Synchronized Chaos’ First May Issue: Paradoxical Understandings

First, some announcements before our first May issue, Paradoxical Understandings.

Pink, blue, white and purple circle with circular designs around the edges.
Photo of a “paradox frame” c/o Piotr Siedlecki

Poetry submissions to North of Oxford’s Streur Anthology are now open!

North of Oxford would like to pay tribute to the late Russell Streur, poet and publisher of The Camel Saloon and The Plum Tree Tavern with an online anthology dedicated to Nature. Send us your poems of Nature, of floral and fauna, of forests and trees, of rivers, creeks and streams. Of farms, of urban nature, of parks and sanctuaries, of oceans and bays, of islands, of all things, Nature.

Send one to three poems for consideration of publication to North of Oxford at sahmsguarnieriandreutter@gmail.com  Subject line of submission: Streur Anthology. Submissions will be accepted until 5/31/25. Only submissions attached as word doc will be reviewed. Please include a 100-word bio within the word doc.

https://northofoxford.wordpress.com/2025/04/13/streur-nature-anthology-submissions/

Announcement from Jacques Fleury:
 “You Are Enough: The Journey to Accepting Your Authentic Self”  is being featured on the Boston Public Library website for Haitian American Heritage Month in May!

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self

Eva Petropoulou Lianou shares a short film inspired by NASA’s inclusion of her poetry in a capsule launched to the moon.

Synopsis
On 26th February 2025 NASA launched a capsule with poems to the moon, one of them was the anti-war poem “Happy Birthday”. Written by Eva Lianou Petropoulou, Directed & Animated by Zina Papadopoulou, Music & Sound by Grigoris Grigoropoulos

Lunar codex, Athena, Minerva Excelsior, The Vagabond Anthology, edited by Mark Lipman, dedicated to the Palestinian poet Ahmed Miqdad

Also, our contributor Brian Barbeito’s new book has just come out, When I Hear the Night. This is a prose poem and landscape photography book. Included with the words and pictures are two literary and dynamic introductory essays, one by poet and editor Jude Goodwin, and another by the writer and editor Mary Buchanan Sellers, figures current and thus well-informed in the field. There are also author notes and question-and-answer sections. The writings can be said to have interesting elements of memoir, essay, belle-lettres, poetry, and short story forms. Their content often includes the mystic and inner vision of the author coupled with the outside world of nature walking and travel.

Brian Barbeito's book When I Hear the Night. White text in various fonts, orange at the top, a bonfire outdoors with flames and colored lights at night on the bottom. Blue stripe at the bottom.

When I Hear the Night can be ordered here.

Now, for May 2025’s first issue: Paradoxical Understandings. In this issue, we explore various perspectives and vantage points, how multiple things can be true at once in our complex universe.

Painting of an older Black man with a beard resting his head on his fist. He's got on a jacket and a red cardinal is on his shoulder.
Image c/o Jacques Fleury

To begin, poet Yang Yujun interviews Sudhakar Gaidhani about the inspirations behind his epic poetic work Devdoot the Angel, which promotes wisdom and unity among the world’s diverse groups of people and philosophies.

On a more personal level, Peter Cherches writes of understandings and misunderstandings, how much we can come to know or forget about those closest to us. Aziza Xazanova urges human understanding through avoiding assumptions and listening with empathy. Daniel De Culla relates a story where a person in trouble simply seeks a listening ear, not rescue.

One way people can understand each other better is by learning each other’s languages. Several contributors discuss pedagogical methods for language teaching.

Malika Abdusamadovna writes about translation techniques, the importance of clarity in a teacher’s speech, principles of word division in various European languages, and ways to teach speech activity. Gafurova Mahbuba discusses complex sentence structure, digital game metrics as teaching tools, and practical and theoretical approaches to translation. Oblaqulova Gulshoda examines and compares the implied meanings of Uzbek and Japanese idioms.

