The Britney Box, essay by Teresa Smith

The Britney Box

by Teresa Smith

The Britney Box (excerpt)

By Teresa Smith

The following is an excerpt from a forthcoming essay by Teresa Smith reflecting on the social and political of the suburban United States between the launch of Britney Spears’ first and second albums.

CW: anti-Indigeneity, murder of Indigenous people, racism, colorism

To my knowledge, there was not a single Black, Latino, or Indigenous student in my graduating class (Issaquah High School, class of 2002). We also didn’t have any teachers, local leaders, or town historians who weren’t white.

In 1997, my last year of middle school, around sixty juniors and seniors from my future high school drove to another city to destroy an Indigenous artifact. It was a totem pole created by a member of the Snoqualmie Tribe. The totem pole had only just been finished and it was slated to be the site of an upcoming celebration over the Tribe’s victory in their long battle to win federal recognition. Prior to the planned celebration, a group of sixty or so Issaquah High School students, led by the football team, drove to the freshly carved totem pole in the middle of the night, chopped it down and set it on fire.

In the weeks that followed, the local newspapers tended to use the term “peep rally” to refer to the incident. The local media also liked to emphasize that the man who carved the totem pole had been an “adopted member” of the tribe, as if the Snoqualmie nation didn’t have the sovereignty to welcome new members, as if this made what the high schoolers did not count.

Our high school’s mascot was “The Indians.”

Following regional media coverage of the incident, outsiders began writing angry letters to the editor of the local paper—perhaps the tokenization of Indigenous people and this hate crime were related? That was the general tone of the letters.

“We’ve been the Issaquah Indians since 1917,” a white woman from the historical society said to me one day, in a huff. “What do these out-of-town liberals know? This is our heritage!”

­­­I began volunteering for the local historical society when I was in middle school (it was a good way to get out of the abusive environment at home) and I would sometimes staff the front desk at the old town hall, which had been converted into a museum. The building was named for the white man who is credited with founding Issaquah, and I would eventually that this man was so famous for murdering members of the Snoqualmie and Sammamish people that, according to legend, once he and his family ran out of bullets so they began to pull nails from the walls of their own home so they could load them into shotguns and keep shooting Indigenous people.

The Issaquah High School mascot was changed to the Eagles in 2003, but there are still hundreds of schools around the country with mascots that depict Indigenous people. When Indigenous kids look around in their daily lives for representation, this is what they see: Some high school mascots are wild animals, others are Indigenous people.

Issaquah High School

In many parts of the country, the White Flight of the 1970s had grafted rather cleanly onto the remnants of earlier white supremacist movements. Our “commuter suburb” had been a known as a Klan haven in the 1930s, and my mom, who was white, didn’t see any problem with this. As for myself, I didn’t pass as white, at least not there, not in Issaquah.

The old ladies at the historical society used to grill me about my origins. They were always smiling, acting cordial as they tried to wrangle the truth from me about “where I was really from,” as if I was intentionally hiding it from them. Their questions didn’t make any sense; I was born in Oregon and had lived in the Pacific Northwest my all my life. Sometimes when I would go to the gas station to buy candy after school, old guys in hunting caps would walk up to me and thrust their big pink noses into my face, demanding to know where my accent was from. Uh…accent?

It wasn’t until I was in my late twenties that I left the Pacific Northwest and learned that in other parts of the country, I read as white. It was like falling into a different universe. I spent so much of my young adult years trying to prove myself to everyone in town—my photo was always being printed in the local paper for things like winning the school walk-a-thon, raising money to rebuild a local playground, running a petition drive to save a nearby wetland. I was just so eager to show that I was that “exceptional person of color.” Even after things fell apart at home and I moved into foster care, I was still actively working on volunteer projects. During my senior year of high school, a plaque was installed at a local mall with my name on it, honoring my service to the community. It was so strange moving to California, and visiting New York, DC, Texas and finding out that in those places, people don’t expect me to constantly prove myself.

Sometimes looking into the mirror feels like gazing at one of those Magic Eye pictures from the early 1990s. If I look at myself one way, all I see is static, whiteness, the markers of colonial privilege. If I turn the other way and squint a bit, this caricature pops out, and I can almost find the features, however faint, that the white supremacists in my hometown used to frame me as an outsider, a sidekick, a suspicious person. Someone always at the periphery, never at the center.

Years later, I would be applying for food stamps in the bigger, safer city of Oakland where I began living in my twenties. I worked full time, but rent was taking up nearly all of my paycheck. The social worker became angry when she found out where I was from. “What are you doing draining our social services here?” she snapped. “Go back home, back to where you belong.”

