Synchronized Chaos’ First April 2025 Issue: Journeying Inward

“First Day of Spring in Boston” c/o Jacques Fleury

The Global Federation of Leadership and High Intelligence, based in Mexico, is creating a Mother’s Day poetry anthology and invites submissions. They are also hosting a video contest for creative work with paper fibers.

Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.

We’re also having a presence at the Hayward Lit Hop festival this year, and we encourage everyone to attend this free, all-ages event! Many local writers will share their work and we will also host an open mic.

This month’s theme is Journeying Inward.

Lidia Popa seeks her true self, believing in the value of her quest. Samira Abdullahi acknowledges her scant resources and the obstacles before her, yet bravely forges ahead towards her life’s goals. Xavier Womack expresses determination to stay free of a relationship that has turned controlling and toxic.

Maurizio Brancaleoni crafts bilingual English/Italian introspective vignettes. Philip Butera reflects on noticing different types of flowers throughout his life, paralleling his different moods. Christina Chin of Malaysia and Paul Callus of Malta collaborate on haiku resplendent with action and sensory detail about the minutiae of human life, highlighting how even smaller thoughts matter.

Charitha Jammala’s mystical poetry probes the depths of the human mind and soul, celebrating our inner essence and integrity. In elegant poetry, Haroon Rashid reminds us to look inward to find joy and peace rather than expecting it from the outside world. Alex S. Johnson revels in the dreamscape of human consciousness in his expansive poem.

Beatriz Saavedra Gastelum probes the power of dreaming to explore human consciousness in Alfonso Reyes’ writing. Christina Chin and Uchechukwu Onyedikam collaborate on haiku capturing the delicacy and deliciousness of creative tension and human spiritual journeys. Fatima Anisa Ibrahim depicts the peace she finds upon sleeping, waking, and beginning a new day.

Black and white drawing of a young woman in profile view looking out to the side with two other smaller versions of herself seated with her head in her hands in front of her. She's next to a barren tree and clouds.
Image c/o Kai Stachowiak

Stephen Jarrell Williams’ poetic cycle drums up a sense of urgency, evoking human mortality and spiritual quests. Peter Cherches speaks of time and memory, incidents that make us, small puny humans as we are, question all that we remember. Mykyta Ryzhykh renders the dissolution of language and identity through creative poems. Alaina Hammond probes the effect of present experiences to shift memory and identity in her drama, set at an art opening. J.K. Durick’s poems also address identity in a way, pointing out human experiences we face individually, yet share with many around the world.

Philip Butera’s lengthy poem explores existence, seduction, and morality through a lens of mutable personal identity and the archetypes of Greek mythology. Two literary critics, Dr. Selvin Vedamanickam and Grock, explore the struggle of individual people in a world that seems indifferent in Dr. Jernail S. Anand’s epic poem Geet: The Unsung Song of Eternity.

Bhagirath Choudhary’s piece honors and includes the feminine as well as the masculine in what it means to be human, and divine. Jacques Fleury, a Black man from Haiti, asserts his belonging to the universal human family regardless of racial distinctions.

Patrick Sweeney writes disconnected short pieces with an element of whimsy that explore our curiosities and obsessions. Duane Vorhees’ poetry revels in earthy sensuality and explores questions of personal identity, reality, and fantasy.

Fantasy image of a leaping unicorn (bottom right) and flying unicorn (top left) in a sky full of dark clouds. Ground beneath is sunny grass.
Image c/o Dope Pictures

Kylian Cubilla Gomez’ images focus on fun and imagination in his images of children’s toys. Ochilova Ozoda Zufar shares a children’s story about travel, friendship, and new experiences. Abigail George reflects on her life’s trajectory, how circumstances made her the mother of words rather than human children.

Elan Barnehama’s short story places us back in our early twenties, when many of us were still making major life decisions. Still, many people past that age express similar sentiments. Tagrid Bou Merhi affirms the drive towards personal and artistic freedom. Anna Keiko reflects on how she has followed the call of poetry in her life. Chad Norman’s brash poetry celebrates the freedom to do and say and love as he wishes in his native Canada.

Doug Hawley relates his experiences in the natural vastness of mountainous and lesser-known eastern Oregon. Maja Herman Sekulic’s speakers lay exposed in the city, under the weight of human emotion as much as the heat of the sun and the relentlessness of the rain.

