Each person has their own favorite season. For example, my favorite season is autumn. Some people choose spring or winter, summer. Psychologists say that a person’s character chooses these seasons. Each season has its own charm and beauty, we see this beauty every 3 months because at that time the seasons change. During the change of seasons, weather changes can be a little difficult for a person, but you need to enjoy these processes, see and feel them. The change of 4 seasons during the year directly causes astronomical phenomena. For example: the movement of the earth around the sun, the tilt of the earth’s axis is one of the main factors. These four seasons bring about different phenomena.
Keywords:
Nature, change of seasons, years, weather, people, astronomical, earth’s axis, beauty, lush green, similarity.
Introduction:
As I mentioned at the beginning of my speech, these seasons that show everyone’s character, there is a season that shows my character too, this season is autumn. I like autumn because autumn reflects the happy and sad states of people. Autumn attracts with its golden leaves. Autumn neither expresses happy nor sad moments. The weather in autumn is changeable, cloudy, rainy, sunny, and sometimes even cloudy. There is another season that is similar to autumn, this is spring. In spring, the same events occur as in autumn. Spring is the opposite of autumn, while autumn shows joy and sadness, while spring often shows joyful times. Spring is the favorite season of many people. The reawakening of trees in spring makes people feel as if they are full of strength and energy.
Main part:
At the beginning of my speech, I talked about two seasons that are similar to each other. Now, after spring, we will talk about the season that brings with it heat and heat. After these words, it will be clear which season is coming, it is summer. In the heat and heat of summer, most people go to the mountains and fields to relax. Because only there can they enjoy the cool heat of summer. Another season that gives the opposite of summer is winter. If it gives bitter cold in winter, it gives hot heat in summer. Winter is also a very beautiful season. Winter has its own special charm. It is a great joy to see the trees turn a white, miraculous color in winter.
Conclusion:
Each season has its own special recipes. You just need to see these four seasons appear one after another and enjoy them. All these words are the miraculous change of seasons in the weather.
References:
1. Erkin Vohidov – Spring has come, questioning you.
The natural world becomes less natural when We leave behind our plastic past When we throw inorganic debris into its sea When we secretly dump our toxic waste in reprehensible haste When impervious politicians push back against laws To keep our flawless green spaces green and clean When we stump on the seeds of the earth by cutting down trees To make more room for the gentrification of our open spaces To the dehumanization and exclusion of “other” races The natural world becomes less natural when We don’t ardently squawk our exhortations against unnatural offences It will be more natural when it finally dawns on us that WE WILL ALL SUFFER THE CONSEQUENCES!!!
Natural Haikus
Opened eyes see cloudy skies Summer rain will fall down to earth Gives rise to the rose…
Sun shines behind shady clouds Naked trees do a grotesques winter dance Waiting for clouds to fall
Birds waggle in their nests Spring gives rise to fools for love Happily flipping off the snowflakes
The Jolly Butterfly
“Jolly Butterfly” image c/o Jacques Fleury
The jolly jolie butterfly is throwing a party It is expected to be a treat to its natural family It is staging a grand theatrical production And it’s seeking principal backers So naturally it is producing a backers’ audition Where it will beckon all their butterfly and insect ancestry To strut contentiously their intrinsic beauty and esthetic ability So that all the spectators can see All those who work tirelessly To speak up! Stand up! And own up! When it comes to circumstances Involving environmental grievances All their allies from environmental protection agencies And passionate college students from MASSPIRG Ensures that their voices are HEARD! Vociferously voice their obsecration To liberate the earth from ostracization So, the jolly jolie butterfly is throwing a party And you are naturally invited to celebrate earthly beauty That it is unstintingly striving to hold onto for posterity…
Jacques Fleury
Jacques Fleury is a Boston Globe featured Haitian American Poet, Educator, Author of four books and literary arts student at Harvard University online. His latest publication “You Are Enough: The Journey to Accepting Your Authentic Self” & other titles are available at all Boston Public Libraries, the University of Massachusetts Healey Library, University of Wyoming, Askews and Holts Library Services in the United Kingdom, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc… He has been published in prestigious publications such as Spirit of Change Magazine, Wilderness House Literary Review, Muddy River Poetry Review, Litterateur Redefining World anthologies out of India, Poets Reading the News, the Cornell University Press anthology Class Lives: Stories from Our Economic Divide, Boston Area Small Press and Poetry Scene among others…Visit him at: http://www.authorsden.com/jacquesfleury.–
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self
Abstract. This article examines the artistic interpretation of the Uzbek national character in the short story “Suv yoqalab” by the people’s writer of Uzbekistan, Erkin A’zam. The work analyzes how the national character is manifested psychologically, socially, and culturally, and how the characteristics of the national mentality are reflected through the main characters. Text analysis, comparison, and synthetic approaches are used in the research process. Also, as a result of the research, the writer effectively highlights the main features of the Uzbek national character: hard work, valuing family and generation, harmony with nature, and spiritual wealth, using the possibilities of the short story genre.
