Poetry from Peace Ogunjemilua

HOPE IS THE THING WITH PETALS

Nothing blossoms here except these sunflowers.
Not the hibiscus our mother planted by the orchard,
or these lilies we buried with a prayer.
Only these golden heads, standing with outstretched arms
embracing sunlight.

I plucked one yesterday,
rubbed its velvet against my cheek,
and wondered if yellow can teach me something
about staying alive.
I plucked another before your voice broke out.
When it cracked open, you sounded like
a drum calling back its own silence.
We both turned our faces to the window
and hoped answers would someday fall in with the light.

Today, at dawn,
we laughed like oiled doors on rusted hinges,
swinging open and shut stories of childhood foolishness.
We swore we would sink our fears beneath Agbami
that river where frogs sang falsetto
as boys drowned things without dying.

At noon, the sun’s heat made you bow to the sand
where you dragged a stick & spelled nothing,
etching lines like someone trying to draw
an escape route without a map.

At dusk, you smeared olive oil on your wrists again,
said it keeps the ghosts from tightening their ropes at midnight.
You looked like a man holding himself by a thread—
fear had teeth, and you were offering your neck.

I didn’t ask questions.
But I’m still here, plucking petals again,
asking if you still believe.

Peace Ogunjemilua is a writer whose works explore nature and narratives rooted in cultural depth. He has contributed articles to magazines and was featured in the Nigerian Student Poetry Prize. He is a Sprinng Writing Alumnus, and he also interns as an architectural writer at Rethinking the Future (RTF). Peace runs a blog called ThinkGreen, focused on sustainable design, and with a background in architecture, he brings a unique perspective to his writing. Aside from reading, he loves graphic art and music.

Synchronized Chaos Mid-July 2025: Trapped in History

Dark metal statue of a man in rolled-up pants holding a large wicker basket over a wooden crate at night near water, a large ship, and a pier. (South Asia)
Photo by deep Bhullar

“People are trapped in history and history is trapped in them.”

James Baldwin

In this issue, we explore how people are influenced by their times and cultures, and how they learn from and engage with the thoughts of their forebears. Also, we acknowledge the wealth of wisdom and life lessons carried within each person due to the events through which they have lived.

Graciela Noemi Villaverde speaks to the inexorable and irrevocable passage of time.

Amit Shankar Saha writes of then and now, memory and future, remembrance and forgetting, universal human questions. Duane Vorhees’ poetry evokes change, thought, aging, and the creative process.

Stephen Jarrell Williams speaks to memory and the human experience. Eva Lianou Petropoulou speaks to artists and authors’ learning from and being inspired by each other throughout the ages. Writer Rizal Tanjung offers up an existential analysis of Eva Petropoulou Lianou’s poetry.

Giorgos Pratzigos interviews Konstantinos Fais on his artwork and advocacy for rediscovering Hercules and ancient Greek virtues. Muxlisa Khaytbayeva records her grandfather Jumaboy Allaberganov’s memories of knowing famed Uzbek author Omonboy Matjonov as a young adult and discusses Matjonov’s contributions to culture. Shukurilloyeva Lazzatoy Shamsodovna relates her scholarly and personal journey to understanding and illuminating Russian writer Alexandr Faynberg’s poetic legacy and its influence on Uzbek culture.

Painting of a curly haired small child with a green top engrossed in play on the wall of a gray apartment building (Lebanon)
Photo by Antoun Boustani

Kuziyeva Shakhrizoda highlights the Uzbek government’s investment in the nation’s youth and the incredible potential of their young adults. Otaboyeva Khushniya outlines how the psychology of early childhood can inform education. Su Yun collects and translates the work of Chinese elementary school students. O’tkirava Sevinch outlines strategies for learning Mandarin Chinese as a second language and for teaching the language in Uzbek schools. Olimboyeva Dilaferuz outlines verb conjugation rules in the Uzbek language.

