Essay from Evie Petropolou

Men in suits and women in dresses and skirts and headscarves stand behind a table with a white tablecloth in a wooden room with windows and greenery.

Egypt celebrates the International Day of the Poet Cavafy and awards the Yorgos Foudoulis Prize for Culture 2024

Egypt participated in the celebration of the International Day of the Greek Poet Cavafy, including the Yorgos Foudoulis Prize for the year 2024.
The Egyptian-Greek ceremony was held at the Grand Hotel
Organized, sponsored and chaired by the Commissioner General of the Foudoulis Award in Egypt:
Dr. Atef Khair
The vice president of the celebration 

Manar Marouf
And Dr. Reda Abdel Rahim
And the journalist Andy Al-Arabi
And journalist Marwa Abdel Ghani

The ceremony, started with the playing of the Greek National Anthem and then the Egyptian Republican Anthem
The Yorgos Foudoulis Prize for Culture was awarded with honors
Honor, shields and certificates of appreciation by  the name of the Yorgos Foudoulis
 Culture Award
The Foudoulis Prize for Culture for the year 2024 was awarded to :

Professor Dr. Mona Haggag, Greek archaeologist and civilizationist

And the Greek archaeologist and civilization scientist, Professor Dr. Wafaa Al-Ghanem

And the distinguished artist of the Egyptian Supreme Council of Culture, Dr. Ali Abdel Ghani
And historian and writer Dr. Reda Abdel Rahim
The Vice-Chairman of the Celebration is Mrs. Manar Marouf
Issam Helmy, the Egyptian guitar expert

He knows the semsimiya instrument and the leader of the traditional semsimiya band, the artist Ahmed Ashry
And the international visual artist, Dr. Adel Benjamin
And Mrs. Amani Ahmed Tarraf
And President of OCD Academy of Arts
Visual artist Abdullah Kharouba

And the artist Marian Muhammad
And the artist Imad Muhammad Ibrahim
And the artist Nisreen Al-Lawandi
And the  artist and calligrapher Ahmed Tariq
And the poet Hana Al-Gharabawi
And the poet Maryam Al Faraskouri
The artist is the leader of the Storm Team performing arts team
The Chairman of the Board of Directors of the Grand Hotel, Mr. Jamil Farah, was honored
And the head of the Egyptian Society for Human Rights, Counselor Gamal Al-Najjar
The ceremony included speeches delivered by  the presidency of the celebration, and Dr. Atef Khair thanked and appreciated the attendees. 

He also thanked and appreciated the international Greek musician Giorgos Foudoulis, who authorized him to award the award in Egypt.
The ceremony was presented in English by journalist Marwa Abdel Ghani
The ceremony was presented in Arabic
Journalist Muhammad Al-Jazzar
Professor Mona Haggag and Professor Wafaa Al-Ghanem spoke about Greek civilization in Egypt and the historical relations between Egypt and Greece.
The poet Hana Al-Gharabawi recited the poem Greece
The poet Maryam Al Faraskouri also recited the poem “Ithaca” by the poet Kafafis in Arabic

Storm Team Performing Arts performed
A dancer's performance to the music of Zorba the Greek
Pharaonic review
A review of Egyptian folklore
Guitarist Issam Helmy played musical pieces
Singer Hamsa Ekramy presented singing segments
The ceremony included a musical performance by musician Yorgos Foudoulis
And Cavafy's poems
And the Greek song of Alexandria
Certificates of honor were presented to the attendees and participants from the Egyptian governorates and cities of Cairo, Alexandria, Port Said, Damietta, Asbut, and Sharqia.
In the conference hall of the Grand Hotel Ras El Bar.




Poetry from James Whitehead

About this Whole Nature vs. God “Thing”

	I recall it now, in a time of plague.  
	I was in love with someone.  
	Who it was is rather beside the point.  
	I loved her and she loved me, that much I remember.  If it was the person I am with now, then the story makes no sense to me.  That love is still good.  And I associate the story with a fall.  So, I am pretty sure it was a failed love.  That we loved each other, but that something went wrong.  
	What happened, which was not the terribly wrong thing that took away our love, was this:
	We went to a ballet.  It was almost that simple.
	Other people went with us, friends, family members, they all joined us.  We had enough tickets, that we all sat in a row, alongside one another.
	I had family there, she had family there.
	I had friends there, she had friends there.
	We both were surrounded by other people.
	I hated and hate the ballet.
	It felt like something forced upon me, like life itself.
	What I mean is, metaphorically, no one chooses to be born.
	But once born . . . we choose to live.
	I did not want to be there, but, there I was.
	And during the entire show, I only remember two corresponding sensations, which, combined, informed me about something . . . taught me something about this experience I never would have chosen to live through.
	To my left, I felt, repeatedly, an elbow in my ribs, and, whenever I turned, the person to my left kept saying, repeating, “Look at that DANCE!”
	To my right, I felt, repeatedly, an elbow in my ribs, and, whenever I turned, the person to my right kept saying, repeating, “Look at that DANCER!”
	So I, listening to both of them, trying to learn from both of them, how I might best enjoy this living experience, looked at what we were all there to witness and experience.

