I have often thought about the relationship between what was and what is and about the motion of the stillness that is “now” (see my attached homage to Mondrian). In “Still Is , As Is“ I’m using the vastness of definition and context and the vision that language and paintings provide in order to illustrate my experience of living within the vibrant, alternating current of yin yang alternatives – the back and forth, the yes and no, the right and wrong of real life….things move ahead within the stillness of now. They move through time in order for the chaos to become what is. What is, is born from what was, while remaining still, as is. It’s the oxymoron of still moving.
Phil Demise Smith
Poet, musician, artist, gallerist, teacher. Was the editor /publisher of Gegenschein Press and owner/producer at NYC performance loft- The Gegenschein Vaudeville Placenter from 1976-1978. Published in numerous magazines mostly in the 1970’s and 80’s and has had numerous chapbooks published including What I Don’t Know For Sure (Burning Deck), Periods, selected writings 1972-1987 (Gegenschein Press), History of Pre-Diction w/ drawings by Gérard Sendrey (Gegenschein Press). Has given numerous poetry readings in the U.S. and Europe. Began playing music in 1975 and has written over 200 songs and performed with numerous bands at NYC clubs (i.e. CBGB’s, Max’s Kansas City, Folk City, The Bitter End etc) – most recent recording (2021) being a vinyl record album Growing in the Dark with AnDna. In 1987 began to paint and since has had numerous one person and group shows in the U.S. and Europe including an exhibition at the The Musée Création Franche in Bégles, France and has work in many collections including in the collection of the Musée d’art brut, Montpelier, France. Was owner/gallerist of Outsider Art at A Gallery @ Wares For Art (1996-1999).
Phil’s work has been a an alternative to the rush to nowhere. It has a connecting force to what it is to have been there and now and human.