Scrabble tiles, blue text on white tile. The R, worth one point, is jostled out of place in the middle.
Image c/o Anna Langova

Abdullajonova Rayhona outlines methods of translation practice, how to teach speech activities, principles for the categorization of words, and how to teach language through movement and stories. Olimova Shahina discusses how to improve English learners’ skill in speaking. Matqurbonova Ro’zaxon explores different methods of improving spoken word fluency in language learners. Husanboyeva Nargiza highlights the potential of new digital technologies in education.

Other contributors reinterpret language in concrete and abstract ways. Jerome Berglund renders different poetic forms into concrete images. Noah Berlatsky contributes a humorous poem about procrastination that uses repetition as a literary device. Christina Chin and Uchechukwu Onyedikam craft joint tan-renga poems, finishing each other’s pieces with images of music, nature, rest, and memories. Rus Khomutoff’s concrete poetry takes us on a journey of surrealism, music, and romance.

Like Khomutoff, other writers travel deep into their own psyches. Brian Barbeito reflects on his thought process and creative journeys, considering how he both opens his mind to emptiness and enlightenment and, like a skilled hockey player, remembers the basics of his craft. On another note, Nigar Nurulla Khalilova evokes writers’ block and an intense, foul mood as harsh as the Arab Simoom wind.

Mesfakus Salahin ponders the fragility of human identity and self-concept. Mark Young’s poetry explores creative processes, relationships, and the search for meaning. Texas Fontanella’s music digs deep for a dose of duende. Tagrid Bou Merhi draws on train travel as a metaphor for introspection and longing for one’s past or future. Stephen Jarrell Williams crafts a series of verses describing a person’s inner struggle and renewal. Ari Nystrom-Rice explores identity, wondering who he truly is underneath the surface. Mexribon Shodiyeva’s poetry celebrates the fragile butterfly and the beauty of being yourself. Shamsiya Khudoynazarova Turumovna relates having had the courage to free herself from an unhealthy situation and walk her own path.

Light skinned man in a black suit and collared white shirt holds a photo of a woman with dark hair in front of his face.
Image c/o Gerd Altmann

Paul Cordeiro speaks to the aftermath of significant relationships and events and to how our feelings can reshape our memories. On a less serious level, Mark Blickley develops a farcical story of unemployment fraud inspired by a photo of a man with a sheep skull, where a character invests deeply into reinventing himself.

On a more cosmic level, Jack Mellender’s work looks at space, time, and humanity’s place in the universe. Ummnusalma Nasir Mukhtar relates a fanciful and expansive dream where she traveled to the moon and stars and gathered her strength. Jacques Fleury’s photography encourages us to view life from different vantage points, exploring concepts as varied as travel, physical attraction, thought, and justice.

Duane Vorhees reflects on ancient archetypes and how we tell stories about ourselves. Sayani Mukherjee reflects on the constant turbulence of human and natural history. Dr. Jernail S. Anand probes some basic paradoxes of modern human life.

Rezauddin Stalin reflects on the beauty and the price of freedom as Blue Chynoweth reflects on the blessing and curse of being able to contemplate one’s place in the universe rather than living by instinct.

Mahbub Alam wonders whether love or self-destruction will win the day. As a person of faith grappling with these issues, Chimezie Ihekuna addresses life’s seemingly intractable struggles, suffering, and human evil, and also God’s implacable goodness in a paradoxical couplet of poems. Lilian Dipasupil’s paired poems take a similar approach, warning of child kidnapping while honoring the love and sacrifice of Jesus.

Black shadow of a wizard holding a staff up to a bunch of stars in a dark environment with blue and red smoke.
Image c/o Ian Pampagna

As writers, one of the ways we can respond to evil is to bear witness and document it as a warning. This is one of the roles of journalism. Davronova Asilabonu affirms the value of journalism and speculates on the field’s future.

