.” He slides one of several fake business cards across the table. “I can promise discretion.” “Tell whoever you want, I don’t care. The boss is a dirty goat. He said they had to cut costs. A friend in accounting told me this floozy was at my desk a week later. She can’t even type. Everybody thinks he’s fucking her.” She wolfs down a bowl of ramen, noisily drains a diet drink. “You are paying for this, right? Do you have a badge? What about a gun? Can I get dessert?” — The MoMo Grill. Snowflakes pelting the grimy window. Little sister in a foul mood. “Have you nailed her yet? What’s taking so long?” “I’m fine, thanks, sis. How about yourself?” She lights a slim cigarette with the table candle, blows a mouthful of menthol smoke in his face. “You been wearing your lucky ass-huggers?” She’s always been a kook, his sister. In one place they’d lived as kids there was a full-length mirror. She couldn’t pass it without checking herself out: the hair, batting her eyes, layers of makeup. Five minutes later she’s back for more self-adulation: lip smacks, booty appreciation, whorish poses. He began doing the same before he went out. Shirt off, bicep flex, pec thrust. The hair, a sniff of the armpits. He stopped with the abs when things began to droop.
“I think she likes me,” he says. “She’d better.” “We’re taking it slow. Waiting until the assignment is finished.” “Sounds to me like her door is padlocked,” she says, tossing scarf-like a length of her newly streaked hair. “To you, at least.” “Oh yeah? I know you wish your boss would leave his wife and kids. A year from now he won’t remember your name.” — Sal convenes a night meet, the three of them. The reports are stacked on a desk alongside an open box of Tim Hortons’ doughnuts. “Sal’s meeting the clients in the morning,” Amrita says on behalf of the boss, who’s working on a caramel-coated Long John. “This is a run-through.” “Nice work, Sonny,” Sal says, licking his lips, re-igniting a cigar. His meaty paw claims the last Boston cream. “The goal line is in sight.” Amrita is organizing the reports, opening and closing folders. She’s applied a becoming pink lipstick and done something with her brows.
“Have one,” Sal says to him, sliding the box to Sonny. “You’re too skinny.” He selects a jelly-filled. Amrita’s fritter sits untouched at her elbow. “This was a routine job,” Sal says, “nothing out of the ordinary. I wasn’t able to get much on her family, but it looks like we have a good match. Amrita?” “I didn’t find anything to disqualify her. Some people commented about her clothes, but she has a great body. I’d dress like that if I had one.” Dress like that anyways, he thinks. Sal says, “She’s been overdue a few times with credit card payments, but nothing unusual. I haven’t heard back yet from my Delhi contact. Sonny?” “The girl’s a nun. Those two are gonna need the Kama Sutra.”
“All that’s left is the Kundali milan,” says Sal. He’d heard the term, but can’t recall the details. “An astrologer’s horoscope reading,” Amrita reminds. “The Vedic zodiac, the gravitational forces of the solar system. Many of our clients are believers.” Business concluded, Sal snags the last doughnut, and she locks up. The lights in the elevator aren’t working again, so they can’t see each other on the descent. While Sal noisily masticates the chocolate glazed, he catches a whiff of her fruity scent. By the time they reach underground parking, the doughy glob has been dispatched. — He watches the race on TSN at a Howe Street sports bar, and he knows many of his teammates are doing the same at the Kush. The flight bag tucked under his table bulges with cash, a tally he was supposed to turn over to his guy, a bookmaker. But there is no guy. Just Sonny taking a chance that most of his betting teammates picked the wrong mount. The odds say they will.
It’s the wettest derby in a hundred years. Several of the Kush punters are betting on steeds for the first time. They play it safe, place their cash on a favourite, which means a smaller payout—the genius of the hustle. He seals and labels the winnings in fancy envelopes and sets off in a cab. The lucky are euphoric with their modest receipts. The hapless mope as the hapless do. More importantly, no one suspects a fleecing. He pockets almost fifty thousand Canadian. It’s his best payday ever. — Amrita calls him at the rooming house; he’s boiling instant noodles on the hot plate. Her name lights up on Caller ID, and his heart skips a beat. The gravitational forces of the solar system. “Sal met with the clients. They’re happy.” “What about the horoscope?” “I’ve never understood those things.” “The kid’s finally gonna get some.” “Sal mentioned something about keeping you on. The family has asked us to drop by their house this weekend. They want to thank the team. “The bonus?” “We’ll see. Wear a necktie.” “Maybe we could go dancing afterwards,” he says, but she’s already hung up. — The Kumars live in South Delta, a few kilometres east of the freeway. The house is palatial, with a red-tiled roof, cedar decking, acres of glass. A housekeeper leads the way to a spacious office off the foyer. Sal and Amrita are already there. He’s introduced to the client, Mr. Kumar, a developer and influential patron of the city’s Hindu temples. He’s an unremarkable, middle-aged man with glasses covering the top half of his face. A statuette of the Hindu deity Ganesha sits in a corner, catching the light from a bay window, and a sitar sounds soothingly from speakers mounted on the wall. Evidence of a marinating curry floats in from the kitchen.
They are joined shortly by the prospective groom, Dilip, a timorous, awkward boy. Right behind him is Mrs. Kumar, a bejewelled, generously hipped Mama Bear who sashays around the room embalmed in a perfume smog. Dilip extends a limp hand and mouths some bland salutation. Sal was right: a kid who’s never jerked. Next comes the prospective bride. Like the regal Mrs. Kumar, her limbs are weighed down with sparkling gemstones, the braided hair is piled high, artful swabs of kohl enhance the eyes. Sal sits her at the end of the sofa Sonny occupies. The Kumars are seated opposite, a glass-topped coffee table separating them.
Sonny is entertaining pornographic fantasies about Amrita and thus unconcerned when Dilip stands and clears his throat. A folder is tucked under his arm. “My parents,” he addresses the gathering, his voice quavering, “entrusted Sal to gather information that would help us determine if Radha would be a suitable wife.” He pulls from the folder photos Sonny took at her basement suite. “These portray her home as spotless.” He arranges the images on the coffee table so that Sonny and Radha have to move closer to each other to view them. The parents study duplicates. “Everything seemed too perfect, so I asked the detectives to revisit the suite.” He lines up a second batch. “Amrita’s photos show dirty dishes stacked in the sink, and the ashtrays are full. Why the difference? I believe the original shoot was staged.”
A knot of tissue throbs inside Sonny’s abdomen, he has difficulty swallowing. Radha fidgets. The kid’s voice deepens with a growing confidence. Turning to Sonny, he says, “You interviewed Radha’s elderly neighbour.” He slaps down a head shot of Mrs. Townsend. “According to you, she spoke glowingly of Radha. What the lady told Sal, however, contradicted you in every way. This was also the case when Amrita interviewed a teenager, and the lady who previously held Radha’s executive assistant position.”
Sonny attempts to stand, saying something about the need of a washroom, but Sal steps forward and blocks his path, forcing him to sink back into the sofa. Mama Bear fixes Sonny with a murderous eye. “The agency advertises an ability to detect a fraud, and in our case, it has,” Dilip says, slapping two copies of a final snapshot on the table. “This was obtained by the agency’s associate in Delhi.” Sonny vaguely remembers the photo. It was taken several years earlier in the courtyard of their rental back home. It was during Diwali, the annual festival celebrating the victory of good over evil, of knowledge over ignorance. Fireworks flare in the night sky. He’s grinning stupidly, and so is his sister.