Just a few months before, I went back to Issaquah for a brief visit and tried to leave a few copies of a brightly colored activist newsletter on a café newsstand. It had become a habit, leaving around little zines and newsletters that my friends and I made in South Berkeley about the dangers of climate change, the 1%.

“Get out of here with that gay trash,” the café owner was suddenly shouting at me. “Go back to Capitol Hill!” At first, I was shocked, indignant. This was my hometown! Didn’t he recognize me? I used to deliver his newspaper. Didn’t he know there is a plaque with my name on it at the mall? I wanted to explain, to make him see who I was, but then I saw him reaching for something and I ran out of there before there was time to see if it was a broom or a gun.

March 2021: Harmonious Ekphrasis

by Synchronized Chaos Co-Editor Kahlil Crawford

This month’s issue of Synchronized Chaos is anchored in ekphrasis.

I first learned of ekphrastic poetry from one of our contributors, Neil Ellman. According to him, “It sounds more intellectual than it is. It is no more than writing a poem expressing one’s reaction to a work of art.” Ekphrasis, however, is not limited to poetry. Often analogous, ekphrasis prompts a painter to interpret a poem, a photographer to portray a song, and so on.  Neil says, “One very common way of explaining it is that ekphrasis involves a “conversation” between two forms of art.” Therefore, it is safe to say that ekphrasis epitomizes the conceptual harmony of “art-on-art”. 

Katya Shubova and Mark Blickley start things off with The Biology of Courage – a self-biographical peek into the grittier aspects of Cartagena life and death while celebrating Colombia’s more heroic moments. A screenplay, adapted from a book by Chimezie Ihekuna, transports us into the depths of crime-filled Santiago; as the protagonist transcends his corrupted lineage through a nature-induced transformation for the better.

Sandra Rogers-Hare channels Black rage and discontent in the wake of the massacre of George Floyd and shooting of Jacob Blake. She gives us people prose – epitomizing Black history and personal anecdotes from a “woke” mixed-race perspective. Michael Robinson traces the roots of white supremacist hatred and violence from Emmett Till’s murder to the recent riots at the U.S. Capitol.

Teresa Smith comments on the resurgence of interest in 1990s pop singer Britney Spears and suggests we turn our attention to other neglected people from the period who continue to experience injustice today.

Egyptian diplomat H.E. Moushira Khattab, interviewed by Federico Wardal, emphasizes education as a means of combating human injustice in the midst of national revolutions. She highlights the importance of her involvement in child welfare organizations as an extension of her human rights initiatives.

Kahlil Crawford considers contemporary design and classical modernism to ponder the true meaning of art. Brenda Clews’ spatialist poetics interpret the classical works of Glenn Gould and Sophia Gubaidulina. She repaints their sonic portraits with abstract lines to form new meanings.

Eva Petropolou Lianoy examines the meaning of Contact as it relates to a midday coffee, memorial roses, and a Roman candle. As a recovering Roman Catholic, amongst other things, Judge Santiago Burdon narrates his varied existence and motivation for his “retirement”.

John Edward Culp illuminates the power of rest and the subconscious, unforced inspiration that can come when we take the time to wait for it.

Mark Young has the innate ability to guide us through not only the art, but potentially the mind of Magritte. Each detail within every artwork seems to speak to our common human experience. In kind, Patricia Doyne poetically dissects the intentions of da Vinci’s Vitruvian Man and ushers us through the dynamic depths of The Great Wave Of Kanegawa.

Poet Robert Ronnow’s ekphrasis reimagines movies The Shootist starring John Wayne and The Terminator starring Arnold Schwarzenegger. He details the dimensions of human suffering via Old West gunplay as a metaphor for Bronx reality, and laments humanity’s reckless termination of our natural world. Poet John Culp then takes us on a vertical trip through his kite-like mind.

Mahmoud Sami Ramadan’s series of love letters reveals the ebbs, flows, and revelations of his heart; as Jon Bennett’s San Francisco’s street adventures portray a celestial visitation as well as the twin monstrosities of love and loneliness. Meanwhile, Ahmad Al-Khatat imparts serene wisdom and balance to his love interest via meditative thinking and positive support.

Michael Lee Johnston likens coronavirus to the crucifixion – the irony of the crown. He then goes on to examine change and movement through the holiness of the Roman god Mercury. Poet Hongri Yuan expands our worldly awareness with bodily translucence and chronological truth. His multisensory lines heighten our self-understanding and existential potential.

