Poetry from Bruce Roberts

The Mouth that Roars

Just the sound of his voice,
Awakens memories of fingernails on a blackboard,
Of  tires  screeching  outside at midnight,
Of  coarse sandpaper on raw wood,
Of babies crying and crying and crying,
Of a neighbor weed-eating at 3 am!
It’s an audible recording 
	from a medieval torture chamber.
Without even considering the stupidity
	And malevolence of the words:
	     Point guns at Liz Cheney,
		Paint Kamala with “low i.q.,”
		Shoot at him
			through the dishonest media,
		Vow revenge on all who disagree,
		Proclaim “rigged” 
			even before the votes are counted!

How can the most immoral man
		In the universe
			Get a single vote?
	

Poetry from Kass

Cities Breathe in Abandonment

Wet woods suppressed mind,

bodies of moss chat towards the fog.

Breathe in responsibilities clasped

rooftops overthrown by land.

Numbers walled in by numbers.

Matter speaks silent.

Vines trail over my fingertips bridges.

Such a liar, so afraid,

not fond of regrets.

My years drift afloat

Marigolds outshined by damp willows.

I spoke the words I cried and viewed

tangy colors waving their fingers to crowds.

Where did they go? I ask the minutes,

left behind thick air to our shadows,

never front, focused on past.

Inverted mirrors don’t shatter the depths of blood.

Cracked rain, punctured windows.

I ask for one last direction,

whom shall lead my heart of desires to horizons,

not footsteps.

Poetry from Richard Stimac

Profile from the side of a young light skinned woman with dark hair in a fluffy red and black tango dress and roses on her wrist and red gloves.
Image c/o Victoria Borodinova

Stasis

They are wrong, those who say we dissolve in connection,
as if we have worn special clothes, handmade shoes,
paid for unneeded lessons, all to lose individuality.

Maybe it’s the separateness we crave, the remembrance
the song will end. We will be free to return where we laid
our wallets and purses, our IDs, keys, lives beyond

the dance floor we will never abandon for bed or bank.
The mouthing of words soothes more than the meaning:
how wonderful to regain the infant’s unmediated cry,

or, like a cat, live by instinct, not by choice, free
of the burden to make our lives what we desire,
irresponsible, for a moment, ourselves given, in total,

to a rhythm, a melody, a touch, a body, a god,
that has taken control and absolved us of sin.
We want only so much freedom. It’s too much to bear.

Some of us hold on too long. Others, too brief. As if touch
were a measure of our commitment to one other.
There is always a reluctance to betray the embrace.

That is why we rely on patterns but praise spontaneity.
Even the virtuoso dances sequences yet unrecognized.
We are like lovers trying to make memories,

looking forward to a future that is not yet
when we will look back at a past that no longer is,
discounting the present as a means.

Dreading silence, some of us never rest, as if motion
were truer than stillness. This is wrong.
So what does that leave us in our needs?

I say, the dance is in the emptiness, the quiet, the balance
that reminds us we are mortal. We always want more.
That frightens us. The staying of time is enough,

one step, held for itself, its own entrance, its own resolution,
unconnected to a before, or an after, yet unseparated.
It’s in the stasis where we find the dance.

Painting of a woman in a red dress and ballet shoes dancing with two other figures in black in shadows in the background. Swathes of paint, red and tan, surround them.
Image c/o Linnaea Mallette


No Dance Floor is Ever Empty

No dance floor is ever empty.
I see them, the ghosts of past dancers.
They left the touch
of each step, each turn, each embrace
pressed into the wood.
You can see them, too.

Look, in the corner, the couple falling in love.
Besides them, that pair already fallen out.
Here, to the side, the forlorn
who clutches a partner
like a fetish to ward off
an overwhelming loneliness.
Across the floor, the married one
who dances to return resigned to a spouse
who is content, functional, incomplete.

There are the comfortable,
those who know little
of sadness and suffering
and are perplexed
by those who do.
Even they leave bits
of thin souls
underfoot.

