Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

Fairy Queen

Fairy queen 

Where are you going?

I am in everywhere 

Far and near

My love is everything

I want to read the stories of your wings.

Your every step touches my world

You are not without me

Please come in

My arms are safe and divine

My eyes are ever green

You can’t skip from my imagination

I have spell bounded you 

With the fragrance of love.

Flowers can’t betray with the spring

Birds can’t stop their singing

Except me you can’t do anything.

I see you openly and silently

ln the window of my poetry 

Every word of my dream touches your jingle

My happiness removes your darkness

You will shine.

I want to take every breath from you

I want to make my endless sleep

keeping my head in your lap

That is a part of heaven.

Death will make another bridge for us

We leave this world but will make another one

Where everything will be possible

Every moment will be memorable

We will overcome time factor

Never go far away from each other

Don’t fly from here

We will compose an endless poem.

Short story from Linda S. Gunther

Blonde haired white woman in a jean jacket seated at a marble countertop

GITCHIE GOO

      By Linda S. Gunther

Zee exited the Lavender Day Spa and decided to walk down Primrose Street to the Stone Coffee Pot for a pumpkin latte. It was late October in Silicon Valley. The clouds had turned dark, a steel gray, and the temperature chilly, several degrees colder than at the start of her 50-minute massage; a birthday gift from Barb, one of her best friends.

“I know you never treat yourself to a ‘pamper,’ but my masseuse is more than special,” Barb had said with a wink. “You’ll want to go back. I promise.”

Zee had resisted spending money on any type of self-pampering. For some reason, she felt guilty inside when on the rare occasion she’d splurge on a manicure or pedicure, pricey haircut or facial. It had been a few years since she had indulged in any of that. But today she had let herself completely submit, welcoming the promised loving care from Zane, Barb’s twenty-something Aussie masseuse.

It was the extra care Zee needed after having just learned that her sister’s husband Gus was diagnosed with brain cancer. With two kids and a third one on the way, her sister sobbed on the phone two nights ago. Gus was scheduled for surgery next week. Zee planned take time off from work to be there with her in San Francisco, and already cleared with her employer.

Zipping up her sweatshirt, Zee stepped down the Spa’s stone staircase to the pavement, and started the half block walk. A few drops hit the top of her head. She picked up her pace hoping to beat the rain that she suddenly recalled had been predicted on the news the night before. Stopping dead in her tracks, she quickly pivoted, but not without tripping over a gap in the pavement. Rushing back up the steps to the spa’s entrance and into the shadow of the entryway, she pressed her back against the stone wall, hoping she was out of sight. He walked by. Peeking out she saw the tails of Reed’s khaki raincoat flapping in the wind, his shoulder length dark hair flying in the wind. She watched him turn up the collar of his coat.  

Her mind drifted to the ‘once upon a time’ code they had between them. ‘Gitchi goo.’ It had been their private signal, their private language. If they were out at a dragging social event or family gathering that seemed to go on for too long, one of them would whisper the two words. “Gitchi goo.” The other would nod and echo back the same two words. “Gitchi goo.”

Within a few minutes, Reed would typically be the one to make the excuse to the host as to why they needed to depart. “Early meeting in the morning” or “unfortunately, the only choice of dental appointments was at sunrise” were the apologetic words he’d offer with a smile and a smooth handshake. Then Zee and Reed would go home and make love. This happened every time following their “gitchi goo’s.” Zee had even made the password to her iPhone, gitchygoo.

Zee’s full birth name was Zelda Sayre Fitzsimmons, named after Zelda Sayre Fitzgerald, who was her mother’s favorite historical figure from the 1920’s and 30’s. Zelda had been a notorious flapper who had married F Scott Fitzgerald and then drove him crazy with her wild ways and high emotions.  Zee’s divorced mother, Greta was a zealous enthusiast and had modeled her own life as wildly as Zelda Fitzgerald’s. Zee was embarrassed by her mother’s behavior and often scolded Greta for being out at least 2 or 3 nights a week getting drunk with her friends at the corner bar.  Often Greta would bring home a man late at night, and dance to loud music in the living room, often on school nights. Zee and her sister would be forced to listen to their antics through thin walls, to the moans and giggles that would go on until early morning when the sisters would sneak to get a peak from their bedroom door. They’d see a man hurdling out of the apartment door, a stranger they’d never see again.  Zee hated her given name, Zelda Sayre Fitzsimmons while her older sister enjoyed the more ordinary name of Barbara Ann, a name Zee wished she had.

She had called herself Zee since she was eleven-years old, and then legally changed her name the day following her high school graduation from Zelda Sayre Fitzsimmons to Zee Fitzsimmons. She spent her first day of college in the Administration office equipped with all required documentation proving the legal name change.

Out of sight, up against the stone wall of the day spa, she watched him walk down the street and turn right at the corner. She had lived with Reed for almost four years. It had been three years since their nasty break up; the break up that had shaken her to the core.

Zee walked down the street, the patter of rain picking up. She raised the hood of her sweatshirt unable to shake the thought of Reed out of her head.

The shock to her system happened at lunch one day three years ago, when her friend Edith, a friend Zee hadn’t seen for quite a while. Edith mentioned that she had attended a Silicon Valley Marketing Communications conference the week before. And not only was Reed at the same conference but he was the recipient of the coveted Brightest Star Award honoring his exemplary achievements in Marketing and Public Relations work. Edith was the leader of a much smaller PR firm than Reed’s mega company and was excited to meet Reed following his acceptance speech. It was at the champagne party at the end of the day where she had a chance to meet him in person and talk with him for a few short minutes. He was surrounded by several colleagues and admirers, all congratulating him as he held up his award. “One of his colleagues, her name was Lisa something or other I think,” Edith described. “Well, in the midst of the cocktail conversation Reed looked over at the woman and said “gitchi goo” or something like that. “It was kind of weird,” Edith said, with a shrug. “I bet it was some kind of marketing campaign slogan. Evidently.” The young woman turned to him and responded with those two same words, “gitchi goo.”

Zee stared down her crème brulee, as Edith continued.

“Then he and Lisa made a brisk exit saying that they both needed to get back to the office and prepare for the next day of marathon meetings with some new client.

