Archive for July, 2010
DEADLINE AUGUST 1, 2010
Ohio Childhood Poems: Final Call for Submissions
Children are shaped by the places they live and the events they experience. This collection will gather work that documents how poets were shaped or influenced by growing up in one particular Midwest state. On its north coast, Ohio is a Great Lakes state where it shares a border with Canada on the east and south, it is Appalachian mountains and foothills, forests and rivers; to its west, it flattens into the beginning of the plains, squared with farms. Demographically, Ohio has its rich cosmopolitan centers, its suburbs surrounding its cities, its bounty of small towns, its agricultural diversity from truck farms to family farms. Yet it also has cultural diversity and rich heritages that decorate the quilt that is Ohio. Poems of place and on characters might be especially welcomed for this collection. Name the people, places, brands, businesses, landmarks, institutions, locations that impacted your life as a child and your life as a poet.
The collection will be edited by Robert Miltner of Kent State University and published by Pudding House Publications in Columbus, Ohio.
• Poets should have spent at least five years of their childhood in Ohio.
• Beginning, emerging and established poets are equally invited.
• Submit no more than four poems.
• Include author contact information—name, address, phone number, email—on each submission.
• Include a short contributor’s note (under 150 words) about your Ohio connection; keep publication comments brief.
• Sorry, no simultaneous submissions.
• Previously published poems considered if poet holds copyright and publication information (journal, issue, year, page or website) is provided. No fees will be paid for reprinting.
• Rights revert back to author upon publication.
• Electronic submissions only.
• Send submissions to <ohiochildhood(at)gmail.com> (replace (at) with @)
Put your last name first in the subject line, followed by “submission.” Attach your poem(s) in a word file AND paste the poem(s) in 12 point font in the body of the email.
• Only submissions that follow the guidelines will be considered.
• Deadline for submissions is EXTENDED to August 1, 2010.
• For questions, contact editor at <ohiochildhood(at)gmail.com> (replace (at) with @) Put “Question” in the subject line.
For further information, visit our blog: http://ohiochildhoodpoemsanthology.blogspot.com/
damselfly press, an online literary journal for women is pleased to announce the publication of our twelfth issue and call for submissions for the thirteenth issue. We are seeking electronic submissions of original fiction, poetry, and nonfiction by female writers only slated for online publication in.
As always, we welcome a myriad of women’s voices from new and experienced writers.
The deadline to submit for the thirteenth issue is.
These are the e-mails per genre editor:
Fiction: jennifer(at)damselflypress.net (replace (at) with @)
Poetry: lesley(at)damselflypress.net (replace (at) with @)
Nonfiction: nonfiction(at)damselflypress.net (replace (at) with @)
CALL FOR SUBMISSIONS: JMS BOOKS LLC
JMS Books LLC is a new small press catering to fans of queer erotic
romance as well as a variety of other genres. We publish in print and
electronic formats, and our royalty rates are very competitive — among
the best in e-publishing.
We are looking for fresh, new voices in the following fiction genres:
* CONTEMPORARY – stories set in modern day without any fantastical or
* FANTASY – all subgenres, including urban fantasy, , epics,
magic, superhero, mythology, , legends, etc.
* GAY – stories in any subgenre whose focus is a loving relationship
between consenting, adult men
* HISTORICAL – stories set in any era before Stonewall
* intended to scare, unsettle, or horrify (no vampires,
werewolves, or shifters)
* HUMOR – stories in any subgenre with humorous elements which are the
driving focus of the plot
* INTERRACIAL – stories with characters of different races in a relationship
* LESBIAN – stories in any subgenre whose focus is a loving relationship
between consenting, adult women
* MILITARY/WAR – stories in any subgenre with military characters or set
* NON-FICTION – please query
* POETRY – please query
* SCIENCE FICTION – all subgenres, including futuristic, space opera, time
travel, alternate reality/history, utopia or dystopia, etc.
* TRANSGENDER – stories in any subgenre whose focus is a loving
relationship between consenting, adult characters who identify with the
gender other than the one with which they were born, including
intersexual, transsexual, transvestite, and gender-queer characters
* YOUNG ADULT – stories in any subgenre aimed at readers between the ages
For full submission guidelines visit our site at http://www.jms-books.com
Hello Artists of the Greater Bay Area,
The Sun Gallery in Hayward is sending a Call for Art for:
The A Step to Eternity: Un Paso a la Eternidad–
In honor of the 100-year anniversary of the Mexican revolution, in which approximately one million people died to replace the dictator in order to create a Constitutional republic, this year’s theme of the Day of the Dead is based on revolution and change or death as the price for liberty.