More traditionally literary writing can bear witness as well. Yucheng Tao provides a sobering reminder of the historical massacres of the indigenous people of the American West by European settlers and of many Cambodians later in history by the Khmer Rouge. Z.I. Mahmud explores how Arthur Conan Doyle’s The Hound of the Baskervilles brought realism into detective fiction, illustrating the monstrosity of human greed and vengeance. Rahmat Muhammad laments how people where she lives in northern Nigeria no longer honor elders and ancestors as much as they should.

Yet, history has not all been bleak, and people have developed some magnificent works. Christopher Bernard reviews the energizing performance of Grupo Corpo at Berkeley’s Cal Performances, highlighting how the dances reflect various aspects of Brazilian culture. Federico Wardal outlines the accomplishments of celebrated actor Massimo Sangalli. Jeffrey Levert delves into history and philosophy as he wanders the back pathways of a remote Greek island. Graciela Noemi Villaverde poetizes on the beauty of old books and the sorrow of losing or forgetting the words inside.

Shuhratbekova Gulzoda describes the historical contributions of the humanist Jadid leaders of Uzbekistan to art, literature, science, and culture. Dilobar Maxmarejabova expresses her pride in her Uzbek heritage and her hometown of Qashqadaryo. Hashimjonova Durdana affirms her pride in her Uzbek heritage and culture. Nozima Gofurova outlines the many achievements of today’s Uzbek youth.

Artsy image of older books stacked up with a mug, spoon, and saucer on top with steam and some blackbirds flying above. Pieces of paper with text fly above and a red robin perches above a book.
Image c/o George Hodan

Bhagirath Choudhary points to the role of literature in terms of helping people and societies evolve to become more humane. Dr. Jernail S. Anand illuminates the power of art and literature to touch people’s hearts and souls and inspire wiser and more compassionate behavior.

Alexander Klujev highlights connections between Russian music and Russian philosophy and how both honor the triumph of life over death.

Various contributions celebrate different aspects of life. Shahnoza Ochildiyeva enjoys a picnic with her classmates on a sunny spring day. Su Yun evokes the struggle and beauty of flowers growing in an urban environment. Isabel Gomez de Diego photographs childhood exuberance in a neighborhood where humans coexist with nature, trees and bike paths near city apartments. Eva Petropoulou Lianou crafts a story around the evocatively named “Hero’s Path,” a hiking trail near a European monastery. She finds simple joy in nature and travel. Manik Chakraborty takes poetic inspiration from misty mountains as Taro Hokkyo honors his muse and the land on which he writes.

Marjona Jorayeva Baxtiyorovna expresses her respect for women and the feminine, which she links to nurturing and compassion. Gulsanam Qurbonova celebrates the tender nurturing of a mother’s love. Vo Thi Nhu Mai reflects on the warmth and tenderness of her childhood in Vietnam and how that inspired her creativity. Kylian Cubilla Gomez’ photography captures vintage childhood images: Snoopy, old Easter themed toys, a colorful frog, even possibly Dad’s aftershave. David Sapp enters the mind of a three-year-old, excited about cereal and dogs. Marjona Jo’rayeva relates her enthusiasm for a fresh term at school.

Smiling brown skinned child in a blue tee shirt holding out his arms. Trees with green, yellow, red, orange and bluegreen trees in the background.
Image c/o Gerd Altmann

Kristy Raines expresses the simple yet profound joy of two souls finding true love and choosing each other. Eid Saleh writes in English and Arabic of the meeting of souls in a similar way, and refers both to romance and to close friendship. Qaraboyeva Zilola expresses the tender urgency, trepidation, and obsession of young love. Marley Manalo-Ladicho ignites a fiery love feast in his poetry.

However, as Taylor Dibbert points out in his brief poem, romances, and other sources of happiness, aren’t guaranteed to last.

Tuliyeva Sarvinoz’ elegant poetry laments lost love as Mirta Liliana Ramirez honors the memory of a beloved, asserting that she’s not yet ready to move forward. Eva Petropoulou Lianou touches on the tenderness of human hearts and how many of us carry emotional trauma. J.J. Campbell’s poems describe a soul’s slow descent into misery and cynicism. Luis Cuauhtemoc Berriozabal speaks to social and psychological entrapment, stuck with folks tired of his old stories. Linda S. Gunther’s short story “Bake Me a Banyan Tree” explores what we owe our loved ones and how far we would go for them.