Bangladeshi poet Mahbub offers a sextet of poems that provide a glimpse into the multiple facets of our human journey. From the tomb to the sky, he narrates our innermost thoughts, feelings, and intentions; even as Jack Galmitz envisions and reflects on death to suggest that he might be next.

Thank you very much for reading Synchronized Chaos! We encourage you to leave comments for our contributors, they appreciate feedback and discussion.

Poetry from John Culp

THIS ARDENT REST




      This ardent rest breeds continuity 
 Allowing a passionate insight before
 the beginning.


     I imagine sight as lost yet the eyes 
 were open while lids were closed.


    The paralysis that never happened as
 inspiration marches the sightless draw
 in joyful repute.
 
     My song pulls from within. Vibration 
 requires no host only the Love that
 begins all things.


     I knew you were there all the time,
           Before time ever existing,
 As before finds no home in our past.


The magnitude
     As options build excitement
         Rest again, 
            For strength is found in the moment.


The process never left us behind


    Taste and smell, the hands speak,
       As ultra trillions sing a single stand
           Lifting to open skies.





Essay from Michael Robinson

The Mob    

April 4, 1968   

Elderly white woman in a blue dress next to an older middle aged Black man in a striped tee shirt, hugging in a pool lounge area.
Michael Robinson, right, with fellow contributor Joan Beebe

Emmett Till, a 14-year-old young black male was beaten, mutilated, and lynched, and shot in the head. He was tied down to a cotton gin-fan and thrown in the Tallahassee River near Money, Mississippi. His crime was that he was accused of flirting with a white woman in a family grocery store. He was abducted four days later. Emmett Till was murdered on August 28, 1955. The lynching of black people (men and women) by the Ku Klux Klan is a great part of America’s history. The lynching of Emmett Till brought lynching to the forefront in America’s national conscience. What has provoked such resentment towards nonwhite races? Issues of injustice, racism, and violence have always been directed towards black Americans. Yet, many black Americans, fought, suffered, and died, for the honor to be an American citizen.  The country learning of Emmett’s fate was outraged. If one is lynched, then no American is safe. Over the years people forgot about the difficulty of the Black Americans.

I was ten years old at the time. The fear and the tightness in my stomach caused me to vomit violently. The mob prowled the city with taunts of “Burn this motherfucker down, burn baby burn!” was the rallying cry, in addition, they repeated “if you don’t have “soul brother” on your door, we’ll burn your house down.” It was April 14, 1968, Martin Luther King had been assassinated. Days later blacks looted and set fire throughout neighborhoods in the nation’s capital. The police and national guards watched the mob devastate the community. The mob set out to destroy and threaten to kill other blacks. My foster father frantically used one sheet of my notebook paper and wrote the words with black shoe polish. “Soul brother” taping it to the front door. Like in the capital riots the mob menaced everyone in the capital that day. 

The Mob    

January 6th, 2021   

“Hang Mike Pence!” they hollered repeatedly. A mob of white supremacists and white nationalists. All of them sent to the nation’s capital by former president Donald J. Trump. The violence and racism have grown in America under the presidency of Donald Trump. Now not only nonwhite races but our government leaders are targets of aggression.   

The white mob erected a gallows on the capitol grounds, while they continued to search the capital looking for Vice president Pence and Speaker Nancy Pelosi to murder them both. Lawmakers were also sought by the intruders in the capital that dreadful day. No one was safe from certain death. This coup led by Donald Trump to maintain power as he was voted out of the presidency in the November elections of 2020. The white mob attacked law enforcement officers on the capitol grounds leaving one officer killed and many severely injured all in the name of white nationalism.   

Adolf Hitler told the German people the lie that it was the Jewish people who were responsible for the predicament of the German nation. Six-million Jews died in concentration camps known as death camps. Adolf Hitler used this hate of the Jewish people to be a dictator. Donald Trump uses the dogma that other races are the enemy. Fear and hate are used by Trump to usurp our democracy. Trump uses deception, hatred, and dread to be a clone of Adolf Hitler.    

 I remember hiding from the black mob in 1968 was a horrific experience. Hearing the story of those lawmakers and staff and others in the capital on January 6th and their recounting the “booming” sounds of glass breaking and banging on the doors by a rabid mob of the crazed white supremacists. Many said that they called their love one to say a final goodbye.