J.J. Campbell conveys regret, despair, and the lingering effects of a broken past. Mark Young’s poetry presents with wry humor dreams pursued and derailed. Susie Gharib’s work reflects the anxiety and discomfort of the human condition and her desire to find and choose peace. John Dorsey’s speakers seek various forms of comfort and stability.

Two women in dresses (saris) stand bent over by a tree. Painting is blue and purple with some warm sunlight on the right.
Image c/o Rajesh Misra

Brian Barbeito reflects on the life and death of his beloved dog, Tessa. Taro Hokkyo’s short poems speak to grief and loss, ending on a note of regrowth.

David Sapp speaks to the lingering psychological impact of physical and mental loss during the American Civil War. Dennis Vannatta’s essay explores the wartime inspirations for some of Chopin’s music and compares that with his own Vietnam experience.

Fadwa Attia reviews Mohamed Sobhi’s new play “Fares Reveals the Hidden” which explores identity, homeland, and belonging. Dr. Kang Byeong-Cheol speaks to loneliness, nostalgia, and empathy.

Atabayeva Gulshan examines loneliness through the lens of Chekhov’s writings. RP Verlaine’s work posits speakers surrounded by maelstroms of feeling, unable to do more than watch. Dr. Kareem Abdullah reviews poet Eva Petropoulou Lianou’s work on the power of human emotion and the power of the individual to transcend it.

Face of a young woman superimposed on an image of a chessboard and the ocean and the night sky and stars and galaxies.
Image c/o David Bruyland

Nigar Nurulla Khalilova implores deities, and her fellow humans, for compassion towards struggling people. Eva Petropoulou Lianou misses human kindness and simple pleasantries of life.

Graciela Noemi Villaverde speaks to the physical coziness of true and long-term love. Isaac Aju writes of first love between a generous young man and a strong young woman who doesn’t feel conventionally feminine. Makhmasalayeva Jasmina Makhmashukurovna encourages love and respect for the wisdom of parents.

Poet Eva Petropoulou Lianou reminds us to be kind and show common courtesy. Greek poet Eva Petropoulou Lianou interviews Chinese poet Yongbo Ma about writing as a spiritual practice to seek goodness in a harsh world. Elmaya Jabbarova highlights the power of the poet to engage with the senses and cast a vision for the world. Eva Petropoulou interviews Egyptian writer Ahmed Farooq Baidoon about his hopes and dreams for the human literary imagination to guide and transform our world, and also Venezuelan poet Mariela Cordero, who celebrates the evolution of literature and the unnoticed acts of kindness around us daily.

Sayani Mukherjee rests within a Romantic poet’s verdant natural dreamscape. Bekmirzayeva Aziza’s tale reminds us not to forget as we grow up that we can find happiness through simple pleasures and days in nature. Maja Milojkovic reminds us to care for the planet, asking us some hard questions in the process. Writer and literary critic Z.I. Mahmud compares Michael Crichton’s Jurassic Park to Mary Shelley’s Frankenstein in its critique of humanity’s quest to micromanage and control nature.

Raised fists, brown skin of indeterminate race, painted background of swathes of gray, purple, pink, yellow, green, blue.
Image c/o Linnaea Mallette

Idris Sheikh looks to the awakening and rebirth of Nigeria from poverty and violence. Joseph Ogbonna mourns the Ottoman Empire’s genocide of the Armenian people. Marjona Bahodirova’s story illustrates the pain and loss many women in Central Asia endure, due to class prejudice and intimate partner violence. Bill Tope’s short story explores the evolution of a formerly open-minded person into a bigot and the long-lasting harm that does to his family and ultimately, himself. Taylor Dibbert recollects an encounter with an aggressive and clueless neighbor as Bill Tope and Doug Hawley’s collaborative short story humorously addresses social misunderstandings accentuated by our society’s prejudices. Patricia Doyne’s poem laments political aggression, power grabs, and the rise of autocracy as Daniel De Culla laments the political danger posed to democracies by a culture of brash ignorance.