Mashhura Farhodovna Joraqulova’s short story encourages students from low-income families to persevere with their education. Sevara Kuchkarova outlines strategies to motivate students to complete work at school. Rashidova Shaxrizoda Zarshidovna honors the life and work of a woman who mentored many of the girls at her school. Dilbar Aminova advocates for a balanced approach to screentime in young children’s lives. Shahnoza Ochildiyeva reflects on the value of her journalism education at an Uzbek university. Xo’jamiyorova Gulmira Abdusalomovna highlights the role of emerging and young poets in Uzbekistan’s national destiny.

Duane Vorhees compares the poetry of Phillis Wheatley and Nikki Giovanni as part of a broader comment on changing Black consciousness in the United States.

Cherise Barasch writes with respect for the hardworking people she observes digging into the earth in the heat. Yongbo Ma brings a poetic and scientific perspective to fog. Sayani Mukherjee contemplates peaceful natural scenes in a reverie. Priyanka Neogi compares accepting life’s changes to living through different seasons and times of day. David Sapp reflects on the transcendent experience of seeing a peacock. Dilnoza Islamova looks to nature’s beauty as an invitation to spiritual faith and practice. Maki Starfield sends up elegant reflections on weather and fruits in Thailand as Maja Milojkovic meditates on sunflowers, existence, and perseverance.

Brian Barbeito lets his mind wander to cosmological and existential places while walking near birds by a lake. Orinbayeva Dilfuza rejoices in the beauty of nature at springtime as Dilobar Maxmarejabova shares the emotional significance of tulips in her life. Don Bormon revels in the fun of rain at school. Mark Young renders up more of his fanciful “geographical” maps of Australian regions. Mathematics is a language we use to describe nature, and Timothee Bordenave discusses how his geometric studies inform his artwork. Mesfakus Salahin speaks to drought in Bangladesh in a meditation on accepting life and nature’s cycles.

Light brown and green metal statues of traditionally dressed Turkish man and woman. Caps, headscarves, vest and dress and petticoat and boots. They're in a misty conifer forest.
Photo by Zehra İslamoğlu

Bruce Mundhenke urges humanity to turn away from hate towards love and acceptance. Vo Thi Nhu Mai illuminates the beauty and communicative power of the craft of poetry.

Leslie Lisbona sends up a childhood memory of having fun dancing to and figuring out rap lyrics. Marjona Baxtiyorovna Jorayeva celebrates sports and their fandoms and their power to bring enjoyment and bring people together.

Shomurotova Sevinchoy reflects on what it means to be a true friend. Munisa Ro’ziboyeva illuminates her appreciation for her mother’s care. Hamroyeva Shahinabonu Shavkatovna highlights the love and care both fathers and mothers have for their children. Rashidova Muallima offers up her love for her mother. Kamoliddin Hamidullah sends us a tender love poem. Thathanhally B. Shekara expresses his joy in romantic union with his beloved. Vo Thi Nhu Mai looks to wind as a metaphor for gentle connection among people.

Artsy photo of sand in a doorway in an abandoned room with sunlight streaming in through windows. White walls with green paint (Namibia)
Photo by Francesco Ungaro

Jim Meirose crafts a surreal piece in the language of fairy tales and dreams. Iduoze Abdulhafiz takes a lengthy journey through the subconscious with a wide selection of words. Dr. Maja Sekulic reviews Dr. Jernail S. Anand’s exploration of artificial intelligence, myth, and morality.

Kholmurodova outlines strategies to bring digital access and economic opportunities to the world’s rural women. Rakhimov Rakhmatullo outlines challenges and solutions for logistics technologies. Sa’dia Alisher outlines some benefits, problems, and challenges from modern digital technologies. Gulnora Rakhimjonovna Khomidova explores the educational potential of artificial intelligence.

Dr. Jernail S. Anand relates how, regardless of the tools we use to craft our work, restraint and discipline can serve as a creative force. Dr. Debabrata Maji highlights the power of perseverance and devotion. Azemina Krehic compares the care she has for her poetic works to the process of washing her clothes on a line. Hassan Mistura speaks to the journey of developing a healthy self concept. Surayyo Nosirova reminds us to let go of the illusion of more control than we have and to stay open to change.

