Synchronized Chaos’ First April 2025 Issue: Journeying Inward

“First Day of Spring in Boston” c/o Jacques Fleury

The Global Federation of Leadership and High Intelligence, based in Mexico, is creating a Mother’s Day poetry anthology and invites submissions. They are also hosting a video contest for creative work with paper fibers.

Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.

We’re also having a presence at the Hayward Lit Hop festival this year, and we encourage everyone to attend this free, all-ages event! Many local writers will share their work and we will also host an open mic.

This month’s theme is Journeying Inward.

Lidia Popa seeks her true self, believing in the value of her quest. Samira Abdullahi acknowledges her scant resources and the obstacles before her, yet bravely forges ahead towards her life’s goals. Xavier Womack expresses determination to stay free of a relationship that has turned controlling and toxic.

Maurizio Brancaleoni crafts bilingual English/Italian introspective vignettes. Philip Butera reflects on noticing different types of flowers throughout his life, paralleling his different moods. Christina Chin of Malaysia and Paul Callus of Malta collaborate on haiku resplendent with action and sensory detail about the minutiae of human life, highlighting how even smaller thoughts matter.

Charitha Jammala’s mystical poetry probes the depths of the human mind and soul, celebrating our inner essence and integrity. In elegant poetry, Haroon Rashid reminds us to look inward to find joy and peace rather than expecting it from the outside world. Alex S. Johnson revels in the dreamscape of human consciousness in his expansive poem.

Beatriz Saavedra Gastelum probes the power of dreaming to explore human consciousness in Alfonso Reyes’ writing. Christina Chin and Uchechukwu Onyedikam collaborate on haiku capturing the delicacy and deliciousness of creative tension and human spiritual journeys. Fatima Anisa Ibrahim depicts the peace she finds upon sleeping, waking, and beginning a new day.

Black and white drawing of a young woman in profile view looking out to the side with two other smaller versions of herself seated with her head in her hands in front of her. She's next to a barren tree and clouds.
Image c/o Kai Stachowiak

Stephen Jarrell Williams’ poetic cycle drums up a sense of urgency, evoking human mortality and spiritual quests. Peter Cherches speaks of time and memory, incidents that make us, small puny humans as we are, question all that we remember. Mykyta Ryzhykh renders the dissolution of language and identity through creative poems. Alaina Hammond probes the effect of present experiences to shift memory and identity in her drama, set at an art opening. J.K. Durick’s poems also address identity in a way, pointing out human experiences we face individually, yet share with many around the world.

Philip Butera’s lengthy poem explores existence, seduction, and morality through a lens of mutable personal identity and the archetypes of Greek mythology. Two literary critics, Dr. Selvin Vedamanickam and Grock, explore the struggle of individual people in a world that seems indifferent in Dr. Jernail S. Anand’s epic poem Geet: The Unsung Song of Eternity.

Bhagirath Choudhary’s piece honors and includes the feminine as well as the masculine in what it means to be human, and divine. Jacques Fleury, a Black man from Haiti, asserts his belonging to the universal human family regardless of racial distinctions.

Patrick Sweeney writes disconnected short pieces with an element of whimsy that explore our curiosities and obsessions. Duane Vorhees’ poetry revels in earthy sensuality and explores questions of personal identity, reality, and fantasy.

Fantasy image of a leaping unicorn (bottom right) and flying unicorn (top left) in a sky full of dark clouds. Ground beneath is sunny grass.
Image c/o Dope Pictures

Kylian Cubilla Gomez’ images focus on fun and imagination in his images of children’s toys. Ochilova Ozoda Zufar shares a children’s story about travel, friendship, and new experiences. Abigail George reflects on her life’s trajectory, how circumstances made her the mother of words rather than human children.

Elan Barnehama’s short story places us back in our early twenties, when many of us were still making major life decisions. Still, many people past that age express similar sentiments. Tagrid Bou Merhi affirms the drive towards personal and artistic freedom. Anna Keiko reflects on how she has followed the call of poetry in her life. Chad Norman’s brash poetry celebrates the freedom to do and say and love as he wishes in his native Canada.