Keywords: artistic analysis of the short story “Suv yoqalab,” national values and mentality, national character, characteristics of characters, short story genre, psychological method.
Introduction
There are many unique works in world literature, but each work is distinguished from the other by its ideas, characters, author’s position, and style. Of course, the era in which the author lived, the place where he grew up, and the social environment have a great influence on this. Undoubtedly, the work clearly shows which nationality the author represents. Representatives of any nationality in the world differ sharply from each other in that they have their own national and universal values. The film “Suv yoqalab” by Erkin A’zam vividly depicts the traditional values and national character of the Uzbek nation, and we will try to shed light on them through this article.
National values are a concept that reflects the unique qualities of each nation, and they represent the contribution and place of that nation in its cultural heritage, which has been formed in the process of its development. As long as a nation exists, its national values also apply. National values are formed and improved together with the nation. National values are based on the national idea. Therefore, if a state wants to subjugate other nations, it foremost tries to deprive them of their national values. This includes the historical, cultural, religious, and spiritual heritage of the people.
In today’s era of globalization, preserving the national idea, the ideology of independence and our spiritual values, instilling them in the minds of the younger generation are becoming one of the urgent tasks. The principles put forward by our President are also starting a new stage in this direction. “If the body of society is the economy, then its soul and spirit are spirituality. Since we have decided to build a new Uzbekistan, we will rely on two strong pillars. The first is a strong economy based on market principles. The second is a strong spirituality based on the rich heritage of our ancestors and national values,” says the head of our state. Although I. Ergashev, B. Abdullayev, M. Kakharov, D. Rakhimova, Kh. Khidirov have conducted their research in this regard, the existing studies have not sufficiently analyzed the reflection of national values in our works and the main features of the Uzbek national character. Therefore, this article is aimed at highlighting these aspects, at the manifestation of national values in the work of our writers. This analysis is based on Erkin A’zam’s short story “Suv yokalab”, which won the “Serebryanniy Vityaz” award at the “Zolotoy Vityaz” international film forum (Moscow).
Literature analysis and methodology:
We used the Izoh.uz website in the article. Because this dictionary served as the main theoretical source in defining the conceptual foundations of terms such as national values, spirituality, moral principles, and national character in the article. In particular, this source was the basis for providing an understanding of the spiritual roots of the concept of “national value” and how they are formed in the public consciousness. In addition, while writing our article, we also reviewed the collection of articles “The Importance of National Values and Spiritual Heritage in the Development of Society”. This collection discusses the importance of national values and spiritual heritage in the development of society, the history of national values, the socio-political views of our thinkers, modern propaganda technologies in promoting national values and spiritual heritage, issues of covering national values in the media, and the problems of propaganda methodology. Erkin A’zam’s story “Suv Yoqalab” is the main object of artistic analysis of our article. Plot analysis, image system, character coverage, symbols, and expression of national values are written directly based on this film story.