Light skinned woman puts her hand in front of her face reaching out against plastic that partially obscures her. She's got dark hair and a white blouse.
Photo by MART PRODUCTION

Grant Guy offers up stage directions for absurdist theater, an artistic reaction to periods of rapid social change. Ahmed Miqdad speaks to the absurd persistence of normal life amid wartime. Mykyta Ryzhykh, in a similar vein, evokes the quest for queer love and sensuality among bombs and bullets.

Pat Doyne laments violent immigration enforcement overreach in Los Angeles. Otabayeva Khusniya reveals the deeply humane vision of Erkin Vahidov’s work Rebellion of Souls, a tribute to the memory of Nasrul Islam and other artists who died as a result of unjust persecution. Chimezie Ihekuna shares some of life’s paradoxes and urges nations and groups of people to move away from war as a solution to issues. Mahbub Alam also puts out a call for peace, remembering the many people lost to war. Boboqulova Durdona laments the many civilian deaths in Gaza as Stephen House highlights war’s effects on ordinary people, especially children.

Muslima Olimova reflects on surviving an unhappy marriage and urges families to welcome young brides and for women to carefully consider before marrying. J.J. Campbell speaks to the lingering effects of trauma on people and the tension between hope and disillusionment. Dr. Bindu Madhavi speaks to the inner battles many of us fight as Mirta Liliana Ramirez evokes the pain of loneliness.

Light skinned hand reaching out of water, maybe grabbing for rescue? Ring  on the middle finger.
Photo by Luca Nardone

Doug Hawley’s short story presents several characters representing a mix of lawful and roguish motives and actions. Taylor Dibbert’s poem lampoons the worldliness of a priest and the devotion it still inspires. Sarvinoz Sobirjonova Abdusharifova depicts the dual nature of humanity: kindness and cruelty.

Kelly Moyer uses vegetable humor to convey and navigate the experience of chronic illness. Alan Catlin frames evocative images with words, plumbing the imagined photos for meaning.

Mark Blickley, a combat veteran who finished education later in life, reflects on what he gained as a person and an artist from popular literature and reminds the “literary” crowd not to so easily dismiss popular writers.

Poetry from Pat Doyne

ICE AGE

Once LA streets were bustling with dense crowds—

people browsing, buying, meeting friends,

hanging out in restaurants and bars

not far from where they live and feel at home.

Then unmarked cars swoop in. Terrorist-types

in street clothes jump out. Masked, and waving guns—

Sig Sauer P320Cs. Storm troopers.

They choose a brown face. Slam him to the ground,

Call him illegal. Cuff him. Drag him off.

Your classic snatch-and-grab. Who are these men?

ICE, they say. Who knows? Guns serve as warrants.

The President’s tax-funded bounty hunters

treat deporting immigrants like sport.

A “No Kings” protest challenges ICE rights.

The uncrowned King sends back-up—National Guard

and tough Marines. Armed soldiers roam the streets

just like in the countries many fled.

Now LA streets are empty. People hide.

Some are legal. Some aren’t. All are prey.

The Mayor calls it overkill. No need

for U.S. troops to threaten LA people.

But #47 wants revenge.

If he can’t conquer Canada or Greenland,

he’ll checkmate California, punish voters.

Liberate the Blue States’ biggest cities–

drain labor from LA, New York, Chicago…

So ICE now raids Home Depot parking lots,

flea markets, Walmart, Immigration Courts.

In one Milwaukee Immigration Court,

ICE barges in; and, when their prey escapes,

roughs up the judge who questions ICE’s tactics.

In Newark, a Congressional delegation

checks out an immigrant detention tank.

The Newark Mayor tries to join the group,

but ICE strong-arms him with a strangle-hold.

Arrests the city’s mayor for trespassing.

A congresswoman, shocked, moves to his aid.

ICE goons grab her, too, say she’s a threat.

Both VIPs are Democrats. Both black.

One Senator meets ICE while on the job–

Homeland Security’s Press Conference.

