Short story from Nate Mancuso (one of two)

PICKLEBRAWL

“MOUTH ON THE CURB, MILDRED!” Beatrice Goldfarb commands while brandishing her pickleball paddle and staring down at Mildred Mendelbaum, who’s kneeling on the street with her back to Beatrice.

“What?” asks Mildred.

“I said put your FUCKING mouth on the FUCKING curb and do not make me have to ask you again!” shouts Beatrice.

“But why?” asks Mildred.

Beatrice glares down at Mildred while raising the pickleball paddle above her shoulder. “Don’t you remember that scene from American History X after the pickup basketball game? You don’t ask why, Mildred, you just do it!”

“Is that the new Woody Allen picture? Murray and Harriet just went to see it at the Silverspot in Orange Village last week and they said—”

Beatrice’s paddle slices through the air like a laser beam and strikes Mildred’s eye socket, crushing her orbital bone. Mildred yelps in pain and collapses face first onto the street curb, breaking her nose and knocking out two of her front teeth upon impact.

“Now this can be quick and easy or it can be slow and painful, Mildred – you decide,” Beatrice says while she pulls Mildred’s head up by a fistful of hair and pushes her face onto the curb. “Now open your goddamn yap and eat curb, you insolent fucking yenta!”

This time Mildred does as instructed and places her open mouth onto the concrete curb on the edge of the sidewalk facing the pickleball courts. About a dozen pickleballers have congregated behind the fence to watch the action unfold on the street in front of them.

Wasting no time, Beatrice steps forward and plants her left foot on the pavement next to Mildred, raises her right knee as high as she can, then stomps the sole of her Adidas Gamecourt sneaker down between Mildred’s shoulder blades with as much force as she can muster.

Mildred screams out in agony then turns over on the street, holding her chest and gasping for air through her bloodied nose and mouth.

“What the hell was that, Beatrice?” bellows out Sidney Goldfarb, Beatrice’s husband, while he kneels on the back of Sheldon Mendelbaum, Mildred’s husband, who’s lying face down on the street.

Beatrice looks over to Sidney and explains, “I curb-stomped the bitch, just like in the movie when Edward Norton—”

“Yes, I can see that, Beatice, but you were supposed to stomp her at the base of her skull so that her head splits open, not on her back! I mean that’s the whole goddamn point of making her put her mouth on the curb! Jesus H. Christ, Beatrice, can you do anything right today? First you lost a pickleball game for us and now you can’t even execute a simple curb stomp!”

“OK, I’m sorry, I guess I should have watched the movie closer, but—”

“Forget it, Beatrice, just come over here and sit on Sheldon while I finish off Mildred.”

Sidney and Beatrice switch places on the street, Beatrice sitting on Sheldon while Sidney stands over Mildred. The crowd of onlookers has now doubled in size.

Mildred looks up at Sidney and pleads for her life. “Sid, please, I have five grandchildren. They need me to—”

The heel of Sidney’s Nike Zoom Challenge sneaker crashes squarely into Mildred’s face, rocking her head back violently and shattering her jaw. “Just shut the fuck up and put your mouth back on the curb, Mildred. You know the drill.”

Before Mildred can turn over on the street to face the curb, Sheldon cries out, “Sid, please stop! Can’t you just make this quick and painless so Milly doesn’t suffer? There must be some other way!”

Sidney thinks for a moment then nods and says, “I have a loaded Glock 9 millimeter in my car that I keep for protection. We can use that.” Sidney tosses his car key fob to Beatrice and says, “Go get the gun, Bea, it’s under the driver’s seat. And please, please, please remember to hit the lock button twice from at least ten feet away when you leave the car to make sure that it’s locked.”

Beatrice stands up off of Sheldon and says, “Don’t try anything funny, Shel, we’ve got eyes on you.” She jogs over to Sidney’s sky-blue Mercedes SUV parked in the lot next to the pickleball courts, then hits the unlock button on the key fob. After opening the driver-side door and reaching beneath the seat, Beatrice jogs back onto the street holding Sidney’s gun, which she hands to him with the key fob and then sits back down on Sheldon.

As Sidney walks slowly up to Mildred with the gun pointed at her head, she looks over to Sheldon through swollen eyes with tears streaming down her bloodied face. “Shelly, please – isn’t there anything you can do to stop him?”

Sheldon shakes his head. ”Sorry, Mils, but he’s made up his mind and there’s nothing I can do about it. But don’t worry, hon, it’ll be quick and painless, you won’t feel a thing.”

Sidney stands on the street in front of Mildred with his gun still pointed at her head. She sits up against the curb facing him with blood and snot flowing down from her nose and mouth onto her chin. Sidney slides his forefinger onto the trigger while releasing the safety with his thumb. “Any last words, Mildred?”

Mildred wipes the tears from her eyes and sniffles quietly. Struggling to speak in excruciating pain through her broken jaw and teeth, she garbles, “I just wanted to talk smack like a badass baller. I’m so sorry it didn’t work. Just do what you have to do and—”

Sidney squeezes the trigger and the deafening sound of the gunshot rings out and reverberates through the street and pickleball courts. Mildred’s lifeless body slumps back on the sidewalk while a stream of blood spurts out from the fresh bullet hole in her forehead. Behind her on the pickleball courts, the bystanders shake their heads to each other and then disperse to return to their games. A pool of blood spreads across the sidewalk behind the back of Mildred’s blown-out skull, absorbing the brain matter and bone fragments strewn in its path.

