Poetry from Dr. Jernail S. Anand

Older South Asian man with a beard, a deep burgundy turban, coat and suit and reading glasses and red bowtie seated in a chair.
Dr. Jernail S. Anand

THE LAUNDRY JUNCTION OF TIME & THE UNDER BELLY OF HUMAN EXISTENCE

Dr. Jernail S Anand

Where three rivers meet, we call it Triveni.  Time, too,  is a river that keeps flowing interrupted.  Past, present, and future are human constructs that help us understand it better. These three rivers of time meet at a juncture called present which acts as a laundry junction where the waters after the wash, are released into the lake of the past.

We celebrate life when people are born and also the moment of marriage when they can create more life, and finally, the time when they part away from the stream. I was looking at a recently watered field from which water had evaporated, leaving the earth dry. Where is the water that has evaporated? It is in the air because air sucks the water from the earth and deposits it somewhere else. Life too is taken away from a person here, and supplied at some other unknown place. The forces which are overseeing these operations are not only precise and perfect, but also, ever present, though always invisible.

As soon as we hit the earth, the first thing that we do is to forget that we are here on an errand. He who sends us here is always watching our progress. When we go wrong, he pulls the strings and brings us to woe.

Is suffering an equalizer and a synthesizer?

When we suffer for our wrong actions, how can we presume that there is no Big Brother always watching us? It is a very uncomfortable thought to realize that we are under a CCTV camera, and all our movements are being recorded. Even when we are at our worst in our loneliness.

The only thing that off sets this adverse situation, and nearly balances it is the fact that men are given to believe that they have wits and they can use them no end. As a consequence, they make calculations, buy properties, sell shares, and when they make millions, celebrate ‘their’ success. When they lose, they curse gods. Here lies their ‘error’ [remember: to err is human] If all the losses can be ascribed to the invisible forces, why not the success?

The Underbelly of Existence

Men nurture huge reserves of hubris. Individuality is for which we wage wars. Freedom is another ornament for which young men have laid down their lives. Our only problem is, we understand these things in the context of our physical life and the political conditions. The fact is, we are much more than that. We have to understand man in his ‘viraat rupa’.  We try to see him in his ‘aviraat avtara’.  We try to create him into a person who looks after his family, creates wealth, raises skyscrapers, and finally like Zymandias, is reduced to dust. We never look into that stuff in man which is indestructible, of which Lord Krishna talked to Arjuna. We forget that when we die, it is not more than drying of up water from a field which stays in the air. Similarly, we too are in the air, and can be deposited back in some other place.

Man’s ‘Viraat Rupa’

What is the ‘viraat rupa’ [cosmic identity] of man? He is simultaneously connected with the entire past that stands behind him and provides him a background, like a series of mountains. In that backdrop, he is here to perform certain deeds which are already scripted for him.  Here we err. We err in thinking that we are independent, we have nothing to do with the past, we have nothing to do with the future. We are present, we have a free will, and we can do what we like. This is the error mankind is prone to commit, and which we people often make, and then, it is a saga of suffering all through.  

Malovian Overreach

The genesis of the error lies in the knowledge which helped to make man proud of his bearing, and think of himself as an independent entity, a demi-god who can run parallel to god’s creation. What is happening today, it is annoying to gods, because, man has distanced himself from nature, and is headed on a self-destructive march into the heart of the  mystery trying to undo its mystical mechanism. In trying to prove himself equal to God in creative prowess, he has actually shrunk into a small entity, who can be upset if there is no electricity to charge his mobile and laptop. He is a laptop genii, or bottled ‘Jinn’ of Aladdin. The marvels of man’s creative power mock at reality from the ramparts of fantasy. Man is fast receding into that fantasy, that virtuality, and while he thinks he has garnered heaps of knowledge, he has failed to realize what his past holds out as a lesson of life. Ravana still remains an epitome of knowledge in its greatest perversion. The Kalyuga has failed to see a man of his stature in whom we could see wisdom gone on furlough.  We have yet to see a man like Duryodhana, whose ‘wisdom’ leaves on a pilgrimage of non-sense from where, there is no return. AI cannot replace the Gita, nor can it de-arm Arjuna. Man is under grave threat because he has chosen to isolate himself from the benign powers of nature and aligned himself with the toxic universe of the laptop. AI has the potential to make man far greater than himself. But the more his size increases, the more he dwindles in his humanity as well as his divinity.