Edith giggled. “I mean, you are one lucky woman. Snagging Reed Comack.  He’s a gladiator. And, I didn’t realize how attractive he was until I was standing there less than a foot away from him.”

 Zee pulled out her cell phone, and said, “Oh no.”  She quickly made some excuse Edith about an important academic meeting she had completely forgotten about. She handed Edith a 50-dollar bill and politely extricated herself from her lunch table, the words “gitchie goo” echoed in her head.  Zee knew most of Reed’s work colleagues, especially those he worked closely with. There was Ben – CFO, Dan – VP of Sales, Connie – his HR Director, Rudy from Product Development, and Jennifer, his executive admin. Zee had never heard him mention anyone named Lisa.

When she lived with Reed, Zee was instructor of Sociology at a local community college, and was simultaneously finishing up a Masters degree in Social Justice. She had been accepted into a PhD program and had started writing a book she titled FAIRNESS – A SAFE HARBOR (Re-discovering balance in an unbalanced world).

The day after Edith dropped the bomb at lunch, Zee launched an amateur investigation of Reed’s comings and goings to and from his Silicon Valley office. At home, she tried to act normal with him, avoiding too much time together, and feigning sleep when she was wide awake.

Distressed, she found him canoodling in a wine bar a day later with the tall young blonde at lunchtime. The day after that, at the end of his work day, she followed him to the same woman’s apartment in Palo Alto. The mailbox tag read, Lisa Cannon. On the third day of her trailing him, she spotted the two lovers fondling each other in his car at the north forty of his company parking lot. Zee’s whole world crumbled in three short days. She had trusted him. Then she confronted him, flashing an array of revealing photos.

Three years had dragged by since their split and there he was looking as swag as ever rushing down the street. Thank God he had turned the corner and hopefully she’d never see him again.

She dropped the idea of a pumpkin latte and instead headed to the parking lot for her car. She had agreed to a date with Chris that night, a man she had met at the gym. He was in Sales and talked a lot about his job as they stepped side by side on the stair master on Tuesday and Thursday evenings. After a month of chit chat, he asked her for a date. This weekend was the start of his company’s annual conference at a hotel in San Mateo. She was sorry she had said yes to their date. He picked her up at 6:30, wearing a royal blue crew neck sweater and black khaki’s; and drove them to his favorite restaurant in south San Francisco. It was a well-known Mexican restaurant, known for its gourmet cuisine. She had always wanted to go. Along the way, they listened to a country western music station, and sang along. Zee didn’t mind the music as much as the fact he didn’t inquire at all about her musical genre preferences.

Seated at a corner table in the back of the restaurant, Latin music played softly in the background. Chris ordered a pitcher of margaritas. Once their glasses were filled, he started to talk about himself. It went on non-stop from the time they ordered until they were served and then didn’t stop jabbering throughout the meal, pausing only to finish the pitcher and order another margarita, only this time a single Cadillac version for himself. Zee barely touched the first one he poured for her. At first, he went on about his job, the big deals he was doing as Director of Sales, then about the four bedroom-house he purchased three months ago. He moved on to his passion for downhill skiing, and the new Cyber truck he was set to buy. Zee attempted to insert a few things about herself but without any success. He spoke over her whenever she spoke. As if in the midst of auditioning for a lead role in a stage play, he spewed a monologue that seemed like it would never end. She wanted to escape, regretted that she had agreed to a date with a narcissist. It was a mistake. She had enough experience with that type in the past. She noticed that her head was starting to ache. The walls of the spacious restaurant seemed to be closing in on her. Her brain jammed with the events of the last 24 hours: her sister’s tragic news, the morning at the spa where she allowed herself to have a few minutes of ecstasy after the massage, and then having spotted Reed on the street. It was all too much for her to handle. She closed her eyes for a moment. Her head was pounding, Chris’ voice hammered away on his achievements without a pause.

Zee reached out to the small wicker basket at the center of their table. Inserting her hand under the red cloth napkin, she snatched up a warm over-sized flour tortilla. She held it high above her head, flicked her wrist and pitched the tortilla across the high-ceilinged dining room. It sailed through the air and landed on the top edge of the elaborate wood entry door which had been left slightly ajar. In awe at the height she had achieved with the flying tortilla, she was more astounded at what she saw as her eyes came back to table level.  There he was again, Reed, sitting just a few tables away. It was the second time she’d seen him in last eight hours. But this time he was staring at her.

Zee hadn’t been in the same room with Reed since the day she walked out the front door of his townhouse three years ago. A memory flashed before her eyes, the moment when she had confronted him with the photographs, the ones she had secretly captured of him and his blonde-haired lover. She recalled how he looked baffled, then shoved his hands in his sweatpants pockets, shrugging his shoulders, and dropping his head to avoid eye contact.

“I’m a bum, Zee. I’m just a bum,” he had said, looking down at his bare feet. “I don’t deserve you.”

His reaction to her accusation had been almost more devastating to her than his infidelity. It stung. She had stormed into their bedroom to pack her three suitcases. He didn’t go after her or have any words to offer while she rushed to get her things together. Instead, he wandered into his study, sat in his leather swivel chair, his back to the open door. Once she made the three trips to load her car with boxes, suitcases and the two framed museum posters she had hung on the bedroom wall, she walked into his study. “I’ll be back tomorrow to get the rest,” she said. “While you’re at work,” she emphasized. “I know how busy you are with your work.” He didn’t turn to look at her.

Now here he was, Reed Comack, less than ten feet away in the Mexican restaurant. He sat across from a beefy man wearing a dark suit and red tie. Sporting his signature preppy look, Reed wore a black turtleneck and herring bone wool blazer. The lock of dark hair, a long curl that fell below his left eye still hung there, like it had three years ago, the same curl she’d brush away from his eyes when they were in bed making love. She had often teased him often about that lazy curl. It was the only lazy thing about him.

They locked eyes across the restaurant for at least three beats of Zee’s still wounded heart. Then he looked away back to the man across the table. Zee’s date had finally stopped talking.

“Geesh. That was kind of disruptive, don’t you think?” Chris said, pushing his chair back from the table. The three seniors at the table next to them stared.

“I don’t know what came over me,” she said. “I-I…” She looked up at the tortilla dangling at the top left edge of the high arched entry door. The door opened wide and the tortilla Zee had pitched hit the well-dressed young woman on the top of her head. The woman’s mouth gaped wide open as she looked up. A busboy quickly retrieved the tortilla from the tiled floor and tossed it into a plastic bin set at the side of the wood-carved restaurant bar.