The work was carried out using the method of text analysis, the components of the work: plot, image system were deeply analyzed. Each element of the text was considered from the point of view of the aspects in which the national character is manifested. The historical literary method was used, that is, the work was analyzed in the context of the period in which it was created, taking into account the stages of development of Uzbek literature, and, most importantly, the method of psychological analysis was used to illuminate the spiritual world of the heroes, their character traits, and their connection with the national mentality. Also, the intercultural method was used to show the national customs and traditions reflected in the work.
Analysis and result
The term “film story” began to appear in our literature from the second half of the 20th century. Writers such as Sharof Rashidov, Jamol Kamol and Usmon Azim published some of their works under this name. In particular, as a result of the creative efforts of Erkin A’zam, works of this type began to form as a separate genre and showed their own unique characteristics.
It is natural that in the literary process, signs characteristic of a certain type or genre are also found in other genres. However, when the theoretical foundations of a particular genre take precedence, these criteria determine its poetic essence. This situation is also clearly visible in the example of film stories in Erkin A’zam’s work. Although film stories meet the requirements of the prose genre in terms of their external structure, their internal pathos and artistic direction are combined with the characteristics characteristic of the dramatic genre.
In particular, in the film story “Suv yoqalab”, dramatism is manifested as the main aesthetic principle. In this work, the development of the plot, the character of the characters, and the dynamics of events are built in accordance with the criteria of spectacle. This aspect, in turn, ensures the proximity of the film story to the dramatic genre. As is known, spectacle is considered the main aesthetic requirement of the dramatic genre. Therefore, this feature is increasingly becoming legitimate in the poetic structure of the film story.
In addition, the fact that Erkin A’zam’s short stories pay special attention to the most important dramatic climaxes of events, and the concise presentation of irony and psychological analysis shows the uniqueness of his literary style. Moreover, by reflecting them in the midst of life’s trials, the writer’s artistic concept is further deepened. Thus, it shows that Erkin A’zam’s short stories are not only forming as an independent genre, but also that they are an effective example of inter-genre synthesis.
The analyzed short story “Suv yoqalab” is a work skillfully created by the author in revealing the artistic expression of national values. The short story compositionally corresponds to the Uzbek national storytelling style. The plot of the work is formed on the basis of events occurring around the main character. This developing plot reveals various aspects of the national way of life. For example, the nature of the main character reflects the traditional approach of the Uzbek people to the natural environment. Through the images in the work, national values such as family, the institution of the family and its role in society, respect for elders, support for youth, love for the Motherland, teamwork, loyalty, honor, honesty, and justice are shown. That is, we can see that the main character of the work, Bolta Mardon, intervenes when the wives of Hasan-Husan are fighting for water, stops the fighting, and makes a fair judgment, that he does not give water to a fellow villager who once robbed the state warehouse, that he is generous to his fellow villagers, that he whips his son who has chosen a dirty path to correct him, and that he lies for the peace of a family. While describing the events of the work, we can say that Erkin A’zam used new artistic conventions with great skill through Bolta Mardon’s stubborn, stubborn, intolerant, and just character. Another skill of our creator is in choosing suitable names for each of the heroes of the work. For example, if we pay attention to the name of the main character – Bolta Mardon, we see that this name was not chosen by chance. “Axe” is a sharp, cutting, powerful weapon, and the character of the character is also in harmony with this tool. Giving him the name “Axe” refers to his character, behavior, firmness in speech, and his place in society. Every word that comes out of Bolta Mardon’s mouth is like an ax – clear, sharp, and impressive. What he says “reaches the target without fail,” that is, he boldly and fearlessly expresses his opinion and is able to subordinate those around him to it. So, through the name “Axe Mardon,” the author reveals the spiritual world and social position of the hero using artistic means. In Erkin A’zam’s short stories, the plot is usually built in chronological or concentric forms. In a chronological plot, events develop in chronological order, while in a concentric plot, events develop around a center. Exposition plays an important role in the author’s works.