The Sun Gallery is planning our Day of the Dead (greater Bay Area. We realize there is a lot of competition in the Bay Area for artists for this festival, but we hope you will consider our non-profit gallery as a worthy cause!) Exhibit from -Nov.13. We are inviting emerging and prominent artists from our local area as well as the
The submission fee for this show is $35 without membership purchase and $20 to display if you purchase a membership or are already a member. Group submissions from High School art teachers will be free. Individual artists may submit up to six pieces for a space no larger than 5’ x 5’.
The gallery will be using an extensive mailing list for publicity. A reception for the artists and public is scheduledto 7 pm.
Drop off of artworks will start on Wed. Oct. 13, and should be in no later than Sat. Oct. 16th. Take down will be scheduled for Tues., and completed by Sat. Nov. 20th.
If you are interested in participating, please respond to the above email address with digital photos of your work (or your website). Gallery staff will get back to you.
If you are interested in volunteering to help at this event, please contact Sun Gallery or Orlando Somoza.
Orlando Somoza, Sun Gallery Board Member and show curator
: Last day for video submissions
YouTube Play. A Biennial of Creative Video aims to discover and showcase the most exceptional talent working in the ever-expanding realm of online video. Developed by YouTube and the youtube.com/play to learn more and submit a video.in collaboration with HP, YouTube Play hopes to attract innovative, original, and surprising videos from around the world, regardless of genre, technique, background, or budget. This global online initiative is not a search for what’s “now,” but a search for what’s next. Visit
About YouTube Play
In the last two decades, there has been a paradigm shift in visual culture. The moving image has been fully absorbed into critical contemporary-art practices, and now we are witnessing the power of the Internet to catalyze and disseminate new forms of digital media, including online video. With video now available for anyone to produce and watch, almost anytime and anywhere—be it on cell phones, digital cameras, computers, or tablets—it has become the medium of choice for many aspiring artists. YouTube Play will recognize the current effect of new technologies on creativity by showcasing exceptional talent working in the ever-expanding realm of digital media. It is the goal of YouTube Play to reach the widest possible audience, inviting each and every individual with access to the Internet to submit a video for consideration. The end result will hopefully be the ultimate YouTube playlist: a selection of the most unique, innovative, groundbreaking video work being created and distributed online during the past two years.
How to Participate
Now through , participants are invited to submit new or existing videos created within the last two years at youtube.com/play. Submissions may include any form of creative video, including animation, motion graphics, narrative, non-narrative, or documentary work, music videos, and entirely new art forms.
After the submission period closes, the Guggenheim Museum will identify up to 200 videos for online viewing at youtube.com/play. From this group, up to 20 videos will be selected by a jury of experts, comprised of distinguished artists, filmmakers, graphic designers, and musicians, to be presented at the Guggenheim Museum in New York during a special event , on view to the public , with simultaneous presentations at the Guggenheim museums in Berlin, Bilbao, and Venice.
YouTube Play Channel:
About YouTube Play on the Guggenheim Website:
THE 32nd RHUBARB FESTIVAL
Toronto’s Annual of Contemporary Performance
, Festival Director Laura Nanni
CALL FOR SUBMISSIONS 2011
Produced by for over 30 years, the Rhubarb Festival has offered artists a critic-free environment to experiment with new explorations in performance. Rhubarb continuously reconsiders the possibilities for performance – how we create it, how we present it and how we experience it. It is an invitation for artists to take risks, investigate new directions and challenge conventions. It is an opportunity for adventurous audiences to journey off predictable paths. Rhubarb provides artists with a rare opportunity to present work to a large and enthusiastic audience. Many Rhubarb shows have gone on to be further developed and presented in , across Canada and internationally.
GENERAL CALL FOR SUBMISSIONS DEADLINE:
Rhubarb seeks proposals for new, not previously produced performances (30 minutes or less) for the 32nd Annual Rhubarb Festival. Submissions are encouraged from both established and emerging artists working in the areas of contemporary theatre, performance art, dance, music, interdisciplinary and hybrid forms. Of particular interest are projects, approaches and ideas that are new territory for the artist and the medium.
