Short story from Abdisattorova Hurshida

Young Central Asian woman with long black hair, a white top and green coat.

The Wisdom of a Prayer

When summer came, Aunt Anora would come to our house every evening with her granddaughter Humora to watch TV. Because there was no electricity in her hut. She would wake up at dawn in her house among the reeds and go around her yard – after all, she would take care not to let the animals eat the reeds. She would sell the reeds and help her family. Although she did not have much money, Aunt Anora could not stop working.

By the way, they had about a hundred sheep, more than seventy goats, more than thirty cows and dozens of horses – but still, Aunt Anora’s enthusiasm for work amazed everyone. The melon crops in their yard were overflowing – not only people, but even birds seemed to be waiting in line. After all, he didn’t trust anyone — “My own work, my own livelihood,” he always said.

When the sun was slowly setting below the horizon, Aunt Anora would come to our house, first opening her hands in prayer:

— Oh my God, You are kind. Don’t make me need anyone else but You. Take my life where I walk. Protect me from being a burden to someone while lying in bed. Amen… Allahu Akbar…

This prayer of his always seemed strange to me. After all, he has everything, right? If he doesn’t lack anything. Why does he ask for so much money? Unable to hide my surprise, one day I asked him sarcastically:

— Aunt, why are you so worried? In any case, we don’t have any…

He smiled, handed me the tea, and frowned:

— You’ll understand when the time comes…

At that moment, my daughter-in-law, Oisara, who was making a batch in front of the tandoor, said, “Zuhra, bring the bowls, we’ll make the soup.”

Years passed. Aunt Anora’s prayers rang in my ears. I went to study in Tashkent. However, soon after, a constant sore throat began to bother me. Sometimes I felt embarrassed in front of my friends. A year passed in such agony.

The second year of study began. But the pain in my body made me think more than the lessons. During this time, my heart would pound, I would feel weak, and my complexion would turn pale. I dropped out of school and returned home. The doctors examined me, and finally they gave me the diagnosis: pulmonary tuberculosis.

 My head was spinning, my heart was pounding. Sometimes I could barely breathe. The doctors were surprised.

— This is the first time in my career that I have ever encountered such a situation, — said Sister Zaynab, her eyes sad.

My condition worsened day by day. At that time, Aunt Anora’s prayers kept ringing in my ears: “Take my life while I am walking…”. Could it be that I, too, would be bedridden and unable to drink a single mouthful of water without anyone’s help?

My heart shuddered. My limbs trembled, and my eyes filled with tears. Now I understood — no one wants to be in need, even the closest ones. Loneliness is the most painful cry in silence. For a person lying in bed, no one hears this cry. No comfort, no consolation can be a balm for your pain. Fighting illness alone is the most difficult test for a person.

One such day, I went to the window. Outside, the autumn breath was deep and the birds were chirping. But I couldn’t feel this beauty inside me. The sadness that was pressing hard on my heart was like darkness. My eyes were fixed far from the window – on the light clouds at the foot of the sky. For a moment, Aunt Anora came into my mind – she always emphasized that “One should not forget to be grateful.”

Suddenly, something trembled inside me. It was hope. Although the pain had taken over my body, my spirit had not yet been defeated. At that moment, my mother entered the room. Her gaze was as kind as if it were swallowing me, and in her hand was a bowl of hot soup. I looked at her – in this look there were a thousand words, in a thousand words there was only one plea: “I still want to live.”

 She put the soup on the table and stroked my hair:

— You are strong, my daughter… You will pass this test too. As Aunt Anora said, one should not be absorbed in silence, there is life in it too.

Her words began to illuminate the darkness inside me a little. Perhaps this pain did not come to break me, but to teach me a lesson. Perhaps I am now understanding the truth that Aunt Anora said: a person should be grateful for every breath, every step, every mouthful of water.

A light whisper was heard in the silence. I did not know if it was the wind outside or the patience in my heart. But there was one truth that I knew:

Life is the realization of the blessing of opening your eyes every morning when you wake up. Every heartbeat is the belief in living.

The greatest truth that I realized during these difficult days was the wisdom hidden in Aunt Anora’s prayer.

 She pleaded:

“Take my life where I am, don’t make me need anyone…”

At first, these words seemed to me just a fear of old age. But now I understand that this prayer was a request for humility before life, for the preservation of human dignity. Because lying in bed and needing someone’s help with every breath is a test not of the body, but of the soul.

