If they are near you, when you are paying attention,
You will be lucky because of her prayers
Praying and asking for happiness.
As an angel mother on earth!
If you are sick, you have a headache
Thinking of you, my heart breaks every moment.
Paradise is the only example
As an angel mother on earth!
Nurullayeva Ra’no was born on September 13,2007 in Denov district of Surkhandarya region and is now busy with creativity. The first author’s book of our creator was published under the name ” Denov’s young creative daughter. ” It also has about 20 international certificates. Also, the author’s creative works have been published in many anthologies, such as ” Kalb gavhari ” ” Collection of creators” and “High flights ”
Flower
The beautiful white of musked roses
Smelled heavenly as I longed to see
A bright torpedo colour of blue skim
The butterfly vision over me
As I stranded over the cliffs of greenery
I swam a great high
Poetry is like flower
Bright beautiful pansies in a summer day
The long twisted hauled letters smiled at me
The mailed by the night circus of grappling intensity
As I turned around and saw the zeal of monsoon rain
Little sprinkled water of bucketed truth
As the flowers fell over my tip toed joy.
Poetry submissions to North of Oxford’s Streur Anthology are now open!
North of Oxford would like to pay tribute to the late Russell Streur, poet and publisher of The Camel Saloon and The Plum Tree Tavern with an online anthology dedicated to Nature. Send us your poems of Nature, of floral and fauna, of forests and trees, of rivers, creeks and streams. Of farms, of urban nature, of parks and sanctuaries, of oceans and bays, of islands, of all things, Nature.
Send one to three poems for consideration of publication to North of Oxford at sahmsguarnieriandreutter@gmail.comSubject line of submission: Streur Anthology. Submissions will be accepted until 5/31/25. Only submissions attached as word doc will be reviewed. Please include a 100-word bio within the word doc.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self
Eva Petropolou Lianou shares a short film inspired by NASA’s inclusion of her poetry in a capsule launched to the moon.
Synopsis On 26th February 2025 NASA launched a capsule with poems to the moon, one of them was the anti-war poem “Happy Birthday”. Written by Eva Lianou Petropoulou, Directed & Animated by Zina Papadopoulou, Music & Sound by Grigoris Grigoropoulos
Lunar codex, Athena, Minerva Excelsior, The Vagabond Anthology, edited by Mark Lipman, dedicated to the Palestinian poet Ahmed Miqdad
Also, our contributor Brian Barbeito’s new book has just come out, When I Hear the Night. This is a prose poem and landscape photography book. Included with the words and pictures are two literary and dynamic introductory essays, one by poet and editor Jude Goodwin, and another by the writer and editor Mary Buchanan Sellers, figures current and thus well-informed in the field. There are also author notes and question-and-answer sections. The writings can be said to have interesting elements of memoir, essay, belle-lettres, poetry, and short story forms. Their content often includes the mystic and inner vision of the author coupled with the outside world of nature walking and travel.
Now, for May 2025’s first issue: Paradoxical Understandings. In this issue, we explore various perspectives and vantage points, how multiple things can be true at once in our complex universe.
On a more personal level, Peter Cherches writes of understandings and misunderstandings, how much we can come to know or forget about those closest to us. Aziza Xazanova urges human understanding through avoiding assumptions and listening with empathy. Daniel De Culla relates a story where a person in trouble simply seeks a listening ear, not rescue.
One way people can understand each other better is by learning each other’s languages. Several contributors discuss pedagogical methods for language teaching.
Other contributors reinterpret language in concrete and abstract ways. Jerome Berglund renders different poetic forms into concrete images. Noah Berlatsky contributes a humorous poem about procrastination that uses repetition as a literary device. Christina Chin and Uchechukwu Onyedikam craft joint tan-renga poems, finishing each other’s pieces with images of music, nature, rest, and memories. Rus Khomutoff’s concrete poetry takes us on a journey of surrealism, music, and romance.
Like Khomutoff, other writers travel deep into their own psyches. Brian Barbeito reflects on his thought process and creative journeys, considering how he both opens his mind to emptiness and enlightenment and, like a skilled hockey player, remembers the basics of his craft. On another note, Nigar Nurulla Khalilova evokes writers’ block and an intense, foul mood as harsh as the Arab Simoom wind.
Mesfakus Salahin ponders the fragility of human identity and self-concept. Mark Young’s poetry explores creative processes, relationships, and the search for meaning. Texas Fontanella’s music digs deep for a dose of duende. Tagrid Bou Merhi draws on train travel as a metaphor for introspection and longing for one’s past or future. Stephen Jarrell Williams crafts a series of verses describing a person’s inner struggle and renewal. Ari Nystrom-Rice explores identity, wondering who he truly is underneath the surface. Mexribon Shodiyeva’s poetry celebrates the fragile butterfly and the beauty of being yourself. Shamsiya Khudoynazarova Turumovna relates having had the courage to free herself from an unhealthy situation and walk her own path.
Paul Cordeiro speaks to the aftermath of significant relationships and events and to how our feelings can reshape our memories. On a less serious level, Mark Blickley develops a farcical story of unemployment fraud inspired by a photo of a man with a sheep skull, where a character invests deeply into reinventing himself.
On a more cosmic level, Jack Mellender’s work looks at space, time, and humanity’s place in the universe. Ummnusalma Nasir Mukhtar relates a fanciful and expansive dream where she traveled to the moon and stars and gathered her strength. Jacques Fleury’s photography encourages us to view life from different vantage points, exploring concepts as varied as travel, physical attraction, thought, and justice.
Duane Vorhees reflects on ancient archetypes and how we tell stories about ourselves. Sayani Mukherjee reflects on the constant turbulence of human and natural history. Dr. Jernail S. Anand probes some basic paradoxes of modern human life.
