Internationally renowned writer, poet and translator, member of the Chinese Writers Association. The only female inheritor of UNESCO-listed Dongba Culture, International Disseminator of Dongba Culture and practitioner of Chinese culture’s global outreach. Winner of the Italian Francesco Giampietri International Literary Award, President of Lanxin Samei Academy and Dean of Yulong Wenbi Dongba Culture Academy.
A thousand years ago
we took root together in this ancient temple
Century after century quietly passed
we became the most devoted ancient trees in all the world
Over this thousand years
through the silent turning of the four seasons
through the unpredictable cycles of life
we have witnessed this ancient temple
rise and fall fall and rise enduring all hardships
We watch beings come and go burn incense and pray
with thousands of wishes in their hearts
Yet our watch has never wavered
not even for a single moment
The butterfly bush blooms pure white in winter and spring
the golden osmanthus shines bright gold in autumn
the red plum blossoms blushing pink in the bitter cold
the Chinese crabapple bursts into rose-red in spring
the incense cypress wears eternal green all year long
Whether the temple is full of voices or completely still
whether incense burns prosperous or only broken walls remain
we stand root to root heart to heart silently guarding one another
Even if the halls collapse and only we are left in heaven and earth
we still firmly believe —
one day the phoenix will come stepping upon light
to reunite with us after a thousand years
Now heaven rewards this thousand year of waiting this endless longing
At last she has arrived —
the phoenix draped in ten thousand rays of golden light
Amidst total desolation she recognized us at first sight
Amidst utter ruin she chose us without hesitation
Amidst broken walls she restored the temple’s thousand-year glory
Amidst silence and loneliness
she made incense burn again and life flourish once more
Amidst the dust of years
she made this sacred land known to all renowned across the world
From this day on
we shall live and die with the phoenix never to be parted
This is the place where the golden phoenix returns to rest
This is the place where the golden phoenix spreads her wings and soars
If the world shall give us a new name
then bestow upon us —
Phoenix Ancient Trees!
Interpretation
This poem takes the thousand-year-old ancient trees as silent witnesses and the phoenix as a symbol of light and rebirth. It speaks of the deepest bond between human and nature, and writes of waiting, guardianship and faith across time. This is the guardianship of life to life, the call of soul to soul, a great love that transcends race, borders and time.
May this pure deep feeling from the East by poet Lan Xin awaken the truest kindness and peace in the world and let love and light shine upon all humanity.
Regular contributor Bill Tope has launched a new literary magazine, Topiary, which is now accepting submissions! Please send short stories to billtopiary1950@gmail.com.
In March we will have a presence at the Association of Writing Programs conference in Baltimore which will include a free public offsite reading at Urban Reads on Friday, March 6th at 6 pm. All are welcome to attend!
So far the lineup for our reading, the Audible Browsing Experience, includes Elwin Cotman, Katrina Byrd, Terry Tierney, Terena Bell, Shakespeare Okuni, and our editor, Cristina Deptula. If there’s time, an open mic will follow.
Our Urban Reads bookstore in Baltimore
Our next issue, Mid-March 2026, will come out Sunday March 22nd.
Yucheng Tao announces the winners of his poetry competition, Steve Schwei and Mark DuCharme. We’ve invited both winners to submit their poetry to Synchronized Chaos for everyone to read!
Now, for March’s first issue! This issue, Fingering the Spines, pays homage to our annual in-person reading, the Audible Browsing Experience. It’s a visual metaphor for looking through various titles in a global bookstore or library.
Genevieve Guevara rings in the dynamic energy of the Fire Horse for Chinese New Year.
Jesus Rafael Marcano celebrates the beauty of France, likening the nation to butterflies. Timothee Bordenave honors the beauty and majesty of Christian faith, as shown through Notre Dame. Su Yun’s abstract work reflects a meditative, spiritual sensibility. Soumen Roy describes a physical and mental journey towards spiritual inspiration.