When you are on the floor,
give your attention to them, the ghosts.
You can feel them brush against you,
see their invisible shadows,
hear the softness of their voices.
It is they who fill the void between us.

Listen to me, my friend:
you, too, will be a ghost,
you, too, will leave a trace
of your dance. If you are blest,
someone will enter the dance floor,
someone born after you have died,
and will see what you have left.
They will know, at one time,
someone danced here
and gave what there was to give.

Realistic photo of a man and a woman dancing tango under a green umbrella on the sidewalk near flowers. She's got a blue jean dress and hair in a bun and he's got a white collared shirt and dress pants.
Image c/o Fran Hogan


Leading

Leading is like writing a poem, isn’t it? The amateur constructs plans, sets milestones, identifies goals, chooses an end and steps backwards from there. I’m that, at times, with an idea of where things must go: a brilliant image or turn of phrase; a cleaver pattern or adornment; an intention to display my brilliance that will elicit a smile; a somewhere where I think the line of dance or of metaphor should end. When I try, I succeed, unfortunately. We all confuse what we desire with who we are. If I’m lucky, then I’m lost, a child in a dusk woods, the shadows, the trees, the calls; the music, the dance floor, the body of another. Some other thing, some other self, not me, as I think I am, but some part of me I cannot, will not, name, chooses me as its object. I follow. Could I say my life is really my own?

Richard Stimac has published a poetry book Bricolage (Spartan Press), two poetry chapbooks, and one flash fiction chapbook. In his work, Richard explores time and memory through the landscape and humanscape of the St. Louis region. His work is inspired by dancing Argentine tango.


					

Poetry from Olivia Brody

THE DUNES


will see it differently: not a bird,

but violet is an invasive species

she can’t fly

i think if i palm the pulse of the waves long enough,

they will erode the hard parts of me

crunch iceplants between my canine teeth

and dig my toes into the sand,

the tide rises and falls

and with it shifts my surety

tugs a fistful of my tangled hair,

wretched with saltwater and iceplant- flower perfumed

sand leaks into every crevice of my body: it permeates the motion

the waves of my brain


current pulls back from the shore 

baring naked the beach

she is stripped loveless

droplets of judgment collect on my lashes and sting my eyes

an invasive species


nested high up in the dunes, i bury my naked body among the sand and limestone

you’ll never find me.

Poetry from Duane Vorhees

MARY

Mary had a little lamb.
It gave her indigestion.
And everywhere that Mary went
she had to use the restroom

LEPIDOPTOURISTS

Folding these my genitals into the soft privacy of the parched cocoon. Careful, Lust! Do not disturb that gentle dust. Lightly, precisely, park your eternal lips against my forever mouth, fasten firmly in place. Yes! Twin thoraces fixed just so! to allow free articulation of limbs in the moon's easy breeze, And, now, our skins unzip along spines, splurge toward the distant vacuum beyond the edge of the sheet, until your wings purple lurid under the lunar fluorescence iron themselves indistinguishable into mine (soft-yellowed).
Ahhhhhhhhhhhhh. More leaves in someone's unremembered book. All, the rest, is settled. Only our eyes bulge up, multifaceted and questing, from the petrified flatland. Until mourning dawn shakes again the pin loose and fossils rewake.

WHAT YOU WILL

You intruded my soul--
the whirlwind
amidst my feathers,
the typhoon
among my waters--

Some might call it love and, some, religion
but I’m satisfied to call it passion.

And then our thread despoiled,
the balloon
discovered fetters,
our garden
became our desert.

Wild/still. Static/ecstatic. Push/and/pull.
Anarchy/enchained. -- Call it what you will.

HERBERT’S REVELATIONS

Ancient George Herbert
--an only poet
known for piety--
when he was dying

was able to put
out another tome,
TEMPLE: SACRED POEMS
AND (it said) PRIVATE

EJACULATIONS!!
Oh, what a volume!
--The hypocrisy
of pious clergy

and their secret sins!
Exposé I sought.
But this was not that.
Just more holy din.

