Poetry from Ahmad Al-Khatat

Espresso and Tequila 


Like espresso and tequila our
love is a warm thirst to the spirit.
You make me remember all of 
the blessings and memories we have.

Dreaming of you is as a lover 
flying above a sky made of water.
Your scent is the air of lusty touch,
and the breathe for the thirsty tongue.

The world is made from a beautiful star,
so your heart must be my homeland.
We kissed and cuddled on the longest 
night of the year, we didn’t open wounds. 

Don’t measure, just break my boundaries.
This pack of cigarettes heals me from my 
my long glowing silence and rusty misery.
Take a sip of my liquor and smile on my aches.



In The Midst Of My Sorrows 

When I write about freedom, it’s not 
not a statement against any civilian.
Bullets and gravestones made me laugh 
about how my grandpa judge life as a joke. 

My friend tells me that I should learn to 
say no, does that mean I should under_
_line every drunken moments of loneliness,
and turn them into a thick hanging cords.  

My name never appears on your readings,
Some soft hands have become more dusty 
I wonder if I should leave and let them inhale
all the leftover breathes of this mad universe.

There is no hope from the past, but why do
I need to feel optimistic about today’s battles?
With both of my hands, I’m writing day and night 
of how relaxing I am not in the midst of my sorrows.

12/24/2023

B.H.P

___________

Poetry from Sterling Warner

Campus Silk                 

Cynthia’s form-fitting silk dresses

struck to her body like plastic wrap as she

pirouetted across campus in pointe shoes 

intentionally faced against wind gusts

pushing auburn strands of hair over cheeks

attracting an audience both men & women

lounging on the quad’s turf, eating fast food

lunches, listening to transistor radios, preparing

for exams, or writing to significant others—

past and present—in leather bound journals

filled with narrative poetry, whimsical sketches,

detailed shopping lists & occasional birthdays;

night & day, twelve months each year

she carried a collapsible umbrella, ready

to spread & protect her gorgeous locks

from rain & snow, trading silk summer

dresses for diva scarves that showcased her

face like a multi-colored picture frame.

Cascadia

Whitewater frothing

like hydrogen peroxide

foam sliding between rocks

boulders gurgling, gushing,

below natural bridges

linking embankments

on unstable shores where

wooden piles driven 42 feet

into mud, sand, bedrock and silt

once stood tall and defiant

yet remain like ragged stumps

torn off below kneecaps

where grubs burrow between spikes

as bright yellow birch leaves

float overhead then settle

like a golden patchwork quilt

upon stones in a dry ice waterway

swirling at the base of a ghost pier.

Dharavi Wall Reclaimed

Rickety realism centered

a rainbow fire escape

between two gigantic heads

Mother Theresa calls out

habit covering snowy egret hair

left hand cupped over her cheek

knotted veins and wrinkled skin

accentuated by a decaying hotel’s  

brick buttresses and drippy motor—

the graffiti virtuoso’s preferred canvas.

Facing the Calcutta nun on the right

Mahatma Gandhi calmly listens

to her whisper litanies and preach

about merits of suffering and her

“call within a call” as cars below burn rubber

do doughnuts, and emit smoke, delighting

penniless pedestrians with inner city theatre

sans Chelsea Square nosebleed seats;

pervasive, sustaining, his presence

outshines all street thespians and saints.

Cosmos Conductors

Stratosphere lights glimmer

dying amid comets & meteors

racing for eternal magnificence;

Saturn’s rings appear as ridged

as steel-hooped cage crinolines

relentlessly orbiting the planet.

Stargazing eyes wander, locate

ices, silicates, rocks & gasses

winking & twinkling the heavens

like angry sparks between wheels

& tracks from lost stellar railroads

barely even flickering at dawn.

Time elapses & spectacles dim

we embrace falling stars, suck on

helium balloons & talk like high

wire munchkins anxious to fly

on any trapeze without net, certain

as Galileo, optimistic as Carl Sagan.

Like fresh water washing filth & grime

off coal miner bodies, sunbeams splash

onto alley ways & trash cans, illuminate

abandoned train depots; foreboding shadows 

ground nocturnal astronomers, provide a hiatus

telescopes at rest & celestial secrets on hold.

