Story from Jim Meirose

What So Far is the Significance?                                           

whatever; with deep pressuring up from under the sand pits all the while.

Then, up to bed.

The pills keep the sand pits down, but the pressure’s always there. But no, understand, not literally, no—not like a hand inside a glove, but almost like that. Almost. 

Aden? We do not fly to Aden. Sorry.

Dig that stack, you’ll find something to use. Dug, hit nothing; nothing; found no such picture. Those pictures must be long gone. Surely hope those pictures are long gone. The photographer went down in the nearby barber shop. What? To have my hair cut, in a man’s barber shop. A real man’s barber shop. Bud’s barber shop, where Bud’s a tall fat man ‘nna tight green shirt, like a bodyguard. He spoke harshly to the customer in his worn-out barber chair. 

You ought not be ‘n this barber shop. This is a man’s barber shop.

Their reply was curt; no rules ‘n the animal kingdom; stated, as Bud cut carefully around the small earlobes. Bud normally would be a’laughey and a’jokey, but not this morning. The bodyguard raised a hand, saying, What? Are you trying to say we’re animals here? We’re not animals—I am not an animal!

I’m here only because my father said to be here, said a boy sitting by the door. He don’t tolerate no long hair on a boy. He’s always telling somebody or other what to do. The boy sat in shorts and a hygiene shirt.

What the hell is a hygiene shirt?

It’s a—a shirt. That’s all what’s known. That’s all he calls it.

Well, said the bodyguard—all you kids ought to be wearing hygiene shirts nowadays, the way the world’s going.

What do you mean, said the customer, as Bud’s scissors snipped, and his clippers buzzed. 

Short—real short? Said that? Did you?

Yes. 

Nodding, he set his lip to the task. Long brown tinged with grey piled up underneath. The scissors snipped, the clippers buzzed, loud they were, in this small barber shop, it being an addition tacked onto a frame house with the sign BUD’S BARBER SHOP across its front window. Bud lived in the frame house. He was never far from work. He at last spoke through this that pause in the clipping.

What makes you want to get a haircut like this? he said idly, trimming around an ear.

It’s somewhat different. It is good to be somewhat different. 

Yah. Think I get it. Buzz. 

Snip.

Buzz.

Yah, funny you should be here, said a tall green checked flannel shirted man across the chair from Bud. He seemed just another customer, usually, but was always there, and always restless; he paced the shop hard talking at whoever might seem to listen.

Why do you say that to my customer, Jack, said Bud, as he expertly used the scissors closer still on the customer smiling in the chair, with a twinkle in their eye, watching in the mirror at Bud and Jack’s banter.

Because it’s just unusual, said Jack, then stepping to a young man in a leather chair by the door with a deep stained tackle box hung in his hands.

Why are you here today, Rennie? Your hair’s not long.

I’m here because my father said to be here, said Rennie. He don’t tolerate long hair on a boy. He’s always telling me what to do. He dresses me in shorts and a hygiene shirt. See them?

Yes but—hygiene shirt? What the hell is a hygiene shirt? said Jack loudly—and there’s more to know about you, Rennie. You are no boy. Why’s your Father still dressing you?

Bud and his customer in the chair smiled, listening. 

Yeah, said Bud, pausing his work—like he said—what the hell is a hygiene shirt?

Everyone laughed, but Jack really wanted to know. Rennie put down his tackle box, opened the front of his sport shirt, revealing a shiny black t-shirt stretched tight underneath.

This is a hygiene shirt, he said. It keeps clean. My Father said it does. As long as you wear this kind of shirt you never need changing or washing. That’s why it’s a hygiene shirt.

What? snapped Jack. Your father said that? That’s ridiculous!

The whole shop smiled, listening to loud Jack. Jack and Rennie were always good for a laugh ‘cross the whole shop, once they got going.

The barber is erased, the monkeys have it.

Go the greasy way.  

Gusts of wind blowing. Blowing the gusts. 

Lippincott—but.

Class! Everybody! Stop all!

Yes? 

Bud. You first. What so far is the significance?

Bud: motionless, but for his hands. Writing in the dirt. It said Hansel. And very nearly, Gretel. But he ran out after pushing out the ground, angry at having been buried beneath what he wrote—Joseph came down the trail, gun in hand, dead pheasants in back of his hunting jacket. The license in the middle of his back made a great target. 

And? That’s all?

No. The house is an evil house stinking of ghosts down the cellar up the attic ‘cross the whole damned thing. The man sits innocent with evil run through his past. He sits trailed off behind his long future lying spent and dead behind him.

