Essay from Abdumaxamediva Gulchexra

Socio-Political Impact of Uzbekistan–United States Relations on Social Life: A Sociological Analysis


Student of the Faculty of History and Social Sciences,
Andijan State University
Abdumaxamediva Gulchexra
Email: abdumaxamedovagulchexra@gmail.com

Abstract: This article analyzes, from a sociological perspective, the impact of the mutual cooperative relations between Uzbekistan and the United States on the socio-political life of our country. The main objective of the study is to determine the role of the bilateral relations between the two countries in social changes within society, the education system, and the formation of political consciousness. The article provides an in-depth look at issues such as the influx of Western culture, the impact of exchange programs in education on the worldview of young people, and the socialization of Uzbek immigrants into American life. 

Keywords: Cooperation, Socio-political, Sociological, Research, Western culture, Worldview.

Аннотация: В данной статье с социологической точки зрения анализируется влияние взаимоотношений сотрудничества между Узбекистаном и США на общественно-политическую жизнь нашей страны. Основная цель исследования – определить роль отношений между двумя странами в социальных изменениях в обществе, системе образования и формировании политического сознания. В статье подробно рассматриваются такие вопросы, как приток западной культуры, влияние программ обмена в сфере образования на мировоззрение молодежи, а также социализация узбекских иммигрантов в американской жизни. 

Ключевые слова: сотрудничество, социально-политический, социологический, исследование, западная культура, мировоззрение.

Annotatsiya: Ushbu maqolada Oʻzbekiston va AQSH oʻrtasidagi oʻzaro hamkorlik aloqalarining mamlakatimiz ijtimoiy-siyosiy hayotiga koʻrsatayotgan taʼsiri sotsiologik nuqtayi nazardan tahlil qilingan.  Tadqiqotning asosiy maqsadi ikki davlat munosabatlarining jamiyatdagi ijtimoiy oʻzgarishlar, taʼlim tizimi va siyosiy ong shakllanishidagi rolini aniqlashdan iborat. Maqola mazmunida gʻarb madaniyatining kirib kelishi, taʼlim sohasidagi almashinuv dasturlarining yoshlar dunyoqarashiga taʼsiri kabi masalalar, o‘zbeklarning Amerika hayotiga ijtimoiylashuvi atroflicha yoritilgan. 

Kalit so‘zlar: Hamkorlik, ijtimoiy-siyosiy, sotsiologik, tadqiqot, g‘arb madaniyati, dunyoqarash, 

Introduction

The outcomes achieved through cooperation between Uzbekistan and the United States are primarily aimed at improving the welfare of the population. The creation of new jobs, the introduction of modern technologies, opportunities for training qualified specialists, and economic stability are among the changes clearly reflected in the lives of our people. Based on this, it can be said that bilateral cooperation contributes to effective improvements in public welfare.

A vivid example of this was demonstrated during the meeting held within the framework of the 80th anniversary session of the UN General Assembly in New York City. The conversation between the presidents took place not only in an official diplomatic spirit but also in an atmosphere of sincerity and trust. This indicates that relations between the two countries have reached the level of a true strategic partnership.

It should also be noted that trade relations between the two countries have significantly expanded in recent years. In 2024, trade turnover reached a historic high of 882 million dollars.

The influence of Western culture has both positive and negative aspects. On the positive side, it contributes significantly to education and worldview development, such as expanding critical thinking, mastering new technologies, keeping up with modern times, enhancing creativity, acquiring global knowledge, and increasing attention to personal development. Individuals are becoming more focused on self-improvement rather than relying on others’ opinions, and they are paying greater attention to career growth. The widespread use of the English language is also a positive outcome.

However, there are also negative aspects. Every nation has its own traditions and unwritten values, such as language, respect for elders, and care for younger people. These values are at risk of weakening. For example, increased self-centeredness among youth may lead to disrespect. Changes in national dress styles, such as wearing shorts or overly colorful clothing, and the tendency to view modesty in communication as “outdated,” can also be considered negative consequences

Research Methodology

Using the observation method, we examined youth behavior in public transportation with respect to respect for elders. It was observed that some young people do not offer seats to older passengers, push to enter transport first, pretend to sleep, or hold a book while using their phones instead of actually reading.