The Senator moves in to ask a question.

ICE tackles him, and drags him out the door.

Resisting arrest is the purported charge.

His real crime? First, he’s from California.

Second, he’s a Democrat. And third—

the Senator’s Hispanic. ICE’s bane.

On the books, there are protective laws.

But ICE has open mandate to deport

all threats—and every immigrant’s a threat

to keeping gene pools unpolluted white.

So raids lump brown-toned faces all together–

though some have valid visas, some are even

citizens. Courts order a jailed student

released. Demand another be let out

of prison in El Salvador. But law

is not an issue when the real goal

is ethnic cleansing. If you dare protest,

you’re now the enemy. The President

can call out the militia, stamp you down.

Dictators always take this path to power.

Copyright 6/2025               Patricia Doyne

* Milwaukee judge- Hannah Dugan; Newark Mayor– Ras Baraka; Dem. Congresswoman– La Monica McIver; CA Senator- Alex Padilla; Released– Mahmoud Khalil (student) & Abrego Garcia

Poetry from Cherise Barasch

Legs and brown workboots of a man digging into red soil on a sunny day next to yellow shovels.

PEOPLE EARTH

I watch them from my living room window

The thermometer reads 96 degrees, in the shade

They work in teams, pulling orange cables from one hole to the next.

My eye catches one head of thick, black hair,

poking up through my lawn.

Surrounded by a mound of red, clay earth, with shovel in hand, he emerges from the depths of the South Carolina clay. 

They are the same hue of red, the earth and he.

They are as one, in the heat of the blistering sun

Exposed, thirsty, scorched, relentless in their work.

One goes in the hole, the next emerges with a length of orange cable in hand.

The next enters another portal, followed by the next, it goes on, in an unnatural pattern, for as far as I can see.

Men of the earth, covered in clay, digging into the mother, on a hot, summer’s day.

Their sweat, mixed with the clay earth, has changed the color of their shirts from white to a blood stained red. 

He removes his sombrero, wipes his brow.

And awaits the arrival of his mid day meal.

A Suburban pulls up to a group of a dozen or so earth-painted, people.

Salutations are exchanged in Spanish, some hugs, a few kisses, and lots of smiling faces embrace the arrival of la comida.

Hot, homemade, food is distributed from coolers, by the hands of grateful, gracious, brave and courageous women. 

Back to the earth, for back breaking digging.

Into the mother to earn a living.

These are the earth people, the ones who know that the only way to reach the other side…is to go through.

Poetry from Vo Thi Nhu Mai

East Asian young woman with long dark hair, colorful floral dress, and purse and lanyard standing in front of a wall with "Advancing Effective Education" printed on it.

IT’S JUST THE WIND

The wind possesses a sentimental soul

A sincere and soft heart to adore the trees

Passionately in love, maybe not yet, how can the wind know?

When in the middle of chaos

There are many mountain tops it has to blow

The wind wonders why we live on the same earth

When the trees and the wind colour the afternoon of dating

Why humans observe discreetly each other’s wounds

The trees pretend not to know the wind

The trees pretend not to love

Not to have a fond remembrance, not to be jealous

They let the wind pass by

Like an apricot branch that never blooms

Like a romantic couple

Never passing this town on a bike

Happiness streaking through them like a comet

They couldn’t stop laughing

And by a cafe she drank two cups of lemon juice

Not sure if the trees have to pretend not to love anyone else

For the afternoon leaning, a few drops of sunlight scattering

For the unsteady sea forgetting its quiet sail

For the humans with the same blood colour

Keep doubting each other and forming opposite sides

The wind wishes

There are no wars on earth

The trees are not neglected

And the stormy seasons

Have not caused misunderstanding between them

So that when the wind passing by

The trees would feel

Love is so affectionate, trustworthy and cherishing

So that when the wind passing by

We would love our earth a lot more

The wind blames the trees just a little bit

Then it would be back to its chaotic journey

Then it would surf this planet

That is filled with colourful happy and sad stories


IT’S JUST THE WIND was born from a reflection on the affections between beings, whether trees and wind, or people with one another. I imagined the wind is a force of nature and a soul with longing, tenderness, and a wish for peace. Through metaphor, this poem seeks to speak gently to the human condition: our hesitations, our masks, and our shared yearning for connection in a divided world. The wind becomes a witness, sometimes brushed aside, sometimes misunderstood, but always carrying the hope that love can be felt openly and that harmony, like wind through branches, might one day move through us all. (Vo Thi Nhu Mai)