	And I kept seeing the same thing.
	Whether I looked to the Dancer, or to the Dance.
	It all looked the same to me.




Aren’t Judas I just perfect, given the money? 

	I give my money to the brewers of the world because they are truly great human beings. Still it does me no good for answers when I question almost daily the accident of my life, sitting in my apartment loft, reading Henry Miller, staring at my diplomas, wondering about my father, whose first job was holding live pigs’ hind legs, while the animal doctor cut there, or my father, whose last job was holding stock, or wondering about my mother, whose first job was teaching special children, or whose last job was teaching her children. 
	My life does me no good for answers, petting two cats, one named for disappearing, one named for being seen, or listening to music – name the genre –or sitting next to a well-lit globe outlining already outdated countries – the Union of Soviet Socialist Republics, Czechoslovakia, Yugoslavia, all other countries all running their mortal course, including our own, or typing on an outdated machine, one worth more than a third world income, or wondering why these thoughts of mine do not inhabit another – a Muslim woman burning alive in more than the sun for being unveiled, a child of a disappeared Pole in a forest near white Russia, a South African miner, ass daily probed, giving the merry widow its glow, a rubber worker from Indonesia, his grandfather killed in 1965, in the uprising, an American nun, who taught sharing – that’s what she called it – in South America, now somewhere in its Incan ground, or a revolutionary living in a world without accidents of fate . . .  or wondering . . . hung up, if he loved Mary, because he could, or if he loved her instead because he could not . . .
	 The money that pays the next bills, it gives no answer, no clue, doesn’t it, as I give it to the brewers of the world . . . 
	this well-lit, mortal world? 



Because


They raised the children to be unkind because the world was unkind
because they raised the children to be unkind because the world was
unkind because they raised the children to be unkind because the
world was unkind because they raised the children to be unkind be-
cause the world was unkind because they raised the children to be un-kind because the world was unkind.






Poetry from Muslima Murodova Kadyrovna

Central Asian teen girl with long dark hair in a floral blue and white blouse standing in front of a map.
 My mother

 In the bosom of the nine moons,
 My honorable mother who gave birth to me.
 Nurtured in a warm embrace,
 My kind, loving companion.

 Her eyes shine with joy,
 The kindest, innocent world.
 She builds a castle of flowers in your heart,
 She prays in every word.

 Of course, intentions will be answered.
 I will take you to Hajj, my shining jewel.
 Thank you, thank you a thousand times,
 My pain, my pleasure, my confidante, my mother.
   
Murodova Muslima Kadyrovna was born on June 29, 2010 in Jondar district of Bukhara region. Currently, she is a 7th grade student at school No. 30 in this district. Her first poem was published in 2024 under the name "Come beautiful spring." She won the 2nd place at the festival held in the district. She won the 1st place in the district stage and the 2nd place in the regional stage of the "Bakhtim Shul: Zulfiyasiman Uzbek" contest. Her first anthology was published by the UK publisher Justfiction Edition.

Poetry from Adam Fieled

The Painter

The compact red book I ran around with:
Crowley’s Book of the Law. I was goaded
into knowledge that a reckoning was at hand.
An archetypal Goddess had manifested as
a tactile reality in my life. An image had been
seared into my mind; a painting called The Vessel;
it was hers, & yet I was a married man. The only
path forward that tempestuous autumn of ‘01 was to
cheat. The book laid down a gauntlet of what 
it meant to act in the world with a genuine sense
of destiny; to be a man who had the mettle to be
a real force of nature. She knew, my wife, that I
had been possessed, & that winds were blowing
me in a new direction, towards the forbidden. 

I had, it seemed to me, no choice. The night I
spent with the painter, in a studio in PAFA, I
discovered what it meant to have a hinge to 
true will about matters of the heart. She kept
paintings there, of Dionysus & Apollo, & she
would make me a myth, too. We shared red
wine that had the effect of being blood between
us; our chalice was the air, the sound of water
pipes late at night in an old building, darkened
corridors meant to hold only us, bathrooms
which could be used as portal-ways into starry
worlds. As I gathered steam, I felt the book
hover in the air as well, a piece of text writ in
boiling blood, pummeling towards spring. 



Adam Fieled is a writer based in Philadelphia. His books include Equations, Cheltenham, Apparition Poems, Beams, and Opera Bufa. A magna cum laude graduate of the University of Pennsylvania, he edits the journal PFS Post.    

Poetry from Mykyta Ryzhykh

***
“Hello,” – the butterfly whispers quietly with the flapping of its wings,
The caterpillar moves its antenna in amazement.

“I was you,” – says the butterfly, – “
And I know what you are waiting for.
Your dream will come true very soon,
And you will fly into the sky, beautiful and pure."

That evening the caterpillar died, but the butterfly was never born.

