Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell
a tight sweater
 

anytime i see

a woman in a

tight sweater

 

i think of that

night we had

at the farm

 

alone in the

middle of

winter

 

a bottle of

bourbon

 

your tight

sweater

 

and plenty

of time to

go find a

new tomorrow

 

we never did

 

but i certainly

remember each

and every attempt
----------------------------------------------------------------------
pretend
 

pretend you don't ache

with every breath

 

pretend prayer actually works

 

pretend that some woman

will actually love you one

day

 

pretend your opinion actually

matters

 

pretend that voting can actually

change the world

 

pretend the sunshine isn't

killing you

 

pretend the rain doesn't cause

your arthritis to dance

 

pretend that blonde in the

corner isn't telling you to

fuck off

 

pretend those flashing lights

behind you aren't the police

coming for you

 

pretend these therapists

want to see you get better

 

pretend the handcuffs are

just stylish new bracelets

for all the cool kids

 

pretend that you don't think

about death each and every

day
------------------------------------------------------------------
conversations with myself
 

any sense of fun

i had in me was

beat out of me

in my childhood

 

i can remember

conversations

with myself since

the age of eight

 

i once ran away

with thirty-seven

cents in my pockets

 

i came back three

days later with

twenty bucks

and a stolen

carton of

cigarettes

 

others swear they

used to see so

much potential

in me

 

they are as

disappointed

now as my

family was

when i was

born

 

i once had a blood

clot from my left

calf to my left hip

 

i slowed my heart

rate down and asked

to die

 

i'm starting to believe

kind souls don't exist
--------------------------------------------------------------------------
and your favorite recliner
 

they never told

you that doggy

in the window

was never

housebroken

 

so, he will actually

cost a new sofa,

flooring and your

favorite recliner

 

i always liked

cats better

 

which apparently

makes me a

communist

 

i had a friend that

liked humans on

leashes

 

which apparently

makes her

 

popular

 

whatever gets

you through

the day

i suppose
-----------------------------------------------------
the best thing for him at this time
 

the father of an old friend

died this past weekend

 

it wasn't that shocking

to me, but it was unexpected

 

i used to see him at the

grocery store from time

to time

 

the years hadn't been

kind to him

 

so, i figure even though

it is hard to swallow reality

 

his death is probably the

best thing for him at this

time

 

i don't want to go to

the funeral

 

i have the feeling it would

be a high school reunion

i don't want to be invited

to

J.J. Campbell (1976 – ?) is old enough to know where the bodies are buried. He’s been widely published over the years, most recently at Disturb the Universe Magazine, The Rye Whiskey Review, Horror Sleaze Trash, The Beatnik Cowboy and Cajun Mutt Press. You can find him most days on his mildly entertaining blog, evil delights.

Poetry from Noah Berlatsky

Johnny Mem

 

Tyranny is a soup best bifurcated by patriarchy.

so old gran always said as she baked the smells of smarm

till the windows ran from the oilskin like old men in need of salad.

Artificial brains always remind me of that dessert

 

with the tentacles and the expiration date

shining in one perfect summer like Nerf bikinis

dipped in dangerous Substacks, the halo of hernias 

lowing softly in the mistrial. If only we could return

 

not to what we were, but to what we would be in a separate discourse

with more engagement and shitposting, more gelatinous rescue

of what Arnold Schwarzenegger terminated before he was good/evil 

or evil/good. But you can’t put your face

 

in the same fire twice, for the fire may pivot to video,

but it is not the same. And neither is your face. 

Essay from Federico Wardal

Artsy out-of-focus photo of a young olive skinned man with short scruffy black hair, brown eyes, stage makeup, and a jacket with green glitter. He's got painted nails and stands in front of a red background.
Federico Wardal

“Fellini’s Mastorna …a film of no return,“ the movie most talked about in film history, finally was finished by Jennifer Glee. 

Federico Fellini wrote the script for The Journey of Mastorna in 1965 at the top of his worldwide fame and two years later he created Fellini 8 1/2.

He chose Marcello Mastroianni as the protagonist. 

After 11 years, in 1976, Fellini gave me the Mastorna script and invited me to play two characters, but didn’t specify which ones. Fellini was in a strange creative process, which for Mastorna would have had no end. 

But Fellini, in Fellini 8 1/2, speaks through Marcello Mastroianni that he didn’t know how to finish the film! 

The fact of not wanting to finish a film for which there is already a precise script, means, for Fellini, that he has already made the film! 

Actually if you put together all Mastorna’s scenes filmed over the course of 28 years, you could have Mastorna, but, of course, without Fellini’s signature. 

After 1993, many directors tried to make the film Mastorna, but only Jennifer Glee has successfully done that. 

In short, Jennifer Glee made her contribution to the Fellini 100 by coming with me to Hollywood and presenting the film at the Ruby Theater.