“Oh my God,” Chris put a hand to his forehead, trying to shrink himself in the cane chair. “This is some date.”

“Oh, sorry for that,” Zee said apologetically. She glanced back at Reed and could him sign for the check.

“Are you feeling alright?” Chris asked her, with a hint of sarcasm.

“I’m fine,” she said.

“Now, what was I just talking about?’ he said. “Oh yeah, I was telling you about my biz trip to Switzerland which turned into an unforgettable ski trip. I was on the summit, skis pointed downhill, goggles on, gazing up at the glorious sky when…”

The server appeared at their table interrupting. She was ready for a likely reprimand from the restaurant staff.

“Miss, I was asked to hand you this note,” their dark-haired server said. He placed the note by her dinner plate and rushed away.

Zee read the hand-written note.

Zee, you still know how to steal a scene. BTW I still have your high school yearbook and what looks like your grade school diary. Been saving them for you. Reed. 408 723 1414.

“Someone wanting to sign you for the Giants team?” Chris said jokingly, then rolled his eyes, placing his napkin on the table. “That’s quite an arm you got there.”

“No, it’s a note from the restaurant manager requesting that I have the server discard items from the table instead of me doing it.” She stuffed the note in her purse.

Chris narrowed his eyes and signaled for the check. Zee kept still and quiet. He quickly paid with a credit card, not even waiting to see the total on the bill. As they exited the restaurant, she resisted the urge to look over at Reed. Chris was quiet on their drive back. No music. No talking. No boasting. She had achieved her desired outcome from her date. He turned into a hotel parking lot, slowing into a space close to the hotel entrance. “Spend the night with me,” he said, taking her hand. “I have a beautiful suite overlooking the bay.”

“What?” she said. “But you…”

“I’ll get you home early in the morning,” he interrupted. “We’ll have a nice breakfast first.”

And that’s when Zee dished back her own monologue, letting him know that the tortilla thing was her reaction to his non-stop bragging without giving one God-damn to learn one thing about her life. “Take me home now or I’ll call an Uber.” He obeyed without another word. At her door, she uttered a curt “good night.”

“See you at the gym,” he said. She slammed the car door. She wanted to kick his passenger door before she walked away, but resisted.

In bed, Zee had trouble relaxing. She realized that she wanted her high school yearbook and diary back, and she couldn’t stop thinking of Reed. Awaking the next morning, she pulled out the note she had zipped into her wallet the night before and phoned Reed to arrange to meet. His voice was playful and he said he was happy to reunite her with her two nostalgic two items. She agreed to having a quick coffee with him. Sipping her pumpkin latte at the coffee spot opposite the man she once considered her soul mate, she had the jitters. As Reed sipped on his coffee, he confessed not only to the love affair with Lisa, who had been a college hire at his company but that he had actually fallen in love with the young woman and they had married two years ago. When she heard the words, Zee was felt traumatized and wanted to bolt but then quickly noticed that he wasn’t wearing a wedding ring.

“Lisa passed away,” he whispered.

“She died?”

“Five months ago,” he said, and brushed away the curl which usually hung over his right eye like a perfect half-moon. “Car crash. I’ve been trying to focus on work. But…but, I can’t get her off my mind. She was everything to me.”

“Reed. I’m so sorry.”

“I shouldn’t have said all that,” he said, pushing his coffee cup away. “Let’s change the subject. Tell me about your PhD. Should I be calling you Dr. Fitzsimmons?”

“No, I didn’t pursue it after we…”

“Because of us? Damn it, Zee. You still teaching Sociology at the college? Did you finish your book?”

She stared down at the cinnamon bits floating on the latte, the white foam having disappeared into the now light brown liquid. “No, I quit teaching and never picked up with working on the book again.”

“So, you’re doing what now?”

Zee squirmed, feeling guilty to focus on anything to do with her life after his devastating news. “I’m actually a private investigator,” she said. “Worker’s compensation cases mostly but the occasional wayward husband, grand theft and maybe a dozen embezzlement cases now under my belt. I work three days a week for a small firm. I also run my own private business on the side.”

“That’s fucking amazing,” Reed said. His cellphone chimed. “Please excuse me,” he said. “Don’t leave, ok? This will only take ten seconds. I promise.”

Zee nodded. “No prob. I’ll get another latte. You?”

“No thanks, I’m good,” he said and walked away speaking into the phone.

Zee ordered at the counter while Reed stepped outside the entry door to take the call. Settled down at the table with her drink, she felt confused, processing the fact that her ex had fallen in love with his young lover enough to actually propose and get married. How could she blame him after the poor woman died? But he had been a liar and a cheat, and there was no excuse for that.

Reed sat down. “You really are a private eye, aren’t you?”

“What do you mean?” she said, taking a sip.

“I just googled you. You’re with Harker Day. Good firm.”

“You didn’t believe me? Thought I was lying? Like someone else we know? Fuck you.” Her buried anger spilled.

“I want to hire you,” he said.

“What?” She started buttoning up her coat.

“I think someone killed my wife,” he said. “She was targeted. A truck hit her Mustang and the fucking driver disappeared off the face of the earth.”

Reed reached down into his black leather laptop bag and placed her old diary and tattered school yearbook on the table.

“What you left behind,” he said.

She noticed the tiny hairline scar under his left eye, the product of a third-grade schoolyard accident he had told her about some years ago.

“Will you do an investigation? I’ll pay you well.”

“Reed, I can’t. Anyway, I’m off for two weeks starting this Monday. I’ll be in San Francisco. My brother-in-law is having brain surgery to remove a malignant tumor. I’ll be watching my sister’s two young kids while she goes back and forth to the hospital.

“Oh god, I’m sorry,” he said. “Beth’s husband, Greg?”

“Beth’s husband Gus, not Greg.”

“Oh yeah, I knew his name started with a ‘g.’ He was a good guy. I mean, he’s still a good guy. But you won’t be wrapped up every minute watching those kids, right?”

Zee shook her head and look down at the latte.

“You still have that wild red hair,” he said.

She looked up at him and wanted to reply with: and you still have those chocolate brown eyes that could melt a woman’s heart.

