Essay from Sarvinoz Mansurova

I became the pride of my parents Mansurova Sarvinoz Khasan Student of Bukhara State Medical Institute I am the daughter of Sarvinoz Khassan, currently a 3rd-year student of the medical department of the Bukhara Contemporary Medical Institute.

I am the winner of the “Student of the Year” award. I am a participant in international conferences. I am the founder and head of “Noza Academy”, which was established for the purpose of ensuring employment and personal development of women and girls. The main basis of these achievements are the trust and hard work of my parents. “responsibility and pride.

From my father, I learned not to give up on dreams, to always move forward and to lead. From my mother, I learned to speak correctly, to study tirelessly, and to be responsible. I studied at a medical institute since I was a child. I dreamed of becoming a doctor.

Poetry from Brooks Lindberg

Renegades:

The town ran out of graveyard. So they buried the dead in the air. But the night winds were so strong they blew all but the heaviest corpses away into the desert. So they buried the dead in their dreams. But this made sleeping unpleasant. So they ignored the dead. But they kept tripping over them during errands and chores. So they outlawed dying. But the town was full of rule breakers. So they lived with the dead. But this required shutting one’s eyes to see. So they forgot the dead.

A Treatise on Human Nature:

The only women with bulletproof smiles

are those who know

there are no bulletproof smiles.

All men with bulletproof smiles

have been shot dead.

Death discharges all debts

male, female, or other

but most the population

is alive.

Half the world knows

blonds are responsible

for most the world’s woes.

The other half

should meet more blonds.

The human heart

is a wine cork caught

in a kitchen sink’s eddy—

wild, undrownable,

governed by forces

not its own.

We cannot think.

So don’t. 

Brooks Lindberg lives in the Pacific Northwest. His poems and antipoems appear in various publications. Links to his work can be found at brookslindberg.com.

Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

——————————————————–

the end of this parade

i had a therapist tell me

that writing out my pain

would be a good thing

he was one of these fucks

that was never interested

in what i had to say

only wanted to make sure

the money was good

and people wonder why i drink

i feel like i can see

the end of this parade

that the light in the tunnel

is a fucking train and i feel

no desire to get off the tracks

i tell my mother there is

no reason to fear death

it is only the natural

conclusion of life

i don’t know how to be

a hypocrite on this one

i close my eyes and

accept the pain

i could care about

what comes next

but then again,

if i’m dead…

—————————————————

hoping to look cool

frank used to make

his saxophone howl

on a saturday night

i used to stand there

smoking a cigarette

hoping to look cool

putting pen to paper

when the moment

would arrive

there was a drunk

woman that took

my pen one night

i was hoping she

was going to write

her number down

on my hand

she threw it across

the street where it

got run over by

a car

i’m sure she has

kids now that bitch

about their kids and

all the school taxes

frank died a few

years later

and i haven’t been

back there in years

i did learn though

to hide my fucking

pen from the drunks

———————————————–

last nickel to my name

maybe love is a dragon

misunderstood and pissed

off about it

any delicate nature isn’t

tolerated anymore

as usual i am lost

broken and disheveled

last nickel to my name

a glass of scotch and

a clove cigarette for

that last reminder

of my youth

she was a snare drum

in a long solo from

coltrane

how she ever found me

will remain a mystery

i probably will never

get the chance to

read it

most likely

i am just a footnote

a chapter that some editor

will mark as not necessary

for the final edition

—————————————————

never cool enough to enjoy

two in the

morning

alone

it feels like

morning is

just another

reason to die

love is some

distant rumor

you were never

cool enough to

enjoy

once you got to

the second hand

of dead friends

you stopped

counting the

ones that beat

you to it

so many years

behind you that

the truth slaps

you and never

in the way you

would like

a cold reality

jack and coke

old reruns of

austin city limits

just hoping for the

right song to start

playing

————————————————

hoping for some kind of reply

i can remember the

quiet nights waking

up alone

thinking of you on

the other side of the

world

all the damn messages

sent

hoping for some kind

of reply

even a fuck you is

better than the waiting,

hoping

what good is this instant

society if you still believe

in smoke signals

the blinding sun and

a bottle across the top

of your head out of

nowhere

the average man

would take that

as a sign

i was blessed with

stubborn genes

i hope one day

someone can

appreciate that

J.J. Campbell (1976 – ?) is trapped in suburbia, plotting his escape. He’s been widely published over the years, most recently at Horror Sleaze Trash, The Rye Whiskey Review, Disturb the Universe Magazine, The Beatnik Cowboy and The Asylum Floor. His book with Casey Renee Kiser, Altered States of The Unflinching Souls, was recently published by RaVenGhost Press. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Poetry from Faleeha Hassan

Young Central Asian woman with a green headscarf and a dark colored blouse and brown hair and eyes.
Faleeha Hassan

So many people in this poem	

Here I am walking through the streets covered with oppressive silence
Under a sun that consumes its trees
Nothing on the asphalt
Just traces of the remnants of fusible dreams
Yes,
When nothing but worry fills your bags
boarding the bus
will be very difficult, completely like getting off it
......

Believe me
I was about to write a poem about you
But the neighbours that separate me from them are a slanted question mark
I heard them whisper = she is destroying the time in his watches=
The pedestrians I walked by on the edges of my heart near them
I heard them whisper=why doesn’t she use the side roads, shorter, more mysterious, and
darker? =
The bus driver who looked at me out of the corner of his eye,
turns to the side of the window to whisper = every day, every day, when will Sunday come?=
I am between being and I can’t
I get stuck in their crowd and your absence
And the day was like a sudden slap,
elapsed.


Faleeha Hassan is a poet, teacher, editor, writer, and playwright born in Najaf, Iraq, in 1967, who now lives in the United States. Faleeha was the first woman to write poetry for children in Iraq. She received her master's degree in Arabic literature, and has now published 26 books, her poems have been translated into English, Turkmen, Bosnian, Indian, French, Italian, German, Kurdish, Spain, Korean, Greek, Serbia, Albanian, Pakistani, Romanian, Malayalam, Chinese, ODIA, Nepali and Macedonian language. She is a Pulitzer Prize Nominee for 2018, and a Pushcart Prize Nominee for 2019. She's a member of the International Writers and Artists Association. Winner of the Women of Excellence Inspiration award from SJ magazine 2020, and the Winner of the Grand Jury Award (the Sahitto International Award for Literature 2021). She served on the Women of Excellence selection committees for 2023, was a winner of a Women In The Arts award in 2023 and a Member of Who's Who in America 2023. She's on the Sahitto Award's judging panel for 2023 and a cultural ambassador between Iraq and the US. 


Essay from Ruxshona Qiyomova

A skilled pedagogue and his image

Among all professions, the teaching profession has a special and important social importance. After all, the teacher is the architect of the maturity of the heart of the young generation, the person who educates and educates the youth. Today, he teaches the youth the laws of society, social life, and the development of thinking, prepares the youth for work, and helps them master the secrets of the profession. they say. This responsibility requires the teacher to be a master of his profession. A skilled pedagogue is a highly cultured specialist who is a skilled master of his profession, has a deep knowledge of his subject, and has mastered the methodology of education and training.

Pedagogical skills teach teachers pedagogical creativity, pedagogical technique, speech culture, thinking, organization and implementation of educational work of the pedagogue. It provides information about the system of pedagogical activities that develop their profession. In order for the pedagogical activities of teachers to be effective the system of necessary skills: knowledge, ability to understand the child, observation, speech skills, organization, ability to see the future, ability to divide attention, correctly assess the situation, handle all kinds of conflicts that may arise timely elimination, making students interested in learning.

A teacher who does not understand the essence of the pedagogical process and does not respect the child will not have an opinion that ensures the effectiveness of education and human maturity. Pedagogical skill – “Teachers’ qualities such as childishness, humanity, kindness and knowledge, ingenuity, creativity, ability is a defining characteristic, and it is an activity that provides teachers with the opportunity to reach a high level in their educational activities and to constantly improve their professional skills. He is perfect in his subject who knows, has pedagogical and methodical training,

It is manifested in the professional activity of every teacher who conducts practical activities in order to find ways to teach, educate and develop students.