Doug Hawley relates his experiences in the natural vastness of mountainous and lesser-known eastern Oregon. Maja Herman Sekulic’s speakers lay exposed in the city, under the weight of human emotion as much as the heat of the sun and the relentlessness of the rain.

J.J. Campbell conveys regret, despair, and the lingering effects of a broken past. Mark Young’s poetry presents with wry humor dreams pursued and derailed. Susie Gharib’s work reflects the anxiety and discomfort of the human condition and her desire to find and choose peace. John Dorsey’s speakers seek various forms of comfort and stability.

Two women in dresses (saris) stand bent over by a tree. Painting is blue and purple with some warm sunlight on the right.
Image c/o Rajesh Misra

Brian Barbeito reflects on the life and death of his beloved dog, Tessa. Taro Hokkyo’s short poems speak to grief and loss, ending on a note of regrowth.

David Sapp speaks to the lingering psychological impact of physical and mental loss during the American Civil War. Dennis Vannatta’s essay explores the wartime inspirations for some of Chopin’s music and compares that with his own Vietnam experience.

Fadwa Attia reviews Mohamed Sobhi’s new play “Fares Reveals the Hidden” which explores identity, homeland, and belonging. Dr. Kang Byeong-Cheol speaks to loneliness, nostalgia, and empathy.

Atabayeva Gulshan examines loneliness through the lens of Chekhov’s writings. RP Verlaine’s work posits speakers surrounded by maelstroms of feeling, unable to do more than watch. Dr. Kareem Abdullah reviews poet Eva Petropoulou Lianou’s work on the power of human emotion and the power of the individual to transcend it.

Face of a young woman superimposed on an image of a chessboard and the ocean and the night sky and stars and galaxies.
Image c/o David Bruyland

Nigar Nurulla Khalilova implores deities, and her fellow humans, for compassion towards struggling people. Eva Petropoulou Lianou misses human kindness and simple pleasantries of life.

Graciela Noemi Villaverde speaks to the physical coziness of true and long-term love. Isaac Aju writes of first love between a generous young man and a strong young woman who doesn’t feel conventionally feminine. Makhmasalayeva Jasmina Makhmashukurovna encourages love and respect for the wisdom of parents.

Poet Eva Petropoulou Lianou reminds us to be kind and show common courtesy. Greek poet Eva Petropoulou Lianou interviews Chinese poet Yongbo Ma about writing as a spiritual practice to seek goodness in a harsh world. Elmaya Jabbarova highlights the power of the poet to engage with the senses and cast a vision for the world. Eva Petropoulou interviews Egyptian writer Ahmed Farooq Baidoon about his hopes and dreams for the human literary imagination to guide and transform our world, and also Venezuelan poet Mariela Cordero, who celebrates the evolution of literature and the unnoticed acts of kindness around us daily.

Sayani Mukherjee rests within a Romantic poet’s verdant natural dreamscape. Bekmirzayeva Aziza’s tale reminds us not to forget as we grow up that we can find happiness through simple pleasures and days in nature. Maja Milojkovic reminds us to care for the planet, asking us some hard questions in the process. Writer and literary critic Z.I. Mahmud compares Michael Crichton’s Jurassic Park to Mary Shelley’s Frankenstein in its critique of humanity’s quest to micromanage and control nature.

Raised fists, brown skin of indeterminate race, painted background of swathes of gray, purple, pink, yellow, green, blue.
Image c/o Linnaea Mallette

Idris Sheikh looks to the awakening and rebirth of Nigeria from poverty and violence. Joseph Ogbonna mourns the Ottoman Empire’s genocide of the Armenian people. Marjona Bahodirova’s story illustrates the pain and loss many women in Central Asia endure, due to class prejudice and intimate partner violence. Bill Tope’s short story explores the evolution of a formerly open-minded person into a bigot and the long-lasting harm that does to his family and ultimately, himself. Taylor Dibbert recollects an encounter with an aggressive and clueless neighbor as Bill Tope and Doug Hawley’s collaborative short story humorously addresses social misunderstandings accentuated by our society’s prejudices. Patricia Doyne’s poem laments political aggression, power grabs, and the rise of autocracy as Daniel De Culla laments the political danger posed to democracies by a culture of brash ignorance.