I gradually began to recover. Every morning, when I wake up, I repeat Aunt Anora’s prayer:

“Oh my God, You are kind, don’t make your servant need anyone other than You…”

Now I have learned to walk with gratitude at every step, to feel life with every breath. Pain breaks the body, but patience makes a person an idol.

And I understood: sometimes one prayer changes a whole life.

Abdisattorova Hurshida was born on November 9, 1997, in the village of Olmazor, Chirakchi district, Kashkadarya region. She is currently a third-year student of Sports Journalism at the University of Journalism and Mass Communications.

Her articles have been published in the newspapers Hurriyat and Vaziyat, as well as on the websites Olamsport and Ishonch. She is also a participant of the international scientific-practical conference titled “Future Scientist – 2025.”

Poetry from Jakhongir Nomozov

Central Asian middle-aged man seated at a desk in front of a window. He's wearing a blue sweater and holding a coffee cup.

LATE LOVE

I loved you—

to forgive,

yet found myself in a place

where forgiveness could not reach.

My hands were not for you,

they opened only in prayer

to stay in love.

I said, when I arrived,

“You will mend my wounds,”

but instead you opened my heart

and turned it into a vast

bleeding sore.

I waited for your balm,

yet you—named my illness:

“Separation,”

and with that name

you hurt me even more…

I saw my dreams in your eyes,

yet to forget them,

I looked at your lips.

First, you conquered my heart,

in the end, I became

a prisoner of your love.

I wept for you—

in every tear, a fragment of affection,

in every sigh, a great truth.

And now—

when I leave, saying,

“I’ll tend my own wounds,”

the hardest blow

is your

“too-late love.”

….

JUDGED MYSELF

I judged myself—

No witnesses,

no lawyer,

no accuser to show the indictment.

Only a mirror…

broken, silent.

I answered

to my innocent guilt—

my answers stretched endlessly.

I did not cry—yet within me

something cracked, shattering.

Words failed on my tongue,

tears ran down my face.

Before me stood I—

yet like a stranger…

Nowhere could I be truly myself.

Only in my own being,

I became everyone.

The questioning marks in my eyes

were wiped away by tears.

In my hand—a notebook,

even the words themselves

refused to write.

I did not write—

Words themselves refused to be penned.

This is no poetic gathering—

it is a trial.

Silence runs in my blood.

Beneath my nails, gathered envy—

gentle as silence,

sharp as pain.

I forgave myself.

I judged myself…

Jakhongir Nomozov is a young poet and journalist from Uzbekistan. He is also a Member of the Union of Journalists of Azerbaijan and the World Young Turkic Writers Union.

Poetry from Debabrata Maji

Middle aged South Asian man with short brown hair, reading glasses, and a yellow scarf and pink collared shirt.

Melody of my soul 

The heart has a song that flight,

A melody is woven in the light.

The echoes are clear and true,

Always a love forever new. 

The morning has a gentle rise,

Dreams reflected in our eyes.

It dances as a vibrant sway,

May rhythm a soul everyday. 

Have a cosmic endless art,

The timeless music is heart. 

Its colors are bright and bold,

The story has at the moment told.

Melody is tender and profound,

The truest spirit can be found.

Dr. Debabrata Maji’s journey is one woven with the artistry of words, the precision of engineering, and the resounding echoes of literary passion. Born on September 6, 1961, in the serene Deulpur Village of Howrah District, West Bengal, India, his life’s path meandered through the structured world of engineering before blossoming into an awe-inspiring legacy in the poetic realm. Despite pursuing a career in engineering, the written word never loosened its grip on his soul.

It was as if poetry was inscribed into his very being, waiting patiently for the right moment to erupt into brilliance. And erupt, it did. What followed was an unstoppable rise through the ranks of the World Poetic Fraternity, marking Dr. Maji as a luminary in contemporary literature.  His literary prowess, distinguished by a profound sensitivity and refined craftsmanship, has been recognized far and wide. The world acknowledged his contributions by bestowing upon him fourteen Honorary Doctorates, a testament to the depth and impact of his work. Recognition followed in waves, with eleven prestigious Annual Literary Awards adorning his illustrious career – one of the most remarkable being the Silver Saraswati Statue, a symbol of divine wisdom and artistic excellence.

The weight of his influence is evident in the vast array of publications that carry his name. His unique poetic creations have graced numerous magazines, newspapers, and contemporary anthologies, reaching readers across India and beyond. His artistry, rooted in heartfelt emotions and intricate expressions, carved a distinct space within global literary landscapes. Dr. Maji’s written legacy is solidified through eight remarkable poetry collections, each bearing the coveted ISBN. His books – Kavita Bichitra, Kavita Darpan, Probad Angina, Premer Boikunth, Sonnet Bhaskar, Harano Bamsari, Smarane Manane and Dreamscape are more than literary works; they are extensions of his soul. They have found their way into the hands of eager readers, offering solace, beauty, and wisdom through poetic verses that transcend time.

