Screenplay from Chimezie Ihekuna

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna

Title: The Blueprint
Adapted from a book by Chimezie Ihekuna (Mr. Ben)
Screenwriter: Robert Sacchi

Genre: Fantasy

For reviews, production consideration and other publicity, please contact us through the email addresses below.

mrbenisreal@gmail.com

rsacchi@rsacchi.20m.com

Synopsis/Details: 

The war among the extra-terrestrials at the Peak of Eternal Abode over the ownership and rulership of its domain saw the defeat of Illumination and his cohorts. He wanted to be on the same level as his Maker, The Source.

Illumination was able to gain support from some of the multi-dimensional members, including some of The Elements: Wind, Water, and Fire, and persuade them to rebel against their Maker.

However, what Illumination thought was the only way to strip The Source of his kingly authority turned out to be futility. His Maker, through the instrumentality of the rest of his created subjects as led by his guard, together with his Profound League of Justice Keepers, orchestrated an eventual Mark of Defeat. This led to a wide Gap of Banishment and a consequential Seal of Demotion into the Neutrality for Illumination, his followers, and the elements that followed them, far below the threshold of his habitation.

Poetry from Patricia Doyne

THE  DAY  DEMOCRACY  DIED
 
We will never give up!   
#45  fires  up  the mob at  his  Save America Rally.   
The election was stolen from us…We will never concede.”
He stokes fear.  “If you don’t fight like hell,
you’re not going to have a country any more.”

This coup was planned and advertised on social media.
#45  tweeted, “Big protest in D.C.  Be there, will be wild!”
They came from all directions, ready to hit the streets.
Armed Proud Boys.  Q-Anon T-shirts.  MAGA diehards.
Gullible pawns and street thugs, shoulder to shoulder,
eager for trial by combat.   Eager for revolution.
                       
“Stop the steal!”  thunders  #45.  “Keep up the fight!”
“Take back the country.”  The mob eats up the lies,
and the lies feed their appetite for vengeance,
accelerate their frenzy to smash,  crush,  extinguish,
vanquish those evildoers gathered inside,
gathered to count the votes of state Electors:
to declare Biden president-elect,  306 to 232.

“I know that everyone here will soon be marching
to the Capitol building,”  says #45, egging them on.
“I will be with you.”   (He got in his limo and left.)
As rioters near the Capitol,  the dam breaks.
 
An American flag is ripped off its pole
and replaced with a TRUMP flag.
Someone erects a gallows.  White fists pump the air
Protestors pepper-spray police,  bash them with poles.

Vandals batter down the doors of the Capitol Building,
leaving a trail of wreckage:  glass everywhere,
cracked plaster,  overturned desks,  trashed offices.
Security is overwhelmed.  Emergency lockdown!
Congressmen and women flee,  hide under furniture.
The looting begins.  Out go lamps,  chairs,  laptops.
A rioter in body paint and horns carries off a podium.

Clouds of tear gas fill the Rotunda.
In the melee, one woman is shot, dead.
A young cop is bludgeoned to death.
 
So—on January 6, 2021,  over 150 years after the Civil War,
Confederate flags wave in Senate chambers for the first time.
This brand marks a new brother-against-brother conflict:
                        a war of  law  vs.  power,
                        a war of  service  vs.  greed,
                        a war of  democracy  vs.  dictatorship.

From the White House,   #45 Twitters:  “We love you. 
You’re very special… Remember this day forever.”
World leaders watch the farewell riot, appalled.
 
#45 watches, too.  Watches his TV screen, smiling.
He has groomed his militia carefully with lies and false hope.
He lit the fuse and watched it explode.
Sent a message to henchmen, like Pence, about loyalty--  or else.

When the dust settles, 6 Senators and 121 Representatives
still vote to accept his conspiracy line,  call the election “rigged.”

Tomorrow, some outrage and finger pointing.   So what?  
No one can touch him.   
He won.                                                                                  
                       
 
                       
GOING  VIRAL
 
A virus isn’t interested
in storming the perimeter;
a virus attacks the control tower,
the nucleus of DNA patterns,
seat of future growth.
A virus seizes the reins,
takes command,
changes direction,
riding roughshod over objections.
 
We’ve seen it happen.
In nursing homes.
In families.
In the nation's control tower:
the White House.
 
How did a failed realtor and TV star
breeze through the winnowing process
and land smack-dab in the oval office?
Why do the Come-to-Jesus people
think he’s the new Messiah?
Is it possible that his racism
is an attraction?
His misogyny?  His lying?
Or are these new directions
enabled by frightened Republicans
suffering through an abusive relationship?
 
Masks can’t ward off this virus.
Too many supporters have masks over their eyes,
refusing to see.
Hand-washing is irrelevant.
After the insurrection at the Capitol,
too many Congressmen
are doing the Pontius Pilate hand-washing in public
while backing presidential conspiracies
when it comes to a vote.
 
