Essay from Ibragimova Rushana

Central Asian teen girl with long straight dark hair and a black collared shirt and her arms crossed on her chest.

Effectiveness of Online Language Learning Platforms

Ibragimova Rushana Bobomurod daughter

Shakhrisabz State Pedagogical Institute

4th stage student

Abstract

The rise of online language learning platforms has transformed traditional approaches to language acquisition by offering learners increased flexibility, accessibility, and a range of interactive resources. This paper examines the effectiveness of these platforms, highlighting their advantages, such as the ability to learn at one’s own pace, the use of gamification, and access to native speakers and authentic materials. However, challenges such as the lack of personalized feedback and potential issues with learner motivation and accountability are also discussed. The paper finds that while online language learning platforms can be highly effective for motivated and disciplined learners, they are most beneficial when used as a supplementary tool in a blended learning approach.

Introduction

The advent of the digital era has revolutionized various aspects of human life, and education is no exception. Online language learning platforms have emerged as popular tools for acquiring new languages. Platforms such as Duolingo, Babbel, and Rosetta Stone have become popular due to their convenience, affordability, and innovative use of technology. These platforms offer learners flexibility, convenience, and access to a wide range of resources that are often not available in traditional classroom settings. This paper aims to explore the effectiveness of online language learning platforms, focusing on their advantages, potential drawbacks, and overall impact on language acquisition.

Advantages of Online Language Learning Platforms

One of the primary benefits of online language learning platforms is their accessibility and flexibility. Unlike traditional classroom settings, online platforms allow learners to study at their own pace and according to their own schedules. This flexibility is particularly beneficial for individuals who may have full-time jobs, family responsibilities, or other commitments that prevent them from attending regular classes. Platforms like Duolingo, Babbel, and Rosetta Stone provide learners with the opportunity to practice language skills anytime and anywhere, as long as they have an internet connection. Moreover, online language learning platforms often employ interactive and engaging methods to teach languages. These platforms use a combination of text, audio, video, and interactive exercises to enhance the learning experience. For example, Duolingo incorporates gamification elements, such as points, levels, and challenges, to motivate users and keep them engaged. Studies have shown that incorporating interactive elements in learning can significantly enhance knowledge retention and comprehension (Zarzycka-Piskorz, 2016).[1] By offering varied and interactive content, online language learning platforms cater to different learning styles, making language acquisition more effective. Another significant advantage of online language learning platforms is the access to native speakers and authentic language materials. Many platforms offer features that allow learners to connect with native speakers for practice, either through text chat, voice calls, or video calls. Websites like iTalki and Tandem enable learners to find language exchange partners or tutors, providing an immersive experience that is crucial for developing speaking and listening skills. Additionally, online platforms often include real-world content, such as news articles, videos, and podcasts, allowing learners to engage with the language in authentic contexts.

Challenges and Limitations

Despite their numerous advantages, online language learning platforms also have some limitations. One of the main challenges is the lack of personalized feedback. In traditional classroom settings, teachers can provide immediate, tailored feedback to students, which is essential for correcting mistakes and improving language skills. However, online platforms often rely on automated systems that may not always accurately assess nuanced language use or provide detailed explanations for errors. While some platforms do offer access to human tutors, these services often come at an additional cost, which may not be affordable for all learners. Another limitation of online language learning platforms is the potential for reduced accountability and motivation. Learning a language requires consistent practice and dedication, and some learners may struggle to maintain motivation without the structure and accountability provided by a classroom environment. The flexibility of online platforms, while advantageous, can also lead to procrastination and irregular study habits. Research has indicated that learners who lack self-discipline may find it challenging to progress in online learning environments (Kizilcec, Pérez-Sanagustín, & Maldonado, 2017).[2]

Evaluating Effectiveness

The effectiveness of online language learning platforms depends on several factors, including the learner’s goals, learning style, and level of self-discipline. Studies have shown that learners who are highly motivated and disciplined can achieve significant progress using online platforms. For example, a study conducted by Vesselinov and Grego (2012)[3][4] found that users of the Duolingo platform made substantial gains in their language skills, equivalent to a semester of university-level language study. However, the same study noted that dropout rates were high, suggesting that not all learners find online platforms suitable for their needs. It is also important to consider the role of online platforms as a supplementary tool rather than a replacement for traditional language learning methods. Many language educators advocate for a blended learning approach, combining online platforms with in-person classes or other interactive methods. This approach leverages the strengths of both online and offline learning environments, providing learners with a more comprehensive and effective language learning experience.

Conclusion

Online language learning platforms offer a flexible, accessible, and engaging way to learn languages, making them a valuable resource in the modern educational landscape. They provide learners with the opportunity to practice language skills at their convenience and offer a variety of interactive and authentic materials. However, these platforms also have limitations, including the lack of personalized feedback and potential challenges with motivation and accountability. The effectiveness of online language learning platforms ultimately depends on the individual learner’s goals, discipline, and commitment. As technology continues to evolve, these platforms will likely become even more sophisticated, providing enhanced features and more personalized learning experiences. For now, they serve as a powerful tool that, when used effectively, can significantly enhance language acquisition.

