Poetry from Ahmed Miqdad

Middle aged balding Arab man with a checkered shirt sitting near some people in a structure near a rocky beach.

Where?!

I returned home back

But ………

Where’s my neighborhood?!

Where’s my friends?!

Where’s my home?!

Where’s my balcony?!

Where’s my Olivera?

Where’s my beautiful flowers?!

Where’s my cup of coffee?!

Where’s my books and papers?!

Where’s my memories? 

Where’s my things?!

Where am I  ?!

Ahmed Miqdad

Gaza

Federico Wardal interviews filmmaker Michael Poryes

Zoom screen interview of Federico Wardal (young middle aged Italian guy with short dark hair) talking with Michael Poryes, an older white guy with reading glasses, a mustache and beard, and a dark sweater. Hannah Montana poster is in the background.

The interview with Michael Poryes turns into a script

“No one ever leaves a star. That’s what makes one a star.” (Sunset Boulevard, Billy Wilder)

But the idiot who leaves a star, rest assured that a real star will never allow his return, I say.

Here is how my interview with the great Michael Poryes begins. 

But it is certainly not a traditional interview. It cannot even be called an interview. 

It could be defined as an interesting exchange of experiences, of work and life, where the theme of fame opens many treasure chests, often dramatic.

I therefore “transgressively” skip all the questions that I should have asked the immense screenwriter and filmmaker Michael Poryes and begin to talk about Billy Wilder, his daughter Victoria Wilder, who I met recently, my contact with Gloria Swanson and still on Billy Wilder, for me the number one director in the history of cinema. 

An embarrassing statement, however, since Federico Fellini was my mentor. 

Michael thinks of Billy Wilder’s films, he can’t remember the title of Wilder’s most theatrical film and asks me. 

I : “The most beautiful film on the history of cinema and absolutely the most beautiful film in the history of cinema?” – I answer him – “… is “Sunset Boulevard”. 

The film par excellence about fame, the theme of Poryes’ most famous work, the four time Emmy nominated  “Hannah Montana”. 

Poryes answers me by telling me that Hannah Montana deals with the theme of fame, which instead in “Sunset Boulevard” is fiercely the protagonist. 

Photo of blonde Miley Cyrus in a pink shirt singing into a microphone. She's got painted nails and bracelets and a blue background.

There is a common aspect between me and Poryes: we are both famous, with the problems of those who are famous and we both try to take fame away from our lives, invaded by fame. 

Michael tells me that, coincidentally, his son, yesterday, made him understand how his life can potentially be controlled by his fans, since his information is everywhere on the Internet.

Hannah Montana fans are many and each fan wants to penetrate the life of their star, Michael Poryes, the creator of Hannah Montana!

What do fans really want from their idols? A vast and delicate topic this.

One of the goals of the fans, often linked to unawareness, is to deprive the star of his golden mantle that he shows off on stage, to, in the end, reverse the roles. But how? Just like in: “Les Bonnes” by Jean Genet, where the star is physically killed, his power is killed, his magnetism and seduction is dethroned, to absurdly reinforce his incorporeal icon, which is the only thing that matters to a fan. Atrocious. And this is what happened to me now: someone has penetrated my orbit and attracted by my magnetism towards my core, the “metaphorically” mortal clash is now underway. Who will survive?

At this point Michael talks about Miley Stewart , a teenager who wants to become a pop star. As her success grows, her friends start to look at her differently. And when she, because of her success, moves to Malibu, Miley wants to change everything: she divides her personality between being a star and herself and so creates Hannah Montana. Miley wants to be treated as herself. I reply that this is why I can’t live my life and Michael tells me that you never know if someone is treating you genuinely or treating you to get something from you or they are around you to show off to their friends that they are your friends and never treat you honestly. 

Michael tells me that he has had friends since he wasn’t famous and they have never changed with him. And he asks me if it is the same for me. I reply yes, but mine is an unconvincing “yes”, since the energy of the few friends I have is captured by all the others who treat me for my fame. 