 
                       
                        This virus, like all viruses,
                        can be blunted by stronger
                        immune systems.
                        Perhaps this brush with demagoguery
                        will make us stronger.
                        But, like all viruses, it can mutate.
                        When all Hell breaks loose,
                        and it won’t be long--
                        we shouldn’t be surprised.

Poetry from Susie Gharib

A Buttered Scone
 
I had never seen so much snow in my entire life.
I stepped out of the taxi to sink in knee-high.
The driver ferried my luggage to the front door.
I wondered what I was doing again in Glasgow.
 
I went up three flights of stairs,
dragging suitcases with gloveless hands.
My landlady was very elated to have me back.
I went to the showerless bathroom to regain some warmth.
 
He was more eager to meet me despite the treacherous frost.
There was a lockdown and all roads were blocked.
We walked to an inn for some tea and a buttered scone.
 
A man in love was what I had to confront
in a moment of passion that seemed to defy gods
and prepared was he for all battles ahead.
 
I simply wanted friendship, the peace I felt in that inn,
a harmless chat over endless affinities that bonded us,
the drives to the countryside and feeding Knightswood’s swans.
 
I still wonder whether selfishness is genetic or nurtured in households.
The valor and chivalry had melted with Scottish snows.
Within a year, I lost the friend I valued most.

Cracks
 
I see the cracks of a well-painted wall,
the cracks of words whose insincerity is heavily cloaked,
and those of a psyche whose childhood was fissured with gall.
 
I hear the cracks of a disintegrating soul,
the cracks of a conscience that had been frozen by the lure of gold,
and those of a backbone whose owner prefers to crawl.
 
I feel the cracks that corrugate our globe,
the cracks of a nation that has been overburdened with wars,
and those of a mind that totters beneath its load.

 
Roundness
 
The substance of my life has been abounding with stocks,
a disconcerting surplus of flatness
that has left me without a single companion.
Myriads of characters are reminiscent of medieval types.
The gullible are set against scoundrels
whose goodness has been bled to death.
Black and white have forbidden any other colors to trespass.
On the streets, the crowd is a mass of callousness,
whose multitudes are wearing the very same mask,
a cloak of nonchalance.
 
The roundness I yearn for is only to be had in films and books.
No wonder I fall for the heroes I view and peruse,
for Hardy’s Gabriel Oak whose love endures,
for Dickens’s Sydney Carton who readily quits the world,
for Edward Scissorhands chiseling ice to grace Kim’s Christmas with snow,
for Clive Owen as the Last Knight in chivalrous throes,
for every personage who possesses a full-fledged soul.

 
Winter
 
When trees are denuded,
we put on layers and layers of clothing,
for winter spells out its might,
not in furs,
but in strata of old and new underwear.
 
I walk the streets like a bloated bear.
My feet absorb the dampness of the earth.
Like pine needles, my stiff, frost-bitten hair
protrudes from beneath my flimsy hat
to receive snowflakes.
 
Our fireplace is logless and bare.
We do not believe in cutting friends.
And since fuel is embargoed and hard to obtain,
we heap blankets upon our frames.
 
The essence of warmth I cannot ascertain
by word or image,
by hand or face.
The only memory I have of a flame
is a candle that burns on his grave.

 
A Requiem
 
I entrusted him with my mouth,
its knots of nerves.
He anaesthetized with an errant needle
that swerved,
hitting a nerve that sent shudders
through lips and nose.
 
He drilled a hole
as deep as an abyss,
perforated with a hand
that went amiss,
then embalmed the whole with a Pharaonic substance.
 
But pain soon shrieked with renewed force.
The unsealing of the tooth began to unfold
the remnants of a nerve that had been left to rot.
 
Like chimney sweepers in Victorian times,
he thrust his fingers through my gaping mouth
to unplug the sewage of a tooth’ canals.
 
Months of endurance saved not its life.
A nerve now twitches beneath my eye,
resonating to the requiem of an early demise.

Poetry from Joan Beebe

Elderly white woman in a blue dress next to an older middle aged Black man in a striped tee shirt, hugging in a pool lounge area.
Joan Beebe, left, with fellow contributor Michael Robinson
A Time of Stillness

Neat nice homes standing side by side.
Where there used to be neighbors mowing the lawn,
Resting quietly in the shade of an old maple tree,
Waving to neighbors who are also in their yard and
some taking walks through the neighborhood.

The area now seems like a ghost town.  A few cars 
sit idle in driveways and no one visible through
windows of the homes.  Arising in the middle of the 
night and looking through your window is sad and 
disturbing.  The quiet of the night seems like you 
are alone in a field of grass with the light from
a shadowy moon enveloping you in a time of yesteryear.

It is taking you back to a time of youth, laughter and 
living a family life of love.

The present is now when we hope and pray that the 
dangerous and fearful virus of COVID19 will be erased 
from every part of this world. 




Poetry from D.S. Maolalai

The kite

and this was toronto.

somewhere: a tuesday.

one of those dull

and hot days in late

summer. I wasn’t working.

