Jesús Rafael Marcano Guzmán, (Maturín, Venezuela, 1993)
Founder of Sakura Centro Cultural de Arte y Literatura Japonesa and the Jaykismo Movement. He is a member of the EIDOS International Artistic Movement (headquartered in France) and currently serves as President of the EIDOS International Artistic Movement, Venezuela-Asia chapter.
He stands out for his work as an author of bilingual works in Chinese and Spanish, establishing himself as an important promoter of Sinology and Asian literature in Ibero-America. He has published research on the influence of Chinese religion and philosophy on culture and language for the Association of Chinese Schools in Spain, one of which was translated into French and published in TingaNews Magazine (Burkina Faso, 2026).
He is a contributor to the cultural magazine China Bambú, Dragones y Tinta (Spain, 2025), the portal Japón desde Japón (2025), and a columnist for the Spanish newspaper Siglo XXI. His poetic work abroad includes the publication of haikus in English in the Greek magazine Homo Universalis (2026). In February 2026, the Greek magazine Polis Magazino published a series of his haikus in a bilingual Greek-English edition to commemorate World Greek Language Day, edited by Eva Petropoulou Lianou. This publication consolidates his work as a multilingual author and promoter of poetry and Asian literature in Ibero-America and Europe.
His most notable published works include Hanasaki (2021) and Haikus (2025) under the seal of Editorial Giraluna, among others.
Recognitions and Memberships:
· First place poetry prize at the first “Aventuras de papel” exhibition (Mar del Plata, 2024)
· Prof. Ciro Artemio Constantino Álvarez International Award by the Royal International Academy of Art and Literature (Mexico, 2024).
· Member of the Andrés Eloy Blanco Society of Poets.
· Member of the Latin American Poetry Route (Monagas State).
“I used to think the goal was to be loved. Now I know it’s to be understood.”
Emma Thompson
We are kind to each other
The cooking utensil to the other
cooking utensils in the drawer
The spoon to the other spoons, yes, everything
must have its place, every trace
of prey, each invisible doorway
into the kitchen
What is courage,
what is increase? It is only a
place to start
The garden is cool,
the tree’s shade
My father’s voice
I murmur a response
The washing hangs on the line
My brother’s daughter strums
a toy guitar, we have a
butternut pizza for supper
We can’t get the boys out of the angry green sea,
nor can we get them out of the jacuzzi
The white gaze lies dormant
in the shade like our brown bodies
We put a plaster on her finger
the wound is bloodless now
I make iced matcha lattes for myself and my dad
I lick the white moustache off my upper lip
Overnight I have turned into a capitalist
My fingers into stars, my legs
into a wave, the bead of the presenter’s
tongue on the television into a fig
The current moves through me
This time it’s personal
It catches the light of the fire
inside my father, inside all of us
The smell of burning meat, drumsticks
The kitchen is time and memory
Legs are tanned, burned by the sun’s time and memory
The boys and my sister play a board game
My mother screams and screams at me
The room grows quiet
A pink geranium grows out of my mother’s throat
Something within me is crushed like a pill
Slowly the sun in my mother’s eyes
turns into a mocking face, a laugh
Its poison is killing me slowly. She is just a woman
and I am just a woman
The moment passes
The child starts to laugh too because my mother is laughing
I break, I break
A wave flows into me and I lose consciousness
It’s evening
The game continues
A woman walks by the house with her dog
The dog barks
There’s a white feather in my mouth
It tastes like snow
Going
“When we can’t think for ourselves, we can always quote.”
Ludwig Wittgenstein
I offer you cranberry bread.
I offer you this knife for the hard cheese.
I offer you this clock.
I offer you the dark.
I offer you this fruit.
I offer you this orange.
I offer you this as a blessing.
I offer you this sweetness.
I offer you this shroud.
I offer you this veil.
I offer you this truth.
I offer you this memory.
I offer you, Africa.
I offer you these gifts.
I offer you equality.
I offer you this ancient sea.
I offer you music.
I offer you this river.
I offer you this garden as meditation.
I offer you the history of this continent.
I offer you this as an alternative.
I offer this to you for our salvation.
I offer this to you because I love you.
I offer you this because today you are getting on a ship,
and sailing far away from me.
I offer you sleep, captor.
I offer you this forest that I dragged behind me
because you have the personality
of foolish paper and the medicine of the wildflower.
I offer you this frozen mist.
I am offering you this blue cat. Take it.
Please accept it gracefully.
Let it be your companion.
I offer the dissolution of the sun.
And now, now I come to peace.
Now I come to minister to you.