Sidney looks over at Sheldon, who’s busy tapping out a text message on his cell phone while Beatrice continues to sit on his back. “I’m sorry, Shel, but at least she’s in a better place now.”

Sheldon raises a finger and says, “Just gimme a sec, Sid, I gotta reply to this text.” Sheldon finishes his text message and then thumbs the send button on his cell phone. After quickly re-reading his text, he raises his head to Sidney with a smile. “Sorry about that, Sid, I’m all yours now. What was that you said?”

“I was just saying that Mildred is probably in a better place now,” Sidney replies.

Sheldon shakes his head apologetically while placing his forefinger behind his earlobe. “Sorry, Sid, I left my hearing aid back on the pickleball court. What was that?”

“I SAID THAT MILDRED IS IN A BETTER PLACE NOW,” Sidney nearly shouts so that Sheldon can hear him.

Sheldon nods his head vigorously. “I totally agree, Sid, 100 percent. Better place for sure. I know it was difficult but you guys did the right thing, you had no choice.”

Beatrice stands up from Sheldon’s back and stretches her legs out, then looks down at her Apple watch. “We have a 7:00 p.m. dinner reservation at the Marble Room downtown, Sid, and I need time to shower and get ready so let’s get going. It’s almost impossible to get a reservation there this time of year so we can’t be late.” She looks down at Sheldon and says, “You’re welcome to join us, Shelly, but don’t feel obligated if you have other plans.”

Just as Sheldon opens his mouth to reply to Beatrice, an Avon Lake police cruiser barrels around the street corner and speeds toward them with its siren blasting and lights flashing.

Sidney discreetly places his Glock 9 into the elastic waistband of his pickleball shorts and covers the protruding gun butt with the untucked bottom of his Lacoste tennis polo. “Five-oh in the house!” he warns the others. “Bea, you may need to call the Marble Room and move our reservation back a bit,” he says coolly while nodding toward the police cruiser.

The cruiser pulls to an abrupt stop about ten feet in front of Sidney. Two uniformed officers step out while surveying the scene.

“Goddamn gangbangers,” Sergeant Felix Dixon mutters to his partner, Noah Garrison, while shaking his head and glancing over at Mildred’s dead body, her blood now congealed on the sidewalk while her vacant eyes stare up at the sky. “This used to be such a safe neighborhood before the city installed these fuckin’ pickleball courts. It was the kinda place where you could raise a family without having to worry about crime and all. Now look at it.”

Garrison nods in agreement as he looks over at the pickleball courts.

“I know how to deal with these punk-ass ballers so let me handle this, Noah,” Dixon says.

“Well, well, well, now what do we have here?” Dixon says as he approaches the Goldfarbs and Sheldon, shifting his gaze between the three of them. “Where y’all comin’ from today?” he demands.

“Beachwood,” Beatrice replies nervously.

“Pepper Pike,” adds Sheldon.

Dixon looks back at his partner with his eyebrows raised and a sarcastic smirk on his face. “Eastsiders,” he says, “Now ain’t that a shock.”

Garrison chuckles back at him. “I think I’d like to solve the puzzle, Pat.”

Dixon laughs as he turns back to the three. “And what about sleeping beauty over there soiling my lovely sidewalk with her nasty-ass head cheese?” Dixon asks, nodding towards Mildred’s corpse.

“That’s my ex-wife. She’s from Pepper Pike also,” replies Sheldon.

“Ex? So you two are divorced?” asks Dixon as he writes on his notepad.

“Well no, she’s dead,” explains Sheldon. “We were married up until she died a few minutes ago so I guess she’s technically my ex-wife since I can’t legally be married to a dead person. Sorry for the confusion, officer, I’ve just never been in this situation before and it’s a bit unnerving.”

“OK, roger that,” Dixon nods to Sheldon. Shifting gears, Dixon asks, “So what the hell brought you bangers over here to the west side? Ain’t there enough pickleball courts over in your ’hood where y’all can play without bringin’ your gangsta shit to Avon Lake?”

Sidney steps forward to answer Sergeant Dixon while Beatrice pulls her cell phone from the pocket of her Lululemon pickleball skirt to video-record their exchange. “We have friends in Avon who just got back from the Amalfi Coast and were showing us their photos over brunch, so we thought we’d try out a new court while we’re over this way.”

Dixon rolls his eyes while placing his notepad back into his pocket, then looks sternly at the Goldfarbs and Sheldon. “OK, so which one of you pickleballin’ punks wants to tell me what the fuck happened here today?”

“Well, we were playing mixed doubles …,” Beatrice begins, then tells the story.

Flashback to 30 minutes earlier:

“Wipe his ass all over the court, Sheldon!” Mildred shouts to her husband as she shifts her weight from foot to foot on the pickleball court, firmly gripping the handle of her paddle as she glares across the net at Sidney and Beatrice.