Shahnoza Ochildiyeva explores the impact of literature on the lives of characters in Markus Zusak’s novel The Book Thief. Even though books cannot save them from the Nazis, they consider literature worth the risk of their lives. Lilian Dipasupil Kunimasa calls on humanity to seek knowledge and cultural advancement in the pursuit of peace.

Tarane Turan Rahimli speaks to the burgeoning literary scene and cultural heritage of her native Azerbaijan. Alex Johnson’s poem celebrates the enduring literary legacy of Patti Smith and William S. Burroughs and the Beat generation. Malika Abdusamat suggests possibilities for the role of artificial intelligence in language learning. Grock outlines the work and career of Indian poet Dr. Jernail S. Anand and considers his originality and suitability for a Nobel prize.

Christopher Bernard reviews Cal Performances’ production of William Kentridge’s The Great Yes, The Great No, praising the vibrant stagecraft while questioning the value of celebrating the absurd in a time of real political absurdity. Chimezie Ihekuna observes that the world’s ways have become upside-down, strange, and unusual.

Art Nouveau wallpaper, dark background, twining green leaves and branches, light tan flowers of different brightness.
Image c/o Maria Alvedro

Dr. Andrejana Dvornic, in a presentation at the Belgrade Book Festival, explores themes of love, longing, and loneliness in the works of Umid Najjari. Teacher Liu Xingli sends in poetry from the elementary school students of the Xiaohe Poetry Society in China’s Hunan Province, which explores themes of nature and society, love and compassion, and heroism and sacrifice.

Federico Wardal honors the legacy of actor Marcello Mastroianni. Texas Fontanella sends up some vibrant, avant-garde music. Cristina Deptula reviews the anthology White on White: A Literary Tribute to Bauhaus, edited by Alex S. Johnson with a foreword from Poppy S. Brite.

Vernon Frazer plays with splashy words and images. Rizal Tanjung situates the paintings of Anna Keiko in the developing history of world art. Scott Holstad probes Husserl’s philosophical understanding of phenomena and being.

Norman J. Olson evokes the wonderment and curiosity we can experience when we look at art and history. Isabel Gomez de Diego’s photography honors the Spanish heritage of faith and craft. Erkin Vahidov reflects on Uzbekistan’s proud cultural heritage. Toxirova Ruxshona highlights advances in modern world modern medicine in her piece on diagnostics and treatment for a variety of skin diseases.

Neolithic house on a partly cloudy day, clay and mud walls, thick straw layered roof and door and fence. Surrounded by hardened dry dirt.
Image c/o Vera Kratochvil

Bangladeshi writer Mahbub Alam expresses his respect and humility before God in his Ramadan poem. Jake Sheff draws on mythology and history as he memorializes his family members and other figures from the past. Nilufar Anvarova’s poem tells the story of an elder encouraging modern people to remember the past.

Dr. Lalit Mohan Sharma reviews Dr. Jernail Anand Singh’s epic work “From Siege to Salvation,” comparing the battles of the Mahabharata with the siege of Troy and affirming commonalities of our human experience. Cristina Deptula interviews Nigerian poet Uchechukwu Onyedikam about transcending cultural barriers through his international haiku collaborations.

We hope that this issue will draw you out to peek at the world from different cultural and generational vantage points, then pull you inward to consider the value and wonder of your own thoughts and psyche.

Z.I. Mahmud reviews Michael Crichton’s Jurassic Park

Author Michael Crichton, a middle aged white man in glasses and a suit and red tie, in front of a blackboard.