Through it, the characters, their environment, character and time are introduced, and the viewer or reader is immersed in the events of the work. Exposition can be in various forms – direct, reverse, mixed or delayed. This provides different ways of entering the plot. Erkin A’zam mainly uses direct and mixed expositions in his works. Through these methods, he gradually introduces the reader to the development and atmosphere of events.
The work in our analysis begins with the words “A spacious courtyard. A tall igloo in the middle of the three-sided building. Beyond the igloo is a dense, wooded garden.” At first glance, it is an exposition that begins like a typical work, but we can see symbolic meanings in it. For example, in the sentence “A three-sided building,” our writer describes a large family consisting of three small households and united by a “tall igloo.” The head of that family is Bolta Mardon. When we imagine the image of Bolta Mardon, our solid, heavy, and respected fathers or grandfathers come to mind. His stature, the way he wears a skullcap, and the way he walks with his belt tightly tied — all of these are vivid expressions of our national traditions and values. Although Bolta Mardon has left his post as chairman, his concern for the people’s suffering and his willingness to put the interests of the people above his own interests still make him a respected person among the people. These qualities, in turn, directly stem from our national upbringing, ancient traditions, and values such as humanity, solidarity, and kindness inherited from our ancestors. In the work, Bolta Mardon is depicted not only as a just leader, but also as a loving father, a patriot, and an honorable person. In his image, we see true examples of national character – patience, patriotism, honesty, and loyalty to the people. His daughter, Zulfiya, who was raised by him, also grew up with national values such as thoughtfulness, modesty, patience, and loyalty to her parents, characteristic of an Uzbek woman. She puts respect for her parents and loyalty to her family in the first place. Writing about her, the author expresses the purity and innocence inherent in the nature of an Uzbek woman in one sentence: “Zulfiya’s house. A small courtyard. A lot of greenery, a lot of greenery.”
Indeed, the writer’s works mainly illuminate the lives of ordinary people in a rural environment. They have a unique image and skillfully reveal complex but sincere feelings. The writer places special emphasis on highlighting not only everyday events, but also the inner experiences, hopes, and spiritual conflicts of the characters. For example, Bolta Mardon’s three sons seem to depict his youth. The eldest son represents his youthful energy, pride, and arrogance, the middle son represents his unfulfilled dreams and unachieved goals, and the youngest son represents his unrealized dreams and aspirations in life. “Does a father mean a prophet? I tell you not to be as vain as I am… If you marry, find a woman who will never disappoint you. Your mother is a very good woman, she has never done anything wrong to me. Moreover, she gave birth to brave sons like you. But it’s hard when your heart is not full…”, he says, advising his youngest son.
In Erkin A’zam’s work, the ideas expressed in the vernacular, the brilliance of artistic observation and means of depiction distinguish him from others.
In this work, one of the qualities inherent in humanity – to do good to people, that is, the concept of goodness, plays an important role. In the development of events, the fight against any oppression and evil is carried out not with weapons, but with the illuminating spiritual light – goodness. The images depicted in the work, especially the image of Hamro Baba, strengthen the artistic and philosophical basis of this idea. Although Hamro Baba is blind, his faith in life, humanity and the power of goodness is impressively illuminated. The wisdom that is said in his language, “He who brings water, the path of the one who sees water becomes clear,” puts forward the idea that a person who does good will definitely reach the “illuminated path.”
In conclusion, national values, national character and national spirit are among the main factors determining the content of literary and artistic works. It is through literature that writers fulfill the “mission” of transmitting the historical heritage, traditions, religious beliefs and moral principles of the people from generation to generation. Such works play an important role in the spiritual formation of the modern reader, as well as in the process of self-awareness.