We also used comparative analysis in studying clothing culture by comparing people’s clothing styles in the 2000s and in 2026. Clothing in the 2000s was more traditional, modest, and less attention-grabbing, whereas modern clothing tends to be more open, tight-fitting, and visually striking.

In terms of language culture, there is a growing tendency to mix Uzbek with foreign words. For example:

  • “Is everything clear?” 
  • “We have a meeting tomorrow” 
  • “I posted your picture” 
  • “Write to me in private” 
  • “I deleted the channel” 
  • “I blocked that person” 

From these observations, it can be concluded that Western culture does not always bring only positive changes.

Results

The strengthening of strategic partnership relations between Uzbekistan and the United States, the activation of trade and investment cooperation, and the implementation of joint projects across various sectors of the economy have been discussed. In recent years, trade turnover has increased fourfold, reaching nearly 1 billion dollars.

More than 300 American companies are successfully operating in Uzbekistan. Major cooperative projects are being implemented in industry, agriculture, energy, and innovation sectors.

The growth of economic investments (with over 300 American companies operating) affects the population’s standard of living and social mobility. This, in turn, accelerates the integration of Western management styles and corporate culture into Uzbek society.

The Government of Uzbekistan signed a $300 million agreement with the John Deere Corporation to supply agricultural machinery. According to the U.S. Department of Commerce, half of this amount—$150 million—will be directed toward cotton harvesting equipment in Ankeny, Iowa. This agreement is part of a series of investment and trade projects within the “C5+1” framework, which includes Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan.

Additionally, Boeing and Uzbekistan Airways signed a final agreement for the delivery of 8 more Boeing 787 Dreamliner aircraft, increasing the total order to 22.

Analysis

Uzbekistan and the United States have also signed agreements on the extraction of rare metals, modernization of pumping stations, implementation of drip irrigation, and the supply of beans and cotton.

Former President Donald Trump announced an “incredible trade and economic deal” worth 100 billion dollars between the two countries.

The inflow of U.S. investments and technologies is opening new opportunities for young people. How does this happen? The presence of more than 300 American companies in Uzbekistan acts as a “social elevator,” motivating young people to learn foreign languages and modern technologies to achieve higher social status. This increases the social demand for knowledge among youth.

Conclusion

The conducted analysis shows that the new stage in Uzbekistan’s foreign policy, particularly the strategic and large-scale economic agreements with the United States, directly impacts all segments of society, especially the worldview of young people.

During the transition from the conservative approaches of the 2000s to today’s more open and technological society, an increased interest in American lifestyle and corporate culture among youth has been observed.

As identified in the research, economic investments (such as those by Boeing, John Deere, and in IT sectors) not only create new jobs but also shape new forms of social interaction.

In conclusion, Uzbekistan–U.S. relations serve as one of the key drivers accelerating the process of social modernization in society.

References

1.Bo‘riyev, A. (2025, 7-noyabr). O‘zbekiston — AQSH munosabatlari yangi bosqichda. Oliy Majlis Qonunchilik palatasi rasmiy sayti. https://parliament.gov.uz/uz/news/ozbekiston-aqsh-munosabatlari-yangi-bosqichda (https://www.google.com/search?q=https://parliament.gov.uz/uz/news/ozbekiston-aqsh-munosabatlari-yangi-bosqichda)

2.Gazeta.uz O‘zbekiston va AQSH o‘rtasidagi strategik hamkorlikning yangi bosqichi: 100 milliard dollarlik loyihalar. https://www.gazeta.uz/oz/2026/03/20/us-uzb-deal/ (https://www.google.com/search?q=https://www.gazeta.uz/oz/2026/03/20/us-uzb-deal/)

3.Kun.uz  O‘zbekiston bozorida Amerika korporatsiyalari: Boeing va John Deere bilan hamkorlik kengaymoqda. https://kun.uz/news/2026/03/15/amerika-gigantlari (https://www.google.com/search?q=https://kun.uz/news/2026/03/15/amerika-gigantlari)