Shahnoza Ochildiyeva explores the impact of literature on the lives of characters in Markus Zusak’s novel The Book Thief. Even though books cannot save them from the Nazis, they consider literature worth the risk of their lives. Lilian Dipasupil Kunimasa calls on humanity to seek knowledge and cultural advancement in the pursuit of peace.

Tarane Turan Rahimli speaks to the burgeoning literary scene and cultural heritage of her native Azerbaijan. Alex Johnson’s poem celebrates the enduring literary legacy of Patti Smith and William S. Burroughs and the Beat generation. Malika Abdusamat suggests possibilities for the role of artificial intelligence in language learning. Grock outlines the work and career of Indian poet Dr. Jernail S. Anand and considers his originality and suitability for a Nobel prize.

Christopher Bernard reviews Cal Performances’ production of William Kentridge’s The Great Yes, The Great No, praising the vibrant stagecraft while questioning the value of celebrating the absurd in a time of real political absurdity. Chimezie Ihekuna observes that the world’s ways have become upside-down, strange, and unusual.

Art Nouveau wallpaper, dark background, twining green leaves and branches, light tan flowers of different brightness.
Image c/o Maria Alvedro

Dr. Andrejana Dvornic, in a presentation at the Belgrade Book Festival, explores themes of love, longing, and loneliness in the works of Umid Najjari. Teacher Liu Xingli sends in poetry from the elementary school students of the Xiaohe Poetry Society in China’s Hunan Province, which explores themes of nature and society, love and compassion, and heroism and sacrifice.

Federico Wardal honors the legacy of actor Marcello Mastroianni. Texas Fontanella sends up some vibrant, avant-garde music. Cristina Deptula reviews the anthology White on White: A Literary Tribute to Bauhaus, edited by Alex S. Johnson with a foreword from Poppy S. Brite.

Vernon Frazer plays with splashy words and images. Rizal Tanjung situates the paintings of Anna Keiko in the developing history of world art. Scott Holstad probes Husserl’s philosophical understanding of phenomena and being.

Norman J. Olson evokes the wonderment and curiosity we can experience when we look at art and history. Isabel Gomez de Diego’s photography honors the Spanish heritage of faith and craft. Erkin Vahidov reflects on Uzbekistan’s proud cultural heritage. Toxirova Ruxshona highlights advances in modern world modern medicine in her piece on diagnostics and treatment for a variety of skin diseases.

Neolithic house on a partly cloudy day, clay and mud walls, thick straw layered roof and door and fence. Surrounded by hardened dry dirt.
Image c/o Vera Kratochvil

Bangladeshi writer Mahbub Alam expresses his respect and humility before God in his Ramadan poem. Jake Sheff draws on mythology and history as he memorializes his family members and other figures from the past. Nilufar Anvarova’s poem tells the story of an elder encouraging modern people to remember the past.

Dr. Lalit Mohan Sharma reviews Dr. Jernail Anand Singh’s epic work “From Siege to Salvation,” comparing the battles of the Mahabharata with the siege of Troy and affirming commonalities of our human experience. Cristina Deptula interviews Nigerian poet Uchechukwu Onyedikam about transcending cultural barriers through his international haiku collaborations.

We hope that this issue will draw you out to peek at the world from different cultural and generational vantage points, then pull you inward to consider the value and wonder of your own thoughts and psyche.

Poetry from Makhmasalayeva Jasmina Makhmashukurovna

Young Central Asian woman with brown eyes and dark hair up in a ponytail. She's in a tee shirt with the words "No Hard Feelings" and some black flowers. An abstract design wallpaper is behind her.

Parents

There is no love that can compare to the love of your parents. Your parents raised you, clothed you, cared for you your whole life & never left you.

Nobody can ever replace that. They are the biggest & most precious blessing so whenever you look at them say Alhamdulillah.

Spend quality time with them, show them how much you love & respect them & cherish every moment you have with them.

This life is short so serve them as much as you can. May Allah (swt) grant our parents the highest in Jannah & protect them always, Ameen.

Makhmasalayeva Jasmina Makhmashukurovna is very creative and smart, an easy-going student of the 28th school in Mubarak, Kashkadarya, Uzbekistan.

Essay from Dr. Andrejana Dvornić

Middle aged light skinned blonde woman in a black coat speaking at the Belgrade Book Fair, with a sign behind her.