Abdumajidova Zuhroxon Ibrohimjon qizi explores themes of hardship and endurance, destiny, faith, patriotism, and loyalty in Shuhrat’s classic Uzbek novel Oltin Zanglamas. Iroda Ibragimova explores themes of resilience and human dignity through oppression in Shukrullo’s novel Buried Without a Shroud.Bakhtiyorova Zakro Farkhod qizi speaks to the role of the short story in Uzbek literature. Ro’zimatova Madinaxon Sherzod qizi analyzes themes of strength, weakness and humanity in Abdulla Qahhor’s story “Ming bir jon.” Anvarova Mohira Sanjarbek qizi contributes a heartfelt poem from the perspective of Gulchehra, a character in O’lmas Umarbekov’s “Being Human is Hard.”
Azimov Mirsaid draws on Ray Bradbury and traditional Uzbek crafts and hospitality to illustrate the value of human warmth and imperfection. Dr. Jernail Singh Anand urges humanity to look into the words of our past and present writers and philosophers for wisdom in this age of great technological advancement. Dr. Jernail Singh Anand also expresses hope for the continuance of human creativity in the age of artificial intelligence. Daniela Chourio-Soto renders all-too-human morning sleepiness with lively humor. Eva Petropoulou Lianou explores the feelings and inspirations of emerging Greek painter Vivian Daouti.
Author Victoria Chukwuemeka discusses her creative journey towards exploring psychology and the subconscious, becoming deeper and more straightforward in her words. Kassandra Aguilera’s work mourns her speaker’s incompleteness, probing whether we need observers to fully realize ourselves. Ananya S. Guha reflects on distance, separation, and reunion, how roads can both bring us apart and together.
Emeniano Somoza poetically compares creative writing and glassblowing: arts where creators shape, rather than force, their materials. Poet Su Yun collects a set of poems from children at the East-West Public School in Bangalore on the theme of “the power of the pen vs the sword.” Taylor Dibbert’s short piece is almost anti-poetry, suggesting without communicating a metaphor.
Stephen Jarrell Williams’ poetry speaks to the risks and joys of openness to emotion and experience. Komilova Parizod reminds us to make the most of our lives and appreciate the joy around us. Priyanka Neogi urges us to act with wisdom and restraint. Boymirzayeva Dilrabo highlights the importance of motivation and discipline in reaching one’s goals.
Axmedova Gulchiroyxon expresses her tender love and concern for her mother. Nurmurodova Masrura Xurshedovna honors the patient, dedicated, behind-the-scenes love of her father. Gulsanam Sherzod qizi Suyarova explicates the value of friendship and how to be a good friend. Aminova Feruza Oktamjon kizi celebrates the beauty and innocence of young love. Qozoqboyeva Husnida yearns with devotion for her soulmate’s arrival. Mesfakus Salahin falls into a reverie about a fanciful love that exists between his imagination and his memory. Prasanna Kumar Dalai smiles through a delicate and tender love. Joeb expresses his hopes for personal and global love and peace. Lan Xin celebrates transcendent union with all others and the universe, with the world as her homeland, in her fanciful dinner piece. Husanxon Odilov laments a love which he acknowledges will never return. Nicholas Gunther reflects on a high school lost love or friendship through a casual ghazal. Bill Tope and Doug Hawley present an unusual relationship arrangement that seems to make several older people happy. Masharipova Yorqinoy Ravshanbek qizi celebrates the tenderness of a mother’s love. Brian Barbeito’s gentle childlike piece creates a surreal atmosphere rich in memory and care. Orzigul Sharobiddinova Ibragimova versifies her love and longing for her Uzbek homeland.
Zarifaxon Nozimjon Odilova qizi highlights the historical contributions of Uzbek statesman and humanist leader Zahriddin Muhammad Babur. Toshkentboyeva Xumora outlines the contributions of Amir Temur to modern Central Asian statecraft. Poet Lan Xin highlights the wisdom and compassion of Chinese Dongba cultural leader Wan Yilong. Abdusaidova Jasmina explicates themes of spirituality, heritage, and love in Alisher Navoiy’s writing. Abduxalilova Shoxsanamxon Azizbek qizi celebrates the benefits of reading culture for society.
Olimova Marjona Ubaydullayevna celebrates the literary heritage of Zulfiya and her themes of patriotism, women’s dignity, and compassion. Munisa Yo’ldosheva highlights how Zulfiya’s life influenced her works and her contributions to supporting emerging authors. Nozigul Baxshilloyeva discusses emotional and spiritual themes within Zulfiya’s work and how they affect Uzbek readers. Sultonova Shahlo Baxtiyor qizi highlights the literary and cultural influence of Zulfiya’s poetry. Jurayeva Barchinoy does the same, while also highlighting her commitments to education and women’s rights. Nematullayeva Mukhlisa Sherali kizi relates the value of Zulfiya’s work through a narrative story. Gayratova Dilnavo highlights the enduring legacy of Zulfiya’s work, especially what it means for many Uzbek women.