Honest George Herbert,
patient preacher-poet,
proved his piety
even when dying.

AMANUENSIS CUNNILINGUS

My tongue is your servant
you keep at your desk
to dictate to fingers
the words from my mind

in praise of your beauty,
in praise of your worth.
If only my body
consisted of tongues.

My tongue is your serpent
you keep for your cleft,
whose electric tingle
wiggles and entwines,

for love and in duty,
and promotes this verse.
If only my body
were made out of tongues.

Essay from Abigail George

The Green Jalapeno On My Tongue

I think of the man who was very briefly in my life. I don’t want to think of him but I do. After all this time he comes into view but this time he is saying goodbye. The relationship doesn’t feel quite as magical for him anymore. It’s twenty minutes past one in the afternoon. It’s raining. There’s a chill in the air. I give up wondering who he’s with, what food he’s eating, if he still does his laundry and irons his shirts, or if the young woman in his life does everything for him, like the cooking and cleaning in his house. He was always interested in property and in having plenty of space around him.

You are a newborn. I count your magic digits. Your nose, lips, eyes and mouth are a requiem. You have eczema. I was unemployed. Across the valley’s face you came home. I did not expect you. I did not help paint your room a bright sunshine yellow. I regret that. This bundle. The science of sinking flowers. Magus visiting on a floating ship. Milk-fever on your brow. You cannot speak my name yet. One day you will hate me and say I hurt your feelings. This will happen as a self-aware four year old. I will feel ashamed of myself. I shouted because I was afraid. Afraid you were going to hurt yourself. I did not speak when you turned your head away. I felt afraid. You’re a good psychologist at five. You tell me a baby will make me happy. I believed then in hope like a girl. A man enters the picture when I am thirty-nine. The man I think I am going to marry. It doesn’t work out. In reality it doesn’t but in my head it does. I can hear something that draws my interest as I try to fall asleep. The dogs move in the dark. Their silent maneuvering was disconcerting to me at first. The one walks behind the other. 

Then it is the art of serving and helping during Covid-19. Everybody thinks it’s the apocalypse. I don’t think of anything but of getting out of this tiny isolation room they’ve put me in. Now two years seems like such a long time ago. I shit in this room and everyone can see. I pee. Everyone can see. That is not lost on me. My paternal grandfather came from Saint Helena. I was a guinea pig. When I was in the normal ward, whatever normal means, the male nurses could see us showering and would just stand there and watch. They had to. To keep us safe because of safety matters or matters of safety. 

The aftermath of the promulgation of the Group Areas Act in post-apartheid South Africa should be a matter of every South Africa’s interest. Might I add it is very much a disquieting Jungian path. 

To a sister in Europe that I feel as if I’m learning these things much too late. The things I needed from you. The things you needed from me. You needed someone to listen to you. Well I needed that too. It has come much too late. 

I conducted an interview with water in the swimming pool. The droplets of rain feel like ice on my skin. Underneath I am surrounded by giant tap roots and blue trees. A safe blue forest. I can live here forever like I did in high school. I was baptised in the swimming pool hitting forty by an Apostle Harmse. 

My mother’s face falls. My father interprets this as both cunning deceit on her part and lovely. Joyce Carol Oates frightens me. The way her mind is engineered to think. Her conditioning. Of this I am certain. Gravity. The leaf falls. You are something that I have lost and that will never be returned to me. 

I know the wildflowers of pain. It sucks. I know how to live in the moment. Sometimes it is cool to live in the moment. To wait for the eclipse of this sweet reversal of fortune. The edge of this knife-jab-twist in my sobriety. You, the gorgeous saint of a man who was very briefly in my life, I think have sufficient world peace now. The peace that you were longing for. That I could not give. 

I am trying to get my ficus plant to hit the ceiling. It means I will win a prize. The universe will just hand this to me and say, “This is your consolation prize for never having got married. Never having those children.” You never think of me anymore. This of course comes as no surprise to me and why should it? It’s been years. Nearly half a decade. 

