Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

----------------------------------------------------------------------
flutter

and here comes the old timer



a blackout drunk in the city
that never sleeps


has stories for days about
hookers, heroin and whatever
happens to flutter into his mind


i egg him on from time to time,
especially when he calls oprah
the anti-christ


how many black women have
fucked you over?


i stopped counting in the late
fall of 1979


like a lost dog, he wears those
puppy eyes like a scolded child


ok, let's go to the bar


he lights up

a smile



we get to the bar and ask for
two old fashioneds and a shot
of everclear


the bartender asks are you two
celebrating or looking to die


the old timer mumbles under
his breath
what is the fucking difference

i pat him on the back, reassuringly

tell him there isn't any
---------------------------------------------------------------------
imagine the fame

watching the news recently
has me rethinking all those
dreams when i was a kid
and i wanted to kill
my father

i sip on a whiskey
and imagine the fame

love letters on the wall
of a prison cell, cracking
jokes

of course i try not to
think who is claiming
me as their bitch

swimming in a river
of apathy that never
ends

whatever greatness ever
touched me has withered
away by now

a walking corpse


a poem edited beyond
belief

even the shotgun in the
corner has lost interest

i think of my bed as a tomb
and one day, i won't be jesus

actually get to enjoy
a few more hours
of sleep
-----------------------------------------------------------------------------
any sense of depravity

a slow song
as she rests
her aching head
on what is left
of your soul

it was never
supposed to
be this hard

all the mistakes


bad luck dressed
as a devil in a
three piece suit

two dreamers left
alone to suffer

stretch a dollar past
any sense of depravity

this is what happens
when the drunks realize
a bon jovi song is never
something to aspire to

can't afford the good
drugs anymore

this is why you never
burn any bridges with
the homeless

you never know
------------------------------------------------------------------------
when the holidays roll around

embrace the madness like tomorrow
is the hooker with a heart of gold

some fantasy made up in a
tarantino movie i suppose

the nights get bleaker when the
holidays roll around

suicide is this tempting seductress
showing just the right amount
of leg

she will give you a taste and you'll be
fighting the urge the rest of your life

i see the tombstones of my friends

lucky fucks that made it out

but who knows

maybe some damsel in distress
stumbles into my life

i win a lottery or a ten team parlay
and suddenly, sunshine is something
more than just cancer waiting to happen
------------------------------------------------------------------------
something fondly

sometimes i believe my death
will solve everything and soon
enough i will be forgotten

my ego tries to make a point
that the poems will last longer
than any of us

and there will surely be a woman
or two that cries or remembers
something fondly

the realist in me laughs

knows none of this matters
or will come true

the ashes will be spread into
a flower bed where the dogs
will piss every morning
that part always makes me laugh

fitting

i always pictured my ashes
being flushed down a toilet
in a cocaine rage
but pissed on isn't that far off

hopefully the flowers

will look good



J.J. Campbell (1976 - ?) is old enough to know better. He's been widely published over the years, most recently at Horror Sleaze Trash, Lothlorien Poetry Journal, Yellow Mama, The Rye Whiskey Review and Mad Swirl. You can find him most days on his mildly entertaining blog, evil delights. 

Poetry from Anindya Paul

Middle-aged South Asian man in a patterned green collared shirt in front of a tan and white wall background.

I could never be green 

Although I saw light of life in your eyes 

Eternal happiness is held in the branches 

Is it good to give up love so much? 

You have swallowed fire without question 

Rooted in the body, get the current 

You gave handfuls of food to the hungry 

This planet full of life air is also your gift. 

Yet the forest cries silent meadow 

Those who live in your flesh and blood 

Without you there is not a single drop of light 

There is no point of life in those who are in the sky 

They have debt 

There are bloodless killing contests 

And your friendship is colorful 

Singing doom on a dead boat… 

Raw tea 

 Raw tea 

 pressing the throat of the mug 

against my lips 

Shame! Shame!

said ‘The color of the blood is now metallic-black 

the color of the sky changes, 

blue with shame and red with fire. 