Sheldon looks back at Mildred in disgust. “Wipe his ass? Really, Mildred? That’s not trash talk, it’s just gross. And it would actually entail me getting toilet paper and wiping his butt, which is not exactly intimidating and he may even enjoy it.”

“OK, my bad – I’m still learning the smack talk part of this pickleball thing but you know what I meant. Just serve the goddamn ball, Sheldon,” says Mildred.

After a few rounds of volleying, the Goldfarbs take the lead after Sidney’s “dink” into the Mendelbaums’ “kitchen” hits the court just a foot behind the net and goes unreturned.

“Mildred hasn’t been in the kitchen in years so that’s always a safe place to hit the ball!” Sidney jokes.

Sheldon laughs and adds, “Take that back, Sid – Milly microwaves the meanest quiche lorraine in all of Cuyahoga County!”

Sidney and Beatrice both chuckle while looking empathetically at Mildred, who glares back at Sidney with fierce slitted eyes.

“Fuck you, Goldfarb! This is our house and we’re gonna burn your asses down like an LA wildfire, you fucking cocksucker!” Mildred screams at Sidney.

All goes silent on the pickleball court while Sheldon and the Goldfarbs look gape-mouthed at Mildred in utter shock and disbelief.

A trim middle-aged woman in a dark green Vuori pickleball dress and matching visor cap walks over from the neighboring court and speaks to Mildred. “I’m sorry to interrupt, ma’am, but could you please watch what you say here. My sister and her husband live in Malibu and their house was just destroyed by the wildfires. It’s terrifying what’s happening over there now and I really don’t think it’s appropriate fodder for pickleball trash talk.”

Sheldon steps forward with an embarrassed look and says to the woman, “We’re so sorry, ma’am, my wife is new to pickleball and her trash talk could obviously use some fine tuning. We’re sorry to upset you and I promise we’ll keep it down over here.”

After the woman thanks Sheldon and walks back to her own court, he turns to Mildred with an angry scowl. “Damnit, Milly! Will you PLEASE just be quiet and leave the smack talk to me! We didn’t come here all the way from Pepper Pike to get kicked off the court because you can’t keep your damn mouth shut!”

Mildred apologizes and the pickleball game resumes. The Mendelbaums score a point after Beatrice returns Mildred’s serve into the net. Beatrice shakes her head and curses herself.

Exhilarated by the Goldfarbs’ fault, Mildred pumps her fist and taunts Beatrice. “Nice one, JonBenet, but isn’t the point of the game to hit the ball over the net and not into the net?”

Beatrice looks at Mildred with a puzzled expression and furrowed brow. “JonBenet?” she asks.

“Yep!” Mildred replies with a laugh, “Because you choke every time you have to perform, you stupid fucking cunt!” Mildred shouts at Beatrice while looking over at Sheldon for affirmation.

Sheldon just looks back at Mildred stone-faced while the Goldfarbs and neighboring pickleballers stare at her in pure unbridled disgust.

Mildred stammers uneasily while the others continue to stare at her. “I was just referring to JonBenet Ramsey. Remember how she got strangled by that garotte made from Patsy’s paint brush handle?” She adds, “It’s just pickleball trash talk – part of the game, right?”

Nobody says a word.

After another minute of awkward silence, a tall bearded man with a yellow Avon Lake Parks & Recreation shirt walks up to the group with a stern look. “I’m sorry, folks, but she’s gonna have to leave,” he says, nodding to Mildred. “You’re really starting to disturb a lot of the other players with your trash talk, ma’am. So please just leave quietly and don’t make this difficult for me.”

“Goddamnit!” shouts Beatrice while looking over at Sidney. “I knew it, I knew it, I knew it! We never should have brought this bitch to play with us, and I told you that, Sid! We have the best court here and now we have to give it up because of Mildred!”

Mildred interjects before Sidney can reply. “Fine! You guys keep playing and I’ll leave. But I’m not staying here. Let’s go, Sheldon.”

“Whoa, whoa, wait a minute,” Sheldon protests, “Sid and Bea drove us here so we need a ride home.” Sheldon looks to Sidney expectantly.

Beatrice steps forward while shaking her head at Sheldon, “No fucking way are we losing this court because of Mildred. You two can take an Uber home. Sidney and I aren’t leaving.”

Sheldon glares at Beatrice with bulging eyes and exclaims, “An Uber back to Pepper Pike will cost us over $100 now! No way we’re paying that!”

“Well, I’m not staying here!” Mildred shouts defiantly with her arms crossed in front of her.

Beatrice looks up to the sky with pursed lips, pinches her eyes closed and pauses for a moment, then lowers her head, grabs Mildred by the hair and starts to walk her off the pickleball court towards the street.

“What are you doing, Bea?” Sidney asks with concern.

Still holding Mildred by the hair, Beatrice turns back to Sidney and screams, “I’m doing what none of you pickle-pussies have the fucking balls to do! I’m taking care of this little bitch MY WAY!”

Beatrice walks Mildred through the fence opening to the street while Sidney and Sheldon hurry after her.