In spite of the past offering a variety of intense wisdom, and the future holding out great promise, man’s present is locked in a futile search for himself. In fact, he has opened too many windows on his physical existence, that keep him confused and confined to his physical existence. The wisdom that he used to get from proximity to nature has been replaced with  knowledge-based perceptions of reality. Passion for success and pursuit of pleasure have divested the divine aura that stuck to a human being. We are now ordinary persons, a subhuman race, even below the animals and vegetation, who talks of stars but has lost touch with the ground.

Dr. Jernail Singh Anand, [the Seneca, Charter of Morava, Franz Kafka, Maxim Gorky and Signs Peace awards Laureate, with an opus of 180 books, whose name adorns the Poets’ Rock in Serbia]  is a towering literary figure whose work embodies a rare fusion of creativity, intellect, and moral vision.

Essay from Shahnoza Ochildiyeva

Central Asian teen girl in a light blue collared ruffled blouse and black skirt in a grassy field with leafy green trees.

The Season of Friendship and love

     Spring is a dawn. A dawn that awakens the entire world and gifts warmth, joy, and delight to every heart. With the arrival of spring, nature revives: trees begin to bud, and the earth’s green attire refreshes the soul. New plans, dreams, and sincere intentions blossom within the human heart. One of the most beautiful aspects of spring is how its brightness manifests itself in people’s moods. Not only the world around us, but our inner selves also become lighter and more radiant. Today, every corner of our country breathes spring. Parks, gardens, and recreation areas are filled with people. Everyone rushes to enjoy the season and spend time with loved ones.

Especially the youth — they fill every green field with laughter. They eat together, play games, laugh, take photos. Such scenes inspire a deeper appreciation for life. On one such inspiring day, we — 35-24 group students , under the guidance of our teacher Ma’mura Erkinovna — set out for a picnic in Anhor Park. The warm sunlight, the fresh air infused with the spirit of spring, the presence of dear friends, and heartfelt conversations all became part of an unforgettable memory. Some unexpected moments, little mistakes and imperfections only added more color to our day. Indeed, it is such seemingly simple moments that nourish the heart and soothe the soul. 

A picnic with close friends is not merely a break — it is a heartfelt ceremony that binds hearts together. Not only food is shared, but also joy, affection, and loyalty. In today’s fast-paced world, with time rushing by, we often struggle to find even a moment for ourselves or to reach out to our loved ones. But fleeting minutes on the clock ask us to appreciate them, to enjoy love and the beautiful memories it brings. Truly, in this temporary world where everything eventually fades, only emotions, inner wealth, spiritual growth, and precious memories belong to us.

And the moments spent with sincere friends seem to pause time itself. They create lasting memories that live on in the heart — becoming part of our soul’s deepest core. The picnic we had with our group of nearly twenty coursemates and our beloved teacher is one of those moments — unforgettable and forever engraved in photos and hearts. We are thankful to our teacher, Ma’mura Erkinovna, for bringing us together, encouraging unity, and helping us experience the beauty of nature in its purest form. Indeed, going out into nature with good friends is not a mere outing. That’s why many young people choose to adorn their spring days with such picnics. To some, a picnic may seem like a common activity — something anyone can plan anytime. But for me, it is a ceremony of strengthening trust, loyalty, and affection. And spring is the most exquisite season that nurtures such sincerity.

Variety of Central Asia students, young women, in dress clothes or uniforms, having an outdoor picnic near leafy trees.

Ochildiyeva Shahnoza

1st year student at Uzbekistan Journalism and Mass Communications university

English philology and teaching languages faculty

Poetry from Ari Nystrom-Rice

Sincerely Signature

My Signature hides in my skin

in places it could not see

when I didn’t want to

but hah!

I could feel them dripping inky blue luminescent stuff

My Signature does everything but lie flat

so now it is the flapping label

on my stomach

announcing bitterly that it was me

to which I wonder if

anyone is surprised

and if they want anything different from me.