At this time, the innocent morning is dying on hunger strike. 

I close my eyes 

Light sits in the balcony of the eye 

dim and blinking 

silent 

The door of darkness opens 

I see that death is happy and 

life is in a blender.  

Denying one’s uterus, the fetus will never see again earth’s soil 

The stake is full 

The cock is full of sensual maggots 

They eat the body 

Pulls the vagina out of the body  

Drinks it 

Destroys it and 

At the end of the festival, the trolly is full with dead femoral artery. 

Although then 

The burner flares up again 

The words of judgment are baked in the oven, and 

We sit with our backs to the light 

Twenty-one drops without a glass 

Hoping for the reddish raw tea… 

Cristina Deptula reviews Jennifer Lang’s memoir Landed: A Yogi’s Memoir in Pieces and Poses

Cover for Jennifer Lang's Landed. Image of a person doing a handstand on some wavy blue lines on a white background while the rest of the book is black with a leafy green tree on the left. The author's name and book title are in blue and purple thought bubbles.

Jennifer Lang’s new memoir 

Landed: A  yogi’s memoir in pieces & poses addresses many themes common to her previous book, Places We Left Behind: a memoir-in-miniature, including dislocation, nostalgia, insecurity, and the desire to find a place to belong amid multiple international moves. And, like Places, it employs interesting literary devices: lists, poems, thought bubbles, and a true-false test. They almost read like part I and part II; Landed begins in 2011 where Places ends. 

This second memoir, published 13 months after the first, goes even farther with its introspective questioning, though, as a yoga friend of Lang’s suggests that the author’s feeling adrift could be just as much due to struggles within herself as with her bi-national lifestyle and disagreements with her French husband. And we see more of Jennifer’s own work and practices to carve out her own space, within the chapters on yoga poses and classes interspersed between anecdotes of her married life and also within her account of her writing life. That includes teaching memoir writing classes in Israel as well as writing this memoir. 

This book humanizes a part of the world that all too often makes headlines for the wrong reasons. It also tells the universal human story of a woman balancing concern for her husband, adult children, and aging parents, who have struggles all their own in Landed.

Jennifer Lang’s Landed is available here through Vine Leaves Press.

Sabrina Moore reviews Brian Barbeito’s collection Still Some Crazy Summer Wind Coming Through

The Universal Through the Local: Brian Michael Barbeito’s Still Some Crazy Summer Wind Coming Through

(Large dark crow or raven silhouetted against a dark and cloudy sky)

Reviewer- Sabrina Moore

October 22, 2024

Publisher- Dark Winter Press (July, 2024)

Type- Soft Cover Book 

Genre- Prose Poetry and Landscape Photography 

Pages- 125 pages

Language- English

Author- Brian Michael Barbeito

Image From- Page 64, Guru, World, Other

Brian Michael Barbeito’s prose poetry takes readers on a reflective journey, exploring themes of personal displacement and the search for belonging. In works like Can I Find Where I Used to Be and Of Flowers and Polite Complaints, Barbeito delves into nostalgia, loss, and existential questioning.

Barbeito’s style blends narrative and lyrical elements, creating a dreamlike quality that draws readers into his world. His use of natural imagery serves as both a source of comfort and a metaphor for the speaker’s desire to rise above life’s challenges. The “Angel of Time” in, Of Flowers and Polite Complaints, is where the speaker reflects on fate and purpose in the world. Barbeito contrasts beauty with harsh realities, likening the fragility of flowers to the cruelty of life. This balance between beauty and pain gives his prose emotional depth and philosophical insight.

Overall, Barbeito’s prose poetry invites readers to sit with uncertainty and discomfort, while offering moments of hope and spiritual strength. His reflections on the divine and nature reveal a deep introspection, as he searches for peace away from the “base and cruel” world he describes. His work resonates not only for its vivid imagery but also for its honest exploration of existential themes. Through his balance of longing and acceptance, Barbeito captures the universal human experience of seeking meaning in a chaotic world.

Brian Michael Barbeito’s Still Some Crazy Summer Wind Coming Through is available here through Dark Winter Press.