The accolades are endless, honouring his artistic contributions with the most distinguished awards: Bharat Gaurav Ishan Award, International Solidarity Award, Kabi Ratna Award, Sarat Sahitya Ratna Award, Bengal Shiksha Gaurav, International Kabi Ratna Award, and many more, including the Royal of Art and Literature Award, Bishwa Bongo Sahitya Award, Golden Pen Award, Golden Star Award, William Shakespeare Award, Poet of Nature Award, and the revered Gold Poetry Prize Winner. These titles bear witness to his unwavering commitment to poetry and the sheer brilliance of his literary craft. His story is not merely about accolades or achievements – it is about a man who dared to transform life’s melodies into poetry, leaving behind an enduring legacy that will inspire generations to come.

Synchronized Chaos September 2025: The Stream of Life, Love, and Death

When I think of ages past That have floated down the stream Of life and love and death, I feel how free it makes us To pass away.

Rabindranath Tagore

Welcome, readers, to September’s first issue: The Stream of Life, Love, and Death.

Middle aged South Asian man on a modest raft carrying boxes full of bottles pushing himself down the river with a pole. White birds in the background.
Image c/o Shivam Tyagi

Sayani Mukherjee speaks to the weight of the world’s grief, of millions of lost loves over historical time.

Ahmed Miqdad quests for love and peace in Gaza, all in vain. Yucheng Tao bears witness to genocide in Cambodia through his evocative poem where memory and grief echo off the rocks and pages of history. In his piece, self-declared pure idealism leads only to death.

Eva Petropoulou Lianou addresses the issue of domestic violence. Christopher Bernard reflects on humanity’s continual state of conflict among different groups as Patricia Doyne excoriates tolerance for school shootings and immigration enforcement violence in the United States.

Alex Johnson speaks to the need for radical creativity as resistance to the forces of death and authoritarianism. Mary Bone captures moments of human and animal growth and creation. Jacques Fleury discusses the need for humans to coexist equitably with each other and with the wide diversity of natural creatures who share our planet.

Children in pink and yellow and green inner tubes floating down a river. Rocks and trees on the banks.
Image c/o Paul Brennan

Luis Cuauhtemoc Berriozabal speaks to energy, creativity, and the need to support young people. Xudoyqulova Shahzoda highlights Uzbekistan’s efforts to empower the young, the disabled, and women. Rayhona Sobirjonova expresses her gratitude for a caring teacher. John Sheirer’s short story depicts a boy learning a mixture of love and toughness from both a father and stepfather. Bill Tope presents the story of a mother determined to overcome obstacles and keep her family together. Muhammadjonova Muzayyana praises the love and care of her devoted mother. Judge Santiago Burdon’s video presents an ironically humorous tale of a man’s adult son coming out of the closet.

Otaboyeva Zuhra shares how education can transform a young woman’s life. Madina Furkatova highlights efforts to educate and empower young women in Uzbekistan. Muhammed Suhail reflects on the indispensable contributions of women to shaping the early days and teachings of Islam. Bhekisisa Mncube reviews Nthikeng Molele’s novel Breasts, etc, a feminist story of a group of women and a man who photographs them nude. Anna Keiko shares her determination to live out her calling as a poetess, in honor of the many female trailblazers throughout history.

Rahimova Dilfuza Abdinabiyevna shares ways to heighten students’ communication competence. Boboqulova Durdona outlines ways to engage students in active learning. Sevinch Mukhammadiyeva talks up a student leadership conference she attended, “Office of the Future.” Panoyeva Jasmina O’tkirovna highlights advantages of blended classrooms and self-study combined with instruction. Nafosat Jovliyeva discusses roles for technology in language learning. Dilshoda Jurayeva urges students to learn and adopt self-discipline as a study tool. Janna Hossam discusses the problem of burnout in gifted children.