Loki Nounou’s piece dramatizes a woman stripped of her individuality in a toxic marriage, becoming only a vessel to hold others’ dreams. Abigail George probes the maternal and domestic as both sacred and violent, an origin and a wound, along with critiques of colonialism and the power of self-kindness. Manik Chakraborty calls for a natural, spiritual feminine awakening. Asadullo Habibullayev warns of the dangers and social injustices young women can face in Uzbekistan, even when educated, and calls for the younger generation to respect the wisdom of their elders. Eva Petropoulou Lianou urges respect for women and for the roles women play in society, including motherhood. Maxmarajabova Durdona Ismat qizi celebrates the love and care of human mothers and the value of Mother Earth.
Zamira Moldiyeva Bahodirovna analyzes what the nature motifs in Alexander Feinberg’s work reveal about his thoughts on memory and identity. Noah Berlatsky draws on trees to illustrate our shared human heritage, how we connect to each other and hold each other up. Dilafruz Muhammadjonova presents a natural and cultural tour of Uzbekistan’s Andijan province. Suyunova Fotima Oybekovna reminds us of how crucial it is to preserve the environment. O’gabek Mardiyev outlines ways to improve the efficiency of solar power generation. Shavkatova Mohinabonu Oybek qizi urges improvements in Uzbek public transit to encourage tourism as well as benefit ecosystems. Sultonaliyeva Go’zaloy Ilhomjon qizi analyzes the social, cultural, ecological and economic aspects of tourism in Central Asia. Turgunov Jonpolat discusses the ways in which media framing of climate issues affects how people address the problem. Surayyo Nosirova highlights the need for more consistent communication from journalists to the public about climate change in Uzbekistan.
The works of primary school children in China, collected by Su Yun, reflect moments of happiness and ordinary summer fun in nature. Alan Patrick Traynor’s Irish-inspired piece becomes incantatory, mystical, inhabiting littoral and transitional zones at the ocean’s edge. Tea Russo’s spiderweb poem seeks both expansive transcendence and the peace of oblivion, melding into various aspects of nature. Turkan Ergor dreams of the permanence of the ocean’s waves. Eleanor Hill reflects on the calm strength and dignity of a whale, unbothered while creating waves and blowing bubbles. Ri Winters turns to the ocean and its kelp forests as metaphor for the deep, isolating, yet restful morass of depression.
Brian Barbeito sends up a preview of his book Of Love and Mourning,highlighting the original content and the memorials to beloved pets who have passed. Filmmaker Federico Wardal celebrates a film award for a very humane documentary about veterinary care that saved the life of a racehorse. Jerrice J. Baptiste’s piece, accompanied by gentle, colorful artwork, expresses a graceful and natural surrender to death. Sayani Mukherjee’s piece sits between devotion and restlessness, calling the sky a neighbor yet screaming at stars. Mykyta Ryzhykh crafts a fevered love elegy at the edge of war, eros, and annihilation.
Patrick Sweeney sends up a set of index cards from a memory archive. Mark Young’s altered geographies trace the outlines of innocence, memory, and rupture. John Grey’s urban character and landscape pieces show dry, unsentimental grace.
Image c/o Jacques Fleury
Duane Vorhees’ poetry meditates on time’s circularity, embracing contradictions and the past, present, and future. Ibrahim Honjo reflects that one day his home and everything he knows will fade into memory. Christopher Bernard continues exploring hope, ruin, and creative resilience in the second installment of his prose poem “Senor Despair.”
Maja Milojkovic speaks to the implacable ticking of conscience. Mahbub Alam laments the selfishness and wickedness of humanity. James Tian dramatizes the pain of being underestimated, dismissed, and misunderstood. Mark Lipman calls for greater taxes on the wealthy and for economic egalitarianism. Jacques Fleury hoists his commentary on the fragility of modern democracy on the scaffolding of an extended construction metaphor.