During the formation of the teaching profession, it is pedagogical skills improve. He conducts educational activities with students with various psychological characteristics. Faces various conflicts. This, in turn, forces him to constantly create, to find and skillfully apply various means and methods of education. Thus, to become the owner of pedagogical skills, the teacher is himself he should know the educational subject based on the requirements of the time, have pedagogical and psychological knowledge, and should have humanity, curiosity and self-sacrifice.

Essay from Steven Croft

Notes on the Confederacy’s Next to Last Battle in Georgia

I leave US Highway 17, take the quiet oak-lined county road that divides subdivisions along the Ogeechee River to the entrance of Fort McAllister where history folds back on itself today, wormholes two dates —

December 13, 1864, Fort McAllister falls,

December 9, 2023, the Final Battle of Fort McAllister.

Beyond the portal of the Visitors Center the Yankee encampment has the symmetry of a movie set, tents geometrically spaced as if soldiers were required to measure their separation before raising them.  An officer’s wide wall tent in the center, twice the size of others, has two flags guarding the entrance.  A former Army soldier, I almost say “Permission to enter” before a bluecoat in slouch hat walks out, introducing himself as a colonel.  He tells me he is frying sweet potatoes for breakfast, the smoke and sizzle of his iron skillet over the fire in front of his tent rises to join smoke from other campfires in the late morning’s winter bite of cold wind.  He tells me his Union flag has 34 stars and the other’s a gold Irish regiment flag, a Celtic harp visible in its hanging folds.

The night before I searched the web for Civil War era facts —

In 1859, the year construction of The First African Baptist Church of Savannah was completed, an auction of 400 slaves occurred in Savannah, one of the largest in US history.

After Fort Sumter was attacked, President Lincoln called forth 75,000 soldiers to put down the rebellion.

Some young boys who volunteered wrote the number 18 on paper they stuffed in a shoe so they could say they “were over 18” honestly [a folksy tidbit in Smithsonian].

Elderly Confederate veterans were paraded before cheering crowds during the 1939 ‘Gone with the Wind’ movie premier festivities in Atlanta.

He falls out of character quickly, the drumbeat of battle still hours away, says he’s been a reenactor since retiring from the Army in 2014.  I ask the obvious question for me, “Afghanistan and/or Iraq?”  Like me he was in both wars.  He, a retired Lieutenant Colonel, tells me of going home with the body of one of his soldiers, taking him home to his hometown, at the end of their Afghanistan tour.  I tell him it somehow seems worst when soldiers die with only days left.  He looks at me and doesn’t disagree, but behind his eyes are other deaths he will forever consider.

I think of another Civil War fact, from American Battlefield Trust: Military Losses in American Wars —

Civil War —————————————————————————————— 620,000

Iraq-Afghanistan – 7,000

I tell him I would wish him battle-luck, but, except for those of one Yankee grandmother, all my relatives fought for the South. He salutes.  I flash a wave and walk the grassy lane to the Fort.

Two Rebel soldiers stand before a period plantation house outside the fort’s high earthen walls.  Rifles long and bayoneted, one says to an audience of mostly children that his cap is called a “‘kepi’ based off French headgear.”  His brown-coated chest crossed by straps, holding, as he points to them, “cartridge box,” “haversack,” “canteen.”  His so far quiet fellow, much older, with the same coat and gear but sloppy-brimmed cowboy hat and black pullover-strap sneakers, asks the kids, “Has any of you’s heard a Rebel Yell?”  After they shake their heads no, he lets out a high-pitched yelp that morphs into a guttural bark.  Younger kids laugh and scurry.  He asks if anyone can match him?  Some older boys try, and, as if planned, a cannon’s earsplitting boom sounds from the fort as a shock to everyone, the children dissolving in squeals and laughter.