And when they read my signature 

does it flip their switches

or pump magic ooze

How do I figure out

what my signature is for

And who’s going to tell me

what my signature is?

Poetry from Alex S. Johnson, translated to Greek by Cassandra Alogoskoufi

Image of two ancient Greek maidens in long dresses seated on rocks with a brown vase. Another maiden with a stringed instrument lies floating in the water beneath them.

Alchemist of Sorrows

By Alex S. Johnson

For Cassandra Alogoskoufi

After Baudelaire

“As the Orpheus of all secret misery, he is greater than anyone:”-Friedrich Nietzsche, Die fröhliche Wissenschaft

Standing in the moon drop shadow’s hidden alcove

Watching the spiders of the rain disintegrate and turn to smoke

I admire the solemn procession of marble angels that sweep their

brooms diagonally across the looking glass

Involuted architecture, frost giants with the glazed eyes of

Galactic law

The fatal symmetry of a rainbow cutter ship

Odysseus’ swift fleet notwithstanding

In Circe’s lair he pollinated witch nations

In the eye of Polyphemus he discovered the glyphs of demonic altars

Cave paintings of the Orphic mystery rites

Bacchus torn apart and recreated

as a stand-alone objet d’art, his head crowned with an

aurora of violence, misty violet dawns from

Arthur Rimbaud

As the rotting Leviathan drifts in star sperm

As the empire of blood-crusted widows draws eyes in the

moon’s shy footprint

As the bleeding deer shudders in split-second Cubist increments but obeys the high ritual of Diana and does not die

Not yet

Not eternally yet

Our hearts draw oxygen from the secret sails of the sun

We respire with lungs made from the winds of the

wings of

Madness

We fly to a Hell sitting balanced on a small planet juggled along

with stars

with rippled stripes of radical freedom

with what queer jesters they have to do

With black-eyed Oedipus they seek the cause

they disregard the Sphinx’s leonine muscles, glistening

pelt that roars with lies

that fools crash, the Siren’s cove where sailors drown

the fortunes of heroes shorn like the head of Orpheus

Descending beneath the earth, as the jaws of destiny

close about him…

An alchemist of sorrow, he turns the Midas touch

against itself, mourning perpetual dawns.

και εμπνευσμένου μετά του Μπωντλέρ

“As the Orpheus of all secret misery,

he is greater than anyone:”-

Friedrich Nietzsche, Die fröhliche Wissenschaft

Στέκεται ως σταγόνα φεγγαριού

Κόντρα στον κρυφό σηκό σκιάς.

τις αράχνες εγκαθορεί, όπως διασπώνται

στην καπνισμένη ομίχλη της βροχής.

Αποθαυμάζει την πανηγυρική λιτανεία

μαρμάρινων αγγέλων που παρασύρουν

ανάποδα τον κόσμο σκουπίζοντας

διαγώνια το είδωλο καθρέπτη.

Πεπλεγμένη αρχιτεκτονική από γίγαντες

παγετώνες με στιλβωμένο βλέμμα

Καταπάνω στο γαλακτικό μάτι του νόμου.

Η μοιραία συμμετρία στο ουράνιο τόξο

παγοθραυστικού, αλματώδης πάραυτα

και γοργόπλοος ο στόλος τ’ Οδυσσέα.

Τ’ άνθη επικονίασε με έθνη μαγισσών

μες απ’ τη δόκιμο φωλιά της Κίρκης

Στον μονόφθαλμο Πολύφημο ανακάλυψε το

μάτι και τη γλυφή ενός βωμού κακοδαίμονος.

