The Egret
This singular morning
Begins as any other
Three vivid apparitions
Pale nearly transparent
Two habitual and one
Ephemeral contradiction
Cross my way
The usual roiling white
Clouds rushing from
Or gathering for a storm
Just beyond either horizon
The usual moon a flimsy
Remnant a shift mislaid
In the night
Pallid in sunlight
Sheer against blue
And the egret more
Elusive strayed inland
From the Erie estuary
Feathers the complexion
Of a drift of new snow
A miniature iceberg wandering
Up from Antarctica
Striking an elegant pose
Exotic 50s haute couture
Striding at the edge
Of the pond patient for
Delicious frog hors d’oeuvres
Takes flight its wings
As graceful and fluid as a doe
Leaping through wheat – a thin
Model fleeing the runway
David Sapp
When I Want a Great Blue Heron
I peer at the river from the parallel trail. Crane my head to the left only to see great egret after great egret—massive white birds with necks like S’s. One will lift up effortlessly, take off with the wind, its yellow beak held high, its legs tucked in. With no pomp, no circumstance, they are suddenly in the air and in motion. Outstretched in time. I try to count, seven, eight, nine—there have to be more than ten trailing ovals along the river, mating after each other, white feather after white feather. The box turtles line up on logs, snuggled up to thirteen. Heads and tails indistinguishable from each other as they watch the dance unfold. Two Canadian geese fall from the sky with an obnoxious splash and a horrible honking. My heart skips a beat as I spot a flash of blue—the torso of the great blue heron stands stiller than a tree. Its long legs creep in the shallows, wading stoically through the muck and the algae. From the body of the great bird, a plop of yellow shoots into the water. The rushing current churns and mixes it in the muddy waters, and I remember all of the times that I have touched this river in wonder. The great bird, like a princess in a ballgown, is shitting on the dance floor. Yet it remains regal even in its own excrement. It notices me watching, but it does not care. Mallard ducks, their heads nestled into their own bodies, sleep on the log beside it. The electricity snaps in the heron’s brain, and in a single blink it has lunged down—caught a shining fish in its long black beak before swallowing it whole. I see the shape of the fish as it slides down its gullet. It inches closer on the log, waking the ducks, who fall awkwardly into the water below. My binoculars hang limply from my neck. I am still just the birdwatcher. Staring from afar, searching for some meaning in the air and the shit.
Emile River Sapp
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I love reading poems about birds, and about flight, because they represent a particular sense and sensibility of personal freedom to me. To soar with a kind of unique and specific intelligence across the page takes courage, the kind that is invincible. These poems were beautiful. When poetry resonates deeply and vividly with me, there is often a representation of loneliness and alienation as well. Birds know that lifestyle very well, as do poets. In flight, perhaps the bird not only observes human isolation, loneliness and alienation, and all its flaws and imperfections, but also its own. Perhaps it embraces it. It is almost spiritual, that loneliness and alienation.
“The sunlight speaks. Its voice is a bird…”
Harry Kemp, The Hummingbird
“There are many things you can lie your way through; poetry is not one of them.”
― Nicole Lyons