“Not my fault,” Zee replied instead.

“It was all my fault, Zee.”

“Reed, I meant my wild red frizzy hair. Not my fault.” She grinned. “It’s the legacy my dear mother left me. You still think I’m holding a grudge, don’t you? Look, I moved on from us. Very quickly!”

“I-I didn’t mean to offend you,” he murmured.

“Reed, I’m very sorry for your loss but I can’t possibly help you with this.”

“$10K cash up front and no matter what, even if you find nothing in a week or so, you keep the money. No, make that $15k up front. Like I said, no refund back to me after a week of you investigating.”

“Are you trying to make reparations for what you did years ago with a cash settlement now?” She peered into her second pumpkin latte which sat on the table, the light foam topping she had requested having disappeared entirely.

“No, that’s not my goal. I want you to do this,” he whispered, his voice scratchy.

“You’re a rich man. Why not hire a big-time firm to investigate? Why me?”

“Because I want to keep this on the down low. That’s the main reason. And, I trust you.

“You trust me. Thanks for the compliment,” she said, looking away. “Let me think about it.” She I’ll call you tomorrow.” She knew that she was opening the gate to the devil’s garden. She could hear the rattle of the rusty hinges, as she left the table and walked out the door.

The next day she didn’t call him back and by close to 5 p.m. she had successfully changed her phone number with Verizon. She tapped in a new phone password which was now ‘nomoregitchygoo.’

Linda S. Gunther is the author of six published suspense novels: Ten Steps from the Hotel Inglaterra, Endangered Witness, Lost in the Wake, Finding Sandy Stonemeyer, Dream Beach, and Death is a Great Disguiser. Most recently, her memoir titled A Bronx Girl (growing up in the Bronx in the 1960’s) was released in late 2023. Ms. Gunther’s short stories, poetry, book reviews and essays have been published in a variety of literary journals across the world. Website: www.lindasgunther.com

Poetry from Brian Barbeito

Hazy image of a town with some brick buildings, a frozen lake, and snow dusting brown dirt.

sky earth soul winter

blue light shows through. the world awakens from slumber. inside dreams the soul was around others once known, but they did not recognize the soul and the soul did not reach out to them. some kind of auditorium. just the filtering and remnants of the far past perhaps. the mind has its own time, and is time. identify the dream but ignore. like when your foot is asleep. it will go away, through time, or be walked and healed. the blue gets lighter. it had snowed all night. the snow had its own beauty and nuance. on eaves. on branches. on rooftops. even on cars. somewhere a solitary fox perhaps walks, looking at the world, the grounds, fluffy tailed and red. there was a field immense and if the soul glanced at it, well just sometimes there would be a coyote near the middle standing.

and if the soul stared long the coyote would notice and look back. but this had not happened in a long time. the field seemed to be without anything but the snow reeds here and there and the lines like small narrow swaths some farmer must have made with a tractor in the brighter warmer days. the soul still imagined that the coyote was somewhere, and took refuge in the thought. why? because the world around there was so hum-drum-glum,- mediocre, full of sameness. sometimes a hawk watched the fields though. the blue that turned light blue had become almost a white firmament. to be a poet is to be invisible for better or worse, mused the soul passively. to be a poet is akin to being a ghost. ‘You are like a ghost,’ someone had said. but it wasn’t positive or pejorative, it had just been a statement. a stationary tractor sat forever by a field. in the late spring or summer the tractors moved again, like bees come to life buzzing and when they did, it could be incessantly. make way air. make way field. make way. there was a place on the outskirts of towns not overtaken by progress. once the soul knew the people there. they liked the soul but the soul was solitary and aloof from birth and this must have been written in a natal chart. somewhere. in the Akashic. not on anything in life as the time was unrecorded, unknown. and the birth time was needed for a proper chart. journey. the dawn. the snow. the times. the opacity of the upwards air. ah well. good enough. step and step. one day spring would see fit to show itself again.

Poetry from Mark Murphy

Telepath

i

What would you choose if a look could kill,

turn the tide or save the day.

Reverse fortunes on the head of a sixpence.

Turn your only godchild to stone

(that she might have a change of heart) 

or do you stare helplessly

into the abyss – immobilized by your sense

of historical inevitability.

ii

Frau Demuth already sees what will become

of Marx’s first biographer

on the day she announces her engagement

to Doctor Aveling (since loneliness

can’t be cured by a kiss)

but for all her knowing looks, she can only study

the waltz of shades unraveling

during Sunday dinner at Regent’s Park.

Second sight – powerless to stop time,

despite the ‘sure thing’

of a spectre haunting Europe

or the shabby ghost of a third Jewish messiah

whose ideas would one day divide the world.

iii

Any wonder why Eleanor Marx fell

through the looking glass. Crashing from nervosa

to love. Love to nervosa. And nervosa

back to love again.

Impossible, in all the after dinner conversation,

to tell which from which.

Only that the phrase: ‘this looks familiar,’

goes unheard by those whom we would save

from themselves,

if only they would hear us.

Cosmic Cradle

i

What shall we do with our nameless child – 

so much a part of us? So much more, than loss of hope

for Karl and Jenny, or the burial record

of an invisible girl? She who holds both dissonance

and harmony (rose and wreath

in her tiny hands) as we lay her to rest

under indifferent skies, but no one knows why  

a dying girl’s face tilts

towards the moon.

ii

Last night, the girl we already grieve

as a lost galaxy – crawled from her crib to sing

as a star – spreading her wings

in exquisite poverty. Here at the world’s edge,

her breath leaves semitones of light

on the latticed glass.

Here, nothing is more important

than music and moonlight.

Shining Light

We have learned your name by heart,

Helene Lenchen Demuth.

And we can tell you that Demuth,

from the Middle High German, ‘diemuot,’

or ‘demuot,’ is a nickname

given for a humble or modest person.

How do we know, only because

there’s no equivalence for ‘Lenchen’

in the Indo-European vernacular,

but ‘L’ is always for love,

which you give to all you encounter.

‘E’ is for equal footing, because you meet

us all on a level playing field.

‘N’ is for necessity, because the realm

of needs, can never be breached

by the leap to freedom alone.