References

1.Kizilcec, R. F., Pérez-Sanagustín, M., & Maldonado, J. J. (2017). Self-regulated learning strategies predict learner behavior and goal attainment in Massive Open Online Courses. Computers & Education, 104, 18-33.

2.Vesselinov, R., & Grego, J. (2012). Duolingo Effectiveness Study. City University of New York.

3.Zarzycka-Piskorz, E. (2016). Kahoot it or not? Can games be motivating in learning grammar? Teaching English with Technology, 16(3), 17-36.


[1] Zarzycka-Piskorz, E. (2016). Kahoot it or not? Can games be motivating in learning grammar? Teaching English with Technology, 16(3), 17-36.

[2] Kizilcec, R. F., Pérez-Sanagustín, M., & Maldonado, J. J. (2017). Self-regulated learning strategies predict learner behavior and goal attainment in Massive Open Online Courses. Computers & Education, 104, 18-33. 

[4] Vesselinov, R., & Grego, J. (2012). Duolingo Effectiveness Study. City University of New York.

Ibragimova Rushana Bobomurod’s daughter. She was born on September 5, 2004 in Mubarak District, Kashkadarya Region. She has several international certificates. She can communicate fluently in English and Turkish. Currently, she is a 4th-year student of Foreign Language and Literature at the Shahrisabz State Pedagogical Institute.

Poetry from Marjona Xushvaqtova

Central Asian teen girls in white collared school uniform shirts and long dark braided hair standing in a line next to each other. The author of this piece is in the middle facing the camera.
Spring!

We waited for you when we were children,
We used to run down the hill,
Blue-green grass is the strangest corner,
Bud reminded you today.

We would build a tent out of grass,
What a hero Clouds was.
We made wreaths, beautiful,
Your beauty was also a gem.

When I think about it, I don't appreciate you. 
I will not laugh with you when the time comes.
I didn't become your daughter, Marjon, 
I don't feel you com, spring...

Spring...

Marjonabanu Khushvaktova was born on June 13, 2004 in Kokdala district of Kashkadarya region. Currently, she is a 2nd year student of Shahrisabz State Pedagogical Institute. Her creative works are in “Taloktepa tolei” , “Taloktepa tolei” selection book and “The smart youth of Uzbekistan”, “Raven Cage Zine”, “Page 3 News”, “Youth of Uzbekistan” “Yoshlar bayozi” and has been published in many international books, magazines, newspapers and anthologies, and is the owner of many diplomas and certificates.

Poetry from Naaman Al-Gharib

Middle-aged Middle Eastern man with dark thinning hair, clean shaven, in a light brown coat, holding up his hand and facing the camera.

Intellectual Coma

At the epicenter of this moment, humanity is manifesting itself in its most glorious form, but not in the light of a blazing mind or in the purity of a transcendent spirit. Rather, it is in the shadow of a profound crisis that is shaking the foundations of its existence. We might think that all this intellectual noise ravaging the earth is merely a passing phenomenon, but what is happening is far more dangerous. We live in a cosmic epic, where the earth is burning within itself, the heavens are trembling, and everything, even silence, is witness to the madness of existence.

We live in a time when grand ideologies are disintegrating, and the illusions we have planted in minds over the centuries are shattered. We see every idea in conflict with the next in a vicious circle of confusion. Those human desires that once revolved around sublime human values ​​are now nothing but lies propagated by power and greed. What have we done with the mind? Is it still the light that illuminated the paths of philosophers, or have we turned it into a mirage pursued by those racing toward the unknown? Do minds now mean anything, or have they been transformed into nothing more than gigantic machines that produce meaningless noise, revolving in closed circles without meaning?  The End

We are drowning in a kingdom of intellectual coma, where wars are accelerating across the geography of consciousness, while souls are being sold in opportunistic markets, and man becomes a mere number in an equation he did not establish. Is it the march of sin, or does the earth reflect a mirror of our age, which is drowning in its depths, unable to comprehend this abyss towards which we are heading? Is it a wave surging from the depths of humanity, drowning everything in a sea of ​​unfathomable madness?

And what about those gods we have created with our own hands? Do they truly reflect sublime values, or is what we consider faith merely an echo of the call of the absent crowds? The earth explodes in deep screams of death, and we stand on the edge of the abyss. Every time we try to catch our breath, we find ourselves captive to the fear that has taken root within us over the ages. Yes, it is the epic of evil spirits, but we are the ones writing its chapters with the ink of our blood.

Nothing at this moment seems stable or subject to rational explanation. Everything revolves in a vicious circle, as if the earth itself, with all its creatures and things, is shedding endless tears.  It is a tragedy written by the hand of time, which knows neither mercy nor forgiveness.

In this cosmic turmoil, we are immersed in a state of astonishment at what is happening, not only because of the magnitude of the catastrophe, but also because we are unable to understand it, as if we are trying to unravel a complex puzzle while we live at its heart, unaware that it is time that is leading us, not the other way around.