The past is real the past happened its not gone at all its you the memories of.

Thank you. Now, you in the chair there. What so far is the significance?

The you in the chair there: the shadow tried hard to be but was just empty blackness—bu’, he could always see the man in the moon. Not everybody can see the man in the moon. Not everybody can see it. It looked down on him now.

I see you, said the man the moon—I see you.

Marie! The man the moon is talking to me! Talking to me, Marie!

Reaching down, he patted the cat ’til it threw itself down and began to purr.

He stepped around the cat went to the sliding glass door the dining room looked at himself from his—reflection.

What will be the last thing thought of? Surely not that—cannot be that.

Thank you. Now, you there. Boy by the door there. What so far is the significance?

The boy by the door there: just try, said the farmer, on the edge of his land with a shotgun. On the banks of the brook where the lily pads and dragonflies are thick. Hot. Hot the fucking boat. But. What insurance do you have? Oh, I’m sorry. We don’t take that. Not yet. No not yet. As a matter of fact, probably never.

Why do we roll these babies?

Because they will learn better that way. 

It’s important they be rolled. As the Hansel und Gretel’d rolled out away north, past the town of men, into the fields, bearing in deep pressure, their tiny box. Full of the beans cooked last week, it reeks. Big tumor of teeth and hair.  

Thank you. Now Jack—hey Jack, there. What so far is the significance?

Jack: small brown bird head darting about looking, looking—looking for what? No time! Fly! To cry out is the way of the land! 

Dry. Dry. Lop. Loop. Drip. Dry. Whole. Tonight is the big game. Oh, why is that so damned important?

Wow. 

And, also, turning away from the mirror takes the mirror away then makes the rest of the room appear inside; a dresser, a bed. Candlesticks. Wow. How that works!

It is time to go ask for a job. 

The face comes goes the mirror the room turns the door stands there. 

Out back the door, the keys hang the hand fumbles with the keys the door gets locked. 

Somewhere someone’s lips demand more; those lips always demand more. 

Thank you. Now, Rennie. What so far is the significance?

Rennie: yes on yes, he often felt he should be standing atop a great hill, high above them, shouting from a great book open in his hands; but he didn’t need a great book but as a prop, because he had it all up his head. Crap what the hell there, Rennie dear, my oh my, there’s a seemingly wide hole in that hygiene shirt; then, general hilarity erupted. 

No not that not that!

Yes! I’m here because my father said to be here he don’t tolerate long hair on a boy he’s always telling me what to do he dresses me in shorts and a hygiene shirt. 

See it?

Yes.

Lolly chucks the rolling pool of her offal down the stairs, fall. 

See it?

No.

Why not? Her gut’s all hot and pliable in my hand. Bloody, gross. But. 

Jesus Christ, if that were me, I’d get fired on the spot.

No justice. 

No justice.

Fully realized mother.

No justice.

Okay. Okay.

Now listen; Elmer’s a tinsmith. Thoren’s a machinist. There’s a bowl of hardboiled eggs between them. Put there by Thelma.

Elmer gripped up an egg. Thoren just sat with arms folded.

I don’t like hard boiled eggs, said Thoren. You ought to of fried them up.

Elmer began peeling his hardboiled egg. Thoren sneered.

You know you don’t really like those, he said to Elmer. You’re just kissing up to Thelma.

I like them fine, like them just fine. They’ll be good. Thelma, you make them good.

Kissy, kissy, kissy-face, sneered Thoren, to Thelma. He laid his hand flat on the table, saying to Thelma, fry up some eggs, dearie—be a doll. Make them like I like them.

Be a doll? said—dearie? That how you talk to all the girls?

Some of them, said Thoren, grinning. The ones like. Now fry up the eggs.

Elmer’s egg peel scattered around where he sat.

Good, he said chewing. Thoren, do these. They’re good.

Fry three eggs, Thelma!

Here, said—take this skillet. Fry up your own. Like Elmer here, better. He likes them like he likes them. Not like you do.

Nonsense—I won’t go hungry to work! Fry them up—I can’t do it.

What’s the matter? Too much for your little brain to handle, Thoren? said Thelma.

Nuts!

Thoren rose, announcing, Okay, Thelma. I’ll get something on the way to the shop. They make good eggs down at Solly’s. I’ll go to Solly’s.

Go to your damned Solly’s, said Thelma. I’ll be here with my Elmer.

Elmer looked up with mouth full, chewing. Smiled. He clutched half an egg. Thoren gripped down his coat from the chairback threw it on gripped up his truck keys from the bowl before leaving without a word. Elmer and Thelma looked at each other.

