White Shadows
Keeping a score is a nuanced way
One two three for every chores
Morning tea sugars milk
One liquid one pound one gallons
Prefixes and suffixes for everyday
Coming and going
Homeberries holiday retreats winters
For the bride of bridges
Worlds collide upon the lightness
In darkness there's an ocean fold clothes
Embers Ashes evening namesake
A beatitude of quietly elegant muskrose
Her twopence basket holds nutshell
Little animals of simplicity
Like water like wind takes up spaces around
A knife edged barred silhouette
Mudslides of diamonds and rusty patches
Winters and evenings
Delights keeping the purse open for queue
Questions drop open
Little girl's snowflakes snowmanship
Crafty simple art
An orange peel melting pot cooking jar
National anthems parades paraded paths
The evening lights take shape
Oval shaped nights northern ferry
Cards cares locations inroads insides
Out of suffixes out of prefixes
Keeps borders out
Beyond the white washed agedead
Sprung open the Bluebird wind
The white lake fire
Awakening of the evening light
My fingers into white shadows.
I don’t know how sharks tell time. I like to think it is possible through the same organ they can sense electric fields, the same organ that peeled away long before my cousins fled the trees, slowly trailing the herd to the edge of the water, to a memory, a glimpse of silver and speed and death. A fear laced tight in DNA, a horizon broken by a single tooth.
I like to imagine that the story about sharks and a drop of blood isn’t true. That my fictional bleeding fingers are just waving away those dead eyes. I’m imagining I’m in a boat accident, rubber lungs, my pasta salad down a blubbered throat. The rusty edge of the rail digging into my tiny man hands.
The first bite would be burning sand. Not screaming, not acceptance, but an understanding. Mouth-to-flesh handshake. I know the shark can feel the electric kick in my muscles. Drinks it in, a quench, a savor. For 450 million years, it waited in the void for me to lean over the charter boat’s air-brushed sides.
Selection from Night Poems
I am in the half-built bed, frame of metal, where mattress meets washed sheets. Out the window, down the highway, the river pushes: broken branch, horde of bottles, carcass of pigeon. A thin film of regret laps the shore, the frame of row home, of museum, of light that sits in shadow.
The din of the TV, quiet children in bedrooms, the anxiety under my skin, a choking victim, a sinking bus, the slow tap of a single key. I can hear the click of a fingernail, before the sound appears. No imagination can pull me away, the slow boiling of a river, of love, of everything into the singularity of night.
stir fried offerings
for vegetarians
pure friday
the day of congregation
oh ye adherents
shine
after the flood
sunflowers washed
away in tumultuous
current
roofless belonging
a room to each
blue bird of paradise
water and seeds
at the bird feeder
contaminated
dark fumes up above
a scarcity of breath
the sirens and speakers
signal evacuation
families trapped
on the rooftop others run
to higher grounds
the heavy flood
of strangled waterways
naked sky
sprinkles
stardusts
a body of beauty
to lust after
their love
private practice
the tell tale
wild daisies
in her hair
graveyard
shift
approaching me
the cemetery digger
with the victim's eyes
the village boy:
learning to talk
grandma bites her tongue
when he mimics
her tone on his name
slow world
under its weight
a tortoise
tumbles and flips
back in the pond