Võ Thị Như Mai is a Vietnamese writer, poet, and translator based in Western Australia. She has published four poetry collections in Vietnamese and numerous translated works both in Vietnam and abroad. A senior specialist teacher and cultural advocate, Mai also hosts a literary podcast and contributes essays on multicultural literature. Her long-running website, vietnampoetry.wordpress.com, has showcased Vietnamese poetry and translation for over 15 years.

Poetry from Chimezie Ihekuna

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna

IF:

WAR is best served RAW,

The LIVE appearance of the world is EVIL,

“To have WON” is only appreciated in the NOW,

a RAM is the grass’ MAR,

MALI has the same energy state as LIMA,

a WOLF can keep up with its activity FLOW,

LAUD really share similar characters with DUAL,

a BAT can keep a TAB on its prey,

moving through the RAIL of life would make me a LIAR,

my ‘i WAS’ actually referred to my ‘i SAW’,

dinosaurs ARE existing in our ERA,

a MUG could only be made out of a GUM,

a certain PAT can TAP into the potentials of his subordinates,

a PART of crime is a TRAP over innocence,

YAM can fully be harvested in the month of MAY,

one could ZAP available energies in la-PAZ,

the tip of an abyss is a sub-set of the bottom-less PIT,

RAGE could reach its GEAR of destruction,

in a POOL of water lies its LOOP of ripples

one could RAP her way to be at PAR with the opulent,

OPRAH, don’t you think we need to inform HARPO about these?

The Love For Humanity: The Hatred For War

The death of innocent souls in wars

makes matter worse

Why should the mighty push for such human disaster

over a trivial matter?

When a nation of great strength wages war

against ‘a lesser’ that once shared territorial grounds more,

It creates unhealthy concerns for the rest of the world

as the loss of lives and property would become seriously odd

Experimenting with bio weapons 

at the expense of innocent lives in those nations

Is stretching humanity beyond its threshold of peace

to the point of embracing the purpose of unease

What is the gain of disturbing peaceful coexistence

If not witnessing the pain of disturbance?

Let the powers that be give a second thought to their action;

for the future would assert the reaction

Humanity craves for rest of its rest

So, it would be unpalatable to disturb that crest

Truth be told,

Regardless of who seem to be at fault,

War should not be what is to be looked as fought

There is always a ground of reconciliation

an understanding of co-operation,

a place for dialogue,

a method of taking out lingering backlogs,

an eventual resolving of differences,

a viable approach to avoid in future sitting on defense,

The love of mankind is paramount

So, war must be in a state of surmount!

Poetry from Priyanka Neogi

Young South Asian woman with long thick dark hair, a pink knit cap, and a red top, in front of a pink curtain.

Emphases

The rain breaks the dam, playing the monsoon,

Cold “Increases the cold winter wave”,

In the afternoon, when the sun goes down, the evening comes down.

Life comes in the chariot of praise, and the garbage of the dark also comes.

If the catastrophe is a little overwhelming to stop, to show,

Be stopped, however

Greater

Roses to developed in the mind,

There will be a lot of attention,

If the fear is to show fear, the fear will escape,

The language of the gentleness does not understand that showing it to him.

Short biography: Amb. Dr.Priyanka Neogi from Coochbehar. She is an administrative Controller of United Nations PAF, librarian, CEO of Lio Messi International Property & land Consultancy, international literacy worker, sports & peace promoter, dancer, singer, reciter, live telecaster, writer, editor, researcher, Literary journalist, host, beauty queen, international Co-ordinator of Vijay Mission of Community Welfare Foundation of India.