Now on the street outside the pickleball courts, Beatrice takes a deep breath then calmly instructs Sidney while pointing to Sheldon, “Get his ass on the ground and keep him there so he doesn’t try anything.” Looking to Sheldon, she adds, “Now’s not the time to be a hero, Shel.”

Sidney and Sheldon both nod to Beatrice, then Sheldon lies face down on the pavement and Sidney kneels on his back.

Still gripping Mildred by the hair, Beatrice throws her to the ground then looks at her with a snarl. “Now get the fuck down and put your mouth on the curb! Don’t fight this, Mildred.”

Flashforward to present:

After listening patiently to Beatrice’s recount of events, Sergeant Dixon nods and says, “OK, we get it. We know that you guys just got caught up in the game and Mildred over there got what she deserved. Nobody should have to play pickleball with that annoying bullshit. The game is stressful enough without someone like her fuckin’ it up for y’all. That said, we still have to maintain some law and order around here. We can’t just let every swingin’ paddle come waltzin’ on in here from the east side disrespectin’ our shit.” Dixon glances over at Officer Garrison, and then looks back to the group. “Y’all just sit tight and stay put while my partner and I decide how we’re gonna handle this mess.”

The Goldfarbs and Sheldon wait anxiously on the street while the two officers walk back to their cruiser to discuss what to do.

After a few minutes of heated exchange with his partner, Sergeant Dixon walks back to the group. “OK,” he says sternly with his eyebrows raised. “Today’s your lucky day so y’all better count your blessings. We’re gonna let you bangers off with a warning … this time. But if it ever happens again and we gotta come back out here to deal with your pickleballin’ bullshit, we’re gonna haul’ your lily white asses downtown for disturbing the peace. Now take your paddles and get the fuck outta here before we change our minds!”

Officer Garrison steps forward and chimes in, “And maybe it’s time for you thugs to get your lives together and go back to school.” He looks over at Dixon, who nods in agreement, then adds, “Pickleballin’ on the streets is no way to survive. You bangers are headin’ down a dangerous path that’ll leave you dead or in jail. Is that what you want?”

Sidney looks at Officer Garrison with his eyebrows raised. “Back to school? Officer, I graduated summa from Oberlin and have a PhD in applied physics from Northwestern. I’m a senior fellow at Case—”

Beatrice interrupts Sidney with a smirk. “And you got passed over for tenure more times than Pete Rose did for Cooperstown — why don’t you mention that part, professor?”

“Beatrice, please!” shouts Sidney. “You know goddamn well that I wasn’t able to publish without my research assistant during COVID, and then they made me teach that dreadful undergraduate semin—”

“Hey, hey, hey now! You gangbangers just settle your asses down, y’aint back home in the ’hood!” belts out Sergeant Dixon. “And we just handed you a gift so don’t fuck it up!” he reminds them.

Without another word, the Goldfarbs and Sheldon hurry back to the parking lot with their heads down and pickleball gear in tow while the two officers walk back to their cruiser.

The shrill shouts and laughter of the pickleballers resonate through the courts behind them while, just twenty feet away, flies begin to swarm around Mildred’s open mouth.

THE END

Nate Mancuso is a practicing attorney, history buff, fiction writer, and lover of free speech and civil liberties who lives in South Florida with his wife and cat (and daughter when home from college). Nate holds a B.A. from Fordham University and a J.D. from St. John’s University School of Law. Nate is currently working on his first collection of short stories and other works in progress.

Poetry from Audrija Paul

IDEAL

Ideal? 

Was it what I was looking for.

No it wasn’t. 

Neither it was my plan to be someone’s ideal. 

As I had rejected myself 

A thousand times. 

 I knew my place was thus in a room, and not a house. 

          I misunderstood my unruly soul. 

 I went a step ahead, 

Breaking my small room’s wall into a stranger’s enormous house. 

The stranger let me enter the house and as well welcomed me. 

But I mistook that with an invitation. 

I lived all in peace thinking it was an ideal place for me. 

But very soon the stranger made me realise that I was just a mere guest. 

I could not but leave. 

My heart within was bound by the magical thread of the house. 

It was entangled and bleeded when I tried to detangle it. 

It hurt and I was helpless. 

I had nothing to do. 

I carried the magic of the house with me, 

I welcomed the merciless torment of the house on my heart, 

But it was the heartless house that never welcomed a mere guest like me.

Poetry from Eva Petropoulou Lianou

Light skinned middle aged European woman with straight brown hair and green eyes and lipstick, posing outside at night with a fern in the background.

We are broken from previous years

We are broken and weak

Do not come with gifts and close mind

We cannot believe words

Because was never said

We are broken

With several wounds

We try to fix ourselves

Love

Is a word

That nobody understad same way

Love

Give

Protect

Understand

Respect

Heal

Rebirth

We are broken

Not ready to move

In this life 

Don’t play with Humans hearts….