Young man on a blue kayak with a paddle navigating through rocks and white water.
Image c/o Vera Kratochvil

Abigail George speaks to finding and claiming beauty and selfhood in the face of mental illness. Tursunbayeva Shohida Baxtiyor traces the history of diagnostic methods in psychiatry. Ana Petrovic speaks to the confluence of forces and emotions rising up in the human psyche. Brian Barbeito journeys through real and surreal worlds to tend and befriend the different and the marginalized. Hua Ai speaks to the wildness still inherent in our feelings and encounters with urban nature. Joan McNerney draws on elegant nature metaphors to describe love and the transitory states of life. Mark Young speaks to growth and transformation in our bodies and the natural world. Anakha S.J. compares maintaining feelings of love to tending a flower. Mahbub Alam presents a joyful couple forgetting themselves among the beauty of nature and their blossoming romance. Jerome Berglund and Christina Chin’s tan-renga present an adorable take on modern relationships. Mesfakus Salahin’s extensive nature metaphors speak to the psychology of a lover.

Brian Barbeito reflects on a random capricious day with various encounters, positive and negative, with people and nature. Chimezie Ihekuna expresses cynicism about the hypocrisy inherent in many relationships, Raisa Anan Mustakin laments people’s growing isolation and separation from each other, and Alan Catlin processes work anxiety through dreams while out in pastoral greenery. Nageh Ahmed evokes feelings of both love and loneliness under the moonlight as Wazed Abdullah finds inner peace in lunar light. Mykyta Ryzhykh evokes efforts of love in the face of the loss of innocence. Duane Vorhees speaks to the vulnerability and unpredictability inherent in love.

Vohidova Ruxshona discusses the internal composition of Saturn and the wonder of the far-off universe. Don Bormon expresses his fascination with a constantly changing cloudy sky. Abdurrahim Is’haq’s artwork of a door shrouded in shadow and sunlight evokes mystery and wonder.

Abdulboqiyev Muhammadali turns to medicine as a subject, sharing some of the warning signs of a stroke. Eshmurodova Sevinch discusses how modern financial technology can improve the functioning of global economic systems.

Mathematics is also part of our physical universe, and Mamadaliyeva Durdona shares methods for solving systems of linear equations. Mardonova Marjona finds the beauty in each season, in change, as David Sapp revels in “relentless” natural elegance. Nikhita Nithin sways with the wind during a neighborhood festival. Nilufar Mo’ydinova offers suggestions on how to live sustainably with nature, suggesting improved environmental practices for the publishing industry.

Calm water with sunset/sunrise and silhouettes of a wooden pier, trees, and two people watching.
Photo c/o Paul Brennan

Sushant Thapa writes of finding happiness wherever he can in life as Stephen Jarrell Williams enjoys a tender moment with his wife and Mahbub Alam loses himself in the joy of nature and love. Maja Milojkovic speaks to a transcendent love, present even when the couple is apart, echoed in endless mirrorings on water’s surface. Summer Kim takes joy in transitory childhood moments and memories. Su Yun’s Chinese bilingual elementary students write joyfully about nature and play. Sharifova Saidaxon reminisces about her happy childhood as Xo’jamiyorova Gulmira remembers her elementary school days and classmates.

Dilnoza Bekmurodova reflects on how she will always hear the unmistakable call of her home. O’g’iloy Bunyodbekovna Muhammadjonova sings the praises of her radiant Uzbek homeland. Maftuna Rustamova finds comfort and peace in her heritage as Ozodbek Narzullayev joins in the reflections on Uzbekistan. Nomozaliyeva Hilolaxon analyzes how the film “Suv Yoqalab” reflects Uzbek cultural values. Maxmudjonova Begoyim considers the weight and grace of her Turkish heritage as Dr. Priyanka Neogi shares a poetically beautiful tale of the Indian flag. Eva Petropoulou interviews Greek sculptor and painter Konstantinos Fais, who is examining the myth of Hercules to revive classical civic virtue for modern Greeks.

Uzbekistan’s writers go beyond heritage to relate how the nation is currently a source of pride, as Jumaniyozova Nazokat discusses the potential for wellness tourism in Uzbekistan. Madinabonu Mamatxonova describes rapid Uzbek economic growth driven by entrepreneurship. Xurshida Abdisattorova highlights the accomplishments of an Uzbek mixed martial arts coach. Meanwhile, Shahnoza Ochildiyeva outlines what Central Asian countries, and the rest of the world, can learn from Finland.

Stylized old fashioned postcard photo of a steam train crossing a bridge over a river between two rocky mountains.
Image c/o Rudiger Schafer

J.J. Campbell explores different sides of memories: nostalgia, loss and mourning, and the quest to separate oneself from toxic or false aspects of the past. Brooks Lindberg laments the death of glaciers through a poem that grants nature a measure of agency even in melting. Jake Cosmos Aller reflects on historical revision at the Smithsonian Museum.

