Poetry from Stephen Jarrell Williams

Everything

Too many

people

pretending and accepting

what the world has become….

When will we open our eyes

and our hearts

and change everything?

Arrival

You speak

and I listen,

believing

with a flow of tears.

This world temporary, 

but You

are forever

helping us

into the Arrival.

Poetry by Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

Morning Dew Drop

Morning dew drop 

Stop,

Stay 

Give me time 

Let me see 

You,

Your heart 

Where I breath my love

Your eyes

Where I reflect myself

Your soul

Where I fly

Your dream

Where my image floats

Your trust

My pure love.

Time is limited

 My love is unlimited

Poetry from Joseph Ogbonna

Nigeria My Jerusalem 

And did God’s lips pronounce a curse

on Nigeria’s errant people?

Did not his blood our bills disburse,

having considered us feeble?

Did his presence elude us all

when terror and death took their toll?

And was hell to befall us all

when thieves and villains took control?

Give us men of Godly repute!

Bring women of chaste and virtue!

Take possession of every brute!

Let your spirit our land imbue!

I will not cease to intercede

nor shall my passion ever wane

till Nigeria ceases to bleed, 

and Christ begins his sovereign reign.

Author’s Biography:

The poem ‘Nigeria my Jerusalem,’ was inspired by William Blake’s ‘Jerusalem’ poem and hymn, which is very widely sung in the church of England, or the Anglican church. From the Nigerian perspective, the poem bemoans the deplorable state of my country, with the hope of a Divine intervention in the foreseeable future.

Jerusalem is one of my favorite hymns as an Anglican adherent and evangelical.

Joseph C. Ogbonna is a widely published poet. Some of his works have been published in Synchronized Chaos online magazine, Spillwords Press, Micromance, North of Oxford, Written Tales magazine, Borderless online journal, Waxpoetry Magazine, Ihram and in over two dozen anthologies and magazines.

He is a graduate of Nigeria’s famous Ahmadu Bello University, Zaria. He has four post graduate qualifications from other Nigerian universities. He lives in Enugu, Nigeria. 

Poetry from Patrick Sweeney

he hit hard

even when 

we were just playing

          *

supporting his extraterrestrial theories 

with quotes from Jackie Gleason’s ex-wife

          *

the pace of the stone mason, the heat

          *

Romeo’s Barber Shop: 

one kind of haircut

and conversation

          *

giving her political opinion at pump number 8

          *

out among the smokers

the fragrance of the rainy night

          *

‘First self, self again; then you, Margaret’

          *

I put the cans out on Monday

and take them in on Tuesday

          *

cockroach hind-legging it

across the white tablecloth

          *

‘World builders’

always leaving out

the best parts

          *

they’d never heard the phrase: ‘indoor voices…’

          *

the origin of a word

or the memory of something I know

never could’ve happened to me

          *

well, it was a relief to learn that time wasn’t a consideration

in his wanting to change places with a scarlet leafhopper

          *

stifling, then someone decides

to drill a hole

          *

webs in the breeze 

flawless spectrums 

          *

if I could just get a little more nothingness into my last breath 

Poetry from J.J. Campbell

a rumor in the wind

and this what happens

when utopia was always

a myth

love simply a rumor

in the wind

loneliness as common

as the common cold

longing until it goes

out of style

hard to find comfort

in a land of broken

chairs and high

anxiety

tap the arm twice

and find a good

vein

hopefully

this one is laced

with something

milder

lost soldiers in

a frozen retreat

time not weather

the end came

years ago

no one bothered

to notice

——————————————————————

unremarkable

a doctor after

one of my latest

scans said the

results were

unremarkable

i have a few

ex-girlfriends

that would

agree

———————————————————-

slow and deliberate

hard to watch the seconds

tick away when the clock

is always flashing twelve

do you pick from the

pile of dirty clothes

or the pile of not as

dirty

no one warned you life

gets incredibly harder

as you get older and

the money stops

coming in

it makes it harder to

not figure death is

not the easiest but

the most logical

solution to all of

this

no loved ones to

talk you out of

your common

sense

only a fool waits for

a romantic ending

life comes at you fast

why is death so fucking

slow and deliberate

—————————————————————

broken and lonely

temptation is a beautiful

woman without any baggage

coming along for the ride

reality is every scar that

some dumb fuck put on

her in the past you will

be accused of at some

point

i can’t imagine why

anyone wants to

be with me

not like i am some

angelic soul that has

no scars

broken and lonely

what a way to go

through a world

that couldn’t give

two shits that you

exist

it is an endless agony

hoping for a kiss

sometime before

you die

sure, get romantic

on the verge of

another world war

——————————————————-

at the end of the horizon

whispers lost in the wind

all dreams go to die at the

end of the horizon

fifty cents off two lemons

too cold for lemonade

she told me she wanted

to see other people

i asked if i could do the

same already knowing

that answer would be

what it always has been

crash landing in the

middle of hell

do they even write

home letters to loved

ones anymore

somewhere coltrane

is playing and one

lucky soul will hear

it for the first time

if they only knew

it will be all downhill

from here on

J.J. Campbell (1976 – ?) is trapped in suburbia, plotting his escape. He’s been widely published over the last 30 years, most recently at The Rye Whiskey Review, The Beatnik Cowboy, Yellow Mama, Night Owl Narrative and Mad Swirl. You can find his latest book, to live your dreams, on Amazon by going here: https://a.co/d/0aaEe8ph

Poetry from Alan Catlin

This Is Not Art

: an assemblage

“The Americans call photography an art.  They have

galleries, institutions, exhibitions. But what I’m doing

is not art.”  Don McCullin

Cholera victim. Eyes rolled back into her head.