In the work of Erkin A’zam, the national spirit, national character and traditional thinking have found a deep artistic expression. The heroes in his works reflect the mentality of the Uzbek people with their natural stature, complex mental state, inner experiences and relationship to the environment. Through a variety of images, the author creates life events familiar to every reader. This makes the literary work even closer to the reader. In particular, the reflection of rural life, folk thinking, kindness, patience, respect and family life are expressed in the works in a realistic and convincing way. By comparing yesterday and today, the writer analyzes the changes in the human spiritual world, how personal experiences are manifested against the background of changes in society. As a result, the literary work is not only an artistic phenomenon that gives aesthetic pleasure, but also a means of preserving and developing national identity.
References:
1. Spirituality. Dictionary of basic concepts. -Tashkent, 2021. – p. 640).
2. From the article “The issue of national values and national character” by Munisa Mavrulova, senior lecturer at the Uzbekistan State Institute of Arts and Culture, Doctor of Philosophy in Philosophy
3. Erkin A’zam. The story “Suv yoqalab” // Collection: “Jannat o ‘zi qadadir”. – “Sharq” NMAK editorial office, Tashkent – 2007
4. Rasulov, M. Spirituality and moral principles in Uzbek literature. – Tashkent, 2019.
5. Karimova, G. National character and its interpretation in literary images. – Bukhara, 2021.
6. Sobirov, R. Uzbek national mentality and its expression in literature. – Tashkent, 2018.
7. Tursunov, A. National values and modern Uzbek society. – Samarkand, 2020.
Contributor Abigail George would like to share a new project of hers: a blog called Mentally Sound that features articles, updates, a magazine, poetry, and uplifting music. In this day and age, so many things can affect our mental health. Please feel free to join the blog and blog about your own experiences or loving someone who has a mood disorder or an individual who is suffering from depression. Log in, blog, do read the posts and leave comments to inspire our growing community!
For we are all bound in stories, and as the years pile up they turn to stone, layer upon layer, building our lives. – Steven Erikson
This month’s contributions deal with the complexities of nature, history, culture, language, or even the psyche of a single person. Everything we choose or experience builds upon itself to make us who we are, even short-lived experiences.
Yucheng Tao’s poetry collection April No Longer Comes,published by Alien Buddha Press and reviewed by Cristina Deptula, explores moments of love and beauty that are wonderful and transient, like the season of spring. Sean Lee’s poems remind us that even fleeting moments can be meaningful and beautiful. Jian Yeo’s poetry touches on the pain and beauty we can find in mortality. Mykyta Ryzhykh contributes surreal images of life, death, and the cycle of modern existence. John Grey’s poetry explores comings and goings, presences and disappearances.
Yoonji Huh presents nature, family tenderness, and humor with a color scheme that looks historical and weathered. Gwil James Thomas speaks in several tough-minded pieces to memories and dreams and our sources of inspiration. Sean Lee’s artwork evokes the power of the imagination to illuminate daily life. Alina Lee’s poetry suggests that our pasts and futures comprise layers of each moment in which we find ourselves. JK Kim’s poetry looks at summer scenes with a calm nostalgia, after events have passed. Alexis Lee’s poems probe what we choose to value and remember, what we invest in and find beautiful. Olivia Koo probes the nature of memory, how multiple moments combine to craft a mental impression and feeling. Ah-Young Dana Park’s poetry comments on our changing memories and perspectives as time passes and we age. Chloe Park’s art revels in exquisite detail, probing culture and memory with intricacy. Sally Lee provides poetic snapshots of moments in time, considering whether they have meaning or value without context.
Seoyun Park’s visuals speak to how we observe and confront life, the dangers we face and those we pose. Ethan Lee’s poems remind us of the underside of our world: the everyday grotesque and the many layers of the ordinary. Irene Kim’s work explores the strain and melancholy that can permeate ordinary moments. Austin Chung’s poetry illustrates various kinds of disorder and dispersion as Taylor Dibbert vents his annoyance at the common problem of loud museum patrons. Lauren Kim stays with a single scene from everyday life for an entire poem, probing its layers. Haeun Regina Kim’s poetry examines ordinary objects and animals in depth, sharing details and language to create an off-kilter feel.
