Dead poet
The famous poet
died and left his manuscripts
to his wife and publisher.
After he was put in the ground,
the wife and publisher
went through the unpublished poems.
It was decided the dead poet
was an embarrassment:
he wrote about crude things,
alcoholism, sex, bodily functions,
he was misanthropic
and that was unacceptable
for the widow and publisher.
He used coarse language, cursed
and said bad things about people,
especially women,
and it was unacceptable,
politically incorrect
for the widow and his publisher,
so they edited,
removed words and entire lines,
softened things up,
all of which would have outraged the poet,
but he was dead
and unable do anything about it.
I am not a famous poet.
I am nowhere near fame, and when I die,
it is unlikely anyone will modify
and sanitize my poems.
Most likely, when my remaining possessions
are gone through, they will find my poems,
stories, and artwork in a box
and like all undiscovered
and undiscoverable poets,
everything will be rolled out to the curb
for trash pickup
on Thursday.
making ends meet
it’s a terrifying thought.
the alarm clock
going off next to my head
before light has had
a chance to conquer darkness.
the bathroom thing.
I no longer shave,
but I must brush my teeth,
what’s left of them,
and there’s no hair to comb,
so I am spared another routine.
dress in clothes perpetually wrinkled,
put on workman boots,
a strip of cardboard showing at the heel,
tie laces with tired fingers.
out to the car.
the cars I have gone through,
they find me when they want to die.
traffic. it is endless,
and the anger and impatience,
the inevitability of road rage
and casual murder,
dismemberment in the breakdown lane.
I pull in at the far end
of the parking lot
because I am always late
and on the edge of discipline,
write-up, termination.
and the boss.
his face forever
the mirror reflection of a nightmare.
the dream refuses to evaporate.
and the work,
mindless, numbing, deadening.
this is what I face
here in the autumn of my life.
it is late November
and I tell the cat it’s impossible,
starvation is a possible answer,
a final and futile
Buddhist gesture.
the cat looks up at me.
it’s time for his breakfast.
Timeline
One minute
you are driving along
obeying the law
and the next minute
a pregnant woman in a pickup truck
careens from a side street.
Life is irrevocably altered as she plows into you.
You are no match for her truck and distraction.
This morning an email was sent.
It said there are no matches for your job search criteria.
The woman at the Center for the Aged in the Future
said there are currently no positions for senior citizens.
You do not ask why.
You have learned not to ask questions.
Questions are answered in the negative.
Outside in the car
you look at traffic and see
a cement truck approaching.
If you hurry
you may be able to reach the street
and change the timeline
forever.
until death do us part
my wife
fell off the toilet
hit her head
hard
on the edge of the sink
until crimson flowed
down and dribbled
from her chin. she sat there
naked on the floor bleeding
looking at me.
my wife was so drunk
she was in another world
another dimension
and did not recognize me.
her addiction
held tight as a galvanized steel vice
the two years we were married
and only released its
cold grip upon
death.
Kurt Nimmo lives in New Mexico. He published Planet Detroit and PNG Chapbooks in the 1980s and 1990s.
Posthumous fame is not for the likes of us. My cats look at me that way too especialy around evening meal time
Kurt, I’ve been reading your work for as long as anyone else I can think of, remember Planet Detroit sometime around 1990. I came across some mags in the box you describe a few months ago and found some of my early stuff in the small mags with Alan here, Gerry, Judson, Art Knight, Estabrook, Lyn & so many others all from about 1990-1992. Alan actually mentioned you in a recent email cause we sometimes try to keep up with those of us still wasting oxygen, so to speak. I guess I mention these things cause I feel this was a really great collection of poems published here and I feel like I can relate to so much of what you’re saying. I think you pretty much speak for all of us in “Dead Poet.” We’re all familiar with that story and I’ve had to think about any of my own literary or artistic works ever acting as some time of legacy or just dumped in the trash. I probably envision what you describe. “Timeline” also resonates with me for several personal reasons. My wife and I have asked ourselves about why people fed us that crap about “the golden years” when we were young so long ago. Gold? We joke we lose gold as in all of our assets paying out for med costs and other stuff. What happened to the promises of pensions, cushy island living, finally being able to “relax” after a long life of hard work? Hell, I work much harder after I retired years ago for NO damn pay and under far more challenging conditions than when they were feeding us these myths, Hah! Anyway, I’m rambling, a bad habit, but I’m glad to see you here, your writing is as tight as it’s ever been IMO, and I hope to see more of your stuff as well as wishing you well in general and a good weekend in particular.