​4.Kun.uz. (2026, 21-mart). Prezidentlar uchrashuvi: O‘zbekiston yoshlari uchun yangi imkoniyatlar va iqtisodiy o‘sish istiqbollari. https://kun.uz/news/2026/03/21/prezidentlar-uchrashuvi (https://www.google.com/search?q=https://kun.uz/news/2026/03/21/prezidentlar-uchrashuvi)

​5.O‘zbekiston 24. (2025, 7-noyabr). Prezident Shavkat Mirziyoyevning AQSHga amaliy tashrifi tafsilotlari [Video]. YouTube. https://youtube.com/watch?v=GGhI5RFK7I8 (https://www.google.com/search?q=https://youtube.com/watch%3Fv%3DGGhI5RFK7I8)

Poetry from Peter Cherches

Skid Row in Buffalo

It’s snowing in Havana, and I’m stuck in Buffalo,

Without a nickel to my name,

And my pants are falling down because I can’t afford a belt

Of rum, or even a banana,

I used to smoke cigars, drive big old fifties cars, sing rumbas in topless bars, 

But now I’m on skid row, and there’s no skid row like Buffalo.

I want to go back to Havana, even though it’s snowing, nasty winds blowing,

I want to go back and sing a rumba

’Cause you can’t sing a rumba on skid row in Buffalo,

No you can’t sing a rumba on skid row in Buffalo.

It’s snowing down in Rio and I’m stuck in Buffalo,

It’s one-ten in the shade,

And my throat is parched and I can’t afford a lemonade,

Or legal aid or even a pot to piss in;

Oh, I used to date the girl from Ipanema, eat feijoada, sing sambas in topless bars,

But now I’m on skid row and there’s no skid row like Buffalo.

I want to go back to Rio, even if it’s snowing, ill winds blowing,

I want to go back and sing a samba,

‘Cause you can’t sing a samba on skid row in Buffalo,

No you can’t sing a samba on skid row in Buffalo.

I’d rather be in Chicago, where I can sing the blues,

I’d rather be in Italy where I can sing “Volare,”

I’d rather be in Paris where I can sing “La Vie en Rose,”

But I’m stuck up here in Buffalo and I can’t even blow my nose.

I want to go back to Havana, I want to sing a rumba,

I want to go back to Rio, I want to sing a samba,

But what can I sing in Buffalo?

Tell me, what can I sing on skid row in Buffalo?

What can I sing on skid row in Buffalo?

Anthology submission invite: Sandra Tabac’s Global Mosaic of Love

🌏 GLOBAL MOSAIC OF LOVE 🌏

📅 April 20 – May 20, 2026

The world needs more touch, more poetry, and more love.

That’s why I am launching the GLOBAL MOSAIC OF LOVE and inviting you to become part of it.

I invite artists and creatives from my country and around the world to share,

🖋️ their poetry along with images of their hands and palms, creating a network of touches filled with love and respect, where we share both sorrow and joy, and strengthen the golden links of our hands around the Earth.

Without borders, every contribution becomes a diamond in the global mosaic of love.

How to submit your contribution:

📧 E-mail: globalnimozaikljubavi2026@gmail.com (not active yet)

💌 Messenger: send your poetry and images of your hands directly to me, Sandra Fabac

PROJECT GOAL

Through this virtual mosaic of love, with the power of mind, heart, and the art of our hands and poetry, we connect into one unique heartbeat.

Hands symbolize touch, compassion, and unity, while poetry gives rhythm and emotion.

Your contributions will shape a unique global mosaic, a record of the love we leave on the foundation of existence.

Together, we beat with the same rhythm ,the rhythm of love, empathy, and connection.

Join the project and connect the world through the art of our palms and poetry!