On Umid Najjari’s Poetry

The Collection of Poems “PHOTO OF DARKNESS”

 “The sharpness of mind is never born in harmonious conditions” (Haruki Murakami).

Cover of poetry book by Umid Najjari. Pencil drawing of a middle aged man in a coat and glasses and turban and a black dripping paint image below the gray and yellow title.

If we look at the origin of someone’s poetry through that prism, then Umid Najjari would be its prominent representative. His literary description and narration confirm that he is a highly intellectual and artistically delicate poet. His poetry is not distant or alien and has no boundaries. His fragile written word has a mighty power of artistic creation, and this is exactly the impression given by the poems in his collection  Photo of Darkness.

Umid Najjari was born in 1989 in Tabriz – East Azerbaijan Province, in northwestern Iran. After completing his studies at Islamic Azad University of Tabriz (2016), he continued his postgraduate studies at Baku Eurasia University, Faculty of Philology in Azerbaijan. As a writer, journalist and translator, he published the books “The land of the birds” and “Beyond the walls”, which stand out in his work. His poems have been translated into many world languages and published in the USA, Canada, Spain, Italy, Turkey, Uzbekistan, Iraq, Georgia and many other countries. He is the winner of “Samad Behrangi” Award (2016) and “Ali bey Hoseinzadeh” Award (2019). He was awarded the “Mihai Eminescu” Award in 2022. He was awarded the International Prize “Medal Alexandre The Great” in 2022. Najjari has also been elected Vice-President of the BOGDANI international writers’ association, with headquarters in Brussels and Pristina. And he is an active member of the Turkic World Young Authors Association.

By combining life and literary experience, Najjari writes poetry that evokes inviolable sense of depth with his readers. Sometimes pointless  and ungenerous descriptions reveal the essence and and let us travel from apparently meaningless to the deep meaningful, from abstraction to real stronghold of events, and by its authenticity they attract the reader to explore further through his poems and to return to them again and again.

A poet of the original style, deep in himself, does not divide the past and the present as the two different spheres, but perceives them as equally dominant and represented with the same intensity in his life.

 There is no harmony between them, expressing deep emptiness and loneliness in his life:

“everything seen in a mirror is loneliness…” (the poem “A homeland as big as umbrella”).

There are many and diverse relationships present in the poem, from immeasurable love to immeasurable nostalgia.

As the themes of Najjari’s poetry, besides longing and helplessness ‘the shadow of longing enters us….sometimes the laughter is the last breath of crying’ (The Shadow of Longing), the poets draws  hints of tragedy in his descriptions – ‘sad black stones in cemeteries’ (The Shadow of tree) that sometimes  even have apocalyptic tones.

Night pains…

Darkness shot into his lap….

So we cannot fly …” (,, I Fire a Match”)  

(implication of despair, variation of sorrow and suffering, a step curled up in despair)

 ‘a pile of fire on the cross…’

Rebellious, unstoppable restlessness of fire is a picture of eternal movement, a world full of opposites, the scene of the constant struggle of opposing forces of light and darkness….. Heraclitus)

The light is a reflection of hope, and the frequent return to a night in poems reminds us of torturous reality, and various sides of dark forces and evil fate of the centuries…

His poetry weeps over the fate of the world, over darkness, without a stronghold of posterity. In his poem The Symphony of Separation he tries to find an escape in oblivion. The lack is strong (Telegram), passing through an awareness of freedom of choice and the need to live.

The poem Absurd mentions Zarathustra, the ancient philosopher, underlining his idea of the essence of our existence represented by the constant struggle between light and darkness, good and evil.

The unequal verses and intermittent rhythm of his poetry remind us of Mayakovsky’s writing. He even mentions him in the same poem by saying: ,,The side of Mayakovsky in my body hurts’, emphasizing the lyrical creation of the suicidal instinct and near death….

Above all the poet glorifies love, in various relations, as the most important and motivating thought in the essence of our being:

‘Open your hands, protect me from the winds, keep me from drying out my eyes….’ (‘They are all excuse’).

This is just one of the possible interpretations of Umid Najjari’s individual and extraordinary poetry.