I wonder how your coffee tastes in the morning that the woman now in your life makes for you. Does your lady make it for you in the exact same way that I did? I wonder how your doctoral studies are going, are you thinking of teaching again, taking up that vocation? You told me that you would only do it for the money. You also told me that you would only teach overseas. 

I wonder if you’re still inventing robots in your garage. After all this time, I still know pain. I am still writing sad poetry and books about the woman who never gets the man, who never quite gets it. Love or the domestic affairs of the heart. My parents are still alive. My father is eighty now, can you believe it! He outlived his university contemporaries. 

A very young child’s toys covers a mat. My brother has had a daughter since I saw the man who was very briefly in my life last. The child’s mother works at a fast food restaurant during the day. I take care of her daughter with my mother and brother’s help. The child is my consolation prize. It’s not raining so hard anymore. 

I joined a film forum. I have a film that is in production. Life is good. It should be good, right? But I keep telling myself that the man was my twin flame. That we were meant to be together. There are others, but what exactly does that matter?

What’s a Cambodian sunrise like? What was a Cambodian sunset like? What was life like now so far away from everything you’ve ever known, what you grew up with? I just wanted you to know that I still think of you sometimes and that when I am older than I am now I will probably still think of you. My tears, a forest of tears, are falling now but I have no idea why I am crying.

I sit in a darkened room drinking a woody cup of tea that nourishes my spirit and I think of my sister far away in Europe locked in a battle for her own survival. I think of my brother falling out of love with the mother of his daughter but who he still sleeps with. I think of my mother whose beauty has never faded, my father who still has all his mental faculties intact. The man who was very briefly in my life has faded from view. Once I walked victorious but now this man is in love with another. I still long for those inescapable moments where he held onto me so tight as if he would never let me go. My being and his were interwoven. It gave me courage and now nothing does. All I want are answers to my questions. Why did the relationship come to an end, why could he not love me, marry me, why could we not make it work, why did I fail to hold him captive and why was I so easy to replace?

Children are in my life now that have replaced the man’s absent love. My brother’s children. A son and a daughter. I am growing older, past the marrying age, past the age of having children. I dream of having a past in which the man is non-existent. Then I won’t have to think of him anymore.

There’s a sweetness to the day, to this light pouring into this winter’s day and the cold, pouring into my limbs and the whistle of the boiling kettle, pouring into this simple meal for a financially inept individual, an individual who finds it difficult to save. I bite into a green apple, make a face at its tartness, its sourness and chew. I swallow the apple and feel calm. The still air composes itself anew at the open windows. I watch a bird fly into the window and compose itself anew and fly off again. I get up and close the window and the thin net curtain in the sitting room. I remember a thin woman called Althea from high school who I didn’t like. I wonder what her children are like. If her husband makes her coffee and breakfast in the morning. She is a doctor now. She’s done well for herself but I remember how she used to make fun of me and pretend to speak like me. I remember her friends of Indian descent. How they seemed clever at life, had all the right moves and always aced their tests. With their high test scores, good looks, fathers who were an amalgamation of dentists, doctors, pharmacists, and business-owners who drove minivans or posh sedans to drop them off they seemed to have it made in ways and means that I did not have it made.

I think of feeling numb. Coming home in the afternoon after school and having no friends, nobody to speak or communicate with. I would wait for the arrival of my younger sister and brother and mother. I would sit in the front of the house and listen to CD’s. I wasn’t frightened of loneliness yet. I didn’t have words yet for that altered state of consciousness.