Brian Barbeito also explores deeply, focusing in on the flora and fauna of an Aruba resort. Debabarata Sen celebrates the verdant beauty of Costa Rica. David Sapp’s poetic speakers become waylaid by the arresting color and beauty of nature. Dylan Hong’s pieces present a gentle, abstract, even whimsical peek at nature. Grace Lee’s poetry crafts dreamlike, gentle, floating scenes. Terry Trowbridge’s pieces on peach harvests evoke the challenging economics and natural realities of farming. Mahbub Alam reminds us of the innate rough wildness of nature: storms, volcanoes, huge predators.
Sayani Mukherjee evokes the rhythm of a public piano played for big city pedestrians in a rainstorm. Eva Petropoulou Lianou waxes poetic about the beauty of the moon. Noriniso Kasimova shares memories of spring in her hometown and her father’s love. Chinese poet Su Yun collects a group of short poems from elementary school students, mostly impressions of natural scenes. Dhani M.’s artwork stylizes natural scenes to create emotional senses of calm, curiosity, and wonder. Jinwoo Brian Park’s art suggests that we can re-incorporate the old into the new, the natural into the artificial.
Mark Young contributes a fresh set of fanciful geographies. G. Emil Reutter humorously describes noisy construction’s impact on local residents. Erin Kim’s artwork explores the upsides and downsides of civilization’s technological progress. Katie Hong’s work critiques our isolation and obsession with technology as Xushnudbek Yakubov warns of the dangers of online misinformation. Sophie Yoon’s art critiques our complex relationship with consumption and the natural world. Eugene Han’s art explores who we are and where we’re going as humans, and our relationships with nature. Shabbona Abdurashidova highlights the importance of sustainable ecology in Uzbekistan. Jahin Claire Oh’s work speculates on how the world’s other creatures might see us: mimicking and learning from them, drifting into or penetrating their environments.
J.K. Durick speaks to new, wild, and real frontiers in modern nature and technology, commenting on our efforts to understand and control them. Pulkita Anand evokes the mental and physical disorientation brought on by the colonization of one’s land.
Ahmed Miqdad calls the world to action to help suffering civilians in Gaza. Patricia Doyne also calls the world’s attention to starvation in Gaza. Stephen Jarrell Williams speaks to the numbing, mindless destruction of war.
Abdisattorova Xurshida highlights the contrasting legacies of Genghis Khan and Amir Temur. Abdisattorova Hurshida reflects on her admiration for Uzbek martial artist Abdulbosit Abdullayev. Maftuna Rustamova and Chorsanbiyeva Gulnoza poetize in honor of the military personnel who serve and guard Uzbekistan. Zumrad Sobirova celebrates the poetic beauty and pride of her Uzbek heritage. Jumaniyozova Nazokat encourages Uzbekistan’s young people to develop a greater appreciation for their heritage by visiting points of historical interest.
Nilufar Moydinova’s essay highlights language’s inextricable interconnection with thought, life, and culture. Mauro Montacchiesi creates a dialogue of philosophical thoughts and poetry between Dr. Jernail Singh and Rabindranath Tagore. Federico Wardal speaks to his long admiration for artist Andy Warhol and director and screen writer Federico Fellini. Orolova Dinora explores layers of meaning in Antoine St. Exupery’s The Little Prince as Surayyo Nosirova celebrates the heritage of Uzbek author Alexandr Faynberg.
Reagan Shin revels in the comfort and ecstasy and happy memories she finds in books. Mushtariybegim Ozodbekova highlights the power of books and stories to transcend time, culture, age, and space. Panoyeva Jasmina O’tkirovna highlights ways language teachers can help students develop fluency through relevant speaking and grammar practice. Turg’unov Jonpo’lat explores techniques to help children of all abilities to learn foreign languages. Nafosat Jovliyeva and Dilshoda Jurayeva illustrate gamification and other creative strategies for language learning. Rahimova Dilfuza Abdinabiyevna discusses ways to improve student competence with writing and speaking. Hilola Badriddinova outlines strategies used throughout the developed world to teach foreign languages.