                                      Andrejana Dvornić, professor and writer

                                      Belgrade, Serbia

Haruki Murakami* – 1Q84 (Book 1)

Poetry from Joseph Ogbonna

An Ottoman label for Cleansing (1915-1923)

An Ottoman label

An Ottoman branding.

To uproot my human development.

A human development of two millennia 

once flourishing in Anatolia.

I was labelled Armenian! 

I was branded Armenian!

By whom?

by merciless Ottomans!

I took a long hike to my own graveyard,

accompanied by the Ottoman funeral cortege.

They played the dead march for my own interment.

My interment in the Syrian desert.

My offence was my identity, and 

a global conflict and its attendant heavy losses.

A conflict I knew little or nothing about.

I was preyed upon by men of beastly testestorone.

Coercively I became a sunni proselyte,

and I was dispossessed of everything vital.

Terribly weakened by an inflicted famished state, I was laid to rest in the Syrian desert.

Poetry from Haroon Rashid

Middle aged man with thick dark hair, glasses, and a green jacket in front of a green hedge and a large brick building.

The Heart is Where We Belong.
– Author Haroon Rashid

We always feel that life is there,
Somewhere, where we want to search for.
But why do we forget that life is within,
The Peace is within, the charm, the spark,
The light and the dark, everything is within.

What do we search outside for?
What is beyond our horizons? Nothing.
There’s nothingness in the air,
There is no flair in the hair.
Everything is in the heart,
And heart is where we belong.
And the heart is with you.
Yes, with you.

And with you, this spark, this light,
This charm, this life, everything comes out.
So live your best life,
Give your heart where it belongs,
And live the life, love the life, and feel alive.
—Written by Author Haroon Rashid

Author Haroon Rashid – Biography

Haroon Rashid is an internationally celebrated author, poet, and scholar renowned for his profound literary works and contributions to global peace and education. He gained worldwide recognition for his poetry book We Fell Asleep in One World and Woke Up in Another, which deeply resonated with readers across cultures and was later translated by Nobel Prize Laureate 2024 Eva Petropoulou Lianou. His book Author Haroon Rashid Quotes further solidified his reputation as a writer who masterfully blends wisdom, spirituality, and human emotions into his work.


Haroon’s literary achievements have earned him numerous accolades, including the United Nations Karmaveer Chakra Award and the Global Peace Award from the Mother Teresa International Foundation. His influence extends beyond literature, as he has been honored with an Honorary Degree in Humanity from La Haye, France, and the Golden Eagle Award for Literary Excellence. He has proudly represented India at various international literary and peace events, including the Paper Fiber Fest and the International Congress of Education in Mexico.


Beyond writing, Haroon Rashid is an advocate for sustainable development, serving as an ambassador for SDG4 (Quality Education) and SDG13 (Climate Action). His works emphasize themes of peace, cultural harmony, and personal transformation through enriching humanity. As the National Vice Chairman of Youth India at the Mother Teresa International Foundation, he actively promotes youth engagement in education and humanitarian efforts.


Haroon Rashid’s influence has reached global platforms, with invitations to speak at prestigious events in Mexico and Greece, and features in O, The Oprah Magazine and The Oprah Winfrey Show. Through his writing and activism, he continues to inspire millions, leaving an indelible mark on literature and global consciousness.

Poetry from Lilian Dipasupil Kunimasa

Light skinned Filipina woman with reddish hair, a green and yellow necklace, and a floral pink and yellow and green blouse.
Lilian Dipasupil Kunimasa

Ignorance’s Bliss

Have I not seen the beauty of dawn

I’d be contented of midnight lawn

Yet the pains of desire is sown

Hopeless pains of once numbed pawn

Have I not seen the field of star

I’d be blinded by neons lights afar

Yet not even diamonds come on par

The hope of peace in midst of war

Would it have been better to be ignorant

Following the instincts of an ant

From the sea of norm be deviant

Would satisfaction be a blessed grant?

Why must my eyes be opened wide

To the vastness of truth can’t hide

Confusion of uncertainty to confide

White, black, red or blue, gown of bride

Knowledge is power and poison of peace

When certainty knows not of wisdom’s ease

How much rain can be contained by fleece

Doubts and fears even sage’s soul tease.

