Poetry from Christopher Bernard

After Reading a Play by Aeschylus


Torn by the god
between the rocks of the Aegean
and the high wave of the Caucasus,
she falls on the black glass
of the stage –
Io, beloved of Zeus,
driven across the world,
maddened by jealous Hera;
turned, grotesquely, into a cow.

Prophecy lies:
there is no end
to the voice of her suffering.

The god’s love is the storm
of the ten thousand eyes of Argus.
He is blind as the sun
in its munificence
moving across the air
exalted after pleasure.

Humankind
is a child of water made of stone.
Their pain is darkness and silence.
The mouth of a hero
who knows everything and nothing
buzzes with gadflies and ashes.

Yet the woman’s cry is the daughter of generations.
It reaches us, gnarled in a distant wind.
It echoes long in the canyons of time.
It does not allow forgetfulness
or peace
in suffering traced 
in a poet’s words
wrought of gossamer and iron.

_____

Christopher Bernard’s book The Socialist’s Garden of Verses won a PEN Oakland Josephine Miles Award and was named one of the “Top 100 Indie Books of 2021” by Kirkus Reviews. His two children’s books, the first stories in the Otherwise series –  If You Ride A Crooked Trolley . . . (serialized in Synchronized Chaos under the title “The Ghost Trolley”) and The Judgment Of Biestia – will be published in November 2023.

Poetry from Bruce McRae

         A Big Thank You


I would like to thank the bluebird
for introducing me to the concept of evil.
Also, a note of gratitude to that cat-thief 
in Copenhagen for relieving me of my worldly bounty
(you know who you are).
Some of these pauses were first published
in the Giant Book of the Head.
Without the assistance of spectres
this line would never have seen the light of day.
And I want to take this opportunity 
to mention the red-assed sprites
cavorting in my mind, and to also thank them
for their unquestioning support,
as well as the bent angels, their advice 
being given freely, whether called upon or likewise.
Lastly, a big nod and wink to the blind horse,
for which none of this would have been,
or should have been, made possible.




    Carrying On In The Same Manner


Nobody remembers how the universe ended.
Some aren’t even aware that it did.

“Imagine Creation’s Big Bang, but in reverse,”
suggested a prominent physicist,
time scattering like shattered molecules.
Time a monster with a lamb in its mouth.
Earth shaking like a ride at a fairground.

“Carry on as if nothing has happened,”
the constable talking in his sleep instructed.
“Things are in the saddle and they ride mankind,”
Emerson obliquely commented from the garde de robe,
unaware he’d been dead for many decades,
the cosmos reverting to its standard darkness.

 

                           Double Feature


An empty cinema, a few last shattered dreams going about 
the business of expiring. You can practically hear the stars 
in dialogue. You can sense the disbelief, suspended from 
a spider’s web-strand ever since the advent of the talkies. 
On the ‘silver screen’ is a fine powdering of laughter and 
ashes. In the back row are two apparitions locked in a kiss, 
quite oblivious to the Age of Reason. 

Bruce McRae, a Canadian musician, is a multiple Pushcart nominee with poems published in hundreds of magazines such as Poetry, Rattle and the North American Review. The winner of the 2020 Libretto prize and author of four poetry collections and seven chapbooks, his poems have been performed and broadcast globally.

Poetry from Precious Moses

Echoes

I dreamed a dream in my dead sleep, 
But I dreamt not of my weightless limping cry. 
I dreamed of hope, on their palms they balanced the scenery,  scenery of a better tomorrow.

I hear many voices,
Like its said a madman hears.
I hear trees talking,
Like its said a medicine man hears. 
Maybe am a medicine man, hearing, taking saps. 
For the voices are luring me to walk where springs and fountain unite in solitude. 

In the damp half light, dream wakes and 
the voices fade, now they become shadows 
that cling unto each other, but kiss the air only,
only beneath the moonlight, where the waters
tide blows them under. 

Fear squats at the feets of the faithful ,
And the sharp cries cut keen as knives.
The souls of men are stepped in stupor, 
And pain shudder shoulders, even to the bones. 

The drunkard drink of the spell of beguilness 
And tonight men eagerly drink from the bottle of greed. 
But turn now brothers, turn upon your side
Where we will settle to the sleep of the innocent.

©®Precious Moses
Country:Nigeria

Poetry from Duane Vorhees

THE HOW


Your quality – how was it shaped?

I was glacier before I was prairie,

Your character – how organized?

I was beached before I was tide,

a grave before I was buried.

Your proportion—how was it trained?

I burned long before I was sacrificed.