Selected projects will be featured during the festival (international artists over the course of two weeks.) and will receive technical, production, administrative, promotional and artistic support. Invited companies will have the opportunity to access free rehearsal space leading up to Rhubarb. In addition to an honorarium, festival artists also receive an unlimited artist pass, allowing them to see work for free by local, national and
New to Rhubarb this year! TWO SPECIAL PROJECT CALLS:
SET IT OFF DEADLINE:
Building on the culture of club nights at Buddies, Rhubarb invites DJs and musicians who venture into new and experimental territory of music performance (especially those working in live mixing and sampling) to submit proposals. This may include DJs/ electronic artists collaborating with animators, new media artists, choreographers, etc. to create a short set. Other possibilities include musicians working with non-traditional equipment and instruments (i.e. kitchen appliances, video game consoles, found objects, bicycle powered amps, etc.). Of special interest are proposals that not only suggest experimentation with the instruments themselves, but also consider aspects of the music in relation to staging, conceptual meaning, story and/ or form.
MOBILE WORKS DEADLINE:
Taking the Rhubarb experience outside the walls of Buddies, the festival invites proposals for works that begin elsewhere and converge at Buddies (12 Alexander Street, Toronto). Performance interventions, performances on the subway, flash mobs, etc. that eventually end at Buddies are encouraged. Participatory projects and online performances that are developed in the lead up to Rhubarb and culminate in another form of presentation at Buddies are also welcome. The proposal should take into consideration not only the festival audiences but also the general public, unsuspecting and accidental audiences who may stumble upon or intersect with the work.
Only submissions delivered by or post-marked by the deadline dates will be accepted. Works submitted must be new and original. Submissions must be submitted in hard copy only and must be accompanied by the 2011 Rhubarb Festival Application Form (available online at www.buddiesinbadtimes.com) and the $20 non-refundable reading fee (payable to: Buddies in Bad Times Theatre). Fax or email submissions will not be accepted and late submissions will not be considered.
PLEASE MAIL OR DROP OFF SUBMISSIONS TO: Laura Nanni, Rhubarb Festival Director,
Buddies in Bad Times Theatre 12 Alexander Street, Toronto ON M4Y 1B4
For further information please contact: Laura Nanni, firstname.lastname@example.org or
Marie Alexander Poetry Series’ Open Submissions Period
The Marie Alexander Poetry Series has an open submission period during the month of July. An award of $500 and publication will be given for a chosen collection of prose poems by an American poet. Submit a manuscript of at least 48 pages, which can include some lineated pieces, along with a cover letter with complete contact information and an SASE for notification only. Postmark must be between July 1 and 31. Entries should also include a simultaneous electronic submission of the manuscript (MS Word or PDF format) sent to <editor(at)mariealexanderseries.com>. There is no entry fee.
Marie Alexander Poetry Series
Attention: Nickole Brown, Co-Editor
P.O. Box 5686
Louisville, KY 40255-0686
<editor(at)mariealexanderseries.com> (replace (at) with @)
July Open Submission Guidelines
Throughout July, Press will hold open submissions for book-length poetry collections (48-90 pages) and chapbook-length poetry collections (30-47 pages). Submissions are accepted from anyone writing in the (whether in the United States or abroad).
Make sure that your cover page includes the title, your name and contact information, including address, phone number and email address.
There is a reading fee of $25 for each manuscript submitted. Why a reading fee? We are an independent, nonprofit literary press. Reading fees help defray, but do not by any means cover, the significant cost of publishing the many books we select outside of our competitions. Multiple submissions are accepted, so long as each submission is accompanied by a separate $25 reading fee. Manuscripts that have been submitted during this open reading period (July 2010) may not be revised and submitted again unless they are accompanied by an additional $25 reading fee.
