SOMETIMES IGNORANCE IS BLISS
It unnerves me to know
that every time I remember
our first night together
I am actually remembering
my last remembrance
of that night,
and not the night itself –
or so men more intelligent than I
would have me believe;
and I fear I believe.
How far from reality
has my renewing memory taken that night?
How many changes has a precious moment
morphed through;
a Chinese whisper of the mind?
How diluted has it become?
Have diminished have you become,
seeing as no single night passes
without my mind embracing you
and all the possibilities
that never were?
MUTE
The garden has fallen back into
nature’s rough grasp,
while weeds caress
the streaked window,
and grass too long
to stand straight
sways drunkenly
in the wind
to a music I cannot hear,
but reverberates in my bones
as I slouch
in my stained chair in the corner
of the living room,
the T.V. flashing some poorly broadcast channel,
soundless,
mute,
unlike my murmuring mind,
its noise threatening
to deafen
my flickering life.
UNWRITTEN POSTCARD
Wish you were here,
but you’re not,
nor will you ever be,
here, or anywhere.
I miss you.
I hope you know that.
I would write it down,
but, even if I could gather the words
to contain the uncontainable,
where would I send it?
You no longer exist
to have an address.
You no longer exist,
and I miss you,
my tears staining this postcard
I bought six days
before your funeral.
THE HISTORY OF HIS DAY WRITTEN ON HIS FEET
How many times did I make the amateur mistake
of finding some oppressive unfairness
in my teenage life,
and, furthering my foolishness,
voiced such within earshot
Of my father,
and had to stand and listen to
how he had to walk to school
in his bare feet
in snow and rain and freezing cold,
and I would subtly
roll my eyes and say
‘Yes dad’,
and never mention my woes again,
at least not within
his superhuman parental hearing?
Sometimes, tail-ended onto
his bare feet travails
would be how
he had to bring his own stick to class
if the teacher took a mind
to strike him,
how each child had to bring their own stick;
the teacher gleefully wiling
to inflict the punishment,
but indifferently disinclined
to supply the means.
Imagine that bone-bitingly cold classroom,
whipping sticks lined up against the wall,
voiceless conscripts waiting
for their call to duty,
waiting to be grabbed by cruel fingers
and swung into the soft, cold flesh, of a tensed hand,
bringing a pain the wrong side of numbness.
His hands I saw everyday,
and sometime felt
on my face,
in love, in anger;
I remember nothing to mark them
as having being marked
by the cruelty
of harsh educationally supported punishments,
but when he died
under the onslaught of age and pain,
I looked at his collapsed body
in the hospital bed,
tears full behind my eyes,
my voice lost inside me,
and with a trembling hand
I lifted the blanket
to look at the savagely treated soles
of his dark veined feet,
the weight of truth
trembling my soul.
IMPERFECT NEEDS
I don’t want to be alone,
except for those times
when I want to be alone;
I never know which days
will crave companionship,
which will need absence,
or even how long
either moment might last,
be it minutes
or hours.
I realise the cruelty
bred into this fickleness,
yet feel little guilt
when my temper rises
at your stalled confusion
whether to kiss me
or close the door behind you.
Short Bio: Edward Lee’s poetry, short stories, non-fiction and photography have been published in magazines in Ireland, England and America, including The Stinging Fly, Skylight 47, Acumen and Smiths Knoll. His debut poetry collection “Playing Poohsticks On Ha’Penny Bridge” was published in 2010. He is currently working towards a second collection.
He also makes musical noise under the names Ayahuasca Collective, Lewis Milne, Orson Carroll, Blinded Architect, Lego Figures Fighting, and Pale Blond Boy.
His Facebook page can be found at www.facebook.com/edwardleewrit
I enjoy your freshness and clarity.