I bring you coffee and poetry books.
I will bring you a pen and an empty journal for your thoughts.
It was Christ who brought us this morning.
It is time. It is the hour of your departure.
I turn to embrace you, to say goodbye.
Waiting/Relapse
“Put down the pen someone else gave you. No one drafted a life worth living on borrowed ink.”
Jack Kerouac
“Today I can’t stand myself, and I will force myself to write because you’re unhappy. So, I must mask the monster within and find the landing place. I must smile because I want to see you smile. I must count the days and remain quiet in your presence, because you are not at peace. This is what I tell my mind on bad days.”
Tourism and Its Impact: Economic, Cultural, and Environmental Dimensions
Abstract Tourism has become one of the fastest-growing global industries, influencing economic development, intercultural communication, and environmental sustainability. This paper examines the multidimensional impacts of tourism through a qualitative analytical approach based on existing scholarly literature and international tourism reports. The study identifies tourism as a significant driver of economic growth, a facilitator of cultural exchange, and a factor that can both protect and threaten the natural environment.
The findings suggest that sustainable tourism practices are essential to balance economic benefits with social and ecological responsibilities.
Keywords: tourism, economic impact, cultural exchange, sustainable tourism, environmental impact
Introduction Tourism plays a vital role in the modern globalized world. Increased mobility, globalization, and digital accessibility have enabled millions of people to travel across borders annually. Countries increasingly rely on tourism as a source of income, employment, and international cooperation. However, tourism also produces social and environmental challenges that require responsible management. The purpose of this paper is to analyze tourism from three major perspectives: economic contribution, cultural interaction, and environmental consequences. The study aims to demonstrate that tourism is beneficial when managed sustainably but potentially harmful when uncontrolled.
Literature Review Previous studies indicate that tourism contributes significantly to national GDP and employment rates (UNWTO, 2023). According to economic development theories, tourism stimulates local markets by increasing demand for transportation, accommodation, and services (Sharpley, 2018).
In developing countries, tourism is often considered a catalyst for regional development (Scheyvens, 2019). From a cultural perspective, tourism promotes intercultural dialogue and mutual understanding (Smith & Richards, 2017). Cultural tourism allows visitors to experience traditions, festivals, cuisine, and heritage, strengthening global awareness and tolerance. However, researchers warn that commercialization may threaten cultural authenticity (Cohen, 1988).
Environmental studies highlight both positive and negative outcomes. Ecotourism supports conservation and environmental education (Weaver, 2001). Conversely, overtourism causes pollution, biodiversity loss, and infrastructure pressure (Gössling et al., 2019).
Methodology This study uses a qualitative descriptive research method. Data is collected through analysis of international tourism reports, academic journals, and case studies. The method focuses on comparative analysis of tourism effects across economic, cultural, and environmental dimensions.
The research does not rely on primary field surveys but synthesizes existing reliable academic sources.
Economic Impact of Tourism Tourism significantly contributes to national and local economies. It generates employment in hotels, restaurants, transportation services, entertainment sectors, and small businesses. Many countries depend on tourism revenue as a major component of GDP. For example, Mediterranean countries benefit greatly from seasonal tourism activities.
Tourism also supports entrepreneurship. Local artisans, guides, and small enterprises benefit from tourist spending. Infrastructure development such as airports, roads, and communication networks often improves due to tourism demand, benefiting residents as well as visitors. However, economic dependency on tourism may create vulnerability during crises such as pandemics or political instability. Therefore, diversification of the economy remains necessary.
Cultural Exchange and Social Influence Tourism fosters intercultural communication by enabling people from different backgrounds to interact. Travelers learn about local customs, languages, and traditions, while host communities gain exposure to global cultures. This exchange promotes tolerance and global awareness. Nevertheless, cultural commodification may occur when traditions are modified solely to satisfy tourist expectations. Maintaining authenticity while accommodating visitors is essential. Community-based tourism models help protect cultural heritage by involving local residents in decision-making processes.
Environmental Impact Tourism affects natural ecosystems in multiple ways. Responsible tourism supports conservation programs, national parks, and heritage protection. Ecotourism initiatives encourage environmental awareness among travelers. In contrast, uncontrolled tourism leads to overcrowding, waste production, water consumption, and habitat destruction. Popular destinations often suffer from environmental degradation due to excessive visitor numbers. Sustainable management strategies such as visitor limits, recycling programs, and eco-friendly accommodations are necessary.