French Doors

We slipped behind Raylene’s

family room French doors

backs to the wall, she embraced

my inexperience like a prize fly-ball

caught at Yankee Stadium, repositioned

my shoulders, easing them into her own,

kissing my neck, leaving a hickey

I wore like a badge of courage

provoking classmates’ consternation who 

confined young love to dreams & imagination.

From French doors to French kissing

we advanced without rules, ignored

norms, believed our world would endure

more than an evening; Raylene pressed

her face to mine, lost both pearl earrings

in throes of passion, found days later

when her mother vacuumed the carpet,

stroking shag pile, uncovering secrets

that had become common knowledge:

Raylene’s door evolved & swung both ways.

**************************************************************************************** 

Sterling Warner’s Brief Biography

An award-winning author, poet, and former Evergreen Valley College English Professor, Sterling Warner’s works have appeared many literary magazines, journals, and anthologies including Danse Macabre, Trouvaille Review, Lothlórien Poetry Journal,Ekphrastic Review, andSparks of Calliope. Warner’s collections of poetry/fiction include Rags and Feathers, Without Wheels, ShadowCat, Edges, Memento Mori: A Chapbook Redux, Serpent’s Tooth, Flytraps, Cracks of Light: Pandemic Poetry & Fiction 2019-2022, Halcyon Days: Collected Fibonacci, Abraxas: Poems (2024), and Masques: Flash Fiction & Short Stories. Presently, Warner writes, hosts/participates in “virtual” poetry readings, turns wood, and enjoys retirement in Washington.

Poetry from Devin Rogan

This Doesn’t Take Place In Florida

I live alone in the woods but
I am still less alone than
Most people in human history
Because I have a phone

In a few days I will go to a funeral
In a big city
Where someone will tell me his life story

He grew up in Florida
Has returned to Florida
It was hard for him in Florida

Which sounds exactly like
Everywhere else 

I have been to Florida
But not for a long time
So it is not part of my life story
But most people have the same life story
If you just insert your own details
Mentally replacing “Florida” for
Your personal “Florida”

I have considered my life 
In its totality and strangeness
More recently than I’ve been to Florida

So basically I was in Florida

If Florida is a metaphor 
For the place where things happened 
In your life story
Instead of it being the state called Florida

Sometimes I wait for a new life
I wait for it to emerge from the trees
I wait and I wait
And it does not appear
But that does not dissuade me
From trying again at some point in the future

At a funeral people will try and tell
Someone’s life story
Since that person is not there to tell it
They do a decent job usually
Considering it is not possible



 

The World Where it Rains


The rain is continuous and forever
Nobody knows how long it has been raining
It has been raining since we can remember
So long that now we don’t call it raining anymore

In the raining world I decide I will
Quit my job and move far away
Then go grocery shopping
To celebrate
That it will always rain

Before anyone speaks to me they are beautiful
In the aisles they are being beautiful
They have come out of the rain to be with me
And we will frolic among the groceries

But then they speak to me
And ruin it all

I think of the specific flavor of candy I want to buy
And I can’t recall the brand
Or maybe they don’t make it anymore
So yes, we can want things that are gone I guess

We unconsciously pine for the sun
That we no longer even remember
Or who people could have been
Before they started talking

I think about
When I move and
When this is no longer “my” store
I will love it so fucking much then
But not before then 

Somehow
That night it stops raining when
I am at the gas station
It is just me and the gas station
Oh and also the guy that works at the gas station
I remember that I miss everyone who is not me and the guy at the gas station

In the world where it is not raining now
It can be different
Because when something changes you know
It has just begun changing
And soon it will be the rest of everything changing
Forever
And it will continue this way
And I will move far away
And be in the sun


 

Leaves (Leaves)

A mental image of me covered in leaves
Exponentially decreasing in size relative to the pile of leaves
Completely minimized by nature (leaves)
Until eventually everything else becomes secondary to leaves

To the massive foliage dome of leaves
Nothing else matters but the leaves

But these are just imagined leaves 
I made up for this poem 
So there are no leaves actually

And the world is as it is 
And I say it is a pile of leaves
In a poem about leaves