The trauma of facing death as a mob searched for them while destroying everything in their path. It is this violence that never resends in one’s memories. It is sadness and anger that I feel for all those that had to endure such an event in their lives. I walked through the rubble of the riots in a state of shock for years to come. Life seemed surreal to me and death was intimate at that time.  My world had been ravaged by the mob like those in the capital on January 6th.    

The white supremacist destroyed many irreplaceable artworks in the house of the people. Leaving urine and feces on the walls and floors and artwork as reported. Reminding me of the night that the black mob ravaged my neighborhood. Recalling the shouts “Burn this motherfucker down!” Those words echoed in my thoughts for many decades. The insurrectionist shouted for what seemed like an eternity to hang Mike Pence. Hunting our elected officials to hang or execute them is the action of barbarians to commit atrocities against Americans. Led by a psychopathic and sociopathic, and egomaniac racist Donald J. Trump. It does not take courage to be a racist it takes valor to uphold the virtues of being a patriotic American.    

It was revealed that a black capital police officer broke down and wept after the melee said, “Is this America?” Men and women of the capitol police and metropolitan police braved the onslaught of a “murderous” mob of violent white extremists.  Three officers ended up dead from that day. Many survived because of the heroism of those officers protecting them and our capital and democracy.  This “Is America.” An America where courage and dedication to protecting our democratic way of life. The insurrection on January 6th, 2021 will remain one of America’s harrowing moments.   

      Note: Black Americans have lived through the nightmare of being murdered for decades. Black Americans’ pleas have gone unheard. Martin Niemöller wrote, “First they came for the Socialist, and I did not speak out….”     Black Americans have been speaking out for decades and now that the violence has come to the capital of the nation. People now realize that white supremacist are a menace to our nation. Martin Niemöller continued, ‘…when they came for me there was no one left to speak out.”      

Humanitarian activist and actor Federico Wardal interviews Egyptian human rights leader Moushira Khattab

Young Italian man with glasses next to a darkened theater stage next to a light-skinned woman with lipstick and shoulder-length light brown hair. She appears to be speaking.
Count Federico Wardal, Italian actor and human rights activist, Her Excellency Moushira Khattab

Her Excellency Moushira Khattab, an Egyptian and global human rights leader, gets the attention of more than one million watchers worldwide through “What’s your Right?” a San Francisco TV program. What she does to defend human rights is educate people to be aware what their rights are, first of all.

H.E. Moushira Khattab was honored in San Francisco at the War Memorial Veterans Building, (the site of the 1965 signing of the U.N. Charter), for “The Universal Children’s Day”, an event in San Francisco organized by Hon. Mary Steiner, focused on ending female genital mutilation and child marriage.

Khattab is the first leader in the world to have written a law against FGM (Female Genital Mutilation). This law took effect in Egypt and Khattab supports extending it to rest of the African continent. But this horrible practice, rooted in tradition rather than religion, is still practiced in other continents and even in the USA!

One of Khattab’s mottos is: “give people the educational means so that they are aware of and defend their rights.”

Here is my interview with Her Excellency Moushira Khattab:

Wardal: Your Excellency Moushira Khattab, what are the best strategies that each country should take to raise awareness of human rights?
Khattab: Thank you, Count, for asking me about human rights. Educating the people is the priority in raising awareness of human rights.

To educate all the people, with special care towards the most vulnerable and the poor, is the duty of each state which is legally committed to protect human rights without any discrimination. This includes educating people about the right to equally dignified treatment without any discrimination among rich and poor, males and females, Christians, Jews, Muslims, believers in any other religion, atheists, able-bodied, able-minded or disabled people, different races or sexual or gender orientations. In order to make people aware of their rights, empowering people is not a favor but a duty, a legal obligation for nations.

Light-skinned middle aged woman with brown shoulder-length hair sits on a white couch in a living room with windows and green plants outside. She's wearing a white scarf and patterned blue and white top. Nelson Mandela, a white haired Black man, sits next to her and is in a blue and black and white patterned collared shirt.
Her Excellency Moushira Khattab and Nelson Mandela

Wardal: Many planned human rights initiatives and institutions remain inactive and often disband when there is a change of head of state.  How can we avoid such tragic suspension or even cancellation of such activities?  How to make action to promote human rights independent of the changing winds of politics?
Khattab: Thank you very much for this further important question. I repeat, the people are the strongest pillar of any state.  When the people are educated about the rights, they will fight for their rights. When people know their rights they do not fall into oppression by the rich and powerful.