‘C’ is for change, because you adapt

to both ebb and flow. ‘H’ is for heart,

because you always make a home  

out of hope. ‘E’ is for endure,

because we can never forget you.

‘N’ is for nodal point, because going on

is the only option to not going back.

Prelude in E Minor Op. 28 No. 4

for Nora

What is this sadness that invites us

to withdraw into the magic

of minor keys. Are we the astronomers

of descending melodies, discovering

the faintest of stars. Is this what loneliness

sounds like. Chord chains torn

from another dimension. As if the heart,

(cleaved from the body) still grieves alone

in a Warsaw crypt. Tomorrow we smile

again, for tonight we live

our saddest dreams.

Diamonds and Water.

The book of your life is hardly written

yet you look at the world

with all the curiosity life affords.

And though you sit and watch in silence,

you reject the impasse

of a world that defies kindness.

Understanding the secret

ballot that ties the big stick to diplomacy,

or as democracy’s diary

would have it: ‘All for ourselves

and nothing for other people.’ A maxim

so deeply rooted, so definite  

in the division of worlds, it chaperones,

protects and champions

portfolio investment in art, repo-markets

and perfect competition in a face off

with the tasteless tyranny

of the ‘herd.’

You know it’s not your job to think,

only to follow orders,.

yet you have devoted your heart

to the struggle to shape your own ideas,

in your transformation

from wide-eyed peasant girl 

to radical, confidante, and public enemy 

with Soho’s most dangerous

philosopher. A dissident Jewish doctor,

forced to pawn

his only suit of clothes

to buy a coffin for his unnamed daughter – 

unwrapping the ultimate paradox

of value.

Thistle in Humble Soil

Perhaps your closed crown defies the wind

in a field where shadows bully

the faithless, but we live

here where faith is currency

to silence the Aspen’s wild pulse.

Where is the ‘doing’ word that gives us

the upper hand? We speak

while we still have use of our tongues.

In less than a heartbeat

your spiny leaves will yield

their armor under the heavy boots

of Caledonian foresters,

but your magenta crowned florets will prevail

in the field’s heart as if poised to mend

the world. You who thrive

in the barest of ground, rise up again

in winter’s drifts. Testament how we live

to fight another day.

Helene Demuth Notes A Change of Heart

Q. How do you turn down a dialectical thinker

with a hard on for a new idea?

A. Tell him the dialectics of hope turn out to be

nothing more than the interpenetration

of id and ego. You can’t always hold back

the tide, but you can always muddy the waters

by taking refuge in the greatest good

for the greatest number. One death is heroic.

Two deaths, a tragedy. Better to be dissatisfied

as Socrates, than satisfied as a pig.

A qualitative leap between, ‘I have begun

to long for you.’

And, ‘I who have no need.’

Venturing Beyond

You are not a peasant girl from Sankt Wendel,

Housekeeper or fellow traveller.

You are not your age, or even ageless.

You are all the people you touch

when other people find them untouchable.

All the smiles you bring to others

when smiling is felt subordinate to living.

You are the promises on both sides

of assonance and dissonance.

You are the discontent which belongs to hope.

You are the tears of Niobe when pride takes a fall.

You are the verity of pride

when pride surrenders to pity.

You are all children that are never lost

because you are reborn in the image of children

(the Not-Yet-Conscious and Not-Yet-Become)

on the horizon of all being.

You are the one who changes

into what they really are, what they can really be.

The forward dreamer, who is yet to break

through into words.

Van Gogh’s Irises

Even in La Villle d’Amour, the state of emergency

is not the exception but the rule.

Think of the continuous flow of empty time

and the tiger’s leap into the thickets of long ago.

Think of two hundred canon on the brow

of Montmartre. Of the sixty-four days redeeming

the past in service of the present.

Think of blue irises at the Wall of Love

and the words ‘I love you,’ on three hundred tongues.

Think of purple irises uniting springtime love

with the Communard’s Wall.

Think of the history of civilisation

written in blood. Then think of the future as a flower

turning towards the sun – rising in the sky

of a history – yet to be written.

Angelus Novus

Art does not reproduce what we see, rather, it makes us see.

Paul Klee

All art is metaphor. Even when it evokes the union

between progress and catastrophe

Time in need of salvation, an ancestor

in need of awakening, or an angel thwarted

by war and civil war. A storm cloud 

blown in from paradise –

trapped between future past and future present.

Suspended in the struggle of empty-time.

Staring towards the horizon, saying something

profound. Awaiting an answer, beyond

the artifice of perception, as she turns her thoughts

away from internal flight.

The West is the best. The West is the best.

Here! Here! Let’s hear the rest! Light at the end

of the tunnel – the only extraction now

from time in a cage.

What is the Name of this Poem?

i

Your social aims may be fashionable

and indeed, admirable, but no amount of political cheer leading

can prepare you for the darkness

of the lived moment. If semiology is a negation –  

no amount of words can expurgate, refine

or reform the shit shovel. What is

‘ghost forest’ for you is only a private metaphor

for desertification.

An exile from the ancient city of Aleppo,

might well be ‘displaced,’ but any politically correct verbiage

belies the human dimension of losing one’s home,

one’s family and being compelled

to live in a skip or public toilet like an alley cat.

A rebel from Mount Simeon, might well be a ‘job seeker’

to you, but any attempt to dress ‘stateless nationals’

as anything other than ‘stake holders’

will be met with derision from the floor. Since a reserve army

of unemployed is always good for business.

ii

If thought itself can be called a negation:

what of unsustainability and over-production?

Since no concept can articulate the whole relationship

vis-a-vis man and Nature – the semiotics

of exhuming the dead or saving the planet to secure a home – 

will be met by an irresistible canon ball

fired at an immovable post. Positing truth itself

is negative – insofar as it presupposes

something else is not true.

Shamanic Dance Sublation

for Douglas Colston & Dylan Murphy

i

O’ pliable experts in humanity. You who proclaim

the end of history. You who mop the brow

of Nero (bless the mob as you talk our dreams to sleep)

hold a noose over the past, as if to cut a deal

with the future. You who watch Rome burning 

while the tyrant fiddles, if only to observe

the facts. You who say nothing of master and slave,

lost peoples, stolen lands.  Mouthing

those heroic last words: ‘What an artist dies in me,’

as if to turn language and art into consumables – buy up

the last innocence of thought. You who procure

freedom like a bestiarii in that chamber of horrors

we call the Circus – for the age-old celebration

of ‘business as usual.’  In the prison of apprehension

we can hardly move, let alone breathe freely,

but history doesn’t end in triumphalism for one class

or nation over its rivals. It is open to the future 

precisely because we’re surrounded by possibility.