War is Inevitable

In the middle of big powerful guns playing game

Neutrality is seen as a safe and wiser gamble

A treaty forced with one is historically lame

But dropping the ball will give us fatal shame

Four big guns on hands-off checkered board

Pawns to push, where no one wins, but the lord

Four chips are not placed, to protect their gourd

Secretly waiting for spoils to divide and hoard

Truces do not shield one from adventurism

Just a buffer for growing, survival mechanism

Until one is called by players for ‘altruism’.

A normal game for big players of empiralism

A call to see whether one of the four is weakening

They need to know who gets the most in harvesting

Though they are strong and science is advancing

Power growth development and resource producing

Both at same time is too much for maintaining

Supply and demand defeats technology source

Deficit in alternative energy and resource

Science has not yet advanced sufficiency

To the stage of not needing natural resources,

Be it in agricultural or mineral produce

Time, of course, comes when one cannot hide

Where small allies will need to choose a side.

Not from two but actually four stong fiery tide

But now’s time to juggle, paint over national pride

Neighbor in friendly alliances for mutual benefits

Symbiotic relationship for opportunity and profits

But all must be careful not get so much credits

Big Four shall check if we reached the limits

Hounds shall come for potential threats to diffuse

Tribal wars, distrust, gossips , rebels to confuse

Chiefs to change if interference foolishly refuse

Convenience of profit to harvest where they choose

Nation have agricultural, sea or mineral treasure

People have technical, medical, skills to measure

Be productive and generous, no alien pressure

Peaceful farms in long protected tenure

Free trade and cordiality as an allied gesture.

Yet I see non political people speaking

Unity in diversity everyone is learning. Resistant to racism and discrimination

Probe the manipulations and misinformation

People blending colors of the rainbows

Harmonious arc of peace everyone knows

I wonder how my friends see the world?

Lilian Dipasupil Kunimasa was born January 14, 1965, in Manila Philippines. She has worked as a retired Language Instructor, interpreter, caregiver, secretary, product promotion employee, and private therapeutic masseur. Her works have been published as poems and short story anthologies in several language translations for e-magazines, monthly magazines, and books; poems for cause anthologies in a Zimbabwean newspaper; a feature article in a Philippine newspaper; and had her works posted on different poetry web and blog sites. She has been writing poems since childhood but started on Facebook only in 2014. For her, Poetry is life and life is poetry.

Lilian Kunimasa considers herself a student/teacher with the duty to learn, inspire, guide, and motivate others to contribute to changing what is seen as normal into a better world than when she steps into it. She has always considered life as an endless journey, searching for new goals, and challenges and how she can in small ways make a difference in every path she takes. She sees humanity as one family where each one must support the other and considers poets as a voice for Truth in pursuit of Equality and proper Stewardship of nature despite the hindrances of distorted information and traditions.

Poetry from Elmaya Jabbarova

White woman with long black hair and a black blouse with flowers on it.
Elmaya Jabbarova

Her words paint the world

Rainbow colors,

It fascinates everyone,

The poet comes to inspiration,

She draws colors into words.

Every color has a meaning,

The poet sees harmony,

Her imagination is very rich,

She hears, writes from feelings.

She calls people,

She wants peace for the world,

She feeds a white dove,

Between the lines.

Every word, every song,

The composition of his heart.

The voice of the heart is sung,

In the rhythm of a double heart.

She praises the good,

She suffers the bad,

She loves his friend, brother,

Against the backdrop of justice.

She has a wish in the world,

There should be no war,

Adults and children

May they always live happily!

The poet’s word box,

It is like a paint bucket,

Like a painter, a word brush,

 Look, She paints the world!

Elmaya Jabbarova was born in Azerbaijan. She is a poet, writer, reciter, and translator. Her poems were published in the regional newspapers «Sharginsesi», «Ziya», «Hekari», literary collections «Turan», «Karabakh is Azerbaijan!», «Zafar», «Buta», foreign Anthologies «Silk Road Arabian Nights», «Nano poem for Africa», «JuntosporlasLetras 1;2», «Kafiye.net» in Turkey, in the African’s CAJ magazine, Bangladesh’s Red Times magazine, «Prodigy Published» magazine. She performed her poems live on Bangladesh Uddan TV, at the II Spain Book Fair 1ra Feria Virtual del Libro Panama, Bolivia, Uruguay, France, Portugal, USA.