Simone Weil
If I had seen her in Marseilles,
smelling of mûre-musc soap,
I would have thought her a poet
as we hid from the rain in greyblue cafés—
till she enriched her coffee with her blood.
At times she was almost a tourist,
a young student curious about living,
passionate about dying. In photographs of her,
she was the fixed moment among eternal blurs.
History, a firefly in her hand,
wrestled in the frames of her mystical glasses.
She hated the Author of her script.
Her scream was prefabricated,
the war to fight before
the ensuing battles of buildings and men,
before adopting Tarzan’s yell
with all the passion of that endless afternoon
in Golgotha.
Tropical Dance
You throw yourself into the dance
As a drunk would against a wall,
Your flowery dress splashing wildly
Like a flower garden in a windstorm,
But no flowers drop to your bare feet.
With what joy, with what marvel,
I watch your hands rise, your hair fly,
Your dress swing like a cape in the wind.
Your mouth opens and you shout fiercely
The voluptuous thrill in your squinting eyes.
Oh how you dance: is it to show your thighs?
The night you suck up under your dress,
A music heavy as papayas and coconuts falling,
A sensual finish like morning glories
Splayed for the night after a rainstorm.
No Rewind
Some flowers droop
down the shoulders of the vase
like exhausted tongues.
They rebelled against themselves,
refused to live.
Others look away, their necks rough,
their color faded
into the same zone
where our love disappeared.
“They don’t last,”
you said, so matter-of-factly,
the morning you choked them
into a tight bouquet in water.
Yesterday you brought me a tape,
and a note in a small cream envelope.
Today I listened to the wrong song,
somehow missed the right one.
When your hands fumbled
with the tape player, when your finger
trembled to my silence—
“You’re a dangerous man,”
your note had read.
“Let’s talk about God”—
and your hand orgasmic
followed in its wake,
I knew that today
a death would separate us.
Whatever music had glued us
during the minutes
we converted into history
was frozen in the violet frenzy
that rounded your eyes
and the tape player
that had no rewind.
Stopgap
It was your face that darkened over me
In the back seat of your father’s car.
It was your name I whispered
To the moon on a hilltop in boot camp.
It was your letters that fired me
Through the snow to the freezing latrine.
But in the Black Forest in rain
I trembled like a wet bird for another.
Saturday Inspection
By the time they arrived
Our polished dress shoes
Were white with frost
We had stamped our feet
Walked around in our morning crate
Our Friday night preparations
Saturday morning deteriorations
But what joy when it was over
When we again were free
In our fatigues and boots
When we without duty
Could delude ourselves
Downtown in our civvies
That no war was raging
In our streets, at our table,
And somebody’s jungle and rice paddies
Would not fit in the box home
Ivanov Reyez was an English professor at Odessa College. His poetry has appeared in Paris Lit Up, The Galway Review, The Blue Mountain Review, The Cafe Review, Pinyon, Sierra Nevada Review, and elsewhere. He won the riverSedge Poetry Prize 2015. He is the author of Poems, Not Poetry (Finishing Line Press, 2013).