Call for Submissions: Prism of Consciousness (February announcement)

𝐂𝐀𝐋𝐋 𝐅𝐎𝐑 𝐒𝐔𝐁𝐌𝐈𝐒𝐒𝐈𝐎𝐍𝐒 – 𝐏𝐨𝐞𝐭𝐫𝐲 𝐀𝐧𝐭𝐡𝐨𝐥𝐨𝐠𝐲

PRISM OF CONSCIOUSNESS

We are thrilled to announce a call for submissions for the poetry anthology Prism of Consciousness. This anthology will accompany the upcoming VI INTERNATIONAL CONFERENCE OF THE CAESURAE COLLECTIVE SOCIETY, jointly organised by the Centre for Indian Arts and Cultural Studies (CIACS), Cooch Behar Panchanan Barma University, Department of English, Cooch Behar College (affiliated to the university), and Caesurae Collective Society in collaboration with Sri Vishnu Mohan Foundation, Chennai. The conference will be held from 9–11 April 2025 at Cooch Behar, the erstwhile princely state in West Bengal, India. 

The anthology seeks to weave a fabric of poetic expressions that resonate with the theme of consciousness—exploring the mind, the self, and the infinite cosmos—weaving together poetic voices that reflect on what it means to be aware, alive, and interconnected. 

INTERNATIONAL CONFERENCE OF THE CAESURAE COLLECTIVE SOCIETY

Date     : 9, 10, & 11 April 2025

Venue  : Cooch Behar College

Place    : Cooch Behar, the erstwhile princely state in West Bengal, India

THEME

Prism of consciousness—a profound interaction of thought, emotion, and awareness that shapes our experience of reality. We invite poets to explore this theme in all its dimensions:

A THOUGHT TO EXPLORE

   Mind and Self: Reflections on identity, awareness, and the inner workings of thought.

   Interconnectedness: The interplay between individual consciousness and the external world, including nature, society, and the cosmos.

   Altered States: Dreams, meditations, mystical experiences, and other states of awareness.

   Cultural Perspectives: Diverse interpretations of consciousness across traditions, philosophies, and spiritual practices.

   The Future of Consciousness: Technological influences, artificial intelligence, and the evolution of awareness.

SUBMISSION GUIDELINES

1. Eligibility: Open to poets worldwide. Submissions in English are preferred. 

2. Submission Limit: Up to three poems per person; one poem will be selected.

3. Format: Submissions must be in a single Word document, with each poem on a separate page. A high-resolution headshot photograph (JPEG format) is required.

4. Length: Individual poems should not exceed 37 lines. The bio should be a succinct biographical narrative of up to 111 words, written in the third person. 

5. Originality: Submissions must be original and unpublished works. We kindly request that you refrain from simultaneous submissions and choose to share your work exclusively with our anthology.

6. Declaration: Include a cover letter affirming that your submitted work is entirely your own and has not been published elsewhere.

7. Personal Information – Provide the following details in the body of your email: full name, postal address with landmark, email address, and mobile number.

SUBMISSION CONTENT

Your submission must include the following:

1. Poem(s)   

2. Bio

3. Photo 

4. Declaration

5. Personal Information

IMPORTANT 

1. Submissions will only be considered for selection once all five required items are provided as per the guidelines. 

2. The decisions of our selection process are final and irrevocable. 

SUBMISSION DETAILS

Deadline: 10th February 2025

Email: Orbindo.ganga@gmail.com

Subject Line: “Submission: Prism of Consciousness Anthology”

AVAILABILITY OF COPIES

1. For Co-authors: 

    Co-author may purchase copies at a discounted rate before publication. 

2. Paperback Price: 

    Market Price: Rs 600/- (for international authors: $60/-) plus delivery charges after publication.

Discounted Rate for Co-authors: Rs 480/- (for international authors: $45/-), including delivery charges before publication.

BOOK LAUNCH, POETRY READING, AND DISCUSSIONS

The book will be launched during the conference in Cooch Behar (West Bengal), with featured poets invited to participate in a special poetry reading session and discussions. 

𝐏𝐀𝐑𝐓𝐈𝐂𝐈𝐏𝐀𝐓𝐈𝐎𝐍 𝐃𝐄𝐓𝐀𝐈𝐋𝐒 @ 𝐂𝐨𝐨𝐜𝐡 𝐁𝐞𝐡𝐚𝐫

   Please note that the poetry reading session and discussion will include participants whose work has been selected for the anthology Prism of Consciousness.

  If your poem has been selected and you wish to participate in the conference at Cooch Behar, kindly email us. We will send you the registration form.

FOR REGISTRATION

Same as the conference email.

REGISTRATION FEE

Same as the conference registration fee.

Registration will close on 22nd February 2025. 

Join us in creating a poetic philharmonic that resonates across minds, hearts, and worlds.

For poetry anthology inquiries-

CONTACT

Email: orbindo.ganga@gmail.com

Whatsapp: + 91 9895290371

******************************************************************************************

ABOUT THE CONFERENCE

The conference is an interdisciplinary gathering of thinkers, researchers, philosophers, and artists, united in the pursuit of unraveling the mysteries of consciousness. It will feature academic sessions, poetry readings and discussions, book launches, music workshops, an exhibition based on the theme, lecture demonstrations, and cultural events. By linking this anthology to the conference, we aim to celebrate the poetic voice as an essential element in exploring human awareness.