***
The voracious phone is roaring loudly
Crocodiles of papers held together with a paper clip
Boss instructs to drink ink blots letters
Chitin grows on the back and computers glitch like rabbits
A piece of sandwich has dried up on my table
The head of the laboratory does not know that the work was paid for in blood
Another day when I have to report
Another day when I apply for a grant
Another day when I quarrel with environmental activists over laboratory rabbits
Another day I can't find a cure for cancer cells

***
the wind speaks
because someone knows how to listen
autumn gives birth to sensitivity

***
wife licks the spring wind
puddles of clouds cut in half

first part for death
second part for waiting for death

and the mirror is cracked
and the cracks are mirrorfull

the future is spreading over the sunday pan
the sun ripens like an apple
snakes twist like vines

the past burns out in the corner of the trash bin
cigarettes are the thing of the present
time flows off cheek like spit

birdsong awakens forgotten memories
lips trying to kiss silence
wife stealthily licks the spring wind

***
The noise that doesn't exist
Nobody came this time
As always

We have no choice but to let our shadows out into the street so that they knock on our door

Knocking on the door - sounds full of desperation
It is clear that there is no one there at the door
Obviously no one will come

***
black ridges of autumn
grow in the pupils of a bird
shot with a gun

***
The bread of black heads is getting stale
Someone is knocking on the door

The aluminum bird breaks all the hinges
Worms devour the remains of flesh

***
Let's pretend there's a blue sky overhead
Let's pretend that we live on a blue planet
Let's pretend that blue blood flows in the pipes
Let's watch the blue cats in the blue cemetery
Let's paint the blue people in the colors of the blue rainbow
Let's turn into blue butterflies on blue bushes
No words can convey the heavy blue sweat on the cheeks of the deceased

***
no one is born without a body
everyone is born without sin

weapons scream at the future dead
people don't fuck with strapons but kill each other with guns

man is a red triangle
the throat of the torn night itches with a ballistic rocket

***
night knocks on the back of the head and breaks the skull with a cast-iron finger
no one rises again
only the cemetery cries at the sight of flowers
flowers in turn dream of living without graves and mourning ribbons
and God's assistant presses the wrong button again

***
no one will crucify Jesus once again
because he will die

on the threshold of a silent tree
on the very first morning
of burning poverty

***
kitten in the red night sleeps motionless
abdominal dreams do not
bother the one who is not to be born

feline cat jesus went on vacation in order
to have a story

dead cat jesus went on vacation
to hang himself

***
the sky screams at the ant
because the ant is insanely small
and prays to the grass

grass is home
grass is glass
glass is a scar that will never heal

***
Dad came from the street and said that the air is red
Is it because the tulips are blooming? I asked my dad as I stumbled over my school bag.
That's why, dad replied.

I came to visit my dad with a bunch of flowers
I said to the grave photo: the air is green now
Is it because the tulips are blooming? - asked the father from the grave

For some reason I kept silent
A bird screamed on a lilac branch
It was still dark around
Morning still hasn't been invented

Reprint: The Wise owl

***
The loneliness of antiquity befell the cemetery
Butterflies played a symphony of heritage with their wings:

They were once in a cocoon
They once cocooned themselves
They were once their own parents

Flowers tickle themselves with playful wings
How much is the life of a butterfly if thanks to a butterfly spring comes and the cemetery lives again?

Reprint: The Wise owl

***
The sky is strangled without a noose
The word death is almost the same as the word deal
Who knows how to control death?
How competently does someone use their talent?
Body that belongs to Nobody

In the middle of the road, the body that was allowed to go to waste
Where does the unpronounceable road lead?
The gold of the red walls scratches the throat
Where does the path lead us along the night?
Black mother-of-pearl coffins underground
The wooden vision of a dead man blooms like a rose
Nobody knows what the word dead means
And overhead the black sky
And overhead the dawn of darkness

Reprint: The Wise owl

***
The child is looking for bruises
The child is looking for knees
The child is looking for legs
The child is looking for a torso
The child is looking for himself

A broken ladder rushes upwards

Reprint: Тriggerfish critical review

***
The weather forecast deceived
Tears instead of rain

Nobody is resurrected
Dahlias have blossomed

In every petal a breath of air
In every breath of air

God was called by his patronymic
Couldn’t imagine it as a feminine

They believed in God according to the national
Calling a patch of unfortunate land a state a country

Ripe apples in the garden
And tomato juice floated through the veins

In the spring, lips kiss
Because they can’t stand their ugliness

The weather forecast deceived
In the spring, bones come down on the grass

And nothing happens

Reprint: Тriggerfish critical review


***
belly torn in half by the birth of love
I'm leaving you kissing your leaving shadow

distance is the castle in which I placed myself
my love is your gift to me

you kiss in the dark with others and then fuck and I'm happy for you
you will forever remain unimaginably beautiful on the other side of the castle

I build distances so as not to harm you with my love
we say goodbye to each other like trains that never dare to approach each other

you will love and be able to make anyone happy
you can give anything but not to me

Reprint: Ouch!  


***
Three fingers crushed us with emptiness
A knot has wrapped the air around my neck
The alarm siren and explosion fatigue are drawn to the eyes

We fuck like corpses that will never be separated from each other again

Reprint: Ouch!