Because agency suggests the content

of the future – because the ‘mystical fire’ of the soul 

lives forever in the recall of night eyes. 

In the constellations of Orion and Cassiopeia.

Where we dream and we remember: 

Nature and human nature are opposite sides 

of the same nature because we still live in a prehistory 

that only stands because we are yet to grasp

who we are. What we might be without constructs

and aggregates – the esoteric architecture

of studio, stadia, steeple, church. The appropriation 

of man by man. Division and progress. Progress

and division.

ii

To know a thing is to know its end but the quest

for knowledge is not conquest of the unknown 

but a journey through the unknowable.

Being moves through time  – from the Servile Wars

of Spartacus to the Peasant Revolt,

from the beheading of a Cavalier King to the shootings

of the Tsar and Tsarina .But time only remains

as a function of being. The real antagonism for the cat

in the box is living. In the boardrooms of Titanic,

progress implicates itself as problem

and solution, but the solution remains the problem.

If we are to translate the world as we change it,

we must learn how observation weasels out

of objectivity. In the bordellos of objectivism,

we must renegotiate the objections to knowledge

over function. Where science serves myth

and myth maker, (which only paves the way

for more whoring) the self-encounter is not quantitive 

or absolute, but rebellious because it puts no price

on sovereignty. S is not yet P,

but when we change subject and predicate,

we change how we see the world. Age and death

can do no more to define us because the ‘Now’ 

is our time.  The locus of Winstanley’s diggers 

(which is Not Yet articulated)

is beginning to carve the skyline of the future

from the vanishing point of the past into the horizon

of the present. The sky in Heraclitus reminds us

how flow and flaw reveal the path ahead.

We find ourselves in the places where we were most lost.

iii

We find ourselves in the Shamanic dance

of ancestors, in the Ghost Dancers at Wounded Knee – 

in moments torn from time, because being

and time are tied to a tug of war in the infinite

possibilities of the finite. True genesis (the creation

of man by man) does not call for gods.

It is not at the starting gate but the finish line 

because freedom is not the fabled flower of immortality

but the action of picking the wild flower

from the chain – the present moment fulfilled 

in the rupturing of empty time.

In the leap between the rebel dead and the Novum. 

Fearing the past only petrifies the past

until slave and rebellion are redeemed in the present,

because the past is only a rebellion 

for memory until it is re-enacted in the world.

Rebellion not only pervades the past – it proposes

the future. Reminds us of the light

at the mouth of the cave, because the sun

(which is yesterday’s memory) ascends in the daydream

of childhood. In the homeland of all living beings

where man is yet to belong. As the slave army turns

to the sun, so the past turns to us 

before it threatens to disappear – because healing begins

in the rebellion  of the fragmented mind 

and we are the creators

of miracles. 

Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

————————————————————————–

boring is good

all the madness has

been drained from

my desire

it is all simply day

after day

same old shit after all

the other boring shit

it was explained to

me as a child, this

was life

that boring is good

and i’m stuck here

wondering if i am

even alive

but the sun will

come up again

the birds will shit

on your driveway

the stray cat will

piss on your porch

flowers and weeds

good thing i wasn’t

using that hour

just a little crack

in the misery

happiness always

gave me the creeps

———————————————————-

a touch of genocide

and here come the clowns

angelic devils sent to torture

young children

imagine all your birthdays

had just a touch of genocide

that yellow brick road

has been covered in

blood

just an endless war

to feed the rich

trapped in suburbia

knowing all of this

is futile

she gave me a handful

of dead flowers and said

like everything else, they

were once beautiful

all we have is nostalgia

you know,

when eggs were priced

less than a body part

porch cigarettes

and a bottle of jack

must be spring

———————————————–

murder mystery

a valley of sadness

a b movie on a saturday

night in the sticks

murder mystery

with a tv dinner

they still sell

salisbury steak

at the local deli

a red x through

all the days

calendar after precious

little puppy calendar

you like cats better

because all assholes

stick together

another empty

for the floor

death is in the air

crushing pills so the

alcohol still shines

wake up two weeks

later in the hospital

forgotten your name

but don’t worry, they

always know who will

be paying the fucking

bill

—————————————————–

in this vapid wasteland

sometimes it isn’t

even the pain

being tossed to

the side of the

road

wasting time trying

to find love in this

vapid wasteland of

unmarked graves

and declining

statistics

dead skin

sleeping on the floor

waiting for death like

a whore on christmas

one last glass of scotch

and some blues on the

radio

the shotgun in the corner

may get some action tonight

more than i can say about

the rest of us

—————————————————————————

the beauty of a few drinks in

her neon eyes caught

my attention from

across the room

all those curves in

all the right places

yet another one

way out of my

league

but the beauty of a

few drinks in is there

is no limits in a drunken

mind

first rule,

always make her laugh

i’m not sure about the

second rule as i never

had much success with

rule one

i bought her a drink

asked her name

and told her she

was beautiful

she said you can do

better than that

i laughed and explained

to her about disappointment

and sometimes you should

just enjoy the compliment

and free booze

the younger ones never

got those lessons about

honesty

J.J. Campbell (1976 – ?) is trapped in suburbia, plotting his escape. He’s been widely published over the years, most recently at Horror Sleaze Trash, The Dope Fiend Daily, Lothlorien Poetry Journal, The Beatnik Cowboy and Disturb the Universe Magazine. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Poetry from Evie Petropoulou

Middle-aged light-skinned European woman with a white knit hat and green eyes and a colorful scarf.

Woman,

You are alive

A mother

A daughter

Womens,

We respect eachother

We support eachother

Our power is strong

When we are together

Woman,

A friend

That we never leave you at your hard time

Woman,

The creativity

The poetry

The art 

Woman we must celebrate and be respected everyday 

Eva Petropoulou Lianou 

Official candidate for the Nobel Peace Prize in 2024

International poet

Synchronized Chaos First March Issue: Oh, the Humanity!