I was sitting in the park

near my apartment,

reading a book

from my pocket.

and there were squirrels, employed

in their running about –

there were squirrels

all over toronto –

and then there was also

a hawk. it was flapping,

its wings making holes

in the grass, hurried along

like a fast escaped kite.

it didn’t get any of them;

just blew about, a little breeze-caught,

right in front of me

looking huffy and somewhat

embarrassed. I could have

touched it, if I’d put down

my book. the dark feathers,

the fast moving head

and the eyes. then it was gone

and the day was quite warm

and there was traffic moving

and a streetcar going up bathurst,

the colour of an old

can of cola.

and people were yelling

from the park’s public

swimming pool

and people were yelling

on the street.

we were somewhere,

and something

had happened.

The sort of thing that happens

4pm. Sunday

in the Phoenix Park back

and the north and a pub

called The Hole

in the Wall. drinking

a warm can of Guinness

like coffee. watching the deer

as they run between cars.

this is the thing –

what you see in the park

on a sunday. energy springing –

anxiety given

a shape. and we’re by

the back garden

to Áras an Uachtaráin

(that’s the seat of the president

for American readers)

the sort of thing that happens

in Ireland sometimes.

Stripping the kitchen.

like a lizard

scraping skin

over gravel,

or like peeling

a difficult orange,

I cut through linoleum,

dragging the knife

along down the edges

of cabinets.

this is a saturday,

eight months in a rented

apartment – we weren’t quite sure

what the contract allowed us

to do, but messaged the landlord

and hated the kitchen.

his easy response

with the usual english: I could not

give much less of

a fuck. I finish the trim

and call over my girlfriend

to help me in drawing

from body. it comes up

with an ease

which surprises the both of us,

upsetting my coffee

and bucking like water at stones.

frees with a scrape

and a sickening sucking

sensation, but the tiles

underneath are well-

cared for, and this

is a good afternoon.

the corners are stained

and discoloured by glue,

though the centre

is clean and bright yellow,

solid as surface, with some

minor cracking,

like a bone when it breaks

through the skin.

The houseplant

I slept late then

often, woke up

and made kitchen-

coal coffee. walked

to the bedroom,

useless and dry

as a plant. there was

something growing.

something awful

was growing. my girlfriend

had work and my friends

were all working; the dog

just as tired as I was.

I checked messages,

job listings, made

another coffee.

sent applications

and didn’t hear back. there was

something growing. a seed

in a shed in a garden,

on a dusty wood shelf

by some gloves.

summers would come –

I did know that.

and winters – and I

knew that too.

In India.

he took a room

in an apartment building

in the vaguely spaced out

no-man’s land

somewhere south of Smithfield,

past the Liffey,

near the Liberties. a hillside

which lurched on, downward

toward the river

like a mildly drunken misstep

on a badly levelled street.

and he overlooked

the brewery

and the clearly stretching

sunlight, which fell out

from his window

toward the northside

of the town. no shadows

but his own, marking time

and getting longer, like a toddler

slowly growing

until 10.

and he’d dearly

loved the dog – he had gave it

to his sister – but he’d left the plants

and bookshelves

and goldfish with a note;

perhaps the landlord

wanted them. and occasionally

a message: she was doing well

in India – could probably pay

his passage, if he’d maybe like

to come? inspired by the light

which struck the buildings opposite

he took to painting pictures:

his girlfriend, still in India,

and writing him

short messages.

Poetry from John Most

I’ve heard that a nurse will sing Amazing Grace on inauguration day for Biden and Harris.
I understand Donald Trump may sing his own version for his departure:
“Amazing Base” (with apologies to the composer/lyricist of Amazing Grace)

Amazing base, how sweet their sound
To praise a kvetch like me
Dems claim I lost, (fake votes they found)
They’re blind – just wait – they’ll see!

‘Twas Race I used to stoke such fear
And Race the nation cleaved
How sharp my ugly tweets appeared
My smitten base believed

Through Mueller, and impeachments’ tar
We have already come
The base has stuck with me so far
My base will lead us home

My reign should last ten thousand years
Bright, shining as the sun
With all those days to sing Trump’s praise
We’ve only just begun

Amazing base, how sweet their sound
That loves a kvetch like me
I’ve never lost: Fake votes were found!
Stand strong, just wait – THEY’LL SEE!

Elizabeth Hughes’ Book Periscope

Middle aged white woman with glasses, a smile and blonde bangs
Elizabeth Hughes

Tropical Doubts by David Miles Robinson

Tropical Doubts is part of the Pancho McMartin series. The series is a legal thriller. Pancho McMartin is a criminal defense attorney, one of the best in the Hawaiian Islands. Until, that is, he loses three trials in a row.

His very good friend, Manny, comes to him after his wife, Giselle, dies after surgery. Then with a twist, Pancho is then defending his friend Manny when the lead surgeon is murdered and Manny is accused of his murder. Tropical Doubts is a fast paced novel with an abundance of suspense that will keep you intrigued until the very end.

David Myles Robinson’s Tropical Doubts can be ordered here from the author’s website.