Eric Barr’s poetry reflects the realities of navigating life after a stroke. Manik Chakraborty laments destruction caused by a fire as Mykyta Ryzhykh reimagines the Three Little Pigs into a futuristic dystopia in light of environmental destruction. Don Bormon evokes extreme desert heat and the specter of climate change.

Watercolor of lavender in a decorative vase next to a purple towel and lavender scented water in a glass bottle with a stopper.
Image c/o Sulvia

Alex S. Johnson takes us on a mythical journey to transmute sorrow in a poem translated into Greek by Cassandra Alogoskoufi.

Sometimes what one needs to overcome suffering isn’t as complex as alchemy, but can just be time at home curled up with one’s cat. Nicholas Gunther’s poem describes a weary soul’s desire to return home after a long journey. Bill Tope’s short story explores how a senior cat helped bring an older woman out of depression after society made both feel useless.

We hope that Synchronized Chaos can inspire creativity, bear witness to the joys and pains of the world, and transform sorrow and stagnation. Please enjoy this issue!

Poetry from Ummnusalma Nasir Mukhtar

Young Black woman in a red blouse with a gold colored necklace, white veil, and a red headband and bow, in front of a brown wall or canvas and under a leafy green tree.

WHISPERS OF NIGHT 

When the moon rise forward into my room eyes change into rose colored 

When the stars play in the sky with color power that I wish to join 

There’s not anything in the sky, I gonna sky to sleep and spin a dream 

when the night came washed  to my body in the river like a fish.

I felt strength in the night like corocode in the sea.

When the night come my dream took me up saw a couple of wonderful hope.

Ummnusalma Nasir Mukhtar is a young poet, born, raised and studying in Gombe State , Nigeria. She lives with her family, her father Nasir Mukhtar and her lovely mother Rahama Muhammad and her beloved sisters Hauwa’u (jidda) and Zainab (Intisar). She is passionate about using words to inspire and connect people. Ummusalma writes poems that reflect everyday life, emotions, and the beauty of unity. As a student, she continues to grow her craft while balancing her studies and creative pursuits.

Poetry from Marjona Jorayeva Baxtiyorovna

Women’s Praise

A tribute to a woman’s enduring patience,

In her eyes, there shines a light of love.

Women, truly, are great beings,

Their children nestled in their hearts.

Night and day she thinks of “family,” her word,

A faithful companion to her life partner.

Children find boundless love only in them,

For mothers possess limitless affection.

Does the world still honor women’s greatness,

Is there still a rule for the love within?

She is a mother, a sister, a faithful companion,

In every field, she has her own place prepared.

Sometimes there may be misunderstandings, it’s true,

Yet in her heart, there’s a reservoir of strength.

No one truly knows what lies inside her,

A hidden, resilient strength like a diamond.

Are not women beautiful in this world,

From whom the sun’s light has sprung?

Why not be amazed, why not love?

After all, Mother is the trembling symbol of women.

Jo‘rayeva Marjona Baxtiyorovna was born on October 18, 2003, in the Termiz district of Surxondaryo region, Uzbekistan. She is a third-year student in the Uzbek language and literature department at the Faculty of Foreign Language.

Poetry from Graciela Noemi Villaverde

Middle-aged Latina woman with straight light brown hair, brown eyes, a few rings on her fingers, a necklace, bracelet, black jacket, and a smile. She's seated at a restaurant table.

Soul of the Book

A sleeping ocean, its inky waves,

dragging secrets in its depths,

stories whispered in a forgotten language,

echoes of voices that fade in time.

A forbidden garden, withered paper flowers,

its petals, words worn by time,

each scent, a dusty memory,

an echo of emotions lost in the mist.