Jennifer began to absorb my experience with Fellini relating to his unfinished film Mastorna. 

It was decided between Jennifer and I that the role of the Fortune Teller/Mastorna would be mine. The Another talented actor would play the other main character, the young silent actor who wants to become famous despite his disability.  

The Fortune Teller / Mastorna takes the actor on a journey beyond reality, which starts at the Fellini 100 ceremony, where he informs the actor that everything is filmed and therefore the actor cannot go back, but only continue his journey trapped in motion picture film. 

There are various reversals of situations, up to an ending that is not an ending! 

My experience in the movie Mastorna with Federico Fellini and Jennifer Glee was a wonderful dream, full of ingenious creativity and magic.

Artwork from Robert Fleming (one of two)

Large orange disco ball with a deep blue background
The Great Disco Ball of Fabric, London
Light blue and darker purple disco ball against a light orange background
The Great Disco Ball of Studio 54, NYC
Silver disco ball against a light green background
The Great Disco Ball of the Paradise Garage, NYC
Light pink disco ball against a dark green background
The Great Disco Ball of the Warehouse, Chicago
Each of the previous disco ball images arranged in quadrants
The Great Disco Balls #1

Middle aged white man with a bald head and a black tank top.
Robert Fleming
Robert Fleming (b. 1963) is a visual poet from Lewes, Delaware, United States. Robert follows his mother as a visual artist and his grandfather as a poet. His art is influenced by the artists Salvador Dali, Andy Warhol, and Pablo Picasso. 

"My disco ball series is inspired by Andy Warhol’s painting/wood cut of Marilyn Monroe Andy Warhol Marilyn Monroe (masterworksfineart.com). Like Andy, I created four separate disco ball images and then in a new image combined all four images. I chose the background to have a contrasting color to the central disco ball. I find contrasting colors by using the color wheel and doing a google search “what is the opposite of a color (e.g., blue)." To place the disco ball in the center of the page, I used Canva, editing the disco ball image to be aligned to the center. The works were named by concatenating the prefix “The Great Disco Ball of” with the suffix from the google search, “what were the most famous discotheques?” and picking among the top 20 that were in different continents. 

Poetry from Abigirl Phiri

Young woman with light brown skin, short dark hair, and a watch and a green flowered blouse standing in front of a brick building.
Abigirl Phiri
Time flies you know

Now you are high then you will feel low
Sun will shine then rain will pour
Last month feels like just a minute ago
How could you just forget and let it go?

They say people come and go
If a door opens, probably one will close
You can’t remember which one you chose
Just continue and find out where it goes

But in the nick of time you will meet
The right person you will keep
On your unforgettable date, he won’t skip
Like when he first kissed you while holding your hips

In the nick of time, you will finally feel
The nice and warmth that will make you heal
You do not care how much is the bill
Yes its true, its something real 




Disapproval

All l have met with is disapproval
The hardest thing one has to face
Discouragement piled over disparagement

Questions and doubts raking your brains
In a turmoil of doubt
Thinking the worst out of yourself

Disapproval, a nip in the bud
Crushes your spirit like a sledgehammer
Leaving you with nothing else but emptiness

Kicked to the curb
Thrown under the bus
No longer under the illusion you are worth anything

Abigirl Phiri is a prolific writer and avid reader. In addition, she is a DPhil in commerce candidate at the University of Zimbabwe who finds solace in penning down poems.

The Meeting Point, book announcement from Mr. Ben

Clip art of a group of people with light skin gathered around a table with laptops open. They appear to be in sweatshirts of different colors. The photo's background is green and the title text, "The Meeting Point by Mr. Ben" is yellow, black and purple.

The Meeting Point is a play that paints the picture of the discussion between Jack’s teacher and his father over the bully behavior of Jack, six years of age in class due to the absence of his mother and having being raised by his single but busy father.

Mr. Ben, as he is called, is a published poet, writer, playwright, essayist, lyricist, spoken words and voice over artiste. He has written a body of works that relates with several interests. His works touch on areas of education, inspiration, sexuality, entertainment, lifestyle and other interests, all with the aim of face-lifting mankind towards greatness . Given his multi-genre approach, Mr. Ben’s acrostic, G.A.N.G.S.T.A.R , which stands for Generally Appreciating Notable Genres by Stating Their Applicable Relevance, has now become his trademark. Based in Lagos, Nigeria, he delights in reading, traveling and meeting people.

Essay from Gustavo Galliano

Latino middle aged man with short brown hair and a black tee shirt standing in front of a painting of a red and orange desert scene.
Gustavo M. Galliano

EXTINCIÓNES

– Por Gustavo M. Galliano (República Argentina)

          En el mismo instante que Hiroshima y Nagasaki ardieron masacradas, en el espíritu de los sobrevivientes no primo el odio, sino la valentía y el orgullo de reconstruirse. Las lágrimas fueron alimento, y calmaron la sed. Construir hacia el futuro, se dijeron y convencieron, sin medidas de tiempo ni egoísmos. Preservar la especie.