Silhouettes of over a dozen people lining up to hold hands and stand straight on a beach peninsula at sunset or sunrise. Clouds and the glowing sun, reflection in water.
Image c/o Omar Sahel

Poet Pat Doyne invites writers to enter the Tor House poetry contest. Submissions must be sent via snail mail to the address in the link and postmarked by March 15th.

Poet Eva Petropoulou shares that Our Poetry Association, an international writers’ collective, has opened submissions for its spring contest, with a theme of justice.

Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Synchronized Chaos Magazine also encourages you to watch short videos of international authors, artists, and activists interviewed on the Xena World chat show, including several of our contributors.

Poet Annie Finch seeks assistance with training a new app that will identify and teach different forms of poetic scansion. She’s looking for people who know how to do scansion manually to go over the collection of poems in the training set.

Essayist and poet Chimezie Ihekuna seeks a publisher for his children’s story collection Family Time. Family Time! is a series that is aimed at educating, entertaining and inspiring children between the ages of two and seven years of age. It is intended to engage parents, teachers and children with stories that bring a healthy learning relationship among them.

Essayist Jeff Rasley’s new book is out: It’s a story inspired by my own experience of a sophisticated California kid transferring to my grade school in the small town of Goshen, Indiana in 1965. It did not go well, when the new kid challenged the “gang” of kids who thought they were the cool kids who ruled the playground. For most of us, it was a blip in our lives. But one boy never recovered. 

It is a short story, just 25 pages. So it only costs $2.99 for the ebook and $9.99 for the paperback. For some of you, it may evoke nostalgia for a time gone by (like using Juno instead of gmail). For others, it will be historical fiction from a strange time and place.
Check it out at https://www.amazon.com/Came-Parkside-School-Jack-Thriller-Mystery-Romance -ebook/dp/B0DY9TKL6V

Contributor Kelly Moyer has a new book out, Mother Pomegranate and Other Fairy Tales for Grown-Ups. It includes the piece “The Pussy Whip” which she sent to Synchronized Chaos, as well as many other stories. It’s available here.

Contributing poet and Pushcart nominee Kurt Nimmo’s new book Texas and New Mexico: Selected Poems 2015-2025 is out and available here.

Our April 1st issue will be crafted by co-editor Kahlil Crawford. He’s a poet, musician, and essayist who has put together previous issues on Latin Culture and Electronic Music.

Chevalier's Books. Front of the store with glass windows showcasing all sorts of books. Store's name is in gold script letters on a dark pink painted background.

In March we will have a presence at the Association of Writing Programs conference in L.A. which will include an offsite reading at Chevalier’s Books on Saturday, March 29th at 6 pm. All are welcome to attend!

So far the lineup for our reading includes Asha Dore, Douglas Cole, Scott Ferry, Linda Michel-Cassidy, Aimee Suzara, Reverie Fey, Ava Homa, Michelle Gonzalez, Terry Tierney, Anisa Rahim, Katrina Byrd, Cindy Rinne, Norma Smith, and Kelliane Parker.

Black on yellow announcement for STAY WP on March 28-30th, typewriter clip art picture on the right.

Author Justin Hamm is hosting a FREE online literary event the weekend of AWP, known as StayWP. This will include author talks, informative panels, book launches and networking!

To register, please click here: https://docs.google.com/…/1FAIpQLSe0jqgxfQn…/viewform…

Human of indeterminate gender with a rainbow of colors of paint bursting out of his/her head. Image in profile.
Image c/o Gerd Altmann

Now, for the first March issue, Oh, the Humanity!

Paul Tristram, like Whitman, sings of himself with easy confidence and exhilaration in life’s experiences. Philip Butera’s poetry speaks to the masks we wear and finding the courage to be authentic. Grzegorz Wroblewski digs deep into our fleshy reality, addressing the “meat” of our existence and our bodies’ undeniable needs. Tojiyeva Muxlisa also looks at our bodies, outlining common gynecological diseases and their treatments.

Dr. Prasanna Kumar Dalai’s poetry explores human emotion: romantic attraction, loneliness, grief, and confidence. Kendall Snipper speaks to the small and large sensations that bring back memories. Stephen Jarrell Williams looks back at the ‘paradise’ of his hometown in a moment of nostalgia. David Sapp recollects the wildness and local color of his boyhood days.

Kylian Cubilla Gomez’ photography captures a sense of whimsy and joy. A cat, Jean-Paul Moyer, partners with poet Kelly Moyer to create splashy, colorful paintings by moving paint around on canvas.

Life meets art in Alan Catlin’s work, as he recollects bits of his past and how he engaged with literary movements and cultural icons. Mark Young evokes moments of change, evolution, and decision in his poetry, as characters grapple with taking stock of themselves. Alaina Hammond’s drama explores the tension and commonalities behind practitioners of different art forms, and how and why they chose their crafts.

Umida Haydaraliyeva expresses the creative joy of an emerging author. Muhabbat Abdurahimova speaks to a poet’s quest for inspiration. Chris Foltopoulos’ guitar plucks out dulcet tones on his experimental music project Arpeggios. Chuck Taylor turns to writing as one of many ways to find solace during fits of insomnia.

Mahbub writes of a dream journey through gardens and his early childhood as Rus Khomutoff’s visual poetry takes us on a dreamlike quest through the beauty and mystery and riddle of our existence. Chuck Kramer’s work comes from a speaker of a certain age reflecting on their life and its meaning, finding purpose through experience teaching young children.

Ilhomova Mohichehra offers up her gratitude to her teacher. Bibikhanifa Jumanazarova poetizes about her mother’s wisdom and gentleness. Ibrahimova Halima Vahobjonovna celebrates the lifelong love and devotion of her mother as Sevinch Abirova contributes a piece of love and appreciation for a younger family member. Mirta Liliana Ramirez points out how she learned and got stronger from her past experiences, even from people who were not kind to her. Lilian Dipasupil Kunimasa speaks to the power of kindness and friendship, even online friendship across the distance, to affect our lives.

Yellow female-looking faces with bits of blue and red and orange blending into each other. Stylized art where faces overlap and share features.
Image c/o Gerd Altmann

Mesfakus Salahin recollects the joy of young love on a warm evening. Xavier Womack speaks of a crush and the desire for a deep connection with a classmate. Anna Keiko speaks to the joy, strength, and staying power of true love. Jeannette Tiburcio Marquez evokes the joy and sweet surrender of ballroom dance with a romantic partner.