Orinboyeva Zarina discusses how to help children psychologically and emotionally navigate their parents’ divorce. Botiriva Odinaxon elevates the teaching profession and calls for professional development and competence in those who educate young children. Nishonboyeva Shahnoza speaks to her wisdom and dedication towards her goal of becoming a preschool teacher.
Kadirova Feruzakhan Abdiyaminova discusses interactive games that could be useful in science education. Oroqova Nargiza outlines the rise of allergies in children and speculates on the causes. Umidjon Hasamov highlights the potential for artificial intelligence in medical diagnostics. Yunusova Sarvigul Siroj qizi highlights the importance of early screening for gastrointestinal cancer. Rajapova Muqaddas Umidbek qizi highlights the structure and function of the circulatory system.
Shohnazarov Shohjaxon highlights the impact of inflation on a nation’s economy and strategies for managing it. Mamadaliyev Kamronbek highlights the need for cybersecurity technology and cautions about cyberattacks as a weapon of war.
Dr. Jernail S. Anand calls out poets and academics whose lofty ideas don’t connect to present-day reality. While we are all capable of flights of fancy, we hope that this issue is grounded in our world and our humanity.
GASTROINTESTINAL CANCER: THE IMPORTANCE OF EARLY DIAGNOSIS AND SCREENING
Yunusova Sarvigul Siroj qizi
2nd year student at Bukhara Medical Institute
Annotation Gastrointestinal cancers are one of the urgent problems in modern medicine, and their detection at late stages is the cause of high mortality rates. This article extensively covers the epidemiology, risk factors, clinical symptoms, and the importance of early diagnosis and screening programs for gastrointestinal cancers. It also analyzes the possibilities of modern screening methods – endoscopic examinations, laboratory and molecular diagnostics. Based on the article, it is possible to significantly increase the survival rate of patients through early detection of the disease.
Gastrointestinal cancers include tumors of the stomach, colon and rectum, esophagus, small intestine and other digestive organs. Among them, gastric cancer and colorectal cancer are especially common oncological diseases worldwide. According to World Health Organization data, colorectal cancer occupies one of the leading positions in terms of morbidity and mortality.
The main problem of gastrointestinal cancers is that the disease is often asymptomatic or has vague symptoms in the early stages. As a result, patients seek medical attention at a late stage. Therefore, early diagnosis and screening programs are of great importance in preventing the disease and reducing mortality.
Main part
1. Etiology and risk factors of gastrointestinal cancers
The following factors play an important role in the development of gastrointestinal cancers:
In particular, Helicobacter pylori infection can cause a long-term inflammatory process in the gastric mucosa, leading to dysplasia and subsequent malignant transformation.
2. Clinical signs and problems
In the early stages, patients experience the following common symptoms:
Loss of appetite
Weight loss
Abdominal pain
Bleeding (occult or overt)
Anemia
However, these symptoms are often confused with simple gastritis or colitis. As a result, an accurate diagnosis is delayed.
3. Early diagnostic methods
Early diagnosis is a set of measures aimed at detecting the disease before the clinical symptoms become obvious.
Main diagnostic methods:
Endoscopy (FGDS, colonoscopy) – allows for visual detection of tumors and biopsy.
Biopsy and histological examination – the “gold standard” for making an accurate diagnosis.
Immunochemical tests – detect occult blood.
CT and MRI – determine the extent of tumor spread.
Molecular genetic tests – are important for determining the risk group.
Regular screening examinations are recommended for people over 50 years of age for colorectal cancer. In developed countries, screening programs have increased the rate of early detection of the disease.
4. The importance of screening programs
Screening is a screening system aimed at detecting the disease in a population without clinical symptoms.
Advantages of screening:
Detection of cancer at stages 0–I
Reduction in mortality
Increasing the effectiveness of treatment
Economic efficiency
For example, early detection and removal of colon polyps can prevent the development of cancer in the future. Therefore, screening is not only diagnostic but also has a preventive value.
Conclusion
Gastrointestinal cancers are a global health problem, and their late detection is the cause of high mortality. The widespread implementation of early diagnosis and screening programs allows for early detection of the disease, effective treatment, and increased survival rates. Promoting a healthy lifestyle among the population, reducing risk factors, and undergoing regular medical examinations are important areas of cancer prevention.