Michael says that his career has had notable ups and downs, as he assumes mine has also been. Yes, my career has also had moments of glory and moments of oblivion, like the character of Norma Desmond. 

And Michael adds that it is very difficult to navigate between people who are your friends, but who are also friends of your fame and people who are just your friends. 

All this gets complicated when you are a teenager. You have to understand if your parents use you for the money you produce. I quote Amy Winehouse where the family does not seem interested in Amy, as a human being, but to be interested in her, as long as Amy produces money, so Amy, feeling useful, abuses drugs, to keep up with her shows, and then dies for this and for a love lived in this context. Atrocious. They talk about Lady Gaga and her mother, Sophia Loren and her mother, Cher and her mother. The theme again moves away from Hannah Montana, but the background on fame broadens.

I feel it is right to make known my dramatic relationship with my father, in relation to my fame, obtained, as with Miley Stewart/ Hannah Montana, as a teenager.

My father, a powerful lawyer, destroyed my friendship with Federico Fellini, forbade RAI TV, the Italian state television, from working with them, completely tore me away from my world of entertainment which for me was life, and I, in short, found myself alone, collapsed on the floor of my house in the grip of a powerful depression that isolated me from everything, everyone and even from myself, a depression fueled by my father for years, while Fellini called me for his films and my father tore those vital calls, as oxygen, from my life, because they would have given me back my fame, now in agony like me!

Michael is struck by this dramatic story of mine: because of my fame, my father literally rejected me as a son and punished me for no longer being his son Federico, for having become Wardal! Atrocious.

Only after my father’s death, little by little, without strength and disappointed by everything, I was collected out of pity by a great playwright who imposed me once again on the great stage and when I heard the loud applause of the audience, forgotten due to my long absence, I said to myself, with tears in my eyes, while the curtain fell: “Wardal, listen! You can no longer leave your audience, since it is the only one that loves you and will always love you! Courage, Wardal, you are not guilty of being Wardal! You see, they call you back for the applause! And then, Wardal return to the stage and be Wardal forever! ” .

I was sorry, really, to have vented with the great Michael Poryes, but it was inevitable: the themes of his Miley Stewart/Hannah Montana are so close to mine! Since long ago, now, forever. 

Michael comments on how slippery our world of entertainment is, repeating that the anchor for him are true friends that Michael has because he is whole, intact: Michael has never been contaminated by his fame. 

That’s why Michael has the same friends as always who have never changed with him, because Michael has never changed. Michael believes in friendship, where fame has no access. Another problem in our entertainment industry is people who want fame without wanting to study, without any preparation that deprives the possibility of believing in something and there is the absence of authenticity since, with my personal experience, I have often seen scripts presented as originals that were instead totally copied from famous scripts, never well read, that were authentic flops. 

Another aspect of our entertainment world is that it always requires us to be reborn when we do not feel the need, to renew ourselves when we do not feel the need, to change when we do not feel the need and it takes a continuous “Metamorphosis” to sell, a “product” forced to be born?! A show that I am writing is called “Metamorphosis” and I will share it with Michael, since I know that he is an authentic artist, an authentic person. 

Movie poster for The Amazing True Story: Kamilah. Light skinned man with a white collared shirt and jeans and a wide brimmed hat holds the reins for a pretty brown horse. Grass, flowers, and bushes in the background.

A great and current initiative of Poryes is to have rewritten the story of Al Kamilah, immortalized in the non-fiction film: “Al Kamilah the miracle filly” by Angela Alioto directed by Christopher A. Salvador , into a children’s picture book . The story that has fascinated and still fascinates social media is that of a filly for which no one wanted to try anything to save her life and Angela Alioto, on the contrary, trying everything and believing in the miracle, after months and months of dedication and love, saved her life. The book will be released soon illustrated. Poryes believes in believing and, in my opinion, believing only takes place in genuine, honest, authentic beings and that belief can produce miracles. 