A fogged-up mirror reflects blurred shadows,

dream worlds that dissolve upon touching them,

deep silences, where memory hides,

and dreams are lost in the darkness.

A caged bird, broken paper wings,

its song, a whisper drowned by silence,

in search of an unattainable sky,

imprisoned between the pages, in an eternal twilight.

A petrified heart, beneath cracked leather,

weak heartbeats, a distant echo of lost dreams,

hopes turned to ashes,

fears rooted in darkness.

GRACIELA NOEMI VILLAVERDE is a writer and poet from Concepción del Uruguay (Entre Rios) Argentina, based in Buenos Aires She graduated in letters and is the author of seven books of poetry, awarded several times worldwide. She works as the World Manager of Educational and Social Projects of the Hispanic World Union of Writers and is the UHE World Honorary President of the same institution Activa de la Sade, Argentine Society of Writers. She is the Commissioner of Honor in the executive cabinet IN THE EDUCATIONAL AND SOCIAL RELATIONS DIVISION, of the UNACCC SOUTH AMERICA ARGENTINA CHAPTER.

Poetry from Gulsanam Qurbonova

Young Central Asian woman with long straight dark hair and a black and white dress with white collars and polka dots seated on a patterned black and white couch for a TV interview.
MOTHER

The love of a mother is a profound and intricate tapestry, woven with threads of unconditional care, unwavering support, and a profound understanding that transcends words. It is a force that shapes our lives from the very beginning, nurturing our growth, guiding our steps, and leaving an indelible mark on our souls. 

From the moment a mother cradles her newborn in her arms, a bond is formed that defies definition. It is a primal connection, an instinctual understanding that transcends language and reason. The first touch, the first gaze, the first whisper – these are the building blocks of a love that will endure through time and circumstance. 

A mother's love is a constant source of strength and security. It is the safe haven we return to when the world feels overwhelming, the gentle hand that guides us through life's uncertainties. It is the unwavering belief in our potential, even when we doubt ourselves. 

As we grow, a mother's love adapts and evolves. It becomes the steady hand that helps us navigate the challenges of childhood, the encouraging voice that whispers, "You can do it!" when we face our first fears. It is the shoulder we cry on when our hearts are broken, the warm embrace that soothes our pain.

A mother's love is not always easy. It requires sacrifice, patience, and a willingness to put the needs of her children before her own. It means staying up late with a sick child, wiping away tears, and offering comfort when words fail. It means celebrating our triumphs and offering solace in our failures. 

Through the years, a mother's love becomes a guiding light, illuminating our path and providing us with a sense of purpose. She is the one who teaches us right from wrong, instills in us our values, and helps us develop our sense of self. 

Her love is a constant source of inspiration, reminding us that we are capable of great things. It is the fuel that propels us to pursue our dreams, to overcome obstacles, and to strive for excellence. 

A mother's love is a gift that keeps on giving. It is a source of strength, comfort, and inspiration that we carry with us throughout our lives. It is a love that transcends time and circumstance, a love that endures even when we are miles apart. 

But a mother's love is not just about the sacrifices she makes or the lessons she teaches. It is also about the joy she finds in watching her children grow and thrive. It is about the pride she feels when her children achieve their dreams. 

It is the shared laughter, the inside jokes, the memories that are woven into the fabric of our family. It is the simple moments of connection – a cup of coffee shared on a rainy morning, a phone call to say "I love you," a hug that speaks volumes. 

A mother's love is a complex and multifaceted thing, a love that is both powerful and tender, both fierce and gentle. It is a love that defies definition, a love that can only be felt in the depths of our hearts. 

It is a love that shapes who we are, that guides us through life's journey, and that leaves an indelible mark on our souls. It is a love that transcends words, a love that is eternal.

Even when our mothers are no longer with us, their love remains a constant presence in our lives. It is the legacy they leave behind, a legacy of love, support, and guidance that inspires us to live our lives to the fullest. 