It is winter but it doesn’t feel like winter yet. It’s still warm outside. I feel hot under the blankets and kick them off me. I have regret on my mind that comes to me in waves. Regret becomes this kind of a personal attack on my sobriety and I think back to what the loss of the man meant in my life and the hours it took to produce published and unpublished manuscripts. Both were significant losses. My brother thinks he is in love but he has experienced much sadness in his life. The kind of sadness that is windswept and forlorn, torn between the wildflowers and the beating heart, the sun and interplanetary alignment. I want to ask the dark shadow of the man looming over me in the shower, in the garden, in my childhood bedroom, in the kitchen, in the lounge who he loves now but instead I lose my nerve and light a menthol cigarette instead. I blow the smoke out of my mouth, bite my bottom lip, and chew my fingernail, and stare out of the window remembering when he held me close and told me that he would never let me go. But he did. He did. Whether it was because of my chronic illness or disability or my poor mental health or my weak, limited thinking I will never know but what I do know as I stare into the past and into the eyes of this illusion that I had loved and given my heart to is this. I wish him well. Yes, I wish him well. I play Erik Satie and as the music fills this room I wish that the man is happy and in love with life. That after all this time he has found what I could not give him.

I write to his mother. I still write to her even though her son is no longer in my life. I still write sad poems about the end of our relationship. The end of this tragic yet significant love affair. She writes back. She is full of wisdom and spiritual insights. She tells me to move on with my life and forget all about him but it takes me a while to do this. It takes me years. I even find myself dreaming about him sometimes. In one dream we attend church together. In another I drove around looking for his house. I listen to Hillsong. His favourite band. I sing along. I lift my hands and sing and do praise and worship and then I think of him flirting at church, flirting in the workplace, in high school, in bars and clubs. It makes me feel better to think of him as the villain and myself as the victim. Sometimes I do think of how he has made me happy and then I smile and start to cry when I think of how I called him “Husband” and he called me “Wife”.

I made a bottle of milk for my niece. It’s the children that are important to me now. Other mothers’ progeny. My father and I watch cartoons with my niece. My father sings and does actions. I drink lukewarm coffee. My heart aches for something that doesn’t exist anymore. A love that might have been. It gives rise to a feeling of indecision. The clock ticks away while I sink into a lounge chair while light fills this room.

Prose and photography from Brian Barbeito

Dozens of black birds fly up into a gray sky with a brighter spot in front of the sun.

he looked at the map of the stars, a map he had gotten from a National Geographic book. he had affixed it to the wall and tried to remember it. he couldn’t remember the constellations though, not the way other people did. he was terrible at geography of the earth, and apparently could not remember the sky either. but still, he found that he liked the stars, and the whole idea of it. why not? what other posters were there on the wall? it was difficult to remember. Jim Morrison. The Silver Surfer. outside then the rain and the wind, the fall leaves sometimes twirling around as if guided by a spirit. nobody ever home, or hardly anyhow. emptiness. and no trouble there either, no bad people per se, but no good people either. nothing. a certain emptiness. perhaps it was because the past was over but the future had not really begun. open the window. let the night air go through the screen. sometimes angelic light or feeling. feeling. and actually sometimes the bad. what they call the Old Hag Syndrome, where a being sat is on your back and tried to steal your soul. she arrived twice. had to be fended off with will power. the first time she called his name. but was it real? or a medical thing that sometimes happened to people when they slept. music. soft music. plush carpets w/nightlights. the real stars out there, beyond the poster of such. but not as of late in those long nights, because the cloud cover made for an opacity. memory. nostalgia. ghostly. it wasn’t really eating, or sports, dating, or money or music or drawing or travel. what was it? sometimes something in the words read or written. sometimes that if something had to be picked. yes books. and the wind. books and the wind inside the night. the tarot often said the third eye was open. interesting. he wished no harm upon the ones that wished harm upon him. yet, the diviners say much trouble arrived for them. the wind goes through vines, over and around the old graveyard, and atop plum trees. the wind comes into the room and rustles papers, makes a pen and pencil to roll. friendship w/the night. prayer meditation vision mysteries. a group of deer must wander up the path. to appear just then in the dawn, in the very first inkling of the dawn when the light arrives so suddenly and has been borne and born, travelled and birthed. day was okay. night more spacious, wild, its capricious winds and restless clouds, its electric eclectic ephemeral ethereal dreams and the fall rains against the windows in the witching hour.