Michael Poryes, recently becomes very popular also in Italy by Sky TV for his TV series called: “Home, Sweet Rome”, which broadcast by Max an enhanced streaming platform from Warner Bros has obtained in 2024 a huge success also in the USA. “Home, Sweet Rome” is a comedy that has totally interested the Hannah Montana audience, since like Hannah Montana it focuses on the teenager Lucy, played by Kensington Tallman, who changes her life and moves from California to Rome with her father and in with her stepmother, Francesca, who is an Italian pop star! The theme of fame reappears again, but it is less evident and everyone identifies with Lucy, immersed in a new life, in a new culture. Wonderful scenarios of the city of Rome open up with the irresistible glamour of Italian fashion and Roman life that my mentor Fellini immortalized with his most famous film “La dolce vita” and where the air of Fellini remains at the Trevi Fountain, in Via Margutta, at the “Canova” and “Rosati” bars in Piazza del Popolo where I used to go with Fellini and now it seems like I’m having a coffee with Lucy.

Movie poster for Home Sweet Rome! Text is yellow, red, and green in funky scrapbook letters and a teen girl with dark braids and a big smile holds her hands up in the air. She's got on a multicolored patterned sweater and white tee shirt. Rome's skyline is behind her on a sunny day.

Poetry from Joseph Ogbonna

The Texan Adventurer

I am an intrepid adventurer

I have journeyed through the Texan desert.

I am the perilous desert’s venturer.

I travel from desert to semi desert.

I hunt for the feral hog and the beaver.

I explore the hot plains like an achiever.

I have been warned by the lethal rattle snake

to protect my heels that are always at stake.

I must protect myself from a thousand stings

in haunted dark caves where the buzzing bee sings.

I must be safe in the Chihuahua desert

as I tread audaciously like an expert.

Give Me Texas

Give me Texas!

The Texan dream!

The Texan nostalgia!

The Lonestar custodian

of the historic wild west.

The zestry and pleasant

Tex Mex!

The attractive and entertaining

rodeo.

The ear to ear smile of the

unwavering southern hospitality.

The efficiently distributed plains

and landscape.

The bucolic tunes from strings and mellifluous western voices.

Hot and catchy barbeques.

The exciting fairs and typical western culture.

Give me this Dreamland, the nearest take off point to the moon.

Give me the Texas that I crave for!

The land of versatile dreams for the fantasizer.

Give me this vintage and modern land or nothing else.

Poetry from Bill Tope

Ever Again

I heard the “thuck” as the Proud Boy

smacked my head with a baseball bat

–his staff of righteousness–as if he

were playing cleanup for the St. Louis

Cardinals.

I felt a brief flash of pain, followed by

a metallic taste on my tongue and an

acrid odor in my nostrils.  Was I dying?

I wondered.

“Goddamn faggot,” he cursed me and

then my mother, for giving birth to such

a puke.  I’m certain that He delivered

numerous subsequent blows but I felt

nothing–ever again.

Mom, You’re Prettier than Lucy

Lucille Ball was our household icon. She

was pretty and funny and clever; she was

everywhere: on TV, in the movies, the

newspapers and so on.  We couldn’t get

enough of her.

As a redhead myself I naturally gravitated

toward Lucy. In fact, I thought wistfully that

a marriage between Lucy and popular

comedian Red Skelton, another redhead,

would produce the ideal parents.  I was

eight years old.

So one night, when we were in the basement,

watching television, Mom tossed me the

latest TV Guide, which featured on its

cover a photo of Lucille Ball. “She’s pretty,

isn’t she?” she asked me. i surveyed the

photo critically, then issued my opinion.

“Mom, you’re prettier than Lucy,” I said quite

honestly. She looked up from her crocheting,

startled.  “Me?” she squeaked, unbelievingly.