The conference Paradigms of Consciousness and Its Cultural and Aesthetic Expressions seeks to investigate the diverse ways in which consciousness and spirituality are understood, experienced, and articulated across disciplines and cultures. Consciousness, as a complex and multifaceted phenomenon, transcends disciplinary boundaries, integrating philosophical, artistic, scientific, cultural and psychological perspectives. This conference offers a platform to explore these intersections, delving into the deep connections between the mind, self, and the world, as expressed through various cultural and aesthetic forms.

Selected papers will be published in a volume by an international publisher and in our ejournal: Caesurae: Poetics of Cultural Translation (ISSN 2454-9495)

▪  Please send your Abstracts in about 500 words to conferencecaesurae2025@gmail.com.

▪  Deadline: 20 February 2025

▪  Acceptance of Abstracts by 26 February 2025

▪  Registration process should be completed within 7 days of acceptance of Abstracts

▪  Registration Fees – Rs 2000 for participants in India and 25 $ for overseas participants + Caesurae Membership Fee – Annual (Rs 500 / $6 for overseas participants) / Life (Rs 5000/ $ 60 for overseas participants).

▪  Accommodation (On request) for twin sharing rooms: Rs 3500

(Registration fees will cover access to the plenaries and panels of the Conference, including the musical, literary and Zoom sessions of the international speakers, as well as a Participation Certificate. A working lunch will be provided and a conference kit.)

** It is mandatory to take Caesurae membership for participating in our conferences. If you are a Life Member you must only pay the Registration Fee. If you are an Annual Member and have not renewed your membership you either you become a Life Member or take an Annual Membership. 

▪  How to pay Registration fee and Membership fee?

Once we accept your abstract, we will send you our Bank details and a Google Form link. 

✓  For Registration and Caesurae Annual Membership: Rs 2500/-

✓  For Registration and Caesurae Life Membership: Rs 7000/-

✓  For Registration + Annual Membership + Accommodation: Rs 6000/-

✓  For Registration + Life Membership + Accommodation: Rs 10,500/-

CONFERENCE REGISTRATION FEE

Indian participants      –  ₹ 2500

Overseas participants  – $ 31 

CONTACT:

Email: conferencecaesurae2025@gmail.com

Whatsapp: + 91 8017147503

******************************************************************************************

Kind regards,

Orbindu Ganga 

Chief Editor 

PRISM OF CONSCIOUSNESS 

&

Member, Editorial Board

Caesurae Journal

Yahoo Mail: Αναζητήστε, οργανωθείτε, πετύχετε

Poetry from Scott C. Holstad

Beginnings

The day began simply enough,

cigarette in hand, bitter black

coffee, wadded up tactile pubs,

two tablet devices after I was

jettisoned from the warm

welcome bed. You were there

too, sipping your herbal tea,

glancing about for an early

tin of biscuits. You wanted to

debate the meaning of [our]

existence (as though there may

be any), but I couldn’t at that

moment for so many reasons

never to be understood. Still,

outside the birds sang – no,

warbled – to each other and

we as audience –  words of

great wisdom in clouds of

the finest smoke. A mob of

blue jays descended on

a hapless bird feeder and

the light started to resemble

glistening peaches and cream.

If there are lessons to be

learned here and gauntlets

left to run, if you

become

attain

maintain

retain

remain

ARE

holy, the seeds will be taken

right from your hands.

Drive – III

In order to be with her,

I’d fly from L.A. to Dallas,

high over endless desert,

blue skies blinding,

releasing, then blinding

once more.

In order to be with her,

I’d fly, over and over again,

to Nevada, Georgia, Ontario,

Wisconsin, Oregon, Maine

and New Hampshire

over and over again,

each time holding my

breath as though with

that simple motion, I

could again feel love. Or

just feel … something.

That’s been gone,

was jettisoned,

and replacing it

was my burden, my

challenge. How to

go on, what choices,

where the journey,

so with few answers

I drove on, hugged

the earth, traversed

new realities,

sought new meaning,

any meaning, some

purpose Sartre would

approve of while driving

here and yonder past

husky cornfields and

viscous pastures,

past city skyscrapers,

through college towns

and onto university

campuses, toward

federal labs, national

parks, art galleries,

cathedrals and casinos.

 I drove at

  • Albuquerque
  • Boulder
  • Tucson
  • Pittsburgh
  • Athens
  • Sedona
  • Chattanooga
  • Syracuse
  • Cincinnati
  • Reno
  • Gatlinburg
  • Asheville
  • Baltimore
  • Berkeley
  • Charlotte

and more places

than any other list

could ever hold,

in order to

locate

find

search

learn

grow

know

live

finally be

at one

with myself

in my selves

as myself.

Lamenting

Bulbous clouds stream by

the scarred window. What

happened down there?

Did shiny political rhetoric

slide down your legs again?  

How hearts are broken,

the many different ways.

You cried out in your sleep

again last night, steel toe

boots dancing through your

head, reaching for me.

It’s raining now and no

one cares. But after this,

does it really matter?

