Happy New Year! Many folks are glad to throw off the miasma of 2016 and thrust headlong into a new calendar year, while others hesitate, nervous about the vast unknown that is 2017.
J.K. Durick gives us his take on manhood in older age, describing a group of men who talk together, attend to their physical comforts, and reminisce about the past. In his prose poem, written as a story-like character sketch, we hear the men’s vague recollection that they wrote pieces and accomplished something in their younger days.
Jaylan Salah interviews Spanish film director Giovanna Ribes, who made an appearance at the Cairo Film Festival, about her new movie The Family: Dementia. This black and white piece, infused with the director’s personal memories, conveys the gradual deterioration of an old man’s mind, the sensory experiences that ground him to physical reality as long as possible, and the tension his condition provokes in his family between remembering him how he was and interacting with him as he has become.
Donal Mahoney recollects his friendship with a Muslim colleague, how they were able to laugh and joke with only the regular awkwardness of social faux pas before the world political situation imposed another level of separation into people’s lives. Like the protagonist of Selim Mourad’s film and Tony Nightwalker LeTigre’s essay, Donal and his friend Mohammed are ordinary people figuring out their lives, in retrospect in their case, within a broader background framework of political and social relationships and tensions.
Christopher Bernard also calls out the social injustice he sees wreaked upon the world by the election of Donald Trump to the United States presidency. Perhaps in opposition to the aesthetic of a young nation that sees itself as exceptional and values innovation over tradition, and its new leader, who sees himself as personally important and personally able to restore the nation to greatness, Bernard situates his commentary on Trump within a historical and cultural literary context. The United States, and all of its leaders, are only part of a broader world history, and so far all great empires have risen and fallen.
Like Mahbub’s speaker, she takes simple joy in experiencing natural beauty, which may be one of the best ways we as mortal, fragile creatures can find happiness.
Whatever floor life’s elevator brings you to this coming year, whether your fortunes rise or fall, or even if the elevator gets stuck and you end up camping out there for awhile, may you enjoy reading this issue. Happy New Year!
A friend asked where I’m going to go now that I’m houseless again in winter.
(Winter hasn’t officially started yet, but in reality it started December 8th. That’s the morning I woke up cold in the unheated Rat House from icy winds. You know what’s amazing? December 8th is also the exact I remember noting last year as the day the weather turned shitty!)
What am I going to do? I’m going to do what I’ve been doing for five & a half years now: find a new place to stay, for as long as it lasts. In the meantime, I’ve got a rainproofed tent to sleep in. It needs to be rainproof, otherwise last night I would’ve got soaked. I’m not sure if this mummy bag is filled with down, but if so, it might lose its insulating ability if it gets wet. Keeping it dry has been a challenge.
But it’s not the first time I’ve faced this challenge. I made it through last week & I wasn’t even in a tent, I was straight up sleeping in the open air, & if you live in Portland, you know what last week was like. It was rough. It sucks when things close when you’re houseless, ’cause then you don’t have anywhere to go to warm up even during the day. You’re basically confined to your sleeping bag.
Mary draws water in Kenya from a hole she dug in a riverbank while daughters Faith (9) and Elizabeth (8) look on. Their daily journey for water takes about five hours.
Men my age sit in bars with their golfing buddies,
order single malt scotch by name like an old friend,
the connoisseurs they have become; men my age
get their pictures in papers, in alumni magazines,
getting or giving, their due, or just the right amount;
men my age remember retiring, watch their portfolios,
speak of money and past deals with a reverence they
reserve for sacred things, like those; men my age don’t
talk about women much anymore, their wives and/or
their girlfriends are grandparents, like them, and rarely
recall all the names and dates; men my age drive trophy
cars and vacation in warmer places in the winter, around
here only in the summer; men my age like to be asked for
their opinion about politics and current events, like to be
asked as if the listeners expect wisdom from all those years,
love to compare the present to the old days when things
were as they should be and people knew their proper
places and behaved themselves; men my age like to imply
that they did things in the past, knew this guy and that,
knew who did what to whom, but don’t like to talk about it
now; men my age admit their age when pressed, when that
detail adds to their stake in a conversation; men my age
rarely write poems anymore, remember writing them once,
but can’t for the life of them remember why.
J. K. Durick is a writing teacher at the Community College of Vermont and an online writing tutor. His recent poems have appeared in Social Justice Poetry,Tuck Magazine, Stanzaic Stylings, Synchronized Chaos, and Autumn Sky Poetry.
The following poems have been mauled, marred and mutilated by Christopher Bernard
Trump Chaucer
(Adapted from Geoffrey Chaucer)
Whan that Novembre with his shoures sote The drought of sumer hath perced to the rote, And bathed every veyne in swich liquor That wine must come out of its every flour, Whan Fox News eek with its bitterr breeth Depressed hath in every holt and heeth The rotting croppes, and the ageing sonne Hath in the his last halve cours yronne, And smale foweles maken threnodye, That slepen al the nyght with open ye Acause they cannot sleep, for comes the snowe, And all must end that we will ever knowe, Then voters con to go to polling places To cast thir votes in the correct spaces.
And so they came this yeere and voted dead The world that made them, and us buriéd.