Used literature
1. Bray F., Ferlay J., Soerjomataram I., Siegel R.L., Torre L.A., Jemal A. Global cancer statistics 2020: GLOBOCAN estimates of incidence and mortality worldwide for 36 cancers in 185 countries // CA: A Cancer Journal for Clinicians. – 2020.
2. Sung H., Ferlay J., Siegel R.L., Laversanne M., Soerjomataram I., Jemal A., Bray F. Global cancer statistics 2020: Worldwide burden of cancer // CA: A Cancer Journal for Clinicians. – 2021.
3. World Health Organization (WHO). Cancer fact sheets: Colorectal and gastric cancer. – Geneva: WHO Press, 2023.
4. International Agency for Research on Cancer (IARC). World Cancer Report: Cancer Research for Cancer Prevention. – Lyon: IARC Publications, 2020.
5. DeVita VT, Lawrence TS, Rosenberg SA. Cancer: Principles & Practice of Oncology. – 11th ed. – Philadelphia: Wolters Kluwer, 2019.
6. Jameson J.L., Fauci A.S., Casper D.L., Hauser S.L., Longo D.L., Loscalzo J. Harrison’s Principles of Internal Medicine. – 21st ed. – New York: McGraw-Hill Education, 2022.
7. Feldman M., Friedman L.S., Brandt L.J. Sleisenger and Fordtran’s Gastrointestinal and Liver Disease. – 11th ed. – Philadelphia: Elsevier, 2020.
8. National Comprehensive Cancer Network (NCCN). Clinical Practice Guidelines in Oncology: Colon Cancer and Gastric Cancer. – Version 2023. – Plymouth Meeting, PA, USA.
9. Rustamov Sh.A. Fundamentals of Oncology. – Tashkent: Abu Ali ibn Sino Medical Publishing House, 2020.
10. Ministry of Health of the Republic of Uzbekistan. Clinical protocols for stomach and colon cancer. – Tashkent, 2022.
“Kamilah the Miracle Filly,” by Angela Alioto, wins the Courage for Freedom Film Award
San Francisco. The “Courage for Freedom Film Award” has been awarded to Angela Alioto’s film “Kamilah the Miracle Filly” narrated excellently by Joe Mantegna, winner of a Tony Award, multiple Emmy nominations, and honored with a star on the Hollywood Walk of Fame.
The coveted award was presented to Angela Alioto last week by Count Federico di Wardal.
The citation is: “for creating a work of high cinematic value based on saving a life through courage and faith, with unparalleled determination “
Angela Alioto, politician, president of the Knights of St. Francis, and one of the most esteemed lawyers in the United States, has taken actions considered of historic importance for human and civil rights and for peace, upholding the creed of St. Francis of Assisi of universal love, which is the goal of SF founded by the Franciscan missions.
Alioto gave also a strong contribution to San Francisco concerning cinema.
The SF Film Commission is attributed specifically to her legislative initiative as its creator.
But let’s get back to the film “Kamilah, the Miracle Filly”.
It is the true story of the filly Kamilah that doctors had decided to put down, refusing to operate on her legs.
The story captivated California, spread throughout the USA, landing in Europe, where Angela Alioto is known too, and in the rest of the world, via social media.
Through UC Davis, Alioto operated on Kamilah, saving her life, during months of tribulation.
At that point she committed to making the film “Kamilah the miracle filly” selected in 2025 at the LA Tribune IFF, chaired by Moe Rock and Emily Letran and winner at the SF New Concept IFF chaired by Joanna Zhang and at the Vesuvius FF, in Pompeii (Italy) chaired by Giovanna D’Amodio.
Alioto, as well as the Count Federico Wardal, was friend of the film legend Federico Fellini and she always was involving in an international film entourage.
At the same time, Francesco Garibaldi Hibbert, a descendant of the hero of two worlds Giuseppe Garibaldi, and his friend Count Federico di Wardal met in LA last summer and decided to found the “Courage for Freedom Film Award” and “Courage for Freedom” and to create the film “Anita,” with music by Andrea Ceccomori, centered on a touching poem of the highest artistic value by the hero Garibaldi on the agony and death of his young Brazilian wife Anita.
For this, an unusual aspect emerges for a hero: being also a poet and poetry is close to the border with cinema.