Οι σπηλαιογραφίες τελετουργούν ακόμα

τα Ορφικά Μυστήρια, το ξέσκισμα

του διαμελισμένου Βάκχου, και την

επανένωση του κορμιού εις σάρκα μία

Ως ένα αυτεξούσιο έργο τέχνης, το

κεφάλι του εστεφανώθη την κορώνη

Από την εωθινή Ηώ της βίας,

Απ’ τη μενεξελί πορφύρα της αυγής

Απ’ το λυκόφως του Αρθούρου Ρεμπώ,

Όπως το κουφάρι του Λεβιάθαν σάπιο

παρασύρεται στ’ αγγειόσπερμα αστεριών

Όπως μια αυτοκρατορία μαυροφορεμένων

που πήζουν τον θρόμβο παλαιών πληγών

θωρώντας τα τρυφερά χνάρια στα φεγγάρια

Όπως το πληγωμένο ελάφι τρέμει από τις

αιρετικές προσαυξήσεις των μετακυβιστών

Όμως, υπάκουο υπομένει στη μέγα τελετή μύησης

-τη Θεά Αρτέμη- σώνοντας εν τέλει τη ζωή του

Όχι. ακόμα. Όχι. στην αιωνιότητα του ακόμα.

Οι καρδιές μας αντλούν οξυγόνο απ’ τα

αφανέρωτα ιστία του μυστικού ήλιου

Αναπνέουμε με πνεύμονες φτιαγμένους

απ’ τους ασκούς του Αιόλου με τα φτερά

μας κόντρα στον κουρνιαχτό της τρέλας

Πετάμε στην άβυσσο της κόλασης καθιστοί

σε ισορροπία πάνω σ’ έναν μικρό πλανήτη,

Ταχυδακτυλουργώντας με κρίκους αστεριών.

με ριγέ κυματισμούς ριζοσπαστικής ελευθερίας

για την κατάντια του ετεροδιαφορετικού ζογκλέρ

για την αιτία στα μαυρισμένα μάτια του Οιδίποδα

Γιατί οι ανόητοι αγνοούν τα λιονταρίσια μούσκουλα

της Σφίγγας, που με αστραφτερή δορά ψεύτικα βρυχάται

Καθώς, συντρίβονται οι μωροί, στον όρμο της Σειρήνας

Πνίγονται, εκεί, οι ναυτικοί με την κοντοκουρεμένη

ειμαρμένη των ηρώων, σαν το κεφάλι του Ορφέα

που σκύβει κατεβαίνοντας στον Κάτω Κόσμο, τα

σαγόνια του πεπρωμένου συνθλίβονται σιμά του

Ο Αλχημιστής της θλίψης, αποστρέφει το

άγγιγμα του Μίδα ενάντια στον εαυτό του,

εις το διηνεκές θρηνεί για τη χαραυγή του…

Cassandra Alogoskoufi is a distinguished Greek artist whose extensive talents span writing, poetry, playwriting, and visual arts. Born in Athens, she currently resides on the picturesque island of Salamis while working as a shipyard clerk in the nearby area of Perama. Cassandra’s academic credentials include two notable degrees: one in Informatics and Telecommunications from the Kapodistrian University of Athens, earned in 2009, and another in International and European Studies from Piraeus University, completed in 2023. This academic background provides her with a unique intersection of technical and cultural knowledge, enriching her artistic endeavors.

Her creative output is broad and multifaceted. She has actively contributed to approximately 50 anthologies, showcasing her poetry, short stories, and prose across a diverse array of themes and stylistic approaches. Her literary work is characterized by magical realism and a deep exploration of narratives that bridge reality and imagination. Cassandra’s poetic voice captures emotions and human experiences with eloquence and originality, while her prose adds layers of complexity and nuance.

Beyond writing, Cassandra is a skilled visual artist, working primarily with acrylic painting and other mediums. Her artworks have been featured in various magazines, reflecting her ability to convey narratives and emotions visually as well as through words. Cassandra’s talent has received international recognition; she represented Greece at the BJCEM Biennial of Young Creators in 2009, a prestigious festival that unites artists from 27 countries working across seven artistic disciplines.

Her artistic development has been nurtured through significant scholarships and residency grants. She was awarded a two-year scholarship from the Institution of Takis Sinopoulos (2007–2009), a Cimo scholarship from Finland in 2009, and a residential scholarship at the Literature House of Paros, known for its European Center of Literary Translation. Cassandra has also apprenticed under numerous respected mentors in literature, theater, translation, and dance, shaping her versatile artistic identity.