Palmetto trees stand

guard outside. He died

last night, actually 6:25

AM today. Did you hear

the gunshot? Loud as

hell, really echoed. Did

you hear her screaming

his name? She knew and

couldn’t do anything.

You didn’t hear? I’m

glad you could sleep.

Some might have felt

a little guilty having

gone down there with

that note. But I don’t

question that. I just

wonder will you cry?

Will You?

Dog Paradox Equation

Two dogs ran in front of the SUV ahead and the lab took it viciously to its side at 50 MPH. There was an ugly thud and then the dog’s hideous screaming. The SUV stopped hard while the lab struggled to right itself, side ripped open, intestines pouring out. That driver then went unthinkable, cluelessly backing up over the dog as I honked and honked. Right then I wanted to kill that driver. ‘Cept it could have been me or anyone and I knew it.

The slashed-up dog dragged itself to the side of the road and tried to throw itself into the bushes. Why’d I’d leave my snub-nose home? The dog wouldn’t recover, wouldn’t live. I didn’t want it to suffer, but what to do? If I went back, grabbed my piece and ended things, I’d be “saving” the dog but what trouble awaited if anyone misunderstood? Nix legal troubles! But if I drove off, how long would it suffer? If I tried to forget things, I’d be a bastard and even more tortured. But doing nothing? Frozen there stuck in a dog paradox equation.

I decided to…

No, instead I called Sandi and cried like a goddamned baby.

Scott C. Holstad has authored 60+ books & has appeared in the Minnesota Review, Exquisite Corpse, Pacific Review, Long Shot, Wormwood Review, Chiron Review, Santa Clara Review, Southern Review, Haight-Ashbury Literary Journal, Kerouac Connection, Processed World, Dream International Quarterly, Sivullinen, Nidergasse, Gangan Verlag, Ginosko Literary Journal, Ink Sweat & Tears, Hidden Peak Press, Mad Swirl, Bristol Noir, PULP & Poetry Ireland Review. He holds degrees from the University of Tennessee, California State University Long Beach, UCLA & Queens University of Charlotte. He’s moved 35+ times & currently lives near Gettysburg PA. 

https://hankrules2011.com.

X: @tangledscott 

Essay from 2123 Group Students

Group of Central Asian young women students in front of a decorated building with blue and yellow and tan designs, a few green domes, and arched entryways.
Smaller group of young women students inside an intricately decorated blue and gold building.

Unforgettable Moments of Our Final Year

Time flies at an incredible speed. It feels like just yesterday we stepped into university as curious, playful freshmen, struggling to navigate the academic system. And now, before we even realized it, we are in our final year—some of us already married, some even parents, all of us grown into mature individuals. Over the past four years, we have experienced countless challenges and milestones, but today, I want to share the most memorable part of this journey—our final-year internship.

At our university, we are privileged to learn from some of the finest professors, and this extends to our practical training as well. We were fortunate to be mentored by outstanding experts, particularly during our internship at the historical Registan complex. Under the guidance of our supervisor, G. Sirocheva, an experienced and knowledgeable tour guide, we gained invaluable insights into the art of guiding tourists. She spared no effort in sharing her expertise, encouraging us to develop our translation and guiding skills through hands-on practice with both local and foreign visitors.

Samarqand, a city with a rich historical legacy, continues to mesmerize the world with its stunning architectural wonders and centuries-old monuments. Studying its cultural heritage is not only fascinating but also a great responsibility. As aspiring translators and guides, sharing this wealth of knowledge with visitors brings us immense pride.

For any guest visiting Samarqand, exploring its ancient landmarks is very pleased. The city’s blue-domed minarets, the grandeur of the Timurid era, and its well-preserved historical essence create an atmosphere that transports visitors to another time. Registan Square, once the heart of the city’s bustling marketplace, remains the primary attraction for tourists. Stepping onto this historic site, one cannot help but feel the lingering presence of the Timur era’s splendor.

As translation and interpretation students, our internship was structured to balance both practical fieldwork and academic translation exercises. We spent three days a week at historical sites, honing our guiding skills, while the remaining days were dedicated to translating various texts, including official documents and literary works.

One of the most exciting projects assigned to our group was preparing English subtitles for the Uzbek film O‘tgan Kunlar (Bygone Days). Under the guidance of our mentor, F. Bakiyev, we delved deep into the complexities of literary translation. We explored techniques for adapting idiomatic expressions, proverbs, and figurative language while ensuring cultural and linguistic accuracy. Additionally, we learned about modern subtitling platforms and tools, further expanding our skill set in audiovisual translation.

Looking back, this year has been one of the most enriching experiences of our academic journey. It rovided us with invaluable opportunities to apply our theoretical knowledge in real-world settings and take a significant step forward in our professional development. The dedication of our professors, the time and effort invested in our education, and the doors being opened for us as young professionals all serve as a reminder that we must continue striving for excellence.

As we stand on the brink of graduation, we are more determined than ever to make the most of the opportunities ahead, honoring the hard work of our mentors and making a meaningful contribution to our field.

