Poetry from Lorraine Caputo

WASHES

I stretch out across the white-sheeted bed
in my sea-colored room
dappled with filtered sunlight
I fall asleep, Don Quijote’s spine splayed
above my head

& I awaken to the sound of rain

I peer through the open wooden slats of my window
The sky is solid white with low clouds
laying upon the sea
grey & rolling, rolling white
Thunder tumbles through this early afternoon

This morning 
I sat out in the sandy courtyard
to eat & could not
I sat out here to write
& could not
I watched the white sun play tag with the clouds
I wished it would rain, that it would
so I could hide away
within these blue walls
where no-one could disturb me

I feel like delving into this poetry
to flesh out the sketches I have begun
to give life to them 
I want to give birth
to more & more poems

But I am filled with hesitancy
to hold my poems within these hands
& to shape them
My journal looms with its fleshless events
Fear I may forget washes into me
& I shrink away

Then once more I expand
to embrace the words
&       once more       I contract
 
A TOWN AWAKENING
 
In the morning twilight, 
a pair of women washes dishes on a corner. 
Then one places the oilcloth over the tables 
where soon they’ll serve pupusas & coffee. 
She stacks the plates in the rack, 
recounts the silverware. 
The second checks the swelled corn 
before taking it to be ground. 
The beans are on the fire.
 
A drunk stumbles & sways past 
on the other side of the road. 
In front of a shop, a man sweeps 
yesterday’s trash into the street. 
The broom’s swish is lost 
on the rumble of a passing bus. 
Pigeons swoop down from the tops of buildings. 
They peck along the ground. 
A skinny golden dog sniffs 
the garbage in the gutter.
 
A graying-haired woman in experienced haste 
sets up her general store stand. 
The tarp overhang is stretched, 
items placed on shelves. 
A woman stops to buy eggs & sugar.
 
A pick-up truck drives towards the market. 
Baskets & crates stack a-back, 
full of bananas, cabbage, tomatoes. 
Wood boards clank as they build make-shift stalls. 
Mangos & melons, green-topped onions 
& braided garlic mound. 
The rattle of a dolly, 
the groan & hiss of bus brakes, 
the laughter of men’s conversations. 
A radio is turned on somewhere.
 
The sounds of this town awakening 
swell around the pupusa woman who sits, 
chin on hand, at one of the tables, 
waiting for her comadre to return from the mill.
 
YEARNING THE SEA

I.
A child is crying
when I fall
into a visionless
sleep …

& I awaken
in the dark
to a voice
& the perfume
of a night flower

my journey soon
will continue
wending, twisting
from snowy mountains
to warmer lands


II.
In this lower place
the days grow thick
with storms
never to break
the sky heavy
the horizon hazed

I long to hear
the wash of rains
all day, all night
with a crisp explosion
of thunder


III.
I need to journey once more
in search of 
the rain
the sea

& in my fatigue
as I await
my near-
midnight hour
departure

once more I smell
the sweet perfume
of some flower


IV.
This new day I awaken
to flat, flat plains
& nearer to
another range
alpenglow-bathed
in the sunrise

Still too far
from the sea, the rain
the thunder


 
LISTENING

This three-quarter moon
brightens the paths
& brush

In the breeze
of the lessening tide
sway salt bush
& muyuyo

The night air washed
with the constant whisper
of waves washing
upon worn lava

& here I sit, listening
to this night
listening …

Lorraine Caputo is a wandering troubadour whose writings appear in over 300 journals on six continents, and 19 collections – including On Galápagos Shores (dancing girl press, 2019) and Escape to the Sea (Origami Poems Project, 2021). She also authors travel narratives, with works in the anthologies Drive: Women’s True Stories from the Open Road (Seal Press, 2002) and V!VA List Latin America (Viva Travel Guides, 2007),  as well as articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011) and nominated for the Best of the Net. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America with her faithful knapsack Rocinante, listening to the voices of the pueblos and Earth. Follow her adventures at www.facebook.com/lorrainecaputo.wanderer or http://latinamericawanderer.wordpress.com

Poetry from Ryan Quinn Flanagan

No freckles in a foxhole

No reason to go straight
with all the roads and learning
on the curve.

No freckles in a foxhole,
that’s what I always say with
no one around.

Slowly spooning cubes of green Jell-O
out of the Borg continuum.

Wishing Hitchcock Photography 
was in charge of all my best close-ups.

Midnight taco trucks playing greasy  
shell games to God. 

Everyone down at the Employment Center 
in line looking for the works.
 
Land Bridge

Once they close the damn thing down,
you start to think of all the circuitry involved, 
that intricate green board of so many unpleasantries, 
a murder of crows for silicon valley, the cops on the scene 
with massive hangovers so you can watch your
toilet water tax dollars be flushed away;
truckers like lonely monks without the sash, 
but I could never accept the cabin like a coffin 
for so many miles; all those rules of the road,
that carnival itch of a six day beard –
how closely I resemble this land bridge 
of complex carbohydrates, a bedside table 
full of happier times I can hardly remember
standing over this buzzing ice machine waiting 
on another glacial pull from the heavy-eyed doldrums 
you find west of the Rockies.