Your brother is an oaf, said Thelma.

Yes. Oaf. 

The rest of the egg went in Elmer. He grasped another.

Okay if have another? Okay?

That’s what they’re here for, sweetie.

Smiling, Elmer began to peel. But why’d it say inside it seemed to tell him I’m here because my father said to be here; he don’t tolerate long hair on a boy; he’s always telling me what to do; he dresses me in shorts and a hygiene shirt. See it—so he ate this egg faster than the first one because there seemed something odd about it. Plus he also needed to get to work. Thank God, yes, but—hygiene shirt? It was seven forty-five up all their mornings. Thelma’d be alone all day. Today was housecleaning day. 

What the hell is a hygiene shirt?

Elmer left, one step closer to knowing, albeit dimly, that all life’s just the shuffle of an endless deck of days, cards pulling out one by one seemingly all by themselves until 

Poetry from Chris Butler

The Thinker’s Last Thought

One day the world decided

they no longer are in need

of philosophers and poets,

those who defined the times

long after their demise

and gave birth to generations

of thinkers who are now

obsolete like stone scarecrows

chiseled in the form of forgotten

gods and fallen angels

despite their words and ideas

being occasionally referenced

by self-professed professors

to sound smarter than those

who they engage in conversation,

as the world indulges on dancing

sapiens recommended by their phones,

heads that once stared down

at the folded pages of books

with worn vertabrae and paper

used for fascist bonfires.

.

Did Nietzche ever lie awake

in bed and think the world

would have gotten so rotten

that they would decide that

his services were no longer

needed?

The first instance of skin to skin contact in years

Sometimes we just need a touch,

most will run far from where you are

even when you approach with arms

in the air, attempting to hug them

as the candied man in a van or diseased

beast that they assume you are,

and will scream about stranger danger

or unwanted touches in a scene to

escape faster if they think you are only

in need of a moment of human contact,

a single handshake, knocking knuckles,

the highest of fives, an arm clenched hug,

so you disguise your need for feeling with

a single bump into them and an exchange

of apologies, or a swift brush that

the distracted stranger doesn’t notice.

SHUT UP AND WRITE

One thousand chimpanzees,

chain-smoking cartons

of extra tar cigarettes,

seated on a wooden stool

chained to rows of writing desks

each with a manual typewriter,

bundles of flammable paper

and bottles of inhalable white-out,

couldn’t write everything that

artificially intelligent machines

without arthritic fingers or

a wasting mind could generate

without a keyboard

and a few keywords.

When All the King’s Men Never Stand Again

The men who use the world

as a chess board,

the only move to not lose

at the game of life

is to flip the board over

rather than quit or submit.

The Closed Door

A man sits in an empty room.

There are no windows, and only one door.

Closed.

He doesn’t move.

He doesn’t search for an entrance.

He doesn’t search for an exit.  

He doesn’t know whether it is locked or not,

or if he is trapped behind walls of immuration,

just because he doesn’t know whether he should

push

or

pull.  

Poetry from Taylor Dibbert

Finally Over

He’s getting divorced,

Remotely,

Very 2022,

And doubting that,

They ever,

Had a chance,

At least,

He’s keeping,

The dog.

Never Finished

He’s had a good,

Morning of writing,

Several poems,

Hundreds of words,

He’s probably done,

For the day,

Even though the work,

Is never truly finished,

Because when you’re writing,

What needs to be written,

There’s always,

Another line,

Or lines,

Another poem,

Or poems,

More thoughts,

And feelings,

More joy,

More pain,

And the blood,

That has to be wiped from the page.

Taylor Dibbert is a widely published writer, journalist, and poet. He’s author of the Peace Corps memoir “Fiesta of Sunset,” and the forthcoming poetry collection “Home Again.”

Poetry from Chloe Schoenfeld

Thy Sorrows

I cannot comprehend such grief thou holdst

Thy mourning that torments thy soul so

My eyes have not perceived horrors; thou hast

Carried a burden so strong in thy blood

In thy heart of hearts of hearts that doth sing

Oh, sweet summer sun sing to me tonight

Sing thy sorrowful heart into the wind


Lull me asleep with thy tears: wearied eyes

Allow me to share thy troubles with thee

Taketh my silken hands that tremble so

The stars doth sing back to thee in the night

Hast thou heard their voices? They sing for thee

My voice shall join thy prayer to the stars

Thy sorrows I have not, wherefore hast thou

Poetry from Laura Stamps

Sweet Peace

“Dear Elaine,” she writes on a new postcard. “Okay. I confess. I struggle with it. Forgiveness. I do. Even though. I know, I know. We’re supposed to forgive everyone. To love everyone. We are. For our physical health. Mental health. All of it. I get that. I do. But surely, surely. Not everyone. Right? Not ex-husbands. Not mine.