2123 group of final-year students,

Faculty of English Philology and Translation Studies

Samarkand State Institute of Foreign Languages

Poetry from Tom McDade

Thomas Sully’s Torn Hat, c/o MFA Boston

Two on the Wall

The Torn Hat painting

By Tom Sully was one

Of two that hung

On a Federal Housing

Wall where we lived

Never made me want

To own such a lid

But I might have wished

I’d been as good

Looking or as brave

As that kid with the rosy

Cheeks that might have

Been badges of courage

From a bully skirmish

Chapeau snatched

And ripped in retrieval –

Years after my brother’s

Suicide I began to gaze

Back and find him in that

Memory frame but never

Coaxed smile or smirk

Light of the World-Child

Jesus was the companion

Skinny gold halo and God

Awful ragged and painful

Looking seaweed hair

A shoulder turned as if

Awaiting a polio shot

He died for our sins so

They say so ergo no need

For my brother to have

Taken his so seriously

Any critic art or otherwise

Would agree don’t you think

Charles Bosseron Chambers’ The Light of the World, Jesus c/o the Fra Angelico Institute

Store-Bought

The pipe-smoking professor

lobbed quickly a question or two

at the Shakespeare Intro class

before settling at his throne.

Not a hand signaling interest

or answer fecund or fallow,

he bolted in disgust leaving

a striking  tobacco trail

and I recalled the tall student

sitting in front  of me tall, Jesus

looking or at least

a disciple, long hair but no beard

a mere goatee—could be a character

from Midsummer, the comedy at hand—

who three days past picked apart

a drug angle namely Puck’s

narcotic plucking that had proven

a tad much for the professor

who broke in, citing a need

to inhale something more

potent than store-bought

in order to follow.

Wondering what wafted from clay

pipes at the Boar’s Head Inn,

perfuming the hair of wenches

I eyed the beauty second seat, first row

and imagined my face lost in her forest

of raven locks and at her request

deeply inhaling to separate

the store-bought

from whatever mystical elixir

she’d used in her morning shower.

The Libretto

Just a short stretch

Of wall between Bill Butler

Chase’s Wounded Poacher 

And Seymour Guy’s At the Opera 

The fugitive is all the worse

For the wear, gaunt, grimy

Bandage-headed yet

His exquisite mustache

Is oddly hale as if

Smoothed for the posing

Guy’s lovely young

Woman, sophisticated

No doubt and oh so fragile

A slim red band holds

Her taut hairdo in place

What’s occurring on stage

Prompts removal of her

Opera glasses or are those

Smartly gloved fingers

Lifting them to better peek

At a man of interest

As Madame Bovary did

From her Rouen box

How would she react to the poacher

His rifle aimed, they won’t take me

Alive written in caps all over his face

Give up the three strands of pearls

Give up the fur he’d kill to caress

Allow him to touch her thin lips

Small ears, perfect nose and skin

As fair as tissue under a pelt

Of a creature freshly peeled

A Beach and Boardwalk Poem

A couple of teens surf like novices

A kid in a sandbox scans them

But keeps his windblown focus

On a small bulldozer shifting sand

Does he long for the day he might fill

That vehicle seat, ditch the shovel and pail

A couple of loud F-15s fly over, another dream

Along with an aircraft carrier his mom points out

Near the jetty a trio of men and one woman fish

A boat rigged to tow hang gliders exits the inlet

A young woman in a bikini powering inline

Skates, pushes off with fingers entwined

Confidently behind her back

A yellow lab carrying an ultra-bright tennis ball

Pulls ahead and drops the toy

She squats to snag, passes it back

And speeds off six wheels singing

Her arms wagging like happy dog tails

By James McNeill Whistler – National Gallery of Art, Washington, D. C., online collection, Public Domain,

Fame Found 

She was snatched off a branch

Of our family tree, a very distant

Cousin, mistress, of both Jim

Whistler and Gus Courbet

My grandparents never would

Have shared that tidbit

Irish Catholic reins you know

So kudos and gratitude

To the arborist who released

Joanna into our custody

How stately, simply gorgeous

Standing tall on a bearskin rug

The head intact and it’s smiling

In Jim’s Symphony in White 

Her red hair a wimple

The white of her dress and

The pale of the curtain behind

Equal at least two wedding gowns

In Gus’s, Jo La Belle Irlandaise she is

Fingering her locks, examining

Her face in a hand held looking glass

Maybe concerned her beauty is fading

How many women sharing boughs

On our ancestral timber appraise

Their reflections hoping to find

A tad of her handed down

Count the men who have ogled

A forest of barroom faces

By Gustave Courbet – Bridgeman Art Library: Object 128516, Public Domain,

AWOL

I’m homeless and walking

At midnight in Central Park

It is winter and I’m wearing

My first Navy Issue pea coat

Stolen when left on my rack

To use the head the day

I was leaving for a new ship

I bought a used one in Newport

But this is the original I’m sure of it

Don’t ask me why this certainty

I can’t place the rest of my clothing

I have a fountain pen in one pocket

And half a lemon poppy seed

Muffin in the other

That I pick at

There are no flowers

In this dream no opium

But seeds get stuck

In my teeth that I move

To my tongue with my pen

Tip then swallow

And taste punctuation

Ending sentences

Confining me

To a brig