Discussion The findings demonstrate that tourism is neither entirely positive nor negative. Its impact depends on planning and regulation. Sustainable tourism integrates economic growth, social well-being, and environmental protection. Governments, businesses, and tourists share responsibility in maintaining balance.
Conclusion
Tourism remains a crucial global industry with powerful economic, cultural, and environmental effects. When properly managed, it supports development, cultural understanding, and conservation. However, without sustainable policies, tourism may damage communities and ecosystems. Future tourism strategies must prioritize sustainability to ensure long-term benefits for both travelers and host societies.
References Cohen, E. (1988). Authenticity and commoditization in tourism. Annals of Tourism Research. Gössling, S., Scott, D., & Hall, C. M. (2019). Global tourism and environmental change. Routledge. Scheyvens, R. (2019). Tourism for Development. Routledge. Sharpley, R. (2018). Tourism, tourists and society. Routledge. Smith, M., & Richards, G. (2017). The Routledge Handbook of Cultural Tourism. UNWTO. (2023). International Tourism Highlights. Weaver, D. (2001). Ecotourism. Wiley.
YOUTH, MEDIA, AND THE FUTURE OF CLIMATE COMMUNICATION
Abstract: Environmental degradation in Central Asia is often accompanied by a lack of visibility in public discourse, resulting in what can be described as a climate communication gap. This article explores the challenges faced by journalists in reporting climate change, including limited access to data, fragmented narratives, and audience disengagement. Special attention is given to the role of youth, digital media, and innovative storytelling formats in reshaping climate communication. By analyzing the potential of cross-border journalistic collaboration and human-centered reporting, the article positions climate journalism as both a communicative and ethical practice. It concludes that strengthening climate narratives is vital for transforming environmental silence into informed public action.
Keywords: Climate communication, environmental journalism, youth engagement, digital media, cross-border reporting, public awareness
One of the most dangerous aspects of climate change in Central Asia is not only environmental degradation, but silence. Many climate-related stories remain invisible—not because they do not exist, but because they are underreported, fragmented, or framed as technical issues beyond public concern. This silence carries a cost. When climate impacts are not communicated effectively, they fail to translate into political urgency or social mobilization.
Journalists often face structural barriers when covering climate topics. Limited access to reliable data, lack of training in environmental reporting, and editorial priorities that favor short-term political news all restrict the depth of climate storytelling. In some cases, environmental journalism is perceived as “soft” or secondary, despite its long-term consequences. This marginalization reflects a broader misunderstanding of climate change as an environmental issue rather than a comprehensive societal challenge.
The absence of strong climate narratives also affects public perception. Without consistent and contextual reporting, climate change appears abstract or inevitable. People adapt individually—saving water, changing crops, migrating—without recognizing their experiences as part of a larger pattern. Journalism has the power to transform these isolated adaptations into collective awareness.
Young people occupy a paradoxical position in the climate crisis. They are among the most affected by long-term environmental changes, yet they often lack decision-making power. However, youth are also reshaping media consumption and communication practices. Social media platforms, digital storytelling, and visual journalism offer new opportunities to engage audiences that traditional reporting struggles to reach.
Climate journalism aimed at younger audiences must move beyond fear-based narratives. While urgency is necessary, constant catastrophe leads to disengagement. Stories of local innovation, community resilience, and cross-border cooperation can inspire agency rather than despair. When young people see themselves reflected in climate stories—not as passive victims but as active participants—the conversation shifts from survival to responsibility.
Digital tools also allow journalists to experiment with formats: interactive maps, short videos, podcasts, and data visualizations. These formats are particularly effective in explaining slow-onset climate processes such as desertification or water depletion, which lack the immediacy of sudden disasters but are equally destructive. Central Asia’s environmental future is deeply interconnected. Rivers, air currents, and ecosystems cross borders effortlessly, while policies and narratives often remain confined within them. Climate journalism can function as an informal form of regional diplomacy, fostering understanding where political dialogue may be limited.
Cross-border reporting projects allow journalists to compare data, share methodologies, and contextualize local stories within regional trends. A drought in one country becomes part of a regional pattern; a policy success in another offers a model for adaptation. Such collaboration not only improves journalistic quality but also challenges audiences to think beyond national frameworks.
International conferences and summits provide rare spaces for these exchanges. They enable journalists to reflect on their role not only as observers but as mediators between science, policy, and society. Climate change demands this mediating role more urgently than any other topic.
Climate change in Central Asia is not a future scenario—it is a present condition. Water scarcity, ecological inequality, and environmental silence are already shaping lives across the region. Journalism stands at a critical intersection: it can either reinforce fragmentation or cultivate shared understanding.