Living with her family and a pet parrot named Tito, Cassandra continues to balance her professional work with a vibrant creative life. Her artistic journey is marked by continual growth, cross-disciplinary engagement, and contributions that resonate within and beyond Greek cultural spheres. Her work not only enriches contemporary Greek literature and art but also leaves a lasting impression as an innovative and dedicated creator.

Alex S. Johnson is a prolific American author and multidisciplinary artist whose creative legacy spans genres including Bizarro fiction, erotica, horror, and science fiction. At 57 years old, Johnson has amassed a diverse professional background encompassing roles as a college English instructor, music journalist, editor, publisher, songwriter, human rights activist, poet, and visual artist. He resides in Sacramento, California, carrying a rich blend of cultural experiences and artistic influences.

Johnson’s educational foundation includes a Master’s degree in English literature with an emphasis on Rhetoric and Composition. His early fascination with writing began in elementary school, where he initially crafted stories about anthropomorphic fruits and vegetables. His literary tastes and writing style are heavily influenced by icons such as William S. Burroughs and Hunter S. Thompson, blending intense, hyperbolic narratives with layers of showmanship and cheekiness.

His bibliography includes novels such as “Bad Sunset,” a stylized Spaghetti Western infused with Bizarro and splatterpunk elements, and “Jason X IV: Death Moon,” a science fiction/horror tie-in for the Jason X movie series. Johnson’s collections like “Wicked Candy” and “Doctor Flesh: Director’s Cut” further showcase his unique approach to genre fiction. He also edited anthologies like “Axes of Evil,” which centers on horror stories connected to heavy metal music culture.

Johnson’s writing often explores profound human emotions and psychological depth beneath exaggerated or surreal premises. For example, “Bad Sunset” features Jesus Christ as a protagonist, blending archetypal and mythical characters to probe themes of spirituality, skepticism, and individual moral navigation. His works balance entertainment with philosophical undercurrents, reflecting his skepticism of religious institutions and emphasis on personal enlightenment.

Actively involved in the literary community, Johnson has contributed to specialty anthologies inspired by H.P. Lovecraft and William S. Burroughs and maintains an ongoing presence in both writing and editing within speculative fiction circles. Apart from writing, he enjoys drawing, playing guitar, and engaging with film and music cultures, which inform his artistic creativity. Johnson’s career is grounded in a love for words and storytelling more than commercial success, emphasizing a lifelong commitment to artistic exploration and sharing imaginative landscapes.

Poetry from Kristy Raines

White middle aged woman with reading glasses and very blond straight hair.
Kristy Raines

Spring Breeze Calling

Like a single seagull flying over a distant land

she seeks for he who would be waiting for her

Lonely wings barely held her in the air as she searched

unable to find him on the ground below a gray sky

As a heart so wounded felt destined to give up

it discovers a fragrance in a Spring breeze calling…

She heard the tune of her love as he searched for her

longing for the caress that would comfort his heart

The song found her over the sounds of crashing waves

with words formed like a melody from a hollowed-out flute

His yearning heart  found her beyond the clouds above

and sang her name through the tears rolling down his face…

Their embrace told a story no words could ever express.

Written in the Stars

When two beating hearts claim each other

no stranger can penetrate that powerful force

It was written in the stars from the beginning

and a golden ring of love surrounds us through eternity

I will never leave you, nor will I ever break our vows

for my passionate heart would break without you

All I cherish and want is what you have given me already

and through life and through death will our story remain

because some stories, like ours, were never meant to end.

Ours was a rare fairytale, made to be told through the ages…

My One True Love

Every beautiful memory has you in it

You fill my heart like an unforgettable melody

that plays over and over in my head

You are, and will always be my one true love

and in your arms will be where I will remain

In my darkest moments you are the light that saves me

and our life together is effortless and comfortable

I have no other wants in life but you

and my heart will never belong to anyone else

We have shared many dream over the years

and you have shielded me from any harm

I will never ask you for more than your love

You are the most beautiful colors of true love

which I will keep tucked in my heart through eternity.

With love always…

Kristy Ann Raines is an American poet and author born in Oakland California, In the United States of America.  

She is an accomplished International Poet and Writer.  Kristy has two published books on Amazon titled, “The Passion Within Me”, and also an anthology written with a prominent poet from India, Dr. Prasanna Kumar Dalai titled, “I Cross my Heart from East to West.”