Artwork from Raquel Barbeito

Drawing of a closeup of a black dog with a blue collar in a gray room with white doors. Dog sits on a blue cushion.
White little Yorkie curled up on a gray table. Her name, Daisy, is spelled out on the side of the work, gray on burnt orange.
Black and white photograph of a young woman with dark hair painting on a canvas on an easel. Paintbrushes in a jar in the foreground, open curtains by a window in the background.

Raquel Bianca Barbeito is a student of Animal Biology at The University of Guelph in Ontario,  Canada. She is also a painter and has done commissioned work for clients that want custom animal portrait creations.  She works on canvas with acrylic paints. 

Poetry from Saad Ali

Haiku

_______

after New Fairy Tale by Nikolay Bogdanov-Belsky (Russia), 1891 C.E.

for Nikolaos Karfakis & Cameron A. Batmanghlich

Four children sit an an old style 1800s wood log cabin, reading books. A cat and sheep are nearby, as are some clothes.

     Mayflies and fireflies—

Fables will need re-scribing.

Who shalt volunteer?

***

after Lotus by Martiros Sarian (Armenia), 1911 C.E.

for Nashwa Y. Butt

Abstract watercolor of a white lotus with a yellow center on water.

   Moon-baskin’ red pine!

Wood owl orchestrates a hoot:

     Star lotus shies, swings.

Hay(na)ku

_______

after The Meeting of the Illusion and the Arrested Moment – Fried Eggs Presented in a Spoon by Salvador Dali (Spain), 1932 C.E.

for Ayesha A. Khan

Abstract image of a white figure casting a shadow inside a small window in a tan building angling down and outwards. Sky outside is light blue and yellow and there's a spoon with seeds at the bottom.

     Water-Beetle—

Your love.

Gracias, I’ll pass.

***

after Interior with a Bowl with Red Fish by Henri Matisse (France), 1914 C.E.

for Maraam Pasha

Yellow fish in a tank next to a potted plant on a table in a bedroom near a window with a large building outside. Painting is mostly blue and yellow.

     fish;

glass bowl—

transparent: inside, outside.


One-Liner Aphorisms

_______

(Geo-sociopolitical) Paradigmatic Shift

after Geopolitical Child Watching the Birth of the New Man by Salvador Dali (Spain), 1943 C.E.

for Meg Pokrass

Person cracking out of a giant surreal egg with another person nearby, a woman with long hair. Desert landscape in the distance.

The onset of the A.I. Age will render the Homo Sapiens (‘Thinking/Wise Man’) a museum artifact (?)

***

The Absurd Brachyura that got Clasped in the Chelae of Metaphysics

after The false mirror by Rene Magritte (Belgium), 1928 C.E.

for L. Jacobs & E. Rahim

Human eye with clouds on a sunny day for an iris and a black pupil.

In the very essence, both the prefixes—mono ‘n poly—bear the same in/ex/trinsic value!

Saad Ali (b. 1980 CE in Okara, Pakistan) – bilingual poet-philosopher & literary translator – has been brought up and educated in the UK and Pakistan. He holds a BSc and an MSc in Management from the University of Leicester, UK. His new collection of poems, Owl Of Pines: Sunyata (AuthorHouse, 2021), is an homage to vers libre, prose poem, and ekphrasis. He has translated Lorette C. Luzajic’s ekphrases into Urdu. His poetry and micro/flash fiction appear in The Ekphrastic Review, The Mackinaw, Synchronized Chaos, Lotus-eater, two Anthologies by Kevin Watt (ed.), and two e-Anthologies at TER. He has been nominated for the Best of the Net Anthology. His ekphrases have been showcased at the Bleeding Borders, Art Gallery of Grande Prairie in Alberta, Canada. Some of his influences include: Vyasa, Homer, Attar, Rumi, Nietzsche, Dostoyevsky, Freud, Jung, Kafka, Tagore, Lispector et alia. He enjoys learning different languages, playing chess, travelling by train, and exploring cities/towns on foot. To learn further about his work, please visit: www.facebook.com/owlofpines.