To report on climate change is to make ethical choices—about language, framing, and whose voices are amplified. When climate journalism connects data with lived experience, local realities with global processes, and fear with possibility, it becomes more than information. It becomes a form of civic engagement.
As water slowly shifts from presence to memory, the stories told today will determine how that memory is understood. Whether it becomes a symbol of loss or a catalyst for change depends on the narratives journalists choose to build—and the courage to tell them clearly, persistently, and across borders.
United Nations Development Programme. (2022). Climate Change Adaptation in Central Asia. UNDP Regional Bureau for Europe and the CIS.
World Bank. (2021). Water Security and Climate Risks in Central Asia. World Bank Group.
Boykoff, M. T. (2019). Creative (Climate) Communications: Productive Pathways for Science, Policy, and Society. Cambridge University Press.
Nisbet, M. C. (2018). Strategic Communication in the Climate Change Debate. Oxford Research Encyclopedia of Climate Science.
Reuters Institute for the Study of Journalism. (2020). Journalism, Media, and the Challenge of Climate Change. University of Oxford.
Surayyo Nosirova was born on May 13, 2006, in Narpay District of the Samarkand region, Uzbekistan. She is a sophomore majoring in English Philology at Uzbekistan State World Languages University. Surayyo is an author and young writer with a strong interest in literature, language learning, and creative projects.
Innocent people have possessions, honor, quiet shelter.
Lean not to fight, who does not indulge in conflict.
Love to be yourself, happy stage.
Living in good education and culture leads to life.
At the movement of these people, the evil people in dams roar,
Innocent people’s lives are destroyed by fear.
A wicked man knows better – does not know the answer, he will suffer torture. Many people are busy creating pressure with this thought.
Can’t answer in time, hides wrong doing because of honor,
With a pain in the chest, no word torturer wanders around,
He has no people, turns, administration.
Where does he remove his sorrow!
There is only cursing,
Why will you leave the one who did the damage & loss,
As a result of the curse, he should understand the damage & loss is.
Day and night the curse in the mind, be the revenge of the mind.
India, Date: 01.02.2026
Amb. Dr. Priyanka Neogi is from Coochbehar. She is an administrative controller of United Nations’ PAF, a librarian, a CEO of Lio Messi International Property & Land Consultancy, international literacy worker, sports & peace promoter, dancer, singer, reciter, live telecaster, writer, editor, researcher, literary journalist, host, beauty queen, international co-ordinator of the Vijay Mission of Community Welfare Foundation of India.
In my creative work, I analyzed the work “Ming bir jon” by the prominent representative of Uzbek literature, Abdulla Qahhor. In this work, the author artistically portrays human life, patience, emotional experiences, and social issues. During the analysis, special attention was paid to the content and essence of the work, its ideological direction, and the system of characters. Through this creative work, my goal was to gain a deeper understanding of the work and to develop my skills in literary analysis.
The Human Psyche and Philosophy of Life in Abdulla Qahhor’s Story “Ming bir jon”
Ro‘zimatova Madinaxon Sherzod qizi
Kokand State University
Faculty of Humanities and Languages, 1st-year student
Abstract. This article provides a scientific-theoretical analysis of Abdulla Qahhor’s story “Ming bir jon”, a prominent work of Uzbek literature. The story explores the issues of human love for life, physical weakness, and spiritual strength. The study examines the ideological and artistic characteristics of the story, the system of characters, psychological depiction methods, and the writer’s mastery of realism. Through “Ming bir jon”, the author demonstrates, on a scholarly basis, the human will to live and the virtue of patience.
Keywords. Abdulla Qahhor, “Ming bir jon”, realism, human psyche, philosophy of life, literary character, psychologism, Mastura, Akramjon, Hoji aka, educational significance.
Abdulla Qahhor, one of the leading representatives of the realism movement in Uzbek literature, portrayed human psychology and the harsh realities of life in a profound and expressive manner. His story “Ming bir jon” is among the significant works that vividly reflect his views on humanism, love for life, and the power of will. In this work, the author creates the image of a physically weak but spiritually strong person, emphasizing the value of life.
Ming bir jon was created in the mid-20th century and reflects the psychological state and attitude toward life of people in the post-war period. The main theme of the story is the struggle of humans for life, the boundless desire to live, and patience. Through this story, Abdulla Qahhor depicts a person who, despite serious illness, hardships, and suffering, never gives up on life, illustrating their spiritual strength.