“Sure,” I reiterated determinedly, “you’re lots

prettier than Lucy.” I glanced at her,

wondering why she was so surprised. “Do you

really mean that?” she asked softly. I told her

I did.  I’d no idea I had rendered such a

profound compliment.

I guess it was a combination of things that made

me feel that way: a son’s love, a positive, nurturing

role model, and she was, in fact, quite pretty. Mom

said nothing more, but looked back down at her

needlework, a little smile playing on her lips.

Quicksilver

I knew that this world wasn’t for keeps.

In youth, I clutched

to my breast many precious things–fresh

turned soil; newborn

kittens, the soft hand of my dear wife.

In middle age I

beheld objects I treasured–a vivid yellow

field of corn, in

full flower; drops of dew clinging to

gossamer wisps

of silk, strung through a copse and glittering

in the morning

sunlight. my daughter dressed for Prom.

With age I know

things I will always keep close–the strength of

righteous liberty;

love of country and of God; and the knowledge

that life is but

ephemeral, and will soon pass like quicksilver

through my fingers.

Poetry from J.J. Campbell

Middle aged white man with a beard standing in a bedroom with posters on the walls
J.J. Campbell

most of my adult life

just love sitting around

listening to people bitch

about how much sleep

they are not getting

it makes me laugh

for most of my adult

life i haven’t got more

than four hours a night

people are usually

shocked and warn me

about how unhealthy

that totally is

usually, i’ll shoot

them a look and then

they will understand

i have no interest

in living a long life

just want to get the

shit done i can while

i’m living

i won’t give two shits

about any of this after

i die

—————————————————————————–

where nothing good ever happens

and here come

the ghosts of all

the nightmares

to come

a leonard cohen

paradise overtaken

by david lynch

she laughs as i

nervously pace

the floor

i ask her

what’s

so funny

she says your zipper

is down dumbass

i look and realize

the zipper is now

broken but it has

become a black hole

where nothing good

ever happens

yet another one

of those sad truths

i pour myself a drink

and start the process

of ending this once

and for all

————————————————————————–

starts to taste like sorrow

anytime my birthday rolls

around i start thinking

about death

i know i don’t have that

many more to live through

the parties don’t happen

anymore

the alcohol starts to taste

like sorrow

i can’t help but think

of the number of people

that don’t remember

but it would be a crime

if i would forget theirs

this is where i should

have embraced being

a sociopath earlier in

life and just burn all

the fucking bridges

to the ground

instead

its a restless night alone

patiently waiting for death

or a partner to do it for me

imagine those poems

—————————————————————————————

she said i love you two days ago

thanks for wasting my time

that was the line some russian

bot typed to me after i refused

to give her money to take care

of her sick grandmother

it made me wonder, i’m sure

these bots have a certain quota

they have to meet each day

and given the number of times

i say no to going out to get a

gift card or send money

they must get pretty frustrated

given all the nude pictures

they send

i want to think of it like

a sweatshop

but the workers are killed

when they don’t meet that

quota

now there’s a thought that

will have me sleeping

comfortable at night

———————————————————————–

some majestic soul

turn on the

old tunes

a cool woman

by your side

old enough now

to understand

the games of

love

and all the

silliness that

wastes everyone’s

time

fall asleep in the

arms of an angel

some majestic soul

that has decided

you’re the lucky

one

finally, a damn lottery

i didn’t have to buy

a ticket for

J.J. Campbell (1976 – ?) is trapped in suburbia, plotting his escape. He’s been widely published over the years, most recently at Lothlorien Poetry Journal, The Beatnik Cowboy, The Dope Fiend Daily, Disturb the Universe Magazine and Horror Sleaze Trash. Rumor has it, he may have a new book of poems coming out sometime in 2025. You can find him daily on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Announcement: All Poets Invited to Submit Work to the Ina Coolbrith Circle’s Annual Spring Poetry Contest