The civil society organizations are very close to the people in Egypt. I am so proud to have coordinated, initiated and led many movements to defend  women and children against FGM, child marriages, human trafficking, and all forms of violence against children. We have seen two revolutions in Egypt: the 2011 Arab Spring and the more recent June 30 revolution. And thank God, the law that I have engineered about Female Genital Mutilation (FGM) is still intact. It is the pride of Egyptian society because it was drafted by the people . 

I spent five years educating the people, parliamentarians, the judiciary, and legislators about FGM and the rights of our children, and I talked about that issue globally as well.  One of the first actions that the Muslim Brotherhood took in 2012 was to try to revoke the FGM law, but the people defended it and the civil society organizations defended it. They said, ‘This is our law, we made this law’ and now this law is intact and thank God, children have more rights,  women have more rights, because people know about the their rights. Political leaders – the head of the state, the judiciary, legislators, executive branch leaders, must be committed to the rights of the people, but the strongest link of this chain is the people themselves.


Wardal: Your Excellency is the first vice chairman of the African Committee of Experts on the Rights and Welfare of the Child and you are a member of the International Board of Trustees of the African Child Policy Forum. The president is H.E. Graça Machel, widow of Nelson Mandela. She is an icon. What are the national and international programs led by these organizations?

Light skinned, brown haired woman standing in front of a large painting in a gold frame. She's wearing a necklace and a green and white top that looks like tie-dye.
Her Excellency Moushira Khattab

Khattab: I am happy to be part of these organizations. The Rights of African Children is a committee established by the African Charter of the Rights and Welfare of the Child, which is composed of experts with the purpose of assisting member states to fulfill their commitments to the rights of their children. States present periodical reports to the committee and the committee reviews the reports and makes recommendations to delegations of states and to civil society in order to help them advance the rights of children.

The committee looks to see if the states have solid laws that guarantee the rights of children, if the states have a national plan of action, if the states have allocated sufficient financial funds and human resources towards the implementation of plans enhancing children’s rights. They check to see if the government is working in partnership with civil society groups to make people aware of the rights of the child and if children themselves are aware of their rights.

The committee makes recommendations to the delegation of states and civil society representatives on how to improve the conditions of children and enforce their rights in cooperation with the African Union and the United Nations. The committee of experts is selected by the nation’s representatives to the African Union. The African Child Policy Forum is a very solid civil society organization that works for the rights of African children through providing knowledge and dialogue and advocacy for improvement. 

The African Policy Forum works to make sure that African governments are continually fulfilling their child rights obligations and legal responsibilities and putting in place policies and legal protection for the wellbeing of all children. These include vulnerable children, poor children, children separated from their families, refugee children, internally displaced children due to armed conflicts. Issues of concern to us include child and human trafficking, child soldiers, child marriage, and child labor.

Flyer announcing Her Excellency Moushira Khattab's appearance at San Francisco's Universal Children's Day event.
Announcement for the event in San Francisco where Her Excellency Moushira Khattab spoke

Wardal: Excellency, climate change is making it increasingly harder to sustain life on our planet. We are all weaker and it is more difficult to control the proliferation of viruses and epidemics.  

Khattab: Thank you for this connection you made between climate change and Covid!

The economies and societies of most countries, rich or poor, are set up to function under normal conditions. So when special and emergency conditions such as Covid occur, these systems collapse into chaos, resulting in health and economic catastrophes. Climate change, demographic explosions and wide-ranging damage from conflicts are not taken into account. Political will is insufficient to address this crisis, where peace and security need to be strongly promoted. We need the political will to enable the UN to deal with such a crisis. The UN’ s member states need to review its charter to enable the security counsel to meet its responsibilities. When COVID 19 erupted, Secretary General Antonio Guterres spoke up on March 23, 2020 and invited world leaders to put their guns down and fight Covid-19. A strong food program was successfully implemented to face the COVID emergency during the state of chaos in which humanity had fallen.

Middle aged Black woman with glasses, short curly cropped black hair, lipstick and an aqua, white and purple sweater.
Graca Machel

Wardal: The Nobel Prize-winning genius Marconi, inventor of the radio and telegraph, said, ‘My inventions are for the benefit of humanity and not to be used for its destruction.” On the other hand, there is no such control on the scientific research on viruses.

Khattab: We need international transparency and information sharing in the age of Covid. No nation should hold onto medical information, but should share it instead to protect human beings from falling sick.