Kristy has also written two fantasy books titled, “Rings, Things and Butterfly Wings” and “Princess and The Lion”,  her biography and a collection of thoughts on her life called, “My Very Anomalous Life”, and a few books of children’s stories waiting to be published.

Kristy has received many literary awards for her unique style of writing and for her work as an activist and humanitarian.  

Kristy is married, has two children, three beautiful granddaughters, and is awaiting the birth of a great-grandson due in July!

Poetry from Eid Saleh

Black and white headshot of a young man of Arab heritage. He's got stubble and a small mustache.

There is a conversation between souls that only the heart can hear (English Version)

The meeting of souls… a language only the heart understands

In a time filled with noise, silence is sometimes the most eloquent means of understanding. In a world governed by material relationships and false appearances, the meeting of souls still holds a profound secret that cannot be explained or written about, but rather felt and experienced.

What is the meeting of souls?

It is a feeling that cannot be begged for or contrived. When you meet another soul, you feel comfortable with them without prior acquaintance, and you feel as if they have been inside you for a long time. You know them, and they know you, they hear you without speaking, and they sense you even from thousands of miles away. It is that silent understanding, a harmony that needs no justification, and a presence that does not ask for permission.

Souls meet before bodies

Ibn al-Qayyim, may God have mercy on him, said: “Souls are conscripted soldiers. Those that recognize each other will get along, and those that do not recognize each other will disagree.”

This statement clearly indicates that souls may reunite before their companions’ bodies meet in this world, as if there were a previous world where good souls reunited. When they meet on earth, they recognize each other without warning.

The meeting of souls is not bound by time.

You may meet someone for a single moment and feel closer to them than anyone you’ve known for decades. You may spend years with others without feeling any real connection with them. Meetings are not governed by time, but by honesty, transparency of feelings, and purity of intention.

Is it love? Friendship? Or something deeper?

The meeting of souls cannot be summed up in a single mold. It may be love, friendship, or a fleeting relationship that remains etched in the memory. But it always leaves an indelible mark on the soul and teaches us that the most beautiful bonds are built not with words, but with sincere feelings.

Why do we long for certain souls?

Because, quite simply, our souls know who they like and are drawn to those who are similar to them. We may miss someone we haven’t spent enough time with, but we have experienced a rare, unforgettable feeling with them.

In conclusion…

The meeting of souls is a divine gift that doesn’t come every day, or with just anyone. It’s a hidden blessing and a reminder that what unites people is much deeper than appearance, name, or circumstances.

If you find someone who you feel is similar in spirit to you, hold on to them and be honest with them. That moment may not happen twice.

تلاقي الأرواحلغة لا يفهمها إلا القلب

في زمنٍ امتلأ بالضجيج، بات الصمت أحيانًا أبلغ وسيلة للفهم. وفي عالم تحكمه العلاقات المادية والمظاهر الزائفة، لا يزال تلاقي الأرواح يحمل سرًا عميقًا لا يُفسر ولا يُكتب، بل يُحَسّ ويُعاش.

ما هو تلاقي الأرواح؟

هو شعور لا يُستَجدى ولا يُفتعل. حين تلتقي بروحٍ أخرى فترتاح لها دون سابق معرفة، وتشعر وكأنها كانت في داخلك منذ زمن، تعرفها وتعرفك، تَسمعك دون أن تتكلم، وتشعر بك ولو من خلف آلاف الأميال. إنه ذلك التفاهم الصامت، الانسجام الذي لا يحتاج لتبرير، والحضور الذي لا يطلب إذنًا.

الأرواح تتلاقى قبل الأجساد

قال ابن القيم رحمه الله: “الأرواح جنود مجندة، ما تعارف منها ائتلف، وما تناكر منها اختلف.”

وفي هذا القول إشارة واضحة إلى أن الأرواح قد تتآلف قبل أن تتلاقى أجساد أصحابها في الدنيا، وكأن هنالك عالمًا سابقًا تآلفت فيه الأرواح الطيبة، فحين تلتقي في الأرض، تميّز بعضها البعض دون مقدمات.