Your quality—how was it shaped?

I’m the silence that amplifies the noise

and the boiling part of the freeze.

Your beauty—how ornamented?

I’m the mute portion of my voice,

still a prison after I’m freed.



PARADISE UNFOUND


Firework flowers bonfire the ink ocean.

We too ignite as though comety sparks

in the dark spacious nothings between stars.

Attentive, like hero-shades bored with Hell,

astronomer geckos crowd across walls

to observe binary-system motions.


We awake after a morningless sleep

to the birdsong notes of a bamboo flute.

We breakfast on mangoes and passion fruit

from the wooden bowl on the wicker chair

beside the bed. The hardwood floor is bare.

The room is quiet and cool, as are we,

till together goes interminable.

Soon, palmtree shadows begin to revive.

We smile and sound silently our goodbyes.


And then I return to under the sun

to dissipate the burn of my alone

knowing full well it is invincible.


Later, the beach exchanges bikinis

for cruising wear and yellow lights erupt

and eyes and spirits conspire to corrupt

the sanctified romance of the harbor

and adventurers penetrate borders

and discover new springs of poetry



PROPERTIES


I wanted only a life unmortgaged--

how many stories I would furnish!

When I took hold of my time, my mansion,

I didn’t know how still I’d be transient.




CIRROUSSESTINA


Dust is the forgotten heart of my cloud,

a child of the earth orphaned in the sky,

a whisper of thunder before it's loud,

an ambition too humble to be proud,

as innocent as fleece before the dye.


Soot is the forgotten heart of my cloud.

No such elevation should be allowed,

(they say)

and nothing so lowly should get so high,

a whisper of thunder before it's loud.

Cloud-me may be alone or in a crowd,

my composition ordered or awry.


Smoke is the forgotten heart of my cloud.

This shriveled world is covered by a shroud

that shifts and gathers like unanswered Why?,

a whisper of thunder before it's loud.


I wish you too to live your life unbowed

from your time of youth to the time you die.

Sand is the forgotten heart of a cloud,

a whisper of thunder before it's loud.



HIGHWAY 14


I never went to Luxor

though we once drove to Rushmore

We loved the minestrone

we ate in Minnesota

en route to South Dakota.

The skies were paved with zircons

that she said must be diamonds.


And I thought of Ramesses

when we found Orion’s Belt,

though eager for Roosevelt

and Washington and Lincoln,

Crazy Horse and Jefferson

in all their granite glory.


Milky Way spilt through the night

like a Nile through vacant blight.

This Hathor cowboy obsessed

over sphinx and obelisk,

so we detoured off 14

for benben on Silent Guide.


My oracle realized

when we crossed the Bad River

toward the Six Grandfathers

Up South Down West, North, and East

that our stars weren’t carats,

they were our fatal scarabs.


Poetry from Laura Stamps

Slug

It’s coming up. The end 
of July. My vacation. Two 
weeks. That’s what I get. 
Not that I do anything. 
I don’t. Or go anywhere. 
Nah. Just sleep late. 
Binge watch anything, 
everything. Eat bags of 
potato chips (too many). 
Order Door Dash (too 
often.) A slug. Basically. 
That’s what I become. 
But now, but now. I have 
Amelia. And I’m thinking, 
thinking. Road trip. Dog 
parks. That’s what I’m 
thinking. You know. 
Visit all the dog parks 
in Georgia. Tennessee 
too. I guess. But only 
the best ones. Yeah. 
Only those. She’d love it. 
Amelia. She would. I mean. 
Let’s face it. Slugs. Eew! 
Anything’s better than that.     

Laura Stamps is the author of over 50 novels and poetry collections. Most recently: “The Good Dog” (Prolific Pulse Press 2023), “Addicted to Dog Magazines” (Impspired, 2023), and “My Friend Tells Me She Wants a Dog” (Kittyfeather Press, 2023). Recipient of a Pulitzer Prize nomination and 7 Pushcart Prize nominations. Lover of feral cats, Chihuahuas, and Yorkies.

Poetry from Taylor Dibbert



On the Loose 

On neighborhood listservs,
He keeps reading 
About dogs
Getting out,
That never
Would have happened
With his London,
He probably
Would have
Had a 
Heart attack 
If that had
Ever happened
With his London.


London 

It’s been
A few weeks
Since he had
A good cry
But the tears
Are really 
Flowing now,
He just
Misses her
So much.


Taylor Dibbert is a writer, journalist, and poet in Washington, DC. “Home Again,” his debut poetry collection, is due out later this year.