To enter and submit manuscripts/entry fees:
Call for Content – Journal of Renga & Renku
We’re ready to begin accepting offers of content for the first issue of Journal
Renga & Renku. While some details remain to be ironed out, the journal will be:
1. published near the end of 2010
2. available in hardcopy only
3. available for purchase online using Paypal
We’re looking for a variety of content along the lines of:
1. Academic/polemic articles on any aspects of the genre
2.of old renga and renku
3. News of renku groups and happenings
4. Book articles/reviews
5. and of course, a showcase of current examples of the genre:
a) in English
b) in any other language, accompanied by an English translation
c) previously published or not (just let us have details of prior publication so
d) simultaneous offers are fine too, again provided you advise us of prior
for purposes of acknowledgement
e) in any of the standard forms: kasen, triparshva, nijûin, jûnichô, shisan,
hyakuin, yotsumono, etc.
f) in any explorations of the above forms in terms of experimentation with
zip, 5/7/5 or other fixed counts and even rhyme
g) solo and group work
h) with (preferably) or without notes/reflections on the poem/process from
renju or both
6. We are also considering holding a contest, but have not finalised our
that. Please send us any ideas you may have and/or indication as to whether
be interested in entering and/or reading the results
7. We’re open to discussing content ideas we’ve not covered above so please
8. All communications will be acknowledged within one week
9. We are regretfully unable to pay contributors for content at this stage
Please send all contributions and other communications to
We look forward to hearing from you.
Journal of Renga & Renku
Open to national & international submissions.
DEADLINE FOR SUBMISSIONS: July 21, 2010
Chroma, LLC is seeking art for current and upcoming exhibits.
Call for 2D & wall mountable 3D works. Professionally framed &/or presented. Paintings, works on paper, multi-media, wall mountable sculpture, drawings, printmaking, conceptual… Works must be original. No nudity. Edgy, urban, vibrant colors, contemporary/modern preferred.
Size limit: 8 ft vertical x 5ft wide &/or 8ft horizontal x 5ft high
We are a new Arts organization specializing in Art Consulting and Artists’ Consulting services. Art and artists will be kept on file for current and upcoming events, shows. Spaces include but are not limited to high end commercial spaces in the Portland Metro Area.
Submission Guidelines: Please email us as soon as possible with your proposed works to show. New work preferred. Send high resolution jpgs (up to 10 per artist), link to website/blog, and artist documents (bio, resume, artist statement) to email@example.com. We are open to ideas~ please email us ideas along with your contact info for us to contact you.
Jennifer Porter & Martha Wallulis, Owners
original note is posted here: http://www.facebook.com/notes/martha-i-wallulis/chroma-call-for-art/406472602797
One Forty Fiction is a website dedicated to stories that stick to a limit of 140 characters (spaces included). Stories told with beginnings, middles, and ends, and characters who want things.
But how to tell such stories in such limited space? How to create love, and want, and derision in 140 characters? How to deliver your heart?
We have no answer for you. We just know that you have 140 characters to make us see, feel, live, & yearn for the world beyond your 140.
Give us all you got. But give it to us wrapped tight, a Big Bang of a universe, a history of life itself, communicated wisely, and with love.
And if you’re feeling saucy, don’t be afraid to bring the jazz & funk.
Submit as many and as often as you like: http://www.onefortyfiction.com/submit-your-own
Quiddity, an international literary journal and public-radio program, is presently reading for its fall 2011 issue. Works accepted may be featured on the public-radio program (NPR member and PRI affiliate). International submissions are encouraged.
~ Prose: one work (no more than 5,000 words)
~ Poetry: up to five poems (no more than ten pages total)
~ Include complete contact information in the cover letter.
~ Please be sure your name is listed on each page of the work. You may list contact information on each page as well, if you wish.
~ U.S.submissions should include both an email address and a self-addressed, business-size (#10), stamped envelope (SASE).
~ International submissions should include an email address to which an electronic reply may be sent.
~ Work must be previously unpublished. All manuscripts will be recycled.
Submissions should be addressed to either Prose Editor or Poetry Editor at:
Benedictine Universityat Springfield
1500 North Fifth Street
Springfield, IL 62702
We look forward to receiving high-quality prose and poetry from both established and emerging writers. We do not limit general submissions to specific subject-matter or style. Novel excerpts are welcome as long asthe work can stand alone. Translations are welcome.
We accept simultaneous submissions but require notification immediately if the work is accepted elsewhere. Work submitted must fit the guidelines listed above.
Quiddity’s international literary journal is a publication of Benedictine University at Springfield.It is published semi-annually in April and October. Quiddity’s companion public-radio program is produced by Illinois Public Radio’s hub station, WUIS/WIPA, NPR member and PRI affiliate.
Contributors may be invited to read their work for the public-radio program.
General submissions are read year-round. Contest information is available at Quiddity’s website: www.sci.edu/quiddity