I walk inside the dim house where women sit around a spinning wheel in period dresses, glazed by light from the crackling fireplace.  One rises to greet me, “Hello, visitor.”  She tells me this is the officers’ barracks, bunk beds lining the walls.  She says enlisted soldiers will sleep outside on the ground.  I think back to sleeping on a cot in the winter woods of Fort Stewart, only a few miles from here, the cold from the ground making my cot feel like a wet towel I can never get comfortable lying on, and that some conditions for soldiers have hardly improved.  I also think that to a soldier these women must truly seem lovely.

Back outside in the daylight I find a seat on a low, mock powder keg, against the faux-coquina side wall of the house, facing the yellow hazard tape closing off the area of imminent battle.  Some families picnic on blankets in the intervening space, some have set up folding camp chairs along the tape.  Children are running everywhere.  A Girl Scout troop marches together loosely to a space near the now taped off footbridge entrance to the fort where a Confederate soldier and a ranger speak to them.  “Sherman’s troops have been sighted by scouts and are close by and a battle is imminent.  The Fort is preparing now.” I pull out the pocket New Testament I carried in the Army to read during periods of waiting.  Looking down, I see a toad sitting in the shadow between barrel and wall make a few hops as I rock my seat slightly.   I read in Hebrews, “In the time of David, and of Samuel, and of the prophets: Who through faith subdued kingdoms, wrought righteousness, obtained promises, stopped the mouths of lions, quenched the violence of fire, escaped the edge of the sword, out of weakness were made strong, waxed valiant in fight, turned to flight the armies of foreign invaders.”

I imagine a rebel officer sitting here last night, unable to sleep while knowing Sherman is coming with his demon’s desire to give Savannah the same fiery fate Atlanta has suffered.  Watching a toad hop around in moonlight,

he mouths a prayer —

Almighty God, whose Providence watcheth over all things, in Thine infinite wisdom and power, so overrule events, and so dispose the hearts of all, that this fight may end in defeat and rout of the Yankees and lead to the honor and welfare of our Confederate States.  Glory to Thee, through Jesus Christ our Lord. Amen.

Rat-a-tat-tat of a drum about 300 yards away where the Union soldiers are now leaving camp with rifles slung over shoulders in a two-by-two file, heading for a track where they disappear into the woods to the west of Fort McAllister.

Another cannon fires from the fort.  The sun now lighting the western side of the oaks lining the river, makes shadows along the river’s bank.  The fort was never taken by bombardment from the river despite Union attempts by wooden gunships and ironclads during the years of the war.  Now Sherman, needing to move materiel over the Ogeechee, carried by Federal ships waiting offshore, to assist in taking Savannah, sends 4,000 troops commanded by Brigadier General Hazen to take the fort by land.  In the growing exchange of rifle-fire between fort and woods, smoke rises in the woods to give away clumps of Union soldiers.  Things settle again briefly.  Then, sustained cannon fire.  One of the cannons is visible through a valley in the earthen wall, its rebel artillery crew loading, firing, reloading.  Then, another pause.  After some time, an eager boy lining the hazard tape with his father asks, “How many minutes?!”

More rifle volleys come from the woods, and Union soldiers appear between woods and fort making a rough line.  There is a raised soldiers’ chant from the woods then sustained combined yell as Union soldiers race across the open ground and into the moat, through its pickets.  Much gunfire and yelling as additional Union forces run across the open ground, surge into the fort.

I imagine thoughts of a confederate soldier inside the fort as the fighting becomes hand to hand:

A tremor of exhaustion rifles like the wind along our line, and we know our bodies are more than our bodies.  They are the only things holding back the end of our world.

Finally, the yells in the fort cease and a park ranger walks the footbridge over the moat from the fort.  She tells us Fort McAllister has surrendered and invites anyone who wants to enter the fort.  After the crowd makes its way in, the reenactors standing idle now, the ranger says she wants to thank Georgia Department of Natural Resources, the City of Richmond Hill, and all the reenactors.  She tells us the last act of resistance in the fort was by Captain Clinch, CSA, who drew his sword and challenged Captain Grimes of the Union Army, who insisted his fellows allow him to accept the challenge.  When Captain Clinch gained the upper hand by landing a cutting blow to Captain Grimes’ head, Captain Clinch was bayoneted “five or six times” by Yankee soldiers.  However, Captain Clinch would survive, she said, and was visited at his sick bed by Captain Grimes who returned Captain Clinch’s sword to him.  This story somehow believable in a war where men touted valor and honor so highly.