 
OshKosh Brioche 

You can’t take the vaude out of the ville 
no matter how small the population gets
and it’s OskKosh brioche, all factory stacks 
to smoke; the smoker of cigarettes travelling 
around in packs, dry-mouth nicotine armies
blowing smoke rings of unholy matrimony,
during those many long lunch hours
that seem like they should be for more than drugs
but never get there in the late-January
snowshoe sense.
 
Prayer Mats

in the sprawling 
dry mouth desert

spitting hump day camels 
at market 

going Bedouin 
for the long
haul

all those prayer mat Fridays 
facing the East instead
of liquidation 

waiting for some 
simple scorpion sting 
around the fire  

under all those stars 
from the sharing fellowship 
heavens

of the waiting 
galactic federation.
 
Long Gone

He said he worked at a gas chamber
and it took me three hours to figure out 
he had said gas station,
but by then I was sitting at home
and he was long gone
like all those shoot ‘em up extras
in spaghetti westerns 
that don’t even live as long 
as the horses.
 
She Smacks Her Lips 

Those ugly gusts of wind 
are almost enough to keep 
the once-friendly dog parks 
indoors.

I threaten to drop the bomb
even though I have never had the bomb
and any of its known accomplices 
in my popular employ.

She smacks her lips 
so you know she is preparing 
to say something important
even if it doesn’t mean shit to 
anyone else.

On that slippery plastic couch 
my grandmother once died on with 
a tongue so thick it could be some cement mixer 
ham steak the kiddies can’t bite through
come dinner time.

Crack a tooth and cry on command.
Put all your problems to bed.
Sit up in the dark on a phone 
that threatens to 
come over.

Her snoring husband in the background
of a movie no one will 
ever remember 
seeing.
 
Name Plate

Nevermind the name plate,
you could be anyone’s failing blood feud,
pick umbilical at that bacteria-laden innie 
half a world away from the stringy pink placenta 
some performance artist in Europe insists
on eating to the great bemusement of a failing union –
standing inside that last payphone in town for warmth,
I blow across gloved hands out of habit,
watch the cheesemonger with mites for legs 
crawl home to some seasonal flood zone  
in the burbs; that scratching body lice of old records
along the bus route, no way to get anywhere
that ever pays near enough to make it
in a naked 

Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle though his garbage.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Synchronized Chaos, Literary Yard, Red Fez, and The Oklahoma Review.

Poetry from Michael Robinson

Middle aged Black man facing the camera with his face resting on his hand
Michael Robinson
Resurrection
For Dr. Stephen C. Wright

In the mountain skies of Vermont were heaven reigns,
Remembering the night while darkness surrounded me.
Beginnings of a life of prayer with an earnest heart.
Redemption always eluded me at Sunday Mass.

Seeking absolution for all the sins which came upon me.
Night prayers left a feeling of loneliness in troubled times.
My life song came when God saved me with his grace.
Easter Sunday sunrise birds flew in the open skies.

Celebration of birth came in the quietness of morning.
Tears of joy circled my soul for the first time.
God’s beauty never fades, giving me life eternal

Poetry and Prose from Judge Santiago Burdon

She Bleeds For Brooklyn
excerpt from Not Real Poetry

She lives with low rent day dreams on no name backstreets. 
Dirty sidewalks made from quicksand concrete, 
There's no yellow brick road.             
In this city like a desert without an oasis.

Hope a disease that breeds in places,
Where God wouldn't go.
In the air there's a stench, the smell of desperation.
lives are stamped with a date of expiration.

The Devil's grip on their souls.
Night crashes down with the sound of a train wreck.
She's on the prowl for love and everyone's suspect,
But they just leave her cold.

A chorus full of sirens singing life’s disasters
There’s no fairy tale ending living happily ever after
Reads like a Sexton poem
She cries with a sound no one can hear

Her eyes lost their voice
Now she can't speak with tears
She wonders about life on the other side of the mirror.
Kneels down for one more unanswered prayer.

But there's no one listening out there.
She bleeds, she bleeds for Brooklyn
She's hemorrhaging lies and alibis.
She bleeds, she bleeds for Brooklyn.

Break free Persephone
Brooklyn left the front porch light on.

Not Real Poetry by Judge Santiago Burdon

I Don’t Believe In Witchcraft

Excerpt from “Quicksand Highway”

When I lived in New Orleans a long while ago, my Dame de Mois at the time, Simone, gave me a Ledbury dress shirt for my birthday. It was magenta with the inside collar and cuffs in a subtle eggshell hue. I was excited to try it on and model it for her. The process of opening a new dress shirt is tedious. I have always been curious as to why they use so many straight pins in new shirts. I began pulling out the pins and putting them in a nearby empty beer can. ” Don’t throw them away!” She screamed. “Give them to me, I save straight pins!” ” Why the hell would you want to save all these pins?” I inquired ” I use them on my Voodoo dolls.” She smiled in a scary sort of way.