#GlobalMosaicOfLove #PoetryWithoutBorders #ArtThatConnects

Project Organizer:

Sandra Fabac

 Poetessa & Humanist, Croatia © 2026

Poetry from Amb. Dr. Tomasz Laczek 

Time has passed too late 

Only just before death 

We understand what we’ve lost

Often families of true friends 

Only then do we understand

How we’ve been running all our lives 

For unnecessary things

Behind fiction and delusion 

Blinded and dumbfounded 

By the media and people 

Following the whole crowd

Into the swamp of demoralization 

In the apathy of materialism 

Completely destroying 

In this confusion

What is most important in a person 

Heart, soul and conscience

Now we state

We know very well

Where did we go wrong 

How much 

We would like to turn back time 

Now alone

Family love truth

What is it like now 

A big boulder on the conscience 

How fire burns in the heart

After all, we are publishing 

Last Breath 

Silence in the dark around us

No tear falls

In solitude we end up marching

In the human unconscious 

Forgotten by time

We end up in a great non-existence

In the darkness of infinity 

We only hear a voice there 

It’s too late for us 

Time has passed

Is it worth ending like this 

It depends a lot 

Only and exclusively from ourselves 

Author’s letter:

No one knows the day of their end, but it has a big impact on what kind of end each of us will have.

Author: Amb. Dr. Tomasz Laczek 

Essay from Botirova Gulsevar Muzaffar qizi

A Description of Babur’s Personality

Gulistan State University
Faculty of Philology
Student of Group 45-25
Botirova Gulsevar Muzaffar qizi
Email: botirovagulsevar2007@gmail.com

ORCID: 0009-0009-9308-6449

Abstract:This article highlights the heroic deeds of the protagonist Babur and his close relatives, such as Khanzada Begum and Khurramshah, as depicted in Pirimqul Qodirov’s novel “Starry Nights” (Yulduzli Tunlar). The work is dedicated to the life of the king and poet, Babur Mirza. It chronicles the period from his accession to the throne, through his military campaigns, until his death. His political career and acts of bravery are portrayed with historical authenticity.

Keywords: Timurid dynasty, historical novel, heroism, character, battle.

Аннотация: В данной статье рассматривается роман Пиримкула Кадырова “Звездные ночи” и образы героев, представленных в нем, таких как Бабур, Ханзаде бегим, Хуррамшах и другие близкие соратники героя. Освещаются каждое стихотворение и героические поступки поэта-шаха. Произведение посвящено жизни Бабура с момента его вступления на престол до самой смерти. Ярко описаны его политическая деятельность и личное мужество.

Ключевые слова: династия Тимуридов, исторический роман, героизм, образ, битва.

         Annotatsiya: Ushbu maqolada Pirimqul Qodirovning “Yulduzli tunlar” asaridagi bosh qahramon Bobur va uning yaqinlari Xonzoda begim, Xurramshoh kabi obrazlarning ko‘rsatgan qahramonliklari yoritib beriladi. Asar shoh va shoir Bobur hazratlari hayotiga bag‘ishlanadi. Unda taxtga o‘tirganidan tortib olib borgan yurishlaridan to o‘limigacha bo‘lgan davr yozib o‘tilgan. Yuritgan siyosati va qahramonliklari haqiqiy tarzda yoritilgan.

Kalit so‘zlar: Temuriylar sulolasi, tarixiy roman, qahramonlik,obraz,jang.

Introduction

Like other forms of art, fiction reflects life, including the psychological states, thoughts, and feelings of people. Life always consists of human livelihood, labor activity, struggles, emotions, and experiences. An image (obraz) is an aesthetic category that characterizes reality through methods unique to art, transforming and interpreting it creatively. Any event artistically recreated in a literary work is also considered an image.

In fiction, an artistic image refers to a depiction of a person created as an individual character while simultaneously possessing features of artistic generalization and emotional impact. The concept of an image has both broad and narrow meanings. In a broad sense, it represents a life scene infused with the author’s thoughts and feelings; in a narrow sense, it refers specifically to the portrayal of a human figure in a literary work.

The novel “Starry Nights” by Pirimqul Qodirov was written over a period of ten years and tells the life story of Zahiriddin Muhammad Babur. The work is based on “Baburnama.” It is a mature example of Uzbek novel-writing, portraying Babur as both a ruler and a poet, as well as a highly educated figure of his time.