تلاقي الأرواح لا يرتبط بالزمن

قد تلتقي شخصًا للحظة واحدة، فتشعر أنه أقرب إليك من كل من عرفتهم لعقود. وقد تمضي مع آخرين أعوامًا، دون أن تشعر معهم بأي تواصل حقيقي. فالتلاقي لا يحكمه الزمن، بل الصدق، وشفافية المشاعر، ونقاء النية.

هل هو حب؟ صداقة؟ أم شيء أعمق؟

تلاقي الأرواح لا يمكن أن يُختصر في قالبٍ واحد. فقد يكون حبًا، وقد يكون صداقة، وقد يكون علاقة عابرة تبقى محفورة في الذاكرة. لكنه دائمًا يترك في النفس أثرًا لا يُمحى، ويعلمنا أن أجمل الروابط لا تُبنى بالكلام، بل بالشعور الصادق.

لماذا نشتاق لأرواح بعينها؟

لأن أرواحنا، ببساطة، تعرف من يطيب لها، وتنجذب لمن يشبهها. وقد نشتاق إلى من لم نعش معه وقتًا كافيًا، لكننا عشنا معه شعورًا نادرًا، لا يمكن نسيانه.

في الختام…

تلاقي الأرواح هو منحة إلهية، لا تأتي كل يوم، ولا مع أي أحد. هي رزق خفي، وتذكير لنا أن ما يجمع البشر أعمق بكثير من الشكل أو الاسم أو الظروف.

فإن وجدت من تشعر بأنه يشبهك روحًا، فتمسك به، وكن صادقًا معه، فقد لا تتكرر تلك اللحظة مرتين.

Stories from Peter Cherches

A Character

A character in the film reminded him of a former coworker. Trying to remember the guy’s name, he briefly spaced out on the film. He wondered what the character who reminded him of his former coworker might have said to the woman in the green dress when he was trying to remember the guy’s name to make her so angry. He didn’t dwell on it. When the credits were rolling, he remembered the former coworker’s name. Claude. But what was his last name?

At the coffee shop after the film, he ordered a BLT. He associated BLTs with old-style coffee shops, the kind with Formica counters and swivel stools and faux-leather-upholstered booths. His wife ordered apple pie and a cup of coffee. Somehow, drinking coffee at night didn’t keep her awake. The apple pie was topped with whipped cream. “So what did you think?” she asked him.

“What do you mean?”

“You know, the movie. What did you think?”

“Oh, I don’t know. I kind of liked it.”

“That’s it?”

“What do you want me to say?”

“I’d like to discuss the film. Just once. You never want to talk about films. Don’t you know that’s part of the fun, discussing it afterwards?”

“Anthony,” he replied. “Claude Anthony.”

Muffins

He was wearing the slippers his wife had bought him for his most recent birthday and the pajamas she’d bought him for Christmas two years earlier. She was nude underneath her bathrobe, after a shower. He still enjoyed her neckline. They were sitting at the kitchen table, eating buttered corn muffins with their coffee. He had never buttered a corn muffin before they met, or a muffin of any kind. Sometimes they ate bran muffins, and blueberry muffins once in a blue moon, but corn muffins were a fairly regular weekend treat. She tried baking them once, but the ones from Jensen’s Bakery were so much better. She knew Polly Jensen from the local Democratic club and enjoyed a little chat with her when the shop wasn’t busy. He was reading the morning paper. “Listen to this,” he said, and read her a story of local interest.

“Some people never learn,” she said, got up, rinsed her mug, and returned to the bathroom to brush her teeth.


Kind of a Message

“Someone called,” she told him when he returned home. He knew someone had called for him, otherwise she wouldn’t have mentioned it.

“Did they leave a message?”

“Kind of,” she said. “The caller only said, ‘He’ll know what this is about.’”

“Did they leave a name?”

“No.”

“Did they leave a number?”

“No.”

  “A man or a woman?”

“Woman.”

Who could it be? he wondered. A woman. She probably thinks I’m cheating on her. But I’m not. I’ve come close, I’ve been tempted, but I’ve never cheated.

“I’m not having an affair,” he said.

“I know,” she said.

How does she know? he wondered.