The ideological center of “Ming bir jon” is the value of human life and the will to live. Qahhor conveys this idea not through direct advice but through the emotional experiences and life circumstances of the characters. The story shows that, despite physical weakness, a person preserves their inner world and spiritual wealth through mental strength and willpower.
The main characters who reveal the ideological foundations of the story are Mastura, Akramjon, and Hoji aka. Mastura has been ill for ten years and receiving treatment, while Akramjon takes care of her with devotion. He even serves her in the hospital for five months, which demonstrates the human love and loyalty that manifest the characters’ spiritual strength. Hoji aka, as a symbol of human compassion and empathy, observes Mastura in the hospital, shows concern for her condition, and provides her with emotional support. Ideological analysis shows that the story presents inner strength, patience, and the desire to live as the main idea. Through this work, Qahhor interprets life’s meaning, human love, family loyalty, and the value of human life as a philosophical whole.
For example:
“Mastura seemed to live not with one soul, but with a thousand souls.” [111]
At the same time, the story emphasizes that the worth of life lies not in its duration, but in its content, in a person’s spiritual strength and their capacity for love toward others:
“She was not afraid of death, she just did not want to give up living.” [112]
The ideological analysis of the story shows that human values, patience, and love are at the heart of its philosophy of life, leaving a deep spiritual impact on the reader. The central character is Mastura, depicted as physically weak but spiritually resilient and determined. Through this character, Qahhor shows that inner strength surpasses external conditions. The following passage illustrates the character’s psychological state:
“Though her breath was short, her eyes shone with the determination of a person who had not given up on life.” [111]
As Qozoqboy Yo‘ldoshev notes: “Qahhor’s characters live not through action but through their state.” [68-69]
Mastura’s character is a vivid example of this psychological approach. Her husband Akramjon cares for her consistently; he has been attending to her in the hospital for five months. This is a strong expression of human love, courage, and willpower. Another figure, Hoji aka, shows human kindness by checking on Mastura’s well-being, a type of person rarely seen today.
A distinctive feature of Abdulla Qahhor’s language is simplicity, clarity, and conciseness. The story employs short, comprehensible sentences that direct the reader’s attention to content and psychological details. Qahhor makes extensive use of colloquial expressions, everyday life details, and natural dialogues, enhancing realism and naturally conveying the psychological state of the characters.
As Naim Karimov notes: “The power of Qahhor’s language lies in its naturalness, able to convey deep meaning without excessive embellishment.” [55-56]
The poetics of silence and psychological detail affect the reader’s inner contemplation, allowing deeper immersion into the characters’ psyche. In the story, psychological realism is the central poetic tool. Qahhor depicts the inner experiences of the characters accurately and naturally, allowing the reader to access their spiritual world. Through psychological details, each character’s inner world, decisions, and emotions are conveyed to the reader. The poetics of silence serves as a non-verbal means of expression. Qahhor communicates feelings and psychological states through silence, unspoken thoughts, and small gestures, enabling the reader to experience the emotions of each scene internally. The following free citation demonstrates psychological realism and the poetics of silence:
“She spoke little, yet in every silence, the hope to live could be felt.” [113]
Poet Abdulla Oripov assesses this feature as follows: “In Qahhor’s prose, one word of silence can sometimes have a stronger impact than an entire page.” [82-83]
Ming bir jon teaches readers patience, love, loyalty, and the appreciation of human values. The love between Mastura and Akramjon, and Hoji aka’s compassion, cultivate notions of family, humanity, and mutual assistance in society. At the same time, the work demonstrates the importance of not surrendering in the face of life’s hardships, maintaining spiritual endurance, and striving for life. These qualities enhance the story’s artistic, educational, and social significance.
In conclusion, Abdulla Qahhor’s story “Ming bir jon” is recognized as a mature example of psychological realism and the poetics of silence in Uzbek prose. The story reveals subtle nuances of the human psyche and perfects the depiction of human love, loyalty, and compassion. Through its central characters, the author shows the complexity of life, the balance between physical weakness and spiritual strength, as well as the importance of patience, love, and spiritual resilience. Therefore, “Ming bir jon” is a work of both artistic and educational significance, providing deep moral lessons and encouraging the appreciation of human values.
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Xolov D. Badiiy uslub va til xususiyatlari. — Tashkent: Ma’rifat. 2001
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I, Roʻzimatova Madinaxon Sherzod qizi, was born on December 31, 2007.
My father is Usmonova Sherzod, and my mother is Usmonova Tabrakxon.
Currently, I am a first-year student at the Faculty of Humanities and Languages at Qoʻqon State University. I consider obtaining an education and improving my knowledge and skills to be one of the most important goals in my life.