“Starry Nights” is considered one of the finest works of modern Uzbek literature. In the 1980s, Qodirov wrote its logical continuation, “The Pass of Generations,” about Babur’s grandson Humayun. In 1982, the author was awarded the State Prize of the Uzbek SSR named after Hamza for this novel.

The novel has been translated into several languages, including Russian, Karakalpak, Kyrgyz, Kazakh, Urdu, Turkish, Hindi, Bengali, and English. It has been translated into English twice: first by scholars of the Samarkand State Institute of Foreign Languages under the title “Starry Nights: Babur,” and later in 2023 by Carol Jermakova with the support of the Islam Karimov Foundation under the title “Babur: Starry Nights.”

Reading this work allows the reader to travel through history and live alongside the characters. The emotional impact of the novel is so powerful that it captures the reader’s imagination, immersing them in that era and its political environment. The inner experiences of the characters are depicted so vividly that the reader shares in their joys, sorrows, and struggles.

Babur is recognized worldwide as a great historical figure. As the First President of Uzbekistan stated: “A nation that gave the world such great individuals as Zahiriddin Muhammad Babur will never be humiliated and will inevitably achieve prosperity.” Similarly, Jawaharlal Nehru emphasized Babur’s influence, stating that his arrival in India brought significant progress and revitalized art, architecture, and culture.

Many scholars have praised Babur:

  • Edward Holden noted that Babur was more worthy of love than Caesar due to his noble character. 
  • Qamar Rais emphasized that Babur’s greatness lies in the respect he earned in the hearts of the Indian people. 
  • Jawaharlal Nehru highlighted Babur’s role in broadening the spiritual and cultural horizons of the people. 
  • William Erskine stated that no ruler in Asia could match Babur in generosity, courage, talent, and love for science and art. 

These examples show that Babur did not destroy the lands he conquered nor oppress their people. Instead, he worked tirelessly for the prosperity and development of the country. He built educational institutions and promoted knowledge. Despite opposition and conspiracies, Babur won the loyalty of the people through wisdom and compromise. His successors, especially Akbar, continued these traditions. These aspects are further elaborated in Qodirov’s novel “The Pass of Generations.”

Discussion and Results

As Qodirov himself wrote, the life and work of Babur is an endless ocean, capable of inspiring countless literary works. “Starry Nights” is one such creation. The novel consists of two parts: the first focuses on Movarounnahr, while the second describes events in Afghanistan, Khorasan, and India, unified by Babur’s personality and thoughts.

Zahiriddin Muhammad Babur was born on February 14, 1483, in Andijan. He was a descendant of Amir Temur and the eldest son of Umar Shaykh Mirza. His mother, Qutlug Nigar Khanum, was an intelligent and supportive woman who assisted him in governance and military campaigns.

Babur ascended the throne at the age of 12 after his father’s death. His main goal was to restore the empire founded by Amir Temur. He repeatedly attempted to capture Samarkand but faced betrayal and setbacks.

The novel also portrays the lives of ordinary people, beginning with the love story of Tohir and Robiya. Political struggles forced Babur into constant battles. Figures like Ahmad Tanbal posed threats, while Khanzada Begum demonstrated remarkable courage, comparable to legendary heroines like Tomyris.

Historical conflicts, including Babur’s struggle with Shaybani Khan, are depicted in detail. Khanzada Begum’s marriage to Shaybani Khan under political pressure and her later life events are also described, based on historical sources such as “Baburnama” and “Tarikh-i Rashidi.”

Babur ultimately failed to restore his ancestral empire but succeeded in establishing a stable and prosperous state in India. His achievements have been widely admired, and scholars continue to study his legacy.

The novel also describes Babur’s final illness in detail, portraying symptoms such as weakness, insomnia, and physical decline, which reflect serious internal health issues.

Conclusion

At the end of the work, it is suggested that Babur did not die from poison but sacrificed himself by taking on his son Humayun’s illness. Unable to find a cure, physicians advised a great sacrifice, and Babur willingly gave his life.

The language of the novel is simple and accessible, making it understandable to all readers while leaving a deep emotional impact. It artistically reflects the political processes, social and economic conditions, and everyday life of the period.