During the waning days of 1861, President Abraham Lincoln signed a Congressionally approved bill creating “Medals of Honor.”  The government presented 1,523 Medals of Honor to recipients during the Civil War, more than in any subsequent war.

After Fort McAllister’s fall, Confederate General William Joseph Hardee rejected Sherman’s demand to surrender Savannah, but this was just a bluff to buy time to recall his troops from their trenches and move them across the Savannah River into South Carolina.  By abandoning Savannah, General Hardee saved it from the destruction Atlanta suffered.  With no shots fired, Sherman’s troops entered the city of Savannah at the invitation of its mayor, and on December 21st, 1864, General Sherman sent a telegram to President Lincoln:

I beg to present you a Christmas gift of the city of Savannah, with one hundred and fifty heavy guns and plenty of ammunition, also about twenty-five thousand bales of cotton.

Four months after the fall of Fort McAllister, on April 9th, 1865, Robert E. Lee surrendered his Army to General Grant at Appomattox, Virginia.  Lee rode away accepting and returning the salute of the Union officers present.

Seven days after Lee’s Surrender, Union General James A. Wilson would besiege Columbus, Georgia, defended by Confederates commanded by General Howell Cobb, and lay waste to much of the city (as yet unaware of Lee’s surrender, Wilson would say after the war that had he known of it, he would not have visited such devastation on Columbus) — effectively the last battle of the Civil War.

That war-torn, hollowed out South an eon ago of 160 years now.

In growing shadows of late afternoon, I walk with families of excited and talkative children back through the portal of the Visitors Center, back into our United States of America.

Steven Croft lives on a barrier island off the coast of Georgia.  His latest chapbook is At Home with the Dreamlike Earth (The Poetry Box, 2023).  His work has appeared in Willawaw Journal, San Pedro River Review, So It Goes, Synchronized Chaos, and other places, and has been nominated for the Pushcart Prize and Best of the Net.

Poetry from Mark Young

The Contender

& so, eventually,

come back or make

a comeback. Such

area contained within

that (missing) space.

Comeback means

trying to get back

to where you were

& hope you make it.

Come back implies

you never left there.

Blink

A participle of

movement. The

running man. Snap-

shot open to

interpretation. Statement

given, vision

attached. Nothing

in it. Wait for. Wait for

the man to pass

by. Ask. Why? State-

ment means nothing.

Formulaic

Look, she said, I

know you’ve got

all these fancy ideas

about structure &

trochees & the

lengths of breaths

but they’re all

far too complex

for me to compre-

hend. My way

is simpler. Go

down to the

beach to do

your writing &

put in a line

break every time

a beautiful body

passes by.

from a past life

Rain, finally, after months of dry. Bucketing down. So dark I turn the lights on at 1.30 p.m. only to have them go out five minutes later as the power goes off. Thunder & lightning, directly overhead, only nanoseconds between flash & crash, not even enough time to say one thousand one. I sit in the open area beneath the house, some meters back but not far enough to escape the rain which sweeps in everywhere. I do not care. The gutters flood. Through a blurring curtain falling off the roof I watch the water start to lap over the edges of the pool. Ten minutes ago it was several centimeters lower down. The cat cowers under another chair. The turtles of the Woolwash Lagoon will be hurrying to lay their eggs. At the first sign of rain . . . Branches break off trees. There are no birds.



The storm moves away. The birds return. The power takes another twenty minutes.

Meanwhile, in the Ozarks

Metal brackets, 18 carat

white gold men’s wedding

ring, no glitch. Advanced

technology, the image

printed directly onto can-

vas, rounded & beveled,

art deco style. Any euphem-

ism for describing queer

people. A real all rounder.