Rezauddin Stalin reflects on the beauty and the price of freedom as Blue Chynoweth reflects on the blessing and curse of being able to contemplate one’s place in the universe rather than living by instinct.
Mahbub Alam wonders whether love or self-destruction will win the day. As a person of faith grappling with these issues, Chimezie Ihekuna addresses life’s seemingly intractable struggles, suffering, and human evil, and also God’s implacable goodness in a paradoxical couplet of poems. Lilian Dipasupil’s paired poems take a similar approach, warning of child kidnapping while honoring the love and sacrifice of Jesus.
As writers, one of the ways we can respond to evil is to bear witness and document it as a warning. This is one of the roles of journalism. Davronova Asilabonu affirms the value of journalism and speculates on the field’s future.
More traditionally literary writing can bear witness as well. Yucheng Tao provides a sobering reminder of the historical massacres of the indigenous people of the American West by European settlers and of many Cambodians later in history by the Khmer Rouge. Z.I. Mahmud explores how Arthur Conan Doyle’s The Hound of the Baskervilles brought realism into detective fiction, illustrating the monstrosity of human greed and vengeance. Rahmat Muhammad laments how people where she lives in northern Nigeria no longer honor elders and ancestors as much as they should.
Shuhratbekova Gulzoda describes the historical contributions of the humanist Jadid leaders of Uzbekistan to art, literature, science, and culture. Dilobar Maxmarejabova expresses her pride in her Uzbek heritage and her hometown of Qashqadaryo. Hashimjonova Durdana affirms her pride in her Uzbek heritage and culture. Nozima Gofurova outlines the many achievements of today’s Uzbek youth.
Bhagirath Choudhary points to the role of literature in terms of helping people and societies evolve to become more humane. Dr. Jernail S. Anand illuminates the power of art and literature to touch people’s hearts and souls and inspire wiser and more compassionate behavior.
Alexander Klujev highlights connections between Russian music and Russian philosophy and how both honor the triumph of life over death.
Various contributions celebrate different aspects of life. Shahnoza Ochildiyeva enjoys a picnic with her classmates on a sunny spring day. Su Yun evokes the struggle and beauty of flowers growing in an urban environment. Isabel Gomez de Diego photographs childhood exuberance in a neighborhood where humans coexist with nature, trees and bike paths near city apartments. Eva Petropolou Lianou crafts a story around the evocatively named “Hero’s Path,” a hiking trail near a European monastery. She finds simple joy in nature and travel. Manik Chakraborty takes poetic inspiration from misty mountains as Taro Hokkyo honors his muse and the land on which he writes.
Marjona Jorayeva Baxtiyorovna expresses her respect for women and the feminine, which she links to nurturing and compassion. Gulsanam Qurbonova celebrates the tender nurturing of a mother’s love. Vo Thi Nhu Mai reflects on the warmth and tenderness of her childhood in Vietnam and how that inspired her creativity. Kylian Cubilla Gomez’ photography captures vintage childhood images: Snoopy, old Easter themed toys, a colorful frog, even possibly Dad’s aftershave. David Sapp enters the mind of a three-year-old, excited about cereal and dogs. Marjona Jo’rayeva relates her enthusiasm for a fresh term at school.
Kristy Raines expresses the simple yet profound joy of two souls finding true love and choosing each other. Eid Saleh writes in English and Arabic of the meeting of souls in a similar way, and refers both to romance and to close friendship. Qaraboyeva Zilola expresses the tender urgency, trepidation, and obsession of young love. Marley Manalo-Ladicho ignites a fiery love feast in his poetry.
However, as Taylor Dibbert points out in his brief poem, romances, and other sources of happiness, aren’t guaranteed to last.
Tuliyeva Sarvinoz’ elegant poetry laments lost love as Mirta Liliana Ramirez honors the memory of a beloved, asserting that she’s not yet ready to move forward. Eva Petropolou Lianou touches on the tenderness of human hearts and how many of us carry emotional trauma. J.J. Campbell’s poems describe a soul’s slow descent into misery and cynicism. Luis Cuauhtemoc Berriozabal speaks to social and psychological entrapment, stuck with folks tired of his old stories. Linda S. Gunther’s short story “Bake Me a Banyan Tree” explores what we owe our loved ones and how far we would go for them.
Eric Barr’s poetry reflects the realities of navigating life after a stroke. Manik Chakraborty laments destruction caused by a fire as Mykyta Ryzhykh reimagines the Three Little Pigs into a futuristic dystopia in light of environmental destruction. Don Bormon evokes extreme desert heat and the specter of climate change.
Alex S. Johnson takes us on a mythical journey to transmute sorrow in a poem translated into Greek by Cassandra Alogoskoufi.
Sometimes what one needs to overcome suffering isn’t as complex as alchemy, but can just be time at home curled up with one’s cat. Nicholas Gunther’s poem describes a weary soul’s desire to return home after a long journey. Bill Tope’s short story explores how a senior cat helped bring an older woman out of depression after society made both feel useless.
We hope that Synchronized Chaos can inspire creativity, bear witness to the joys and pains of the world, and transform sorrow and stagnation. Please enjoy this issue!
These, and the project 999 on soundcloud.com/texasfontanella3 have the most duende to them. That’s why I want them out there, not cooped up in my imagination. I don’t see why synchronized chaos and ranger magazine cannot share in the sharing of this pivotal turning point in the nature of my oeuvre.
Jo‘rayeva Marjona Baxtiyorovna was born on October 18, 2003, in the Termiz district of Surxondaryo region, Uzbekistan. She is a third-year student in the Uzbek language and literature department at the Faculty of Foreign Language.