Which is to say
Metaphorically and not literally so


Poetry from J.J. Campbell

Author J.J. Campbell White man with a large beard and a black tee shirt and eyeglasses stands in a bedroom with posters in the wall.
Author J.J. Campbell
----------------------------------------------------------------------
the chinese alphabet
 

i dread the holidays

 

mostly because i grew

up on dysfunction

 

normal shit is as foreign

to me as the chinese

alphabet

 

but i'm old now

 

crazy left years ago

 

i seek the quiet

 

never minded being

alone, just never wanted

to be lonely

 

the phone won't ring

on christmas

 

all my former friends

have their families

and the friends they

are using now

 

i'll turn on some music

 

something dark and melodic

 

we never even bother to

put up a tree anymore

 

somewhere charlie brown

is laughing
-------------------------------------------------------------------------------
while alone in the shower
 

she reminds you of

a ghost from your past

 

listens to mozart

while humming

in spanish

 

pretends to play

the slide trombone

while alone in the

shower

 

her kisses taste

like you were

born on the

wrong planet

 

she once kissed me

on my lips and told

me to close my eyes

 

i never saw her again
---------------------------------------------------------
plastic bombs in the sand
 

insomnia dances

like a lost lover

strung out on neon

lights and a gentle

line of cocaine

 

think of all the years

since our lips first met

 

then ponder how each

of us should already

be dead

 

rainbows and smiles

 

plastic bombs in the sand

 

maybe one day the poor

won't have to fight a rich

man's war

 

i know

 

long after most of the planet

ceases to exist

 

you ever learn to speak

another language

 

yeah

 

i can say fuck fluently

in nearly all of them

 

that's really all you need
------------------------------------------------------
make believe brilliance blah blah blah
 

long lines

 

rising prices

 

i knew there was a reason

i never wanted children

 

and all the good alcohol

is too expensive

 

and the shit i can afford

is only meant to harm

the liver faster

 

i put on some charlie parker

and wonder which will

come first

 

the first line of a poem

 

or a fresh vein

 

don't worry

 

if i can't afford the alcohol

how the fuck can i afford

the drugs

 

poem after poem

 

make believe brilliance

blah blah blah

 

maybe santa should actually

bring me some scratch offs

that are winners
----------------------------------------------------------------
way too early in life
 

the darkest eyes

cover up the most

pain

 

her smooth skin

tasted like all my

nightmares made

into an off broadway

play

 

the twinkling lights

are supposed to be

joyful

 

you've seen too

many movies

about small

towns

 

backwoods killers

 

and all the children

that succumb to reality

way too early in life

 

the holidays are rarely

happy

 

no snow for christmas

 

just rain

 

endless fucking rain

 

misery fit for everyone

around here

J.J. Campbell (1976 - ?) was raised by wolves yet managed to graduate high school with honors. He's been widely published over the years, most recently at Dumpster Fire Press, Lothlorien Poetry Journal, Horror Sleaze Trash, The Asylum Floor and The Beatnik Cowboy. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Poetry from Shloka Shankar

Singular Universe

“What you do not have you find everywhere.” — W. S. Merwin


Words harden in recollection.
Pull each one towards you,
cry like they seem evil.

Lay out some traps 
for half a dozen—it’s a craft:
fool an infinitive 
into holding out for hope.

You don’t need 
a permit to live inside your head—
put a foot on the ladder. 

Copy out a line:
the sounds of a singular 
universe being built.




Call to Action


A great deal of latitude
and an abundance of caution
can be an isolating experience—
what greater enemy does one have 
than oneself?

When the ink hits the screen,
it is an indispensable bit 
of programming—the totality 
of what you did or said

in the aboveground world. 


Source: A remix/cut-up composed from select words and phrases found between pages 11 & 60 of Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin.





The Creative Process 


Imagine the scent
of fine paper in summer—
a time when one’s taste exceeds 
one’s abilities.

To sense your decay
is not the same as loving it.
A bromide 

about the creative process 
is that you are often

nostalgic for a candy
you have never even tasted.

Or, to oversimplify, 
it is the erasure of mortality
in the sometimes-painful present. 



Source: A remix/cut-up composed from select words and phrases found between pages 20 & 86 of Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin.




A Rainbow Every Day 

for R


Carry off a little darkness
one piece at a time. 
I’ve been around for long—
there’s a reason why all sinners are saints.

You’ll know it’s me when I come 
through the road to happiness. 
Allow me to introduce myself—
a victim of the times,
the gods they made
of you and me.

We didn’t start the fire
and tell the world that everything’s okay.
What else do I have to say?
I can’t take it anymore.
The words inside my head—a blitzkrieg—
but what’s puzzling you?