Prehistoric Enchantment of Twentieth Century: Popularizing Fairy Tales of Science: Dragons of Romance and Dinosaur Renaissance 

Examine a close reading of Jurassic Park with textual references and critical perspectives.

“The Lost World: Jurassic Park” franchise by Michael Crichton is a novelization of Mary Shelley’s “Frankenstein Or The Modern Prometheus”. Michael Crichton’s masterpiece of the science fiction genre satirically critiques scientific and tech revolution, biological evolution, DNA research, paleontology and chaos theory. Modern filmic adaptation stages the mise en-scene and psychodrama of Jurassic Park: Fallen Kingdom and Jurassic World Dominion through animatronics and computer generated imagery. Isla Nublar conservatory is a themed park of cloned dinosaurs genetically engineered and genetically modified from the fossilized DNA by International Genetic Technologies Inc.

InGen. Mathematician Dr. Ian Malcolm and geneticist Dr. Henry Wu perform pharmaceutical experimentation upon these captured herds of dinosaurs in the setting of Isla Nublar in Jurassic Park: popular science fiction and lost world culture of the paleontological deep times. Extremely rare species are preserved in conservatory but nonetheless,these predators become a threat to visitors. We must embrace complexity theory and /or chaos theory to examine the aftershocks and aftermath of climate change exposing environmental managers of Yellowstone National Park. Medical doctor buttressing as a bestselling novelist to publicize paleontological paranormalism and spiritualism of evolution, dinosaurs and extinction to truly massive audiences. Satirical critiquing of hubris and corruption of industry and politics intricately foreshadows behind the scenes of verfremdungseffekt. 

Western world industrialization, rationalization and global colonialism within the twentieth century have been sequestered of wonder and mystery, thus leaving a legacy of skeptical disenchantment. Language of myth, magic, romance, folklores and fairy tales are encapsulated in the engendering of dreams, visions and dantesque journeys, speculative illustrations through palentological-geological novels like “Jurassic Park” and “Lost World”. Even pure scientific discovery is an aggressive and penetrating act viscerally banishing equilibrium of flesh in the robotic cyborg posthuman. Protagonist paleontologist Dr. Alan Grant is gobsmacked with Ellie Sattler to discover prehistoric remains of atavistic beasts and meets John Hammond, the venture capitalist with growth potential in exchange for future profits founder of InGen and owner of Jurassic Park. Billionaire showman and pity bernam figure expostulates “That’s a terrible idea. A very poor use of new technology…helping mankind is a very risky business. Personally, I would never help mankind.”

John Hammond doesn’t feel humanitarian philanthropism and altruistic agency to cater for vaccination and immunization with bioengineering companies projects investments. His Visitor Center and Private Bungalow epitomizes eclecticism and eccentricities, while bereavement of fatalistic accidental death encounter epitomizes rationality of disaster from unemphatic corporate systems analyst. While strolling, the corporate magnate is flabbergasted by a tyrannosaurus roar (ironically defrauded of his own mischievous grandchildren’s recorder, he is fated to death trap by herd of Procompsognathus. Malcolm’s prognostication of awry of the genitalia female mutilation in the biological reserve.

Meanwhile computer scientist Dennis Nerdy unbeknownst to Malcolm smuggles dinosaurs embryos off the island and commits industrial espionage by infringing DNA samples to Biosyn because of his low salary and financial bankruptcy. Nerdy disables the park security system to pilfer the embryos initiating a cascade of failures disrupting electrical fences and what follows is  a power outage stranding protagonists. Postpounding creepy sci-fi science outpacing morality, human beings fate, technocrats of nature or the nature’s apocalypse wrecking human survivalism exhorts human beings pantheism in exchange for fertility and bounty from mother nature Gaia. 

