Street Video

These stories almost escaped
from order into dizzying chaos,
with linear cartoon-like panels
in the rows of tenement floors,
letting us glimpse the dramas
inside, without subtitles to read.
The lens took in the flaking paint,
acid-yellow wall-paper strips,
and a woman gazing out at us,
squinting through a bruised eye.

The action moved along from here
to there, inventing a melodrama
of gunshots and alley dumpsters
But we also had seen in the street
the image from a pin-hole camera
a homeless man had documented
from when he was living rough
a block from the stately capitol
where legislators reiterated claims
that no veterans ever slept on grates.
_________________________________

THE SCHOOL MOVIE

Almost as soon as the lights
snapped on as the credits ended
those around me started asking
which character in the film
shot on summer location here
was me or should be me
or why was their cameo cut?
And a few joshing friends
with their cinema radar on
emailed or blogged the same.
Perhaps that sad-sack retiree
who quit, then recanted,
with nothing new to fill a life
spent teaching 37 years,
like a modern Mr. Chips.
("That's Mister Chipping to you")
Or perhaps a gender-bending
version of the straight-backed
harsh female faculty star,
played like, not modeled
on. a former colleague, quick
tongued and creator of quips.
The friends in joking missed
the pathetic theatre of teaching,
the sweaty wrestling with angels,
the jazz of long, dark nights,
the cries of "Help me. Help me."
as we all stepped in quicksand
that we had not seen ahead.
And this film the boy genius
shot was the perfect medium:
the plastic loops of stuff
that will eventually decay,
like our bodies and minds,
the young and old alike,
as the quick, flickering light
passes through and is gone.
___________________________________

TESTAMENT

"Ithaca gave you the beautiful journey..."
                    -- K. Kavafis

His bed table was bare
except for his glasses, propped
up as if being worn,
beside an open book.
Others would later say
outside his poems his life
does not really exist.
The silence here implies
there is "nothing left to give,"
as a darker voyage begins.
His poetry strips down,
exposing itself as prose,
its "double life" is finished.
Later, reading his books
we felt the heat of his work.
 From such a room as this,
with oriental carpets,
a black desk with gilt,
a velvet armchair,
such conventional pieces,
he inhabited his pasts
like bits of arcane clothing,
and he allowed the secret lives
of those who were not consistent,
unsurprised by their faults,
those undone by misfortune,
bad-timing, and knowledge
imperfect in source and expression,
or the crowned goddess of luck
who rules even the gods.
And now he sits alone
in this room without a light,
recalling nights that were endless
in brightly illumined cafes.
He heard a figure at dawn
enter and sit on his bed,
the place where the fortunate die.
Once when asked to write
his farewell, he took a pen
to a drawn circle's center
and placed a single dot.
The glasses he left aside
were for me an empty mirror,
looking at myself
looking at myself.


Royal Rhodes is a retired educator who taught classes in global religions for almost forty years. His poems have appeared in several literary journals. He lives now in rural Ohio.