Essay from Dr. Jernail S. Anand

Older South Asian man with a beard, a deep burgundy turban, coat and suit and reading glasses and red bowtie seated in a chair.
Dr. Jernail S. Anand

O THAT MACBETH HAD READ A POEM!

In fact, while doing some evil deed, a man does not need to think. But if he is doing some good deed, he has to stop and consider what consequences he may have to face.

****

When stones start sparkling with emotions, literature can be said to have performed its part to perfection.

-Anand

It is no exaggeration to say that evil dominates the human psyche more than any other emotion, like love or compassion. Macbeth and Dr. Faustus appear as objective correlatives of evil. But this article questions were they entirely evil? Is goodness an outer growth over evil, or is evil an outer growth over good? My thesis is that all men invariably are made of the shining stuff, and evil is a super imposition, and can be erased with sharp tools of wit, wisdom and satire.

As far as human society is concerned, goodness has already been pushed to the margins. The animals and birds also indulge in killings but this violence cannot be classified as Evil. People do show sparks of goodness, but very occasionally, while evil is on the elephant ride in the streets of this kingdom, which belongs to God, but is run by monsters. The good remain huddled in corners of existence, whereas the centre stage is grabbed by evil mongers. When evil multiplies and threatens the very fabric of the society, God sends apocalyptic beings like Lord Krishna and Jesus Christ. But it is also a fact that as soon as they disappear from the world, people come back to their original setting, of vileness, suppression and exploitation of the good. The pages of human history depict either wars or men who created havoc with the masses in the name of religion.  It appears either there were no good periods in history, or they are intentionally ignored because they do not offer thrills which a reader expects from the reading of history.

Footfall at the Gate of Hell

The  Reception at the Gate of Heaven remains closed most of the time. Once or twice during a month, the office opens to admit one or two persons at the most. In fact,  it is the Reception at the Gate of Hell where you find most festive conditions. People come in hordes singing folk songs, carrying drinks and beauties in their laps. It is another thing, the monsters welcome them, and after a thorough investigation, they are directed to the Purgatory.

The scene inspires horror when we try to guess how rampant is evil in our society. Some scientists from Lustus University lost their lives when a speeding bus tumbled into an abyss while negotiating a sharp turn high on a mountain. On reaching the Gate of Hell, they were engaged in a verbal duel with the Reception staff.

‘There is no goodness in this world. It is not possible to find one person who believes in good. Close down the  Reception Centre for Heaven,’  they argued so vehemently that  senior functionaries of Hell and Heaven had to intervene.

Course Correction

Brahma detailed Indra to bring them to the Emergency. All of them were laid on different tables, and given injections of inertia. When the operation was over, and the Professors of Lustus University were back in their senses, a video was played which showed how each man’s consciousness was turned naked, and then, with sharp-edged appliances, the dirt frozen on their consciousness was layered off. After several days of deep digging, a shining layer of light was visible.

The merchants of darkness were stunned to realize that they were essentially made up of the shining stuff. However, man becomes oblivious of this sublimity of his being when layers of dust fall and freeze on the shiny surface.  What really transforms the evil souls is the power of goodness, exampled by its practitioners [like the Bishop in Victor Hugo’s novel Les Miserables] Man not only learns but he even unlearns by example.

The Flop Triumvirate

With evil so rampant, if we are getting oblivious of the dividing line between good and evil, it is because our elders have not learnt their ropes well. The teachers, the parents, the religious leaders – are responsible if the moral fabric of the society has deteriorated. The reality is that Evil comes to man far more naturally than good. In fact, while doing some evil deed, a man does not need to think. But if he is doing some good deed, he has to stop and consider what consequences he may have to face. It is the fear of consequences of being good, straight, honest and kind that most of the people have said good bye to this domain.

The emotional demography of good and evil can be understood with the help of the following graph. Thirty percent people can go to any extent in the domain of evil. Five percent people practice goodness and cannot be deflected from their path. However, the remaining sixty five percent keep shifting from good to evil and evil to good depending on their necessities.