With Wu’s assistance, John Hammond appropriates Jurassic Park to Modern Prometheus and Frankenstein, casting God to plague the world by unhindered and unregulated innovation is ripe for potential abuse and corruption; unless divination of celestial hierarchy intervenes the consequences of disastrous catastrophes imperils humankind. Icarus audacity of moira transgressing to critique insatiate profittering capitalism through central planning of greediness and recklessness embodied into economic rationalism associated with consumption and production. We should let nature take its course without coercion, curtailment, censureship and containment.

Soviet communists looking at death and despair all around them while Hammond is despotic and tyrannical to defend central planning policies and procedures to master nature. “You decide you will control nature”.  “You are in deep trouble because you can’t do it. Here you have made systems which require you to do it. [..] ‘’there’s a sudden, radical and irrational change which is built into the very fabric of existence.” Hubristic and naive characters like Hammond, Hu and Arnold wish to enforce measures to protect endangered species and mitigate global warming contrasting pragmatists and realists Grant, Sattler and Malcolm.

Further Reading, References, Endnotes and Podcasts

Wikipedia readings

The Most Iconic Scenes from the Jurassic Park Movies | Movieclips

Movieclips

63.6M subscribers

JURASSIC PARK by Michael Crichton | Book Review

iWizard

3.19K subscribers

Jurassic Park by Michael Crichton Book Review & Reaction | When Crichton Ruled The Earth

Mike’s Book Reviews

131K subscribers

UCL Press

Chapter Title: Arthur Conan Doyle, Michael Crichton, and the case of palaeontological

Fiction, Chapter Author(s): Richard Fallon and David Hone, Book Title: Palaeontology in Public, Book Subtitle: Popular science, lost creatures and deep time, Book Editor(s): Chris Manias, Published by: UCL Press. (2025)

Story from Bill Tope and Doug Hawley

Cover of a Book

Can I buy you a drink?” the tall, rumpled man asked the petite woman in the tavern. She was a looker, he thought, lightly licking his lips. 

She narrowed her green eyes at him, looked him up and down and replied, “I don’t know, can you?” 

Ralph became newly conscious of his shabby street clothes. He was still attired in the garb he favored when working undercover for the police department. But, his thirst for a beer had been so great that he’d dropped in without going home and changing first.

He managed to respond, “When your students get it wrong, do you make them do it over again until they get it right?” He’d noticed the “Teacher of the Month” ribbon affixed to her top. 

She couldn’t suppress a smile. “Do you always answer a question with a question? But, I guess I just did that too. Never mind, buy me a drink – it’s been a tough day. May I buy you a drink? From the way you are dressed, I imagine I can afford one better than you.” She was ribbing him, he thought. 

Ralph called out “Garcon, we would like to order drinks. She’s buying me your cheap beer. What am I buying for you, dear?” 

“I’ll have an atomic gin – I mean gin and tonic – sorry for my name for the drink. Drink enough and they are atomic – blow your mind.” 

They engaged in getting-to-know-you small talk for some time, consuming several libations in the process. Ralph didn’t reveal his occupation; he saw no reason to tell “Annie” that he was a cop. It was partially defensive; a lot of citizens were turned off by his choice of careers. Besides, he was enjoying the charade of being mysterious. After all, it was part of his lifestyle. 

Finally, Annie put the question to him: “What do you do for a living, Ralph?” 

He smiled. “Ah, but that would be telling.” 

“Can you at least tell me if you’re legally employed?” Annie asked, with a little pout. 

“Very legally, if there is such a thing. I don’t like to talk about myself unless I’m being paid, which has never happened, but I would like to know more about you, Annie.” 

“I educate business men.” 

“Just men?” 

“Mostly men, but quite a few women have liked my lessons.” 

“What do you teach those men and women?” 

“You might need some lower level introduction before you would understand…” Annie realized she might be talking down to Ralph and stopped talking. 

In the midst of an awkward pause, into the tavern walked Ed, who, like Ralph, was a vice cop. He worked a different precinct, however. 

“Hey, bro’,” said Ed in greeting, slapping Ralph on the back. Suddenly Ed caught sight of Annie and drew up short. “You’re a little out of your territory, aren’t you?” he asked archly. Annie looked daggers at the man. 