I mean. I can forgive the others. I can. All those who wronged me. Abused me. You know. In the past. Disturbed individuals. That’s what they were. Truly. And yet, and yet. Forgive them? I can do that. Yes. Done. But my ex-husband. Disturbed? Oh, yeah. Forgiveness? No way. Not possible. Not for him. Not that I haven’t tried. I have. Again and again. Yet I can’t. And I don’t know why.

But then last night. That video I watched. You know. The one on YouTube. About St. Francis. How he loved everyone. Forgave everyone. And yet, and yet. Forgiveness wasn’t his focus. Imagine that? Peace. That was his goal. Alrighty! That I can do. Peace. Peaceful. My life. Ever since the day. I left him. My ex. Walked away. Me. Gone. Never to return. Sweet peace.

This is my life. Now. See? That I can do. Forgiveness? Forget it. Hey. If peace is good enough for Francis. It’s good enough for me. Okay, then. I think we’re done here. What’s next?”

Laura Stamps loves to play with words in her fiction and prose poetry. Author of 49 novels, novellas, short story collections, and poetry books. Forthcoming: “The Good Dog” (Prolific Pulse Press 2023) and “Addicted to Dog Magazines” (Impspired, 2023). Winner of the Muses Prize. Recipient of a Pulitzer Prize nomination and 7 Pushcart Prize nominations.  

Poetry from Alan Catlin

687-

Real choices: being posted to hot
war zones or medical volunteer
programs. Front line duty or human
lab rat. After the competitive ping
pong the psychedelics. Chemical
Warfare: Secrets Almost Forgotten.
Consequences of. Lifetimes of.
Insomnia. Depression. If you’re lucky.
“You will lose your mind. In life unkind.
Goodbye Ruby Tuesday.” Not a place
To eat. In 1960. Never a happy hour.
Like Applebee’s.

    689-

I keep to the heights. Mahler
or Byron. Symphony of a Thousand
or Manfred. Mann. The Magic
Mountain or Quinn the Eskimo.
“Come all without, come all within.”
Guess who. Bob Dylan.

                690-

Don’t be a Child(e) Harold.
Vampyre or Lover. Flawed
angel or Greek God of war.
For independence. Seduction
And Betrayal. My Sister, My
Love. Waiting in Dante’s ante-
room. With or without Don Juan.
The heart of a poet, the soul of
an assassin. The us in clusterfuck.

691-

Beppo or Balso Snell. Sarantopoulos.
Not Ozymandias. Look up all ye.
Despair. A ring. Of hell or the Hellespont.
Not better than a whirlpool bath. For
some. Byron could swim it but he wouldn’t
survive. The after effects.


692-

The wind whales of Ishmael.
Right whales in the sky. Not
Riders on the Storm (again and again)
Humpbacks. Cruising above
the canyons that were the Pacific
Ocean. Island(s) Not like Huxley’s.
Aldous or Thomas. Plant pod
Water sacs. Not body snatchers.
Worse. No Drink Me signs but on a
parched planet. What are the choices.
Dosed. Hallucinate and die. Blood
sucked by vines. Preyed upon by all
living matter. In the Green.

    693-

Random photograph of an Old Man
and the Sea. Or Re-incarnated Herman
Melville sans beard with adolescent beached
humped back whale. The author on
Mansion Beach Block Island October 2022
posed to provide comparative size perspective
or casual tourist mourning the death of another
sea creature from the depths. Both.

Photography from Caleb Ishaya Oseshi

I’m a passionate street and documentary photographer from Nigeria.

I started photography during the pandemic, from taking photographs of my family members at home to taking photographs in church, then exploring my street, and have since travelled to numerous states to take photographs.

I love to show the world the unseen parts of Africa, particularly Nigeria, my native country. I like sharing my work in monochrome because it kills the focus on the colours and makes you pay attention to the subject and the action of the moment.

I served as a volunteer photographer for The UNESCO World Heritage Volunteer Programme 2022 here in Nigeria and my photographs have been featured by a Philippines Professor on her website.

I have the burning desire to pursue a career in photojournalism in the near future.

Here is a link to my Instagram handle: https://www.instagram.com/caleb.ishaya/

My website: https://calebishaya.wordpress.com/.