Poetry from Duane Vorhees

DECREATION

It is one moment past midnight

on the 8th day of morning.

Our Styx ferries become consumed

with the burning of bibles.

Seven heavens eighten themselves

and shrink and infinitize.

In this silent Babel

the sciencemagic we learned

while head over heels upside down

from hanged Marut and Harut

is finding and losing its feet.

Apocalypse collapses.

Ahuramazda unities

vanish darkness into bright.

Medusa’s pale horse Pegasus

comets Quetzalcoatl;

Fenris swallows the Eighth Archon

and then pukes and pukes him out.

The set sun eludes prediction.

No west exists to rise from.

CARNIVAL OF LOVE

The bearded lady

has two lovers,

the apeman and the geek.

Their sex is crazy,

peeling rubber

on high wires and the street.

When bearded lady

becomes mother

to a new circus freak,

the lucky baby

has two others

to help him feel unique.

FOWL WEATHER

Six ducks in a pond

swimming through a warm sweet spring rain–

pond is duck is air.

STILL STRANGERS:

EROS

IN EROSION

After years

of wear, she would sew

with those sharp dead

beads, new thoughts

into the threadbare pattern of memory,

and he solder

his older, darker, thoughts into place….

… Long ago…

they learned to slaughter

their eager laughter and tear

their deepest tears out of each’s other,

they taught themselves to utilize their exquisite words

like hamhamhammers and broadswords–

then, their mutual wounds

they wound all about their lives like poison ivy.

(Each just one more bothersome

clone to the other…)

But

There had been a time

,once,

before the tiny

mutiny,

when they were still strangers

to anger,

when they could lie naked,

sun-baked upon the jurassic sands

or beside the slow hearth,

unearthing new treasures from their together,

when, in some safe

cafe, their yes

-eyes could swallow entire

their sweet menus

of Venus

and for many an hour

pour their love

from lip to mouth like milk from a pitcher to a glass.

But that time passed…

Strangely

angel-like, two

naif

waifs

blown

down,

unable to unwind all the ivy accumulation

in a rugged wind – they just

shrugged, unable to face down

the demons of their facetious selves.

(This is not simply

to imply that they weren’t determined.

But, over time, stubborn assiduity becomes undermined,

especially when connubial cement lacks

reinforcement.

So, by fragile grapevines, over

tangled ravines,

the values they were hanging onto

kept changing.

They were unable to forge a structure anew

or to forget old collapse.

Neither the heights of their dear science nor

the weight of alerted conscience,

And not Keats, and certainly

not Yeats,

could keep the crevices in their isolate selves

from inventing the devices of their together’s undoing.)

Beached,

they discovered the sea:

inequal parts nausea and mystery.

HIGH COUP

O moon, so distant…

I’m not smokin’ in Tokyo,

my poem will not fire.

“Revolution bursts

sunlight on stained stainless steel:

your yolkcolored hair.”

Night’s vaunted Shakespeare:

just flaccid Little Willie,

cold to geisha stars.

“Nestraw hair – egg’s eye

blue – honeyed limbs; trunkhugging

bearcubeMe:     climbing.”

Sake enflames verse

(you say), arouses rhythm,

kindles rhymes sublime–

mine (old drunken whore)

fires up unsuccessfully,

sucks relentlessly,

till we fall asleep.

And Basho the monk remains,

red raw poem limp, still.

IN SOLITARY 

1. SAMIZDAT*

 Writer’s craft: manacled to conviction 

           like any zek to his sentence, 

            like a blatnoi to a pen

: assaults its own position 

: like a gaybist missionary, assassinates its friends

: like any other virgin –

just another bloody period, 

and another conception ends.

2.  YOUR BODY TELLS THE HIGHWAYMAN 

If prose is just a page running across your face, 

poetry is the line lying between your thighs.

Your body tells the highwayman’s short story life:

The drama of poems at the point of conception, 

but just one more hackneyed form in execution.

3.      LIFE/SENTENCE

 key in the cake –

(in music, truth hid?)

oh,

the poet’s prison is 

the rhythm of his

poem 

                        starved, 

                        scarred – 

he makes his

break

*inspired by Solzhenitsyn’s Gulag Archipelago