“Hey,” Ralph spoke up. “Do you two know each other?” He pointed alternately at the pair. “Ed?” he prompted. 

“A lifetime ago,” replied the other man. Turning to Annie, he remarked, “You’re looking good.” Annie said nothing. Getting the message, Ed said, “I’ll check you later,” and he drifted off. 

“How do you know Ed, Annie?” asked Ralph curiously. 

“It was a…business relationship.,” she said shortly.  

Warning signs began going off like fireworks in Ralph’s brain. How would he ever live down being taken in by a hooker? He must be losing his touch, he thought, and shook his head.  

Annie became aware of Ralph’s sudden coldness and said, “Excuse me; I have to visit the little girls’ room.” She hopped off the barstool and vanished in the direction of the restrooms. 

Ralph, meanwhile, with his cop’s intuition for the dark side of human nature, walked across the bar to find his fellow detective, Ed. He found him talking to a stunning brunette. He excused himself to the woman and drew Ed away from her. 

“Hey, man,” he said once he had the other man to himself, “what’s the deal with Annie?” 

Ed, annoyed at breaking the rhythm of his seduction of the other woman, said, “what do you want to know?” 

“Where do you know her from?” 

“It was a business transaction,” replied Ed. 

“Damn,” exclaimed Ralph. “You mean she’s a pro?” He was mortified. It was as bad as he’d thought. 

Ed’s face showed his amusement. “Relax, Ralph,” he said. “Annie is a professional–businesswoman. She taught a seminar last fall. You remember when I was considering retiring from the force and starting my own business? Well, afterwards we dated and I’m afraid it didn’t end well. In all events, there were hurt feelings all round. Excuse me, a lady is waiting for me, and I’d hate to disappoint her.” 

When Annie returned, Ralph felt bad about suspecting her of being a prostitute. It was clear she had put two and two together and read his thoughts. She was decidedly colder now. He felt like he had to come clean. 

“I’m apologize, Annie” he said. “I jumped to the wrong conclusions and I am sorry.” He saw her features soften. “Can we start over?” he implored. 

A small smile blossomed on Annie’s pretty face and she said, “Alright. Everyone deserves a second chance.” 

Ralph sighed with relief. “Do you think you might have a drink with me next Saturday?” he asked. 

“If I say yes, can you leave the vice cop at the door?” she asked. “I’d hate to be on the scene of a bust,” she said wryly. 

“Promise,” said Ralph. “How about Doug’s place, in the central west end?” 

 “Ok, I’ll meet you there.” Annie felt relief at the now relaxed vibe. 

Out of the blue, Ralph asked, “Are you worried that I drive a car that matches the way I dress?” 

“Ok, let’s just drop all that, but you could dress for a possible second date. By the way, I don’t mind dating a cop.” 

Touche! He thought with a grin. 

                                                

Poetry from Fatima Anisa Ibrahim

Young dark-skinned girl with long straight hair and a blue denim jacket stands in front of a building and a leafy bush.

At dusk 

I undress my curtains 

The sun smiles at my bed

As I kisses the rays of hope 

The morning calls out my name 

Awakening with golf dimples 

Positive thoughts – river in my heart 

Flowing like a peaceful flood 

That is a mirror that reflects/shines future 

I spread myself 

spray my wings and fly 

As a smile hugs me

Every single day I rise after the short death

Story from Marjona Bahodirova

Central Asian woman in a long pink and purple coat in a museum with white walls in front of a large piece of machinery.

A World with One Shortcoming

Winter… Everything was covered in white snow. The leaves of the trees had long since fallen in autumn. Now, their branches were adorned with snow. Birds that loved warmth had flown to other lands. Ra’no sister, as always, was busy with housework. Her husband was not at home. It had been 20 years since they started living together. However, they had no children. Every night, Ra’no sister would raise her hands in prayer, pleading Allah for a child. Her husband, unable to bear their childlessness, drank alcohol every day, drowning his sorrow in it.  Finally, today was a joyous day. Ra’no sister’s prayers had been answered. Allah blessed them with a baby girl. Ra’no sister’s happiness was boundless. She was so delighted that she named her daughter Sevinch (Joy). She cherished her daughter dearly. Unfortunately, Asror bro was not pleased. He was disappointed because a daughter had been born instead of a son. But Ra’no sister paid no attention to his reaction.