Kristy Raines’ poetry explores both interpersonal romantic love and human compassion for the world. Peter Cherches’ short stories probe how much we owe each other as fellow inhabitants of the planet, how far we will go for each other. Graciela Noemi Villaverde expresses her hopes and dreams for international peace among humanity, and Eva Petropoulou does the same for the sake of the world’s children. She also pays tribute to her deceased father.

Dr. Adnan Ali Gujjar offers up a poetic tribute to the grace and mentorship of poet Eva Petropoulou Lianou and her advocacy for peace and global justice. Dr. Jernail Anand’s essay argues for the value of art and literature for a fully developed and moral society.

Nozima Gofurova shares about an inspiring visit to one of Uzbekistan’s national centers for the visual and performing arts. Poet and magazine editor Maja Milojkovic interviews one of Serbia’s greatest living poets, Dr. Maja Herman Sekulik, on her writing journey and the need for artists to teach ethics and culture to the next generation.

Saidqulova Nozima sings of her Uzbek homeland as Munisa Azimova celebrates her Uzbek heritage and homeland in tender verse. Still others focus on the nation’s many accomplished writers. Sevinch Shukurova illustrates how the genre of poetry allowed Uzbek writer Alexander Faynberg to concisely and directly express his message. Nilufar Anvarova sends up a poem on the creative legacy of Uzbek writer and statesman Erkin Vahidov. Odina Azamqulova highlights the contributions of writer and translator Ozod Sharafiddinov to Uzbekistan’s literary heritage.

Nosirova Surayyo offers up suggestions for becoming fluent speaking in a second language. Maftuna Bozorova encourages readers to learn about other cultures through learning foreign languages. Abduraximova Farida Khomiljon examines various methods for teaching English as a second language.

Noelia Cerna, in her new poetry collection Las Piedrecitas, as reviewed by Cristina Deptula, endures great loss, abuse, and racism. She finds the strength to stand firm in her own worth as a woman and a Central American immigrant in the United States, claiming her culture and her identity.

Poet and magazine editor Maja Milojkovic interviews poet and peace activist Eva Petropoulou Lianou about the power of our shared global poetic heritage to connect us.

Nafosat Nomozova draws connections among art, life, and the universal language of mathematics.

Bridge with rickety wooden planks near tufts of grass, heading towards sunlight but with gathering storm clouds.
Image c/o Omar Sahel

Lazzatoy Shukurillayeva translates a poem by historical Uzbek writer Alisher Navoi that considers the vagaries of fate. Duane Vorhees speaks with a gentle humor to both intimacy and mortality. J.K. Durick’s work comments on transience: money, moments in time, even our health will pass. Kurt Nimmo addresses forms of living death in his work alongside actual mortality: being stuck in a dead-end job, being addicted, having one’s life’s work erased.

Mykyta Ryzhykh crafts a somber, deathly world. Jacques Fleury’s protagonist drowns himself in a quest for oblivion after his mental illness drives his family away, missing some potential positive news after his passing. Alex S. Johnson’s short story character decides against suicide when he encounters “spirits” who wish they had had more time on Earth.

Paul Durand’s piece explores how Andy Warhol transcended his ordinary, vulnerable humanity through art and fame. Taylor Dibbert finds a kind of strange and transcendent solace in the fact that great authors have written about the kinds of travel mishaps he experiences.

Maftuna Rustamova reflects on life lessons from growing up poor. Joseph C. Ogbonna describes the small and large privations of life in poverty in Nigeria. J.J. Campbell speaks to his memories, life, struggles, and inevitable death. Denis Emorine’s excerpt from his upcoming novel Broken Identities addresses the long shadow of the Holocaust in the cultural and personal memories of academics and writers.

Variety of darker and lighter pigeons search for scant bits of food on hard and barren ground.
Image c/o Bachchuram Bhandari

Pat Doyne lambasts Donald Trump’s plan to take over and gentrify the Gaza Strip by displacing its impoverished residents. Bill Tope’s short story traces how casual prejudice and homophobia can lead to violence. Abeera Mirza’s poetry tells the tale of how a young wife escapes domestic violence. Bill Tope and Doug Hawley’s collaborative story also presents hope as a wife bravely confronts her husband about his behavior and he chooses accountability and sobriety.

DK Jammin’ turns to his faith for moments of grace and solace in ordinary life despite a complex and sometimes harsh world. Sara Hunt Florez recalls the constant passage of time and encourages us to make the most of what we have, even in small moments with those around us. Ma Yongbo speaks to shifting reality and impermanence, human limitations and death, and the immortality he finds through creativity.

Isabella Gomez de Diego’s photos reflect the simple joys of nature, family, home, children, and faith. Maja Milojkovic offers simple kindness to a ladybug, releasing the insect to fly and dream freely outside. Lidia Popa reaches deep inside her mind to find inner personal peace.

Sayani Mukherjee revels in the small pleasures of a spring tea party. Rasulova Rukhshona celebrates Central Asian spring Nowruz New Year with a poem about loving grandparents, flowers and birds.

Brian Barbeito’s prose piece evokes his youth and personal creative awakening. Mushtariy Tolanboyeva expresses the lament of an impatient tree who wanted to blossom, but bloomed too early before winter finished.

Two human hands, two different people, holding a pigeon on a sunny day with a few clouds in the sky.
Image c/o Omar Sahel

Daniel De Culla’s piece illuminates his love for all of the planet’s life and recognizes that each species’ existence is inter-related. Adaboyev Maqsad’s essay suggests pathways towards ecological sustainability, elucidating economic and legal means of addressing environmental issues.

Murodjon Asomidinov also discusses economics and global justice, calling for empowering the youth of the world through financial literacy education.

Z.I. Mahmud’s essay explores feminist Indian writer Amar Jiban’s writing about the struggles of older single and widowed women and the need for all women to have education as a pathway to independence and financial security. Nurmatova Aziza relates the tale of a young woman who bucks traditional gender expectations by traveling to the city for an advanced degree.

We hope that this issue will be a source of empowerment, commiseration, and merriment at the many facets of our shared humanity and our shared connection with the rest of Earth’s life.

*************