Woke Up

Woke up, woke up

Don’t sleep and say ‘shut up’

The word l say is not dark and turmoil

The world I offer is not waste soil

Trust me and touch the heavenly light

Hold beauty as you can in your sight

There is no question mark between you and me

There is no truth that hides us in the sea

Our souls are loving, pure and merciful 

Look the world where everything is beautiful 

There is no promise but only greatness of love

The sky adorns to invite the dove

I love you beyond the beauty

I needn’t to know why the seas are salty

I love you with everything l know

I shall teach you how to flow.

We are never in hell’s darkness 

We won’t fall from heaven in any case

Our shadows are in the same envelope 

That never be bought from worldly shop

Don’t say to prove the sun

Only l love and there is none.

Let woke up and woke up from the dust

You can’t be far away for different cast

You are brighter than cast forever

Only l know well who you are

God has created all man and woman

Let you love me as much as you can..

Love is Not a Clouded Moon

The space of heart is limited

Where love is not imitated 

Man is like machine

As relationship is very thin

Love is nothing but only a pocket word

People pass without love and God

Man is not man but a creature

There is none to give real signature

Time is wasted in vain

Everything is in chain.

Where is the land of peace?

Where shall l give my virgin kiss?

A heart is not true where money grows

The smell doesn’t matter if it is a rose.

Love should be pleasant for all

It must be natural and very normal

It is not a fallen star

It is a heavenly matter.

If you love anyone you are not too late

Pure love is the key to heaven’s gate.

Love is not a clouded moon

Please say ‘l love you’ soon.

 

Part 1: Disregard the Man

Euphoria with every breath?
He’s underwater waiting for his lungs to fill.

Four of five are men
But she’s the one they cry for.

Men’s corpses sink.
From weights that couldn’t be lifted.

Men, too embarrassed to ask for help, too hurt to live.

“Those weren’t real men.” “It’s their fault!” “They weren’t strong enough.”
The men drowned
And the bodies rotted.
While the passersby held their breath.

                                                       Part 2: The Cycle

The boy was taught to treat girls kindly.
Because he was born into a man’s role.
While the girls were taught what to expect from men.
And the women made the boy apologize for being born.

So the boy drank at the bar, cowering from his son who needed to cry
Like his father had before him.
But he drank his tears away,
Like his father had before him.
And right before him lay his father’s corpse.

The boy repeated his father’s last words in his head. “I see you.”
Tears dripped onto the father’s blank face.

“ICU,” the boy repeated.
The boy’s gaze shifted from his father’s face
To the direction his father faced.
He drowned in his tears.  
Matching a shade of the oceanic sign 

which read, “ICU,”
“Intensive Care Unit, section five, room two.”

Gabriel Kang is a ninth grade writer and aspires to become a professional rock climber. At Ruth Asawa SOTA, (currently majoring in creative writing), the lesson plans are currently covering poetry. Through this group, he’s learned to create and grow his own writing voice and has been actively getting stronger as a writer. While in rock climbing, he attends nationals every year, competes in open categories, and is always challenging himself. Through rock climbing, he relieves his stress and takes action towards his goals, while also further enhancing his writing skills from the creativity and growth mindset the sport provides.

Billie Holiday of the Burning Sky

billie holiday of the drifting light

struck dumb by the sea of love

burning through sad long days

roots of spring demons

the heart of sunlight

softly singing.

The Lord of Pity & Barbed Wire

is not far away

the moonshine resurrection

of agony

piled high

yesterday

the air

blew jazz songs

from a dead church.

Telegrams from a Chicken’s Neck

leroi jones died today

long pauses of morning

my clean laundry

hidden in loneliness

your tent of reason

in the name of charity

my father did it

for the glory

of regrets

we all have a cold

the alarm

doesn’t give a damn.

John Dorsey is the former Poet Laureate of Belle, MO. He is the author of several collections of poetry, including Which Way to the River: Selected Poems: 2016-2020 (OAC Books, 2020), Sundown at the Redneck Carnival, (Spartan Press, 2022, and Pocatello Wildflower, (Crisis Chronicles Press, 2023). He may be reached at archerevans@yahoo.com.

Sometimes

London has

Been gone

For almost

Eighteen months

And sometimes

He still 

Bursts into tears

When he thinks

About her.

Taylor Dibbert is a writer, journalist, and poet in Washington, DC. “Rescue Dog,” his fifth book, was published in May.

A hyperstructure of surreal evocation:
a review of Kaos Karma by Rus Khomutoff

Kaos Karma, the latest chapbook release from Rus Khomutoff, has remarkable weight for such a slim volume. Coming in at a mere nine pages, the book, were it not a digital only release, would feel delicate in the hand, something only barely able to delay its inevitable collapse. This feeling is soon swept away once you pull back its figurative cover and begin to read. What is found within is a poetry that is anything but delicate. It is a poetry wrought with energy and power. A poetry that does not relent and does not care for the easily overwhelmed senses. Perhaps it is a blessing that it is so short.

Kaos Karma does not bring the reader gently into its message. From the opening page, read as a solid block of full caps text, the reader is almost overwhelmed by the concrete, almost monolithic structure of the work. Its appearance seems almost intended to intimidate the reader. There are no soft hands to guide you as you read on, you are hit again and again by these unrelenting blocks of language. These almost endless sentences are like surreal billboards and indeed I would very much like to see some of this work as billboards. A wakeup from the endless detritus of the advertising world. A hyperstructure of surreal evocation. 

The language of the book carries a heavy taste of surrealism, those dreamlike and visionary sentences that burn and strike the mind. ‘HEAR THE SECRET SUN SPEAK BLOOD LABYRINTH BLOOD FREED FROM THE WEIGHT OF ALL TIME ALL THE DARK REBIRTHS ARE MINE’ is but one example. Though this heavy language is broken up at times with a kind of new-age esotericism, ‘NOSTALGIA IS A DRUG’, ‘BE ALL THINGS IN ALL TIME’, the self-help for the burnt out searchers on the edge of an insane whirling mountain. Guidance from Khomutoff to where? And when? Who knows? This combination of the abstract and concrete in the language give the effect of the reader being brought back into a recognisable and understandable world, though only for a moment. Once the surreal language reengages the reader is sent back off into the vortices of mental propulsion.

And there is a purpose here, though it is obscure. The writing is taking you somewhere, like a guidebook, like the great Bardo Thodol, the Tibetan book of the dead. ‘ALAS THE CHILD WHO LIVES IN A MYTHICAL, PARADISICAL TIME RENEWING THE WORLD.’ But unlike that holy ancient text which reaches in to take the reader through the labyrinth of illusion through to a clarity of consciousness, through to the other side, Kaos Karma does not state which of its threads is illusion and which reality. Perhaps there is neither in Khomutoff’s cosmology, or perhaps both in a swirling miasma of meaning and nonsense. It is up to the reader to decide.

While only a brief taste, it is a taste so full and potent the reader will find themselves at the other end of Kaos Karma with the heady feeling of both clarity and confusion. This is an artwork both highly idiosyncratic and universal all at once. I have spoken often of the idea of the third text, a text that exists only through the combination of the mind of the reader and the work they are reading. A text that exists entirely unique and which is conjured by strange and powerful, but obscure language. Kaos Karma is such a work. The reader is all the better for having experienced it.    

Nathan Anderson is a poet from Mongarlowe, Australia. He is the author of numerous books and has had work appear widely both online and in print. He is a member of the C22 experimental writing collective. You can find him at nathanandersonwriting.home.blog or on Twitter/X/Bluesky @NJApoetry.