Ina Coolbrith Circle

sponsors the 98th ANNUAL SPRING CONTEST
(formerly Poets’ Dinner)
Open to All Poets Entry Fee: $20

Awards Announcements During Program ON ZOOM
Saturday, June 7, 2025, 1 pm to 4 pm
Must Attend on Zoom to be Eligible for Awards
THEME: INFINITY GUEST SPEAKER: to be determined

CATEGORIES:

BEGINNINGS & ENDINGS, HUMOR, LOVE, NATURE, PEOPLE, POET’S CHOICE, SPACES & PLACES,

THEME (INFINITY)

Poems must be original, in English, not have appeared online or in any journal or newspaper professionally published and
not be previous cash prizewinners (Honorable Mentions OK). Winning poems may be included in a future anthology. 42-line
maximum (not including spaces), any form or style. Up to four entries (4) per person; one (1) per category 

  1. DEADLINE: April 1, 2025 (POSTMARKED BEFORE MIDNIGHT; NO CERTIFIED OR REGISTERED MAIL)
  2. Type entry on ONE side only of 8 1⁄2 x 11 white paper.
  3. Type category in upper right-hand corner of each page.
  4. DO NOT put your name or any identification ANYWHERE on any entered poem. 
  5. Send three (3) clear copies of EACH entry (with no illustrations).
  6. Include a separate page with the following information (typed or legible): Name, Address, Tel no., Email, Title and
    Category of each poem.
  7. Entry fee of $20 (check) made out to INA COOLBRITH CIRCLE.
  8. AUTHOR MUST ATTEND ON ZOOM TO BE ELIGIBLE FOR AN AWARD.
    ENTRIES accompanied by ENTRY FEE should be mailed to: Contest Chair Aline Soules, 48 Danville Oak Pl, Danville,
    CA 94526. Questions? Please contact Aline Soules at soulesa@yahoo.com
    PRIZES: One POETS’ DINNER GRAND PRIZE: $100 — To be chosen from among the first three prize winners in each category. For
    each CATEGORY: Three Prizes — $50, $30, $20, plus three Honorable Mentions.
    Last Year’s Grand Prize Poem, Hermit Thrush, will be read by the author, Deborah Bachels Schmidt

AWARDS PROCEDURE: Winning entries will be announced ONLY on Saturday, June 7 and checked against the master list. If there
is NO CLAIM, the prize will go to the next ranked submission. Judges’ decisions are final.


NOTE: The Ina Coolbrith Circle invites all those interested in poetry to its September 20th meeting on Zoom where winners are
invited to read their winning poems.

DONATIONS: Contributions to sustain awards may be sent to Awards Co-Chair Natica Angilly,
1515 Poplar Ave., Richmond, CA 94805-1662. (Donor calls only, please, no books): (510) 235-0361.
Find us at: https://sites.google.com/site/poetsdinner
https://www.facebook.com/PoetsDinnerContest http://coolpoetry.org/

Poetry from Muxarram Murodulayeva

Earn your parents’ trust.

You have lived so many years of health,
You have done so well.
Now gather your mental quickly,
Earn your parents’ trust.

Discussed a lot of with heart.
You have done your greed helpless
Now gather your share-out.
Earn your parent’s trust.

You are done linguist by destine
You have decided Orientist.
Now You struggle quickly
Earn your parent’s trust.

Allah gives chance repeatedly.
Mean knowledge is available for you
Now You will have done again.
Earn your parent’s trust.

Go-between used to come and left.
You have cried, said ”l will read”
Now you don’t lose your way.
Earn your parent’s trust.

They told: “No married, another girl”
Girls are too much on trees.
You said: l have got a lot responsibility.
Earn your parent’s trust.

Believe. None of parents don’t
connect their hope from girl.
Go to Makkah together them.
Earn your parent’s trust.

Ask only from again Allah
He is Al-Majiyd from unique lord
İf you write poem, write only from life
Earn your parent’s trust.

Murodullayeva Muharramxon Rustam qizi