“What the hell are you talking about? Are you telling me you’re a witch?” ” I don’t particularly care for the word “witch,” I’d prefer Wiccan, it would describe me much better. Witch has many connotations and has been popularized in books, movies and in fairy tales. Most often we are portrayed in an evil or wicked manner, which is not the case.” ” So you practice Magic, like casting spells and mixing up potions?” ” Well yes but it isn’t sinister like you’re making it sound. Are you familiar with the Wicca Religion and practices?” “Somewhat, but I’m not as knowledgeable as I wish I was now.” “We aren’t evil or Satan worshipers, I’m a good witch not a bad witch, celebrating nature as well as the Moon and planets. ”

I appreciate your attempt to make me feel comfortable, but the good witch, bad witch reference doesn’t help, it reminds me of the “Wizard of Oz” movie. That damn movie caused me a great amount of anguish as a child ; witches, those damn flying monkeys and all those dwarfs, midgets or little people, whatever is the politically correct name for them, it really freaked me out. My mother made us watch it every Thanksgiving back in Chicago and the song “Over the Rainbow” sent me into a panic and state of fear whenever I heard Judy Temple sing it.” ” No Santi, it’s Judy Garland who sang it, not Shirley Temple, you mixed them together.” “See what I mean. A perfect example of how just talking about it causes me distress. ” It was the first and last time I wore the shirt.

Quicksand Highway

His first book “Stray Dogs and Deuces Wild Cautionary Tales” was published in January 2020 by Horror Sleaze Trash Press. His next book is a collection of poems, “Not Real Poetry” published in July 2021 by Steve Cawte, Editor of Impspired Press. Arthur Graham, Editor of Horror Sleaze Trash Press released “Quicksand Highway” more short stories of adventurous mayhem in November 2021. Judge turned 68 last July and lives modestly in Costa Rica.

Poetry from Amos Momo Ngumbu Jr.

I Wish The Blind Would See

I never wish,
When pains crack her words,
On the wall of our hearts.
I wish the sights of the blind,
Would penetrate the northern star. 

I wish a second would be given to their 
sight.
To see the natural gifts of life. 
I wish they would see, those beautiful trees, 
Waving their branches unto the lord. 

I never wish for a blind eye,
To become a dark eye. 
I wish their hands would work with their eyes,
To print pictures of their lives. 

I never wish darkness would paint her styles 
On their faces. 
I wish the eyes of an owl, were another name,
Given to the blind. 

I never wish their sights would become darker, 
As a night wishing for a daily light. 
I wish sticks were not their favorite vehicle,
In every dimension. 

I just wish the blind, would sit beside the
 deaf, 
To discuss those broken feelings in their 
hearts. 
I wish their eyes would swim in the pool of light. 
And their ears would dip,
To the sounds of the sea waves. 

Poem By: Amos Momo Ngumbu, Jr.

Poetry from Edwin Olu Bestman

Postcard from the heartbreak residence 

too many times, i have lay on my bed for a girl who doesn’t understand the worth of my tears.
how can a camera man keeps taking many shots of me & there’s no proof to show my existence? 
i believe i am just another sad nightmare getting used to viewing myself through broken objects. 
i remember when i prayed for her kingdom to come like the bible teaching us to seek first the kingdom of God & everything shall be added to it. 
i have done many things to her body: i asked & nothing was given. i sought & nothing was found. & i knocked but her body refused to let me in. 
this room of mine no longer knows her name. i have burned pictures of her drawn on my pillows, bedsheets & curtains.
once she was a river where i could swim for days. but she transformed herself into an ocean where i fell before her feet. 
i still do remember the love we held. of kisses & touches we shared on my father’s back porch. 
i still do remember those long conversations, those long walks & cold night hugs.
right now, there’s no history of her in my cellphone: whether received, missed or dialed calls. 
i have regretted of singing her back to sleep & blessing her tongue with rich ingredients of salivation. 
it was a sinful love affair. i pray & promise to never give myself whole or enough to a girl.



Biography: 
Edwin Olu Bestman, poet and engineer, writes from Monrovia, Liberia. He has co-authored several anthologies and the author of two books, Genesis and Raindrops. His works have been featured in Ducor review, WSA, Spillwords, Odd Magazine, African Writer Magazine, Agape Review, Eboquills, Literary Yard, Poetry Nation, Ngiga Review, SIM, Nantygreens, Sipay Magazine, Afritondo, Rising Phoenix Review, AfroRep Journal, Madness Muse Press, Rigorous Magazine, Arts Lounge, Fiery Scribes and elsewhere.

Poetry from Jason Visconti

When Electricity Falls In Love

Something in the sockets so crazed that romance has dizzy dates,
For the wiring is false as soot and meaningless as lint,
Cables that hang in the air as if the sky arrived late,
A rod nipping the flesh until the tinge burns prints,
Explosives are the voltage of a lover’s fate.