Several years passed. The girl turned six. Now, she had become more aware of the world around her. Her mother pampered her a lot. Whenever the little girl played, her mother would drop everything and play with her like a child. If Sevinch laughed, her mother laughed with her; if she cried, Ra’no sister would cry even harder. Maybe because she became a mother later in life, she was extremely protective of her daughter and did not trust anyone with her. If her daughter felt even the slightest pain, the world would feel suffocating for Ra’no sister.

One day, they went to the market. The little girl stopped in front of the toys and started begging her mother: “Mommy, I really like this toy. Please buy it for me, please, please!”

Unfortunately, Ra’no sister did not have enough money left to buy the doll. That night, the girl went to sleep feeling disappointed. But her mother did not sleep. She took a scarf, which she usually wore on special occasions, and made a doll for her daughter. She crafted it so beautifully that anyone who saw it would be delighted. Finally, Sevinch reached school age. Her mother told her father about it. But Asror bro responded:  “She will not go to school. Instead, she should help you with household chores. Will studying bring me the world?”  

However, Ra’no sister did not want her daughter to remain illiterate like herself. She wanted her only source of happiness in this world to be just as good as everyone else. So, despite her husband’s wishes, she sent her daughter to school. Just as she had hoped, Sevinch became the top student in her class.  But as she grew older, she started to hurt her mother’s heart more and more. She became irritated by her mother’s kindness and often snapped at her. One day, when her teacher invited Ra’no sister to a parent-teacher meeting, her beloved daughter coldly said: “I am ashamed of you and the clothes you wear. Don’t come to the meeting!” Then she slammed the door and left.  That day, Ra’no sister cried a lot. True, she had money, but she saved every bit of it for her daughter and never spent a single penny on herself. Yet, when Sevinch returned home, Ra’no sister hid her sadness and welcomed her with a warm smile, just like always.

Asror bro, however, still hadn’t quit drinking. That night, he came home drunk again and started beating Ra’no sister. Their neighbors barely managed to save her. Sevinch had grown tired of such fights. She wanted to leave that place far behind. So, after graduating from school, she applied to a university in a distant city.

The happiest news was that she was accepted with a full scholarship. Now, she would live in the city. Her parents came to see her off. For the first time in his life, her father embraced her and handed her a phone he had bought for her. Her mother, on the other hand, couldn’t stop crying. She didn’t want to part with a piece of her heart. But her daughter, her life, had to go.

Sevinch arrived in the city. As she was unpacking her belongings, she noticed a large sum of money. Her mother had given her all the money she had saved, sacrificing her own needs for her daughter.

Sevinch quickly adapted to city life. In fact, she even fell in love with a young man. He loved her deeply as well. One day, he proposed to her, and she said “yes.” Now, it was time for their families to meet.

Finally, the day arrived, but the young man’s mother opposed the marriage because Sevinch came from a poor family. Their family was wealthy and well-off.  Hearing this, Sevinch stood up and left in tears. But her unfortunate mother couldn’t bear to see her daughter’s pain. She went to the young man’s mother, begged her, and even fell to her knees, pleading for their happiness.  At last, the woman agreed to the marriage—but on one condition. Neither the girl’s father nor mother should ever bother them, and they must not even attend the wedding. Left with no choice, the mother accepted the condition—for the sake of her daughter’s happiness. Not long after, the young couple’s wedding took place. Keeping her promise, Ra’no sister never disturbed them. But is there any greater pain for a mother than being separated from her child?