Linda S. Gunther contributes a craft essay on “interviewing” your characters to better understand them as a writer. Paul Tristram’s poetry explores the heroic narratives we create through our writing and our lives. Gloria Ameh evokes the visceral sensations of writing on topics close to the bone.
Abigail George writes a stream of consciousness essay on her vulnerabilities from mental illness and just plain existing as a female-bodied person and how enduring them inspired her to write. Soumen Roy also connects beauty to vulnerability, speaking to the fading Mona Lisa and the union of joy and sorrow as fellow travelers.
J.J. Campbell reflects on disillusionment, loss, and the eternal quest, against all odds, for love. Mesfakus Salahin speaks evocatively of his quest for love and freedom. Baxtiniso Salimova’s poetry tells an epic love story. Mirta Liliana Ramirez relates intense grief at the loss of her lover. Dilnoza Islomova expresses her gratitude for her mother’s tender care. Bill Tope and Doug Hawley collaborate on a love story that turns unexpectedly tender. Urazaliyeva Sarvinoz shares an emotional tale of jealousy, love, and forgiveness between two twin sisters. Sarvinoz Orifova expresses gratitude for her parents’ constant love and care. Wazed Abdullah expresses his love and gratitude for his mother. Ozodbek Narzullayev expresses his love for his mother and invites her to share her life struggles with him for support. Xurshida Abdisattorova shares the story of a mother’s complicated grief for an imperfect husband and father who passes away in a sudden accident. Shoxrukh Fayzulla o’g’li Dusmatov speaks to his mother’s love and care and how wealth alone matters little without compassion and humanity.
To’raqulova Pokiza Sanjarovna speaks to the need for human compassion, wisdom, respect, and personal development. Hamza Kamar’s poetry expresses his powerful hopes for a transcendent hero. Bhagirath Chowdhary expresses his determination to avoid the next life until he has finished roaming this world, offering blessings to others. Charles Taylor’s short story probes our ethics and the extent of the compassion we owe our friends and fellow humans.
Julia Kanno reminds residents of the USA that most Latino immigrants are hardworking people with lives and dreams. Bill Tope presents a tale of a survivor’s search for justice for a sexual assault that shattered her psyche. Abdisattorova Khurshida presents a tale of thievery exposed.
Graciela Noemi Villaverde shares a poem on the joy of community and diversity and welcoming special education students. Haeun Regina Kim’s artwork explores unity and acceptance of others, as well as harmony among rural and urban areas. Nabijonova Madinabonu outlines how sharing coffee can help us build building friendship and community. Khudoyqulova Shahzoda highlights Uzbekistan’s programs to enhance economic opportunities for low income women and families and the disabled.
Nazarova Moxiniso looks into discipline and student character development as part of Uzbek preschool education. Ulsanam Ulmasovna outlines Amir Temur’s contributions to the Uzbek education system. Islomov Inomjon describes the Geoment, a device to teach mathematical reasoning to children with low or no vision.
Bozorboyeva Iroda offers encouragement for young people to find and follow their own dreams. Khudoykulova Shahzoda points out consequences of and solutions to youth unemployment.
Various contributors celebrate notable people who should be better known, or highlight important research work. Sobirjonova Rayhona outlines the career and accomplishments of Uzbek woman mathematician and teacher Shodmonova Hilola. Eshmurodova Sevinch highlights the need for training for employees in Uzbekistan’s banking industry in digital technology to modernize industry. Muslima Olimova highlights strategies corporations have used to adapt to stay on top in a digital world. Jo’rayev Ulug’bek outlines engineering techniques for strengthening concrete structures. Mirzaolimov Mirabbos probes the medical relationship between diabetes and cardiovascular diseases. Ostanaqulov Xojiakbar speculates on how to improve web search engine optimization to improve online communication and website findability. Orozboyeva Mohina Nuraliyevna outlines the role and history of psychology as practiced in Uzbekistan.