Naaman Al-Gharib

Iraq

Poetry from Stephen House

leaf-blowers

the area i live in ripped out much native growth and planted introduced plane trees /  i’m told they grow fast and the summer green shades and some think they are pleasing to look at / towards winter their leaves fall as other non-native leaves do and the roads and paths are covered / ankle deep and all over the place and then the leaf-blowers begin with their madness / and horrible it is that buzzing and whirring as obsessed leaf-haters blow their machinery / into piles and lines making me wonder is it only me who hates that noise / i wish they’d forget the leaves that have dropped and let them sit or exit with wind / and it brings up the issue of wouldn’t it make more sense to have native trees on our roads instead / trees that stay with their leaves all year and are suited to the four season climate / giving homes to many indigenous creatures including an array of insects and birds / i don’t get the leaf-blowing of leaves or the addiction to non-native trees / although i’d say whatever the trees growing leaf-blowers would still be using their blowers / i’m convinced leaf-blowers love blowing the leaves to create that terrible sound / all i can say is i don’t understand leaf-blowers or the leaf-blowing they love //

Stephen House has won many awards and nominations as a poet, playwright, and actor. He’s had 20 plays produced with many published by Australian Plays Transform. He’s received several international literature residencies from The Australia Council for the Arts, and an Asialink India literature residency. He’s had two chapbooks published by ICOE Press Australia: ‘real and unreal’ poetry and ‘The Ajoona Guest House’ monologue. He performs his acclaimed monologues widely. Stephen had a play run in Spain for 4 years. 

Poetry from Natalie Bisso

Light-skinned woman with red hair in a ruffled lacey black top with white dangling earrings and a yellow and green flower on her left shoulder.

JUST

It’s just that I miss you …

A warm evening smells of lilac,

And invitingly meeting lovers,

A nightingale crooning gasps,

A May evening, spring without being embarrassed.

May evening and a branch of lilac,

We inhale the scents of flowers,

You lightly touched knees,

And a hot desire embraced,

There are shadows on the green grass.

Your touch is so welcome.

It’s just that I’m flying into the Water with my head,

Just, I can hear your breathing.

It turned out to be my fate,

Then, in love with me, your confession.

It’s just that I miss you,

Every hour without you is no joy to me,

I’m drawing our meeting in my dreams,

And I hide a careless weakness,

Letting go into the hustle and bustle of the city.

——

ПРОСТО

Просто, я по тебе скучаю…

Тёплый вечер сиренью пахнет,

И  призывно влюблённых встречая,

Соловьиным напевом ахнет,

Майский вечер, весны не смущаясь.

Майский вечер и ветка сирени,

Мы вдыхаем цветов ароматы,

Ты слегка прикоснулся к коленям,

И горячим желанием объяты,

На зелёной траве чьи-то тени.

Так желанны твои прикасания.

Просто, в омут лечу с головою,

Просто, слышу твоё дыханье.

Оказалось моею судьбою,

То, в любви мне, твоё признание.

Просто, я по тебе тоскую,

Каждый час без тебя мне не в радость,

Я в мечтах нашу встречу рисую,

И скрываю беспечную слабость,

Отпустив в суету городскую.

——————————————————————————————

Απλά μου λείπεις…

Απλά μου λείπεις…

Ένα ζεστό βράδυ μυρίζει λιλά,

Και προσκαλώντας τους εραστές,

Το άσμα του αηδονιού θα λαχανιάσει,

Μάιος βράδυ, άνοιξη χωρίς αμηχανία.

Το βράδυ του Μαΐου και ένα κλαδί λιλά,

Εισπνέουμε τις μυρωδιές των λουλουδιών,

Αγγίξατε  γόνατα,

Και μια καυτή επιθυμία αγκάλιασε,

Υπάρχουν σκιές στο πράσινο γρασίδι.

Το άγγιγμά σας είναι τόσο ευπρόσδεκτο.

Απλώς πετάω στην πισίνα με το κεφάλι μου,

Απλά, ακούω την αναπνοή σου.

Αποδείχθηκε ότι ήταν η μοίρα μου,

Τότε, ερωτευμένος μαζί μου, η ομολογία σου.

Απλά μου λείπεις.,

Κάθε ώρα χωρίς εσένα δεν είναι χαρά για μένα,

Ζωγραφίζω τη συνάντησή μας στα όνειρά μου,

Και κρύβω μια απρόσεκτη αδυναμία,

Αφήνοντας να πάει στη φασαρία της πόλης.

President of the International Literary Association “Creative Tribune”(ILACT),
Head of the German Branch of the Writers’ Union NA,

Dr. Hc Natalie Bisso

Президент Международной Литературной Ассоциации “Творческая Трибуна”(МЛАТТ), Руководитель Германского Отделения СПСА, Академик,

Dr. Hc Натали Биссо

Poetry from Daniel De Lucie

Voracious Time

Time is a beast which no one can slay

Time’s moving forward with no delay

Time is a river that cannot be dammed

Time won’t be stayed by the mightiest hand

Time is an appetite always unsated

Time is never destroyed or created

Time is an enemy never defeated 

Time is experience never repeated

Time swallows all and nothing escapes it

Time never changes we cannot erase it

Time is the thing that makes us all equals

Time happens once without any sequels