Grzegorz Wroblewski’s fresh installment of asemic poems evoke the aesthetic of language as a part of human culture. Ken Gosse’s ars poetica defends the power of rhyme and meter in a world of free verse. Graciela Noemi Villaverde celebrates the mysterious and poetic works of Jorge Luis Borges. Dr. Jernail S. Anand argues for the primacy of literature as a study and discipline to help us return to our humanity as Mirta Liliana Ramirez does something similar, depicting dance as an act of love to add beauty to life.

Michael Robinson shares, in his final piece after ten years of writing for Synchronized Chaos Magazine, the family and sanctuary he has found through his faith.

Concrete pathway to a lighthouse with a red door and the ocean and rocks in the distance.
Image c/o Guy Percival

Susie Gharib draws on historical mythology to explore our place in the world and our vulnerabilities as humans. Patrick Sweeney’s tiny vignettes capture distinct moments in human life: wonder, confusion, humor, or just us pondering being alive. Taylor Dibbert relates the paradox of what happens when we care too much – or too little – about money. Santiago Burdon explores human nature in his tale of a chance encounter on an airplane.

Finally, Sarvinoz Orifova reflects on the nature of hope and the power of holding on to it during challenging times.

Poetry from Joan McNerney

Joan McNerney

Butterfly

Wrapped in ashen clouds

pale shrouds of sadness.

Retracing each dimension of

my heart yet finding no refuge.

My head bent recounting

all the days of my life.

Lost in this blur, this landscape.

Where am I? Where can I go?

Wanting only one fine thought to

fill this empty haze of hours.

One fine contour, touch, color,

one fine tone to breach the silence.

Who stole my sparkling sky

leaving only memories?

What remains is only minute after

minute of more and more loss.

Always searching to find harbor in

oceans where waves rise to heaven.

Within deep quiet, small awakenings begin.

Fragile butterfly…radiant blue winging up up.

Live Oak Boughs

Boughs build archways as tips
of trees touch each other. What
was shaded green becomes
nocturnal shadow. A crescent moon
hangs from heaven. Light tracing
foliage falls dropping
dusty deep upon ground.

Secrets lie inside edged shadows.
Animals hide under darkness
resounding through night
as leaves rustle. All changing
except this pattern of what
is now formed.

When The Moon Is New

Groping through darkness

knocking everything down.

Down into enormous night

where thoughts unravel.

Memories moan past us as

shadows quiver across walls.

We lie pinned to bed sheets

like captive butterflies.

Dry butterflies, our throats

are brittle, eyes turning

from light. Sore arms reach

for anything soft to hold.

Remembering seasons gone by.

So many lost promises.

This huge moment surrounding us.

Wide awake we wait for the new day.

Nightscape

Fog horns sound though

air soaked in blackness.

All evening long listening

to hiss of trucks, cars.

Shadows brush across walls

as trees trace their branches.

Gathering and waving

together then swaying apart.

While I sleep, stars glide

through heaven making

their appointed rounds in

ancient sacred procession.

Dreams as smooth as rose

petals spill into my mind

growing wild patches in

this dark garden of night.

Almost Asleep

Curling into a question mark

eyes shuttered

lips pursed

hands empty.

Dropping through

long dusty shafts

down into dank cellars.

Leaving behind faded day.

That last cup of sunlight

pouring from fingertips.

Lulled by rattling trains,

sighs of motors.

Bringing nothing but

memory into night.

Now I will untie knots

tear off wrappings opening

wide bundles of dreams.

Poetry from Muhammadjonova Muzayyana 

Young Central Asian woman in a pink and white patterned headscarf and a pink and white plaid sweater.

My Dear Mother

In the sky, you are my shining bright sun,

At night, you are the moon that smiles on everyone.

In the garden, you are the fairest blooming flower,

My paradise, my mother — your love is my power.

You are the light and warmth of our home’s embrace,

The pride of our family, with kindness and grace.

The purest heart in the world, gentle and true,

My one and only mother — my life is you.

Even if I call you the world’s most fair, it’s still not enough,

You never tire of hard work, you always stay tough.

May your smile shine forever, like the morning dew,

My innocent, gentle mother — my heart belongs to you.

Your smile brightens the dawn’s gentle light,

When you laugh, the sun joins in with delight.

When you speak, your words are pearls from above,

For me, you are the one — my mother, my love.

You watch the roads, your eyes filled with care,

Waiting for me to return from the school there.

For me, you are a teacher, a guide, and a friend,

My paradise, my one and only mother — till the end.

In this world, my dearest one, my love will never bend.