On a more psychological level, Duane Vorhees’ poetry covers and highlights human complexity: different aspects to our personalities, different choices we can make, how we can change with time. James Benger’s poetry explores the fear and tension underlying our individual existences, the danger from geologic pressure, storms, raw meat – and how we sometimes find hope to carry forward.
Andrew Ban shares restless, random thoughts, finding commonalities with all humanity while acknowledging the need to protect and defend himself if needed. Dongeon Kim’s work presents scenes of intense human and natural energy while Texas Fontanella revels in the pure sound of non-representational language. Dennis Daly wanders through a variety of human feelings, from nostalgia to frustration to faith. Michael Robinson shares his journey and heritage of faith, how he found a spiritual home and refuge in Christ and the church. Muhammad Sanusi Adam speaks to struggle, resilience, destiny, creation, and faith.
Gaurav Ojha seeks out meaning in a confusing and vast world, ultimately affirming everyone’s ability to find their own truths. We hope that reading this issue helps you to find a smidgen of truth for your own life.
A Letter from Said to Saida Said Ahmad and Saida Zunnunova’s love and memory… eternal through history
They changed my name into numbers cold, My joy turned bitter, my pain grew bold. I don’t know if God will grant me strength, But trust me, Saida, I’ll love you at any length.
I’m not the one to blame for their deceit, Not for the lies that call pride “elite.” I’ve never been the foe they claim— Believe me, Saida, I’m still the same.
“To the land of no return”—they sent me far, No demon bound me, no cursed scar. Will I return in ten long years? Wait for me, love—hold back the tears.
To me, you were the moon and sun, You bore it all while I was gone. You loved without a word of debt, From Said to Saida—my deepest respect.
Baxtiniso Salimova Azamat qizi was born on August 29, 2004, in Zarbdor neighborhood, Guzar district, Kashkadarya region. She is currently a 4th-year student at the Faculty of Philology of Karshi State University. She is the absolute winner of the 2nd season (2025) of the “Young Readers’ League.” She is also a two-time winner of the “Smart Reader” competition organized at the regional level. She won 3rd place in the “Young Readers” competition held in honor of the “International Book Giving Day.” To date, several of her articles, poems, and stories have been published.
Coffee is a beverage that can change the person you’re sharing it with. Drinking coffee is not like drinking tea. You enjoy tea in sweet gatherings or feasts with your loved ones, closer than anyone else, your family. We open our hearts and gather without any specific reason during tea time. I’m not saying that conversations over coffee are bad. On the contrary, conversations over coffee can lead to more formal meetings or business opportunities. Most of the time, casual conversations are also good over coffee.
I had such an experience myself one day. One day, I needed to have a conversation with my friend (a girl) about work, so I suggested meeting for coffee. We went to a coffee shop and sat at table three. I ordered two coffees. After a while, as the conversation was getting interesting, our coffee arrived, and something unexpected was added to it. It was a heart-shaped foam. We were both surprised and laughed about it, and we decided to continue our conversation from where we left off.
I never thought such a thing would happen. Unexpected situations happen with coffee, in my opinion. As an example of such situations, if the above situation does not happen or if the coffee is not served unknowingly, more sugar could be added to the coffee. I like drinking coffee, and for me, this person, who has been my frequent companion in these moments, is precious. I have had many coffee conversations with them. Conversing with them is enjoyable because they give a lot of advice and show directions. They always drink coffee without sugar because they have been diagnosed with “diabetes.”
Nabijonova Madinabonu was born on 6 May 2005 year in Uzbekistan
Sean Lee is an emerging artist whose work spans drawing, photography, and cartooning, focusing on themes of stress relief and emotional expression. Sean’s art channels personal experiences, offering visual narratives that resonate with viewers seeking solace and connection. When not creating, Sean is an avid rower, having been part of a rowing team since seventh grade, where teamwork and physical discipline fuel his creativity and balance his daily life.