Fictional elements, such as the relationship between Tohir and Robiya, enhance the artistic value of the work. Themes such as loyalty, betrayal, and family relationships evoke strong emotions in the reader.

In conclusion, “Starry Nights” and its continuation “The Pass of Generations” demonstrate Pirimqul Qodirov’s high literary skill and artistic mastery.

References

  1. Qodirov, P. (2016). Starry nights. Sharq Publishing House.
  2. Sultonov, O. (2002). Ilm sarchashmalari. Scientific-Methodological Journal of Urgench State University, (8).
  3. Fayziyev, T. (n.d.). Temuriy malikas.
  4. Ziyo.uz. (n.d.). Retrieved from https://www.ziyouz.com
  5. Ziyo.uz electronic library. (n.d.). Retrieved from https://n.ziyouz.com
  6. Конец формы

Short story from Sarvinoz Bakhtiyorova



The Sacrifice


It was early autumn. The world was tinged with gold, and life had once again breathed into the school hallways. The first lesson was Physics. A new teacher, a man with curly hair dressed in a sharp black suit, limped into the classroom. He sat at his desk, his presence unfamiliar to the students. As he moved to the blackboard, they noticed something striking: he was not only lame but also missing his right arm. Using a prosthetic device to hold the chalk, he wrote the date. The students, however, remained indifferent, meeting his attempts at conversation with a cold, mocking silence.


Weeks passed, but the students’ cruelty did not waver. To them, the Physics lesson was merely an opportunity for mischief, and the teacher was nothing more than a target for ridicule, whispered about as “the cripple.” One day, pushed to his limit by a student named Akmal who was throwing paper planes, the teacher intervened. Akmal snapped back with arrogance:


— Give me back my plane! To us, you are nothing but “the cripple”!
The sting of the words cut deep, but before the conflict could escalate, the school principal entered. Sensing the gravity of the situation, he gently asked the teacher, Mr. Rahmatov, to step out for a moment. Turning to the silent class, the principal asked:
— Do you have any idea who this man is? Do you know why he limps?


He then revealed a harrowing truth. Mr. Rahmatov’s youth was forged in the bitter aftermath of the war. During a devastatingly cold winter, he had trekked into a frozen forest to gather firewood for his freezing mother. In that struggle against the elements, his limbs succumbed to severe frostbite. He saved his mother from the cold but paid for it with his own arm and leg.


A heavy silence fell over the room. Guilt washed over the students like a tide. When the teacher finally limped back into the classroom, the students didn’t mock him. Instead, they rushed toward him, embracing him with tears in their eyes and pleading for forgiveness.
— I forgave you long ago, — the teacher replied softly, his own eyes moistening.


From that day forward, everything changed. Physics became the most cherished subject, and Mr. Rahmatov became their most beloved mentor—a man honored not for his disability, but for the depth of his soul and the magnitude of his sacrifice.

Sarvinoz Bakhtiyorova (born in 2011) is considered one of the talented and creative young students of the Ogahiy Creative School. From an early age, she developed a love for literature and has been actively creating works in both prose and poetry. Her interest in poetry emerged early in her life, and her talent began to show during her school years. In particular, while studying in the 5th grade, her first poem titled “Navruz” was published in a collective anthology called “Yangiariq Gulshani,” marking an important step in her creative journey.

Currently, she is studying at the Ogahiy Creative School, where she continues to work on herself consistently, deeply learning the art and intricacies of literature and creative writing. Through her dedication and creative efforts, she is developing into a promising young talent who is expected to achieve even greater success in the future.

Poetry from Ankica Anchie Biskupović

WATER THAT CONNECTS

Water does not ask

who you are

It flows

through all languages,

crossing borders

we have invented

In a single drop

the whole world fits,

a tear, a sea, a river,

and someone’s quiet hope

We carry it within us

as a memory of the beginning,

as proof

that we are made of the same breath

When a word becomes water,

it does not wound,

it unites.

It pours from heart to heart

and dissolves

what keeps us apart

So write —

let your poem be a river,

let it find its way

even where there is none

For water knows

what we forget:

that we are all

one ocean

Ankica Anchie Biskupović

Humanist, Poetessa, Author