          En estas tristes tierras olvidadas por el sentido común cultivamos la maldad, la corrupción, el odio flagrante, la desconfianza, la traición. Pasión por el dogma absurdo.

          Y ante un estático y perezoso pueblo de ovejas, el aprovechamiento insaciable de los perros salvajes se hizo un festín.  El llanto generalizado no fue sincero, solo un eco bastardo. Buscando dioses, profetas o tiranos que los salven sin sacrificio.

          Cada siglo tiene su pandemia.

          En estas intensas fértiles tierras, la extinción no se produjo por un virus, fue por el mismo hombre.-

EXTINCTIONS

– By Gustavo M. Galliano

At the same moment that Hiroshima and Nagasaki were massacred on fire, in the spirit of the survivors hate was not prime, but courage and pride in rebuilding themselves. Tears were food, and quenched thirst. Build towards the future, they said and convinced themselves, without measuring time or selfishness. Preserve the species.

In these sad lands forgotten by common sense we cultivate evil, corruption, flagrant hatred, distrust, betrayal. Passion for the absurd dogma.

And before a static and lazy people of sheep, the insatiable exploitation of wild dogs became a feast. The general crying was not sincere, just a bastard echo. Looking for gods, prophets or tyrants to save them without sacrifice.

Every century has its pandemic.

In these intensely fertile lands, extinction was not caused by a virus, it was by man himself.

Prof. Gustavo Marcelo GALLIANO.

Nacido en Gödeken, Santa Fe, República Argentina. Escritor, poeta, Jurado en certámenes literarios Internacionales. Periodismo digital. Docente Universitario de la Facultad de Derecho de la UNR, en la asignatura Historia Constitucional Argentina. Miembro del CICSO (Centro de investigaciones en Ciencias Sociales). Secretario Técnico de REDIM.

  Se ha desempeñado como Corresponsal Especial en diversas revistas internacionales de Arte y Literatura (Cañ@santa, Sinalefa, ViceVersa, Long Island al Día, RosannaMúsica, etc). 

Integra la Red de Escritores en Español (REMES), Poetas de Mundo, Unión Hispano-Mundial de Escritores (UHE), la Fundación César Égido Serrano, Naciones Unidas de las Letras (Ave Viajera y Proyecto Mundial Semillas de Juventud), entre otras. Actualmente es colaborador especial de Revista Poética AZAHAR (España), Revista Literaria-artístico PLUMA y TINTERO (España), Revista Literaria KENAVÒ (Italia) y Revista OFRANDA LITERARA (Rumania) donde también integra el Colegio Editorial.

Ha obtenido distinciones y premios en certámenes y concursos internacionales de cuentos, narrativa, micro relato y poesía. Publicó libros (LA CITA, 5 AUTORES) y participe  de antologías y revistas publicadas y traducidas en más de 100 países. 

Ha sido designado como Embajador de la Palabra y la Paz por diversas instituciones: WWPO (USA), Círculo de Embajadores Universales de la Paz (Francia / Suiza), Fundación César Égido Serrano y Museo de la Palabra (España).

  Reside en Rosario, Santa Fe, República Argentina.

Prof. Gustavo Marcelo GALLIANO

Born in Gödeken, Santa Fe, Argentine Republic. Writer, poet, jury in international literary contests. Digital journalism. University Professor at the Faculty of Law of the UNR, in the subject Argentine Constitutional History. Member of CICSO (Social Sciences Research Center). REDIM Technical Secretary.

  He has worked as a Special Correspondent for various international Art and Literature magazines (Cañ @ santa, Sinalefa, ViceVersa, Long Island al Día, RosannaMúsica, etc).

She is a member of the Red de Escritores en Español (REMES), Poetas de Mundo, Union Hispano-Mundial de Escritores (UHE), the César Égido Serrano Foundation, the United Nations of Letters (Ave Viajera and the World Seeds of Youth Project), among others. Currently he is a special contributor to AZAHAR Poetic Magazine (Spain), PLUMA and TINTERO Literary-artistic Magazine (Spain), KENAVÒ Literary Magazine (Italy) and OFRANDA LITERARA Magazine (Romania) where he is also a member of the Editorial College.

He has obtained distinctions and prizes in international contests and contests for short stories, narrative, short story and poetry. He published books (LA CITA, 5 AUTORES) and participated in anthologies and magazines published and translated in more than 100 countries.

He has been designated as Ambassador of the Word and Peace by various institutions: WWPO (USA), Circle of Universal Ambassadors of Peace (France / Switzerland), César Égido Serrano Foundation and Museum of the Word (Spain).

He resides in Rosario, Santa Fe, Argentine Republic.