Re-forming the Social Fabric

If we want to re-form and re-organize our society, we have to contend with the truth  that religion and fears of hell do not horrorize any Faustus now. Millions of people will be ready to sign in blood a contract with the Devil which ensures them twenty four years of thrills. The horror of Faustus’ destiny is no longer a deterrent for evil-mongering which has now become a  romantic fantasy.

Art and Literature

Society lacks the tools with which it should be able to touch the souls of the people. The best way is Art and Literature.  A poem is truly magnificent if it can tear off the layers of unreality, faithlessness, despair and doubt, from the consciousness of a person who has no direct or indirect connect with art or literature. When stones start sparkling with emotions, literature can be said to have performed its part to perfection.

Dr. Jernail Singh Anand, [the Seneca, Charter of Morava, Franz Kafka and Maxim Gorky awards Laureate, with an opus of 180 books, whose name adorns the Poets’ Rock in Serbia]]  is a towering literary figure whose work embodies a rare fusion of creativity, intellect, and moral vision.

Essay from Husanboyeva Nargiza

Young Central Asian woman stands in front of a tech billboard at a product expo. She's in a paisley jacket, long dark hair up behind her head, and gray slacks.

                                                                                                              Digital Technologies and Education: A New Path to Success

Today, digital technologies play an important role in every aspect of our lives, including education. Digital tools—particularly the internet, mobile applications, and online platforms—help make the educational process more convenient, efficient, and engaging. In this article, we will explore the significance, advantages, and future prospects of digital technologies in education.

The Role of Digital Technologies in Education

Digital technologies simplify the educational process. Online lessons, interactive learning materials, and digital learning platforms allow students to access education anytime and anywhere. These opportunities are especially beneficial for students in rural areas and individuals who do not have access to traditional educational institutions.

For instance, platforms like MOOCs (Massive Open Online Courses) allow thousands of students to take a class at the same time. All of this contributes to the global development of education.

Changes in Thinking Processes and Teaching Methods

Digital technologies also transform teaching methods through innovation. Teachers can now use graphics, videos, and simulations to visualize complex concepts. This helps students develop higher-order thinking skills.

Interactive lessons and educational games can increase student engagement and make lessons more interesting. Models like the “flipped classroom” enable students to study the material beforehand and participate in discussions and hands-on activities during class time.

Emerging Challenges and Anticipated Solutions

However, digital technologies can also bring about certain challenges in education. In areas with limited internet access, both teachers and students may face difficulties. Furthermore, overreliance on technology might cause students to abandon traditional learning habits.

To address these issues, cooperation between the government and the community is essential in the field of education. Expanding access to technology and the internet, along with providing support for teachers to learn digital teaching methodologies, is crucial.

Conclusion

Digital technologies play a vital role in making education more effective, accessible, and engaging. This topic highlights the importance of learning from past experiences and considering how to use digital resources efficiently in the future. Proper and purposeful application of digital technologies in education will significantly contribute to the development of younger generations and the future of society.

Husanboyeva Nargiza Jasurbekovna was born on December 22, 2010, in the Hamid Olimjon neighborhood of Urganch district, Khorezm region. She is currently an 8th-grade student at School No. 18 in the Urganch district. Nargiza is an active participant in numerous competitions. In 2023, she advanced from the district stage to the city stage of the “Young Reader” competition. She has also earned 1st, 2nd, and 3rd places in Chess Olympiads.

She is the author of three articles, one of which will soon be published in the Synchronized Chaos journal. Nargiza is a regional resident of Startup Garage, a volunteer in the Ibrat Debate team, and a participant in the Al-Khwarizmi’s Heirs project. She is also a Young Startuper at the IT Park Khorezm branch.

In addition, she is involved in the Coursera Scholars and Technovation Girls-2025 projects and is currently studying at Founders School. Notably, she achieved an honorable 4th place in the RTRM Idathon project. Nargiza is also the founder of five startups.