This should also apply to the Covid vaccines. Poor people have the right to be protected from the virus as well. The UN has to deal with the distribution of the vaccine and is making decisions right now on who gets the vaccines first and how to make them available to those who cannot pay.

International transparency on this aspect is absolutely necessary in order not to lose further human lives.

Wardal: Excellency, you are always welcome as a guest on my San Francisco television show! I also encourage you to write a book about your immense knowledge of civil and human rights. I know you are busy with vital political activity, but maybe, step by step, you could start to write a book, chapter by chapter. I would be especially happy helping you.

Khattab: Thanks. My children and my friends constantly encourage me to write a book about my long and continuing work to improve living conditions and to guarantee respect, equality, and dignity. I will see. At the moment my life doesn’t leave me this possibility.

Poetry from Jon Bennett

Soles 

There’s a new oddball in town 

I see him on 6th, 

the Tenderloin, the Marina, all over 

This man has made enormous shoes  

out of garbage: 

inner tubes, rags, 

plastic bags, pieces of foam and bark 

These foot rafts 

are up to a yard long 

causing him to walk with visible strain 

sweat on his brow 

But sometimes the shoes shrink 

and he flies along  

at a near sprint 

Down at Chrissy Field 

I finally asked him, 

“What’s the deal with the shoes?” 

He paused, smiled at me, and said, 

“The greater the surface area 

attaching me to your planet 

the less likely I am 

to float  

away.” 

Someone Likes You 

I deleted the dating profile 

then rewrote it  

added some links  

and deleted it again 

Now that it’s blank 

I get these messages, 

“Someone Likes You!” 

and a picture of a ballerina 

or a pole vaulter 

a picture of Farrah Fawcett 

a picture of an alien vampire goddess 

or an irresistible succubus 

selling me  

false hope 

false hope 

false hope 

until I take to the streets

I am Igor,

hunched, hungry 

begging the dealers 

the aqua lung-ed bung squatters 

the remains of pigeons, dogs and televisions 

on my beloved San Francisco sidewalks 

“Do you like me?  

Does anyone?  

Could anyone? 

And, if so, how much 

would it cost?”

The Echo Chamber of My Heart 

“You say you don’t 

have a girlfriend because you’re fat 

but that 

is not the reason! 

Women like 

someone sweet.” 

She’s right, and in this pandemic 

I’ve come to realize 

nothing much has changed for me 

The same longing  

rattles around 

in the echo chamber of my heart 

I could say the heart hardened 

but no, the longing 

is what changed 

only a low buzz now, 

like tinnitus, 

an annoyance rather 

than a plague. 

Ekphrastic Poetry from Mark Young

Representation II

The orchestra under the cypress

tree kicks into life. A few bars;

& then the scene we’re watching

on the small screen is replicated

on a larger canvas that still permits

the original viewing platform to

be included in the corner, picture-

within-picture style, framed by

the only thing that might be a

goal were it not for the pawn on

top. Or maybe it was the other

way around & downsizing has

occurred. No spectators to see

the “world game” shrunk to three

a-side. The château now a simple

manor house. A lone pianola.

Rene Magritte, Representation II, 1962

L’esprit et la forme (1928)

There is much to

sing about here.

The glass of water.

The fish out of it

but still swimming

happily around. The

pawn, token of a

game she has just

learnt but is much

taken by. Which she

has natural advant-

ages in since she can

float above it & read

the play as easily as

she can read the myst-

eries of the sea floor.

René Magritte, L’esprit et la forme , 1961

Tous Les Jours

Up here in the mountains

it is an everyday thing

to come across vestiges of

earlier climbers &/or the oc-

casional earlier painting.

They may present as tracks

in the earth or discarded

equipment. Sometimes as

ghosts or holograms. Stare

at the latter for long enough

& they sometimes become

embarrassed, begin to speak.

In a thin voice that still 

sparks echoes, this one says:

“I was once the star of The

Age of Enlightenment. Now

the world has forgotten

me. Am I not still beautiful?”

René Magritte, Tous les jours, 1966

La Marchande de Sable

Legerdemain & sympathetic

magic are not confined only

to my paintings. Sometimes

I moonlight as the sandman,

tell stories that throw sand

into the listeners’ eyes to

foster dreams that render the

invisible visible. Georgette is

happy just to watch me work;

but on occasion, when I wish

to explain more fully what is

beneath, behind, the current

painting, I sprinkle sand into

her eyes to make her sleep. She

smiles at my explanations; &

at the pipe I leave beside her to

remind her where we’ve been.

René Magritte, la marchande de sable , 1936