Cradled in arms of her husband as an offering to

Death.

Shabby woman of no particular age.  Standing in 

her, three-rungs-below-hell, dwelling.  “Rats the

size of cats,” her son says. Whoring is a way of

life here.  You have to eat.  So do the boy with no-future 

eyes.

An American soldier in Hue city. During the offensive.

Throwing a grenade amid the ruins toward an unseen

enemy.  Seconds before his arm is blown off

by a sniper’s bullet.  Before another soldier takes his

place. Throws a grenade. Is shot. Before another

man is ordered forward.

Three heavily armed, cocky young American soldiers

in South East Asia.  Their captive forced to his

knees, arms trussed behind his back, rope around his

neck like a leash. Eyes blindfolded with a dirty once-

white rag.  The village behind them about to burn.

Three blind black women fast walking in bare

feet past heavily armed guerrilla force on the last

days of the Smith regime in Rhodesia.

American army chaplain lifting an confused, dazed old

woman from bombing raid rubble.

A face only portrait of a starving boy in Biafra.

Oh, the Humanity!

Insanity: a poem with an epigraph and a closure by

The Poet Spiel

“It’s a good thing to die at least once in a lifetime.”

Life had become a place where

you could fall asleep in a world

that adhered to moral principles

and natural laws, and wake up in

another where all those rules had

been suspended.  Even the environment

unrecognizable. All the buildings,

public spaces transformed into

creations by narcotects, city planners

on cocaine using blueprints crafted

from splatter art like those pock- 

marked Bill Burroughs’ paint smeared

canvases randomly created by shotgun

spray patterns and arterial blood.

All the faceless men and  women

stick figures fashioned from coat

hangers, high tension wire art made

bright with electrical charges that

illuminate the night.  Nothing moves

but the poison gas clouds, the blood red 

sickle of a waxing moon.

“What if, in fact, the world does not end

but just goes on and on and on….and….”

After Reading What Light Becomes: The Turner Variations,

by George Looney

Is this how the dead

assemble, by fire light,

on river’s edge near

where the spires give

themselves to the flame?

The night is charred by

all this burning, are smoking

screens that descend from

blackened clouds as secrets

contained by ash.  No reason,

to direct water where

total conflagration reigns,

the passion of all this fire

must be spent, consumption

the end of this, of all things

mortal, of all things made

by man, even that, even those

who purport to rule the world.

One Life Is Not Enough

after artwork by Edward Boccia

for the allegorical voyages of all

these independent minded souls.

For the men rescued from a filthy house

of cards, pulled from the wreckage

of a breaking hall of mirrors 

unfolded now as an accordion,

a shaped enclosure reduced to shards

of crystal lodged in the near perfect

eyes of a princess dreaming of her

mythic lover. For that half-man, half-beast-

thing, sent in exile to sea with a fleet

of confusion boats, consigned to

onerous duties, trials, and elemental

war. For, a lifetime of tasking before

the tempestuous days of false ecstasies.

For dancing on the heads of ship to shore

lynch pins, pulled from the tortured

flesh of soon-to-be-sacrificial virgins,

defilement inevitable as the monstrous

heart excavated from a sacred ruinous

place beyond understanding. For an 

inexactness tiles fitting into a mosaic-

a map of love more lasting than all t

he misleading dreams that layered, 

obstructive dead adhere to, blocking 

the way inside; here, at land’s end,

the final choices are offered and

made. For the man with the lasting vision

is the one who come out whole on

the other side of night.

This war, that war, the next war, war everlasting:

with lines from Wilfred Owen and Siegfried Sassoon

“Out there, we’ve walked quite friendly with Death;

Sat down and eaten with him, cool and bland,

Pardoned his spilling mess-tins in one hand.”

Wilfred Owen, “The Next War”

Oh, brave new world of gravity rainbows,

long range death by guided missile, satellites,

drones;

all those Space X unscheduled midair disassembling,

air space disruptive, debris spewing on residential

homes and gardens;

all those air show explosions casting shrapnel 

to the wind like Turner fireworks falling, 

like Owen’s fleeting flares;

Oh, those happy days in the arms of death

like close combat in the green, all those mad minute

tracer rounds before the final fight,

before the shock and awe of carpet bombing

civilian targets, concussive assaults, in great

fireballs forged and deadly as Death From Above;

all those polluted by stealth bombers and super sonic

jet fighters, skirting toxic clouds and the acidic rain

that falls after;

Oh, the odd beauty of it all, the way the world

is ending with a blustery tweet, a nuclear winter

without Strangelove’s unearthly chorus singing,

“Until we meet again, I don’t know when…”

“War’s a joke for me and you

While we know such dreams are true”

Siegfreid Sassoon

Post Card to Thompson May 6, 20–: The Poet at Kurt Cobain 

Landing wearing a rubber dog mask 

and hand painted answers to 

Kurt C questions, Private Keep Out

He wrote Anthems for the Doomed

Youth: not Wilfred Owen but Cobain.

He’d be a one name rock star if he

were living now. So famous he didn’t need

a first and a last one, just a brand name.  For

personal appearances all he world have to do

is show, act cool, preen. Just being was enough.

Mega.

Man.

Went directly from his mansion to

rock and roll heaven with a shot gun in his mouth.

Fuck Go, fuck the two hundred dollars,

fuck Courtney Love.

He was already in Nirvana. What more

could he possibly need?

“I say shot gun, shoot em ‘fore he run now….”

Junior Walker