I get a unicorn out of a zebra,
the truth from a thousand lies.
I erase myself, clean this slate
with the hands of a believer.

I can’t be what I’m not.
There’s a game called circle— 
as heads is tails.

I’d love to wear a rainbow every day.


Source: A remix/cut-up composed from lines and phrases from the following songs: “Sympathy for the Devil” by Rolling Stones, “Man in Black” by Johnny Cash, “One Piece at a Time” by Johnny Cash, “We Didn’t Start the Fire” by Billy Joel, “Believer” by Imagine Dragons, “What I’ve Done” by Linkin Park, “No Matter What” by Boyzone, and “I’m Not Afraid” by Eminem.


Shloka Shankar is a poet, editor, and self-taught visual artist from Bangalore, India. A Best of the Net nominee and award-winning haiku poet, Shloka is the Founding Editor of Sonic Boom and its imprint Yavanika Press. Her debut full-length haiku collection, The Field of Why (Yavanika Press, India), was shortlisted for the Touchstone Distinguished Book Awards 2022. Website: www.shlokashankar.com | Instagram: @shloks23

Poetry from Mitchel Montagna

Paradise

The light is growing dimmer

I cannot feel to cope

I hear less than a glimmer

of the prayer we call hope.

At night we clocked the bold stars

Felt waves of sweetened pine

Traced out maps of ancient scars

through tears that soothed like wine.

I dreamt I still might find you

We’ll ride that mountain train

Where comets trail behind you

and moonlight pours like rain.

Come watch that golden glory

Attend the sky with cheers

It shimmers like a story

told for ten thousand years.

Her midnight eyes are glowing

I swear they shine for me

And stardust keeps on flowing 

where heaven used to be.

Smoker’s Lament

I pace the halls like a zombie leaking

blood and fire:

It must have been the fog, injecting a 

disease I cannot bear.

But when I tried to set it down,

it burrowed into my throat.

I will never sing

at birthday parties again.

Turned out that sip of molten lava was

really an invitation to the cosmos.

All ‘round the rooms, explosive

tangles of lightning and wire.  

Their sizzling and thunder orchestrate  

like a sadist’s tune.

The waiting, at least, is familiar:

Remember those vacant afternoons

stoned on lethargy, confusion

dissipating to disgust.

Creeping shadows reflecting

the loneliness in your eyes.  

When you touched your face

you found it numb as earth,

like you were buried already.

On the Brink

The mountains stretch behind me

Wind blew me out of town

The morning sun will blind me

I rode the highway down

My friends won’t let me settle

I begged for scraps all day

Their mouths turned harsh as metal

They tore my heart away

The sweep of time will bleed you

It forces you to roam

Somebody else might need you

To find their way back home

A gauze of fog has lifted

As dawn broke through the cold

Bright banks of snowflakes drifted

I saw foothills painted gold

God’s Will

You stand against the gentle

tides, that urge you back

into the deep; this terror’s

surely racked your bones, to

cross that bright and mighty will.

Your sadness staring down

the surf, as glassy-green

as emeralds; the sunlight

glinting off the waves, and

dancing brightly in your eyes.

All the gifts you’ve conjured

up, and all the dreams that

colored you; they seethed until

they burned your hopes, and

dried your blood with bitterness.

You cannot let them pull

you down, and drown you in their

soothing waves; too horrible to

go in peace, then find your

soul still cries alone.   

A Silver Sea

If you are somewhere still

What a story that would be

Of a girl’s dance down a hill

to leap into a silver sea

Splashing far beneath the sun

Where the diamond waters glide

Drifting out till day is done

to disappear beneath the tide

Like a mermaid gently flows

Through shadows dim and deep

With her skin soft as a rose

and her face relaxed in sleep

What answers did you find

In hidden gold to take

Or leave untouched behind 

like ripples in your wake

The sea is dried away

Scorched by an aging sky

Then a field of ashes lay

where spirits went to die

Poetry from Noah Berlatsky

The Nose
 

My nose has started to lean to the left.

It happens when you get old.

You’d like to stay on the straight old road

But you get old and lean to the left.


 

The path you’re on, it starts out straight.

To love, to truth, to fame.

Then the nose goes off on its own, on its own

And you circle back round to the grave.