Unfortunately, her suffering did not end there—it only deepened. Her husband passed away. True, he had not been a good man, but he was still her companion in life. Breaking her promise, Ra’no opa called her daughter and told her that her father had died. Sevinch rushed to the funeral, but she felt neither love nor sorrow for him. The reason was simple: Asror bro had never been a father to her. He had never given her love. Less than a year later, Ra’no sister’s joy—her only child, Sevinch—was diagnosed with a terminal illness and was admitted to the hospital. She had only one month left to live. Ra’no sister set off for the city to see her daughter, crying endlessly, nearly losing her mind. On the way, she thought about life… and why this world is always missing something.

Call for Submissions: Mother’s Day Poetry Anthology (Mexico)

Call for submissions (in any language)

La Federación Global de Liderazgo y Alta Inteligencia Federación Global Liderazgo Y Alta Inteligencia te invita a participar en la Antología poética para el día de las madres : Madre, mujer y templo. 

Cada uno participará en su lengua madre. Adjuntar carta de autorización de uso. Este es un proyecto académico.  Se solicita poesía a dos cuartillas en formato libre. Semblanza de 50 palabras y fotografía. Adjuntar video leyendo su poema para subir a televisión digital , YouTube y plataforma de Facebook en Cabina 11 Cadena Global  Escríbeme en privado para más detalles. 

Deadline 20 de abril del 2025.

Cuota de participación 20 dólares americanos . Paypal : mexicanosenred@gmail.com

Se entregara certificado de participación . Y su vídeo se integrara al material audiovisual de la presentación del libro. 

La obra estará disponible en la plataforma de Amazon.

DrA Jeanette Eureka Tiburcio

Ceo

Global federation of leadership and high intelligence

Mexico

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DrA Jeanette Eureka Tiburcio

Ceo

Global federation of leadership and high intelligence

Editor Mundial

Stockholm project 2033

Poetry from J.K. Durick

Spectator Sport

Been watching from a distance

For a while now. Life does that

To us, makes us spectators

Assigns us back-row seats and

Just leaves us there. There I go

Again restating the obvious, just

Holding it up to look at again, as

If I hadn’t been paying attention.

I like to say “us.” I like to say “we.”

But I don’t really know if I’m here

Alone or with others, the us and we.

The show has been going on for

Quite some time. The players all

Know their parts. The curtains open

And close. The theme music for all

This keeps playing. The audience

If there is one beyond me is getting

Restless. How many more times?

How long does this go on? When

Will the house lights come on, and

I get to finally walk away?

                   Stopping

A stop sign, another piece of our day

A pause on our way getting there or

Getting back from wherever we were.

I like to stop as if I am on a timer, just

A second or two when I’m the only one

In line. I like to come to a complete stop

Like someone fresh from drivers’ ed, stop

Then go, a prescribed measure. I stop to

See if someone is crossing in the cross

Walk just then or a car’s going through or

Turning. If they are I feel that the purpose

For the sign has been served. There are

Reasons for things. Things are put in our

Way because sometimes we need to be

Reminded that other folks are coming or

Going too. We need to be reminded to stop

And admit to our place in things. We are

Just another car filling space, rolling or

Racing on, turning, timing getting where

We are going in a group of others doing

Exactly the same damn thing.

                Of Course

The inevitable is sitting mid-desk

Lined up properly, as you would

Expect. An envelope with a letter

To the effect that the inevitable has

Come this way. At least it’s not

An email or one of those meetings

That was obviously put together at

The last minute, with all your co-

Workers elbow to elbow knowing

That the Inevitable has finally come

To you/to them. You wonder at this

Difference, a letter left conspicuously

Mid-desk top, waiting to tell you what

You know it will. They even spelled

Your name wrong, the way they do so

Often. The misspelling was a joke for

So long, but now it just adds insult to

Injury. You think about waiting to open

The inevitable later, after you’re home

Or sitting in Patty’s, three sheets to

The wind. But no, you’ll open it now.

This is private and immediate. You’ll have

To face alone like this, alone like this.