Here’s what the coveted award is: The “Courage for Freedom Film Award” is issued by the “National Giuseppe Garibaldi Association” to honor excellence in films that exalt the universal values that inspired the revolutionary Hero of Two Worlds, Giuseppe Garibaldi, in his quest for freedom, equality, and justice for oppressed peoples.
The award immediately became one of the most coveted internationally, supported by institutions for peace, the protection of human rights, the environment, and film festivals with these missions.
Congratulations again to Angela Alioto and a call to everyone to cultivate a profound awareness of inner peace.
Mini Essay on The Book of Love and Mourning (prose poems and photographs)
87 pages print
105 pages electronic
colour photography
independent
publication, (February 2026)
-Brian Barbeito
The book is out and a copy arrived. I think it’s well done in content (the writings and photos) and the physical book looks and feels nice. A large softcover work, perfect to go on coffee tables or carry around, not dissimilar to the first two collections, Still Some Crazy Summer Wind Coming Through, and When I Hear the Night. The covers and the yellow of this one are cheerful and upbeat, positive.
Plus, it’s different, interesting, and unique. Inside and the actual book as I said. When I think of it; who needs another book that looks like all other books? There are millions that look so regular. Something different has been done! For instance, there are not nearly as many ‘prose’ poets as there are regular poets in the poetry worlds. Secondly, the poet is the photographer and it’s his work (my work), on the covers and throughout.
Everything about it is original.
If Tara hadn’t put this volume together, though I had written and photographed and compiled the manuscript, I don’t know if I could have. It takes patience and some technical skill and learning. Also, there is a picture of Bear and one of Paws (next to Raquel’s artwork, a painting of dogs on the wall beside Paw’s cat tree in the picture). So, Bear, nearer the start of his life, represents new beginnings, and Paws closer to the end of his life, the last chapter if one will, is seen dignified and independent and is remembered, honoured, immortalized through this photograph. Love and mourning. We love them of course when they are with us, and we mourn their loss.
The book works on several levels. Poetry book. Photography book. Travel companion. Coffee table work. Conversation piece. Honoring the past. Acknowledging the present. And looking to the future…
Zulfiya Isroilova, widely known as Zulfiya, was one of the most respected and loved poets of Uzbekistan. She was born in 1915 in Tashkent, she showed a passion for literature from a young age. Her first poem was published when she was only seventeen years old , marking the beginning of a lifelong dedication to writing. Throughout her life, she not only wrote poetry but also worked as a journalist, editor, and translator. Her contributions left a permanent mark on Uzbek literature and inspired many people.
Zulfiya’s poetry is known for its depth and emotional power. She wrote about love, hope, sorrow, and the struggles of her people, connecting personal feelings with social and historical events. After the early death of her husband, the famous poet Hamid Olimjon, her works became even more expressive and heartfelt. Through her poems, she shared her personal grief and reflected the difficulties faced by society during war and challenging times. Her creativity was not limited to poetry; she also translated works of foreign writers into Uzbek, helping to introduce international literature to her readers.
One of the most remarkable aspects of Zulfiya’s work is her commitment to women’s rights and education. She encouraged young women to express themselves and participate actively in society. Through her poems and journalistic work, she highlighted the value of equality, justice, and moral responsibility. She believed that literature could teach, inspire, and influence positive change in people’s lives. Her efforts earned her prestigious awards, including the title of People’s Poet of Uzbekistan, Hero of Socialist Labor, and international recognition such as the Nilufar Prize.
Zulfiya’s influence continues today. Her poetry remains a source of inspiration for both students and professional writers. She showed that writing is not only an art but also a tool to educate, unite, and heal. Through her legacy, we learn about resilience, compassion, and the importance of cultural heritage. Her life proves that one person’s dedication can leave a lasting impact on society.
In memory of Zulfiya, we honor her creativity, courage, and devotion. Her words continue to live in the hearts of readers, reminding us of the power of literature and the responsibility of artists to inspire others. Zulfiya’s life and work teach that through art, dedication, and empathy, one can make the world a better place. She remains a shining example of how poetry can transcend time, touch lives, and leave an everlasting legacy.
I am Jurayeva Barchinoy Boboqulovna, a second-year student at the University of World Languages in Uzbekistan, majoring in English Philology. I am passionate about poetry, reading, writing, and exploring new ideas. I enjoy creating essays and articles that reflect my thoughts and perspectives on literature, culture, and creative expression.
