Article from Federico Wardal

Older white female flutist in a tan coat and black pants plays in a church cathedral in front of an altar and microphone.

Andrea Ceccomori, the flutist who is conquering the world

Andrea Ceccomori, flutist and founder of Assisi Suono Sacro, is now the most acclaimed flutist in the world, an eclectic artist with an always generous invention. Assisi, where Saint Francis was born, is twinned with San Francisco, founded by the Franciscan missions. This Franciscan imprint of SF is expressed through cultural and religious dialogue and in care for animals and nature. An aspect of Saint Francis that should be remembered is that he was the first to create a religious bridge between Christians and Muslims through the king of Egypt Kamel. Ceccomori, who has concerts scheduled also in Egypt, has just had two recent successes: one at the beginning of October in SF on the occasion of the celebration of the St. Francis feast day at the SF Shrine church and Porziuncola Nuova and the other in China, where Ceccomori is popular. Ceccomori’s tour with pianist Sebastiano Brusco ended on November 2nd at the Art Oriental Theatre in Shanghai.

Poster in Mandarin and English promoting an upcoming Andrea Ceccomori concert.

Ceccomori played a program of classical pieces such as Bach, Donizetti, Franck, Briccialdi, Rossini, Massenet, and Debussy, along with pieces composed by him including his hymn to peace and other Chinese pieces very popular in China such as Butterfly Lovers and My Motherland.

Flutist plays alongside a keyboardist and cellist in a cathedral with decorated arched columns and statuary.

In the first part of the tour also participated the soprano Chiara Giudice who sang pieces by Puccini and Verdi. Shanghai Media Group curated the events and “Guiyahui” by Emma Wang Qin promoted the mega tour with concerts at the UCAS University in Beijing, the most important university in China and at the University of Hangzhou and at the International Festival Encuentros Art in Uangshang, with lectures by Ceccomori in a climate of exchanges with Chinese artists who often travel to SF where 35% of the city’s population is Chinese. Ceccomori is very attached to poetry and especially to that of Saint Francis. The flutist wrote the music for the famous “Canticle of the Creatures” by Saint Francis with a concert in Rome in 2022 and in Vienna in 2023 and has a project where the recitation of the “Canticle” of Saint Francis in the original language and in English will be part of his homonymous concert. 

From the Louvre in Paris to the Lincoln Center in NYC, Ceccomori, also artistic director of the Assisi Suono Sacro festival, is intensifying his relations with the city of SF to consolidate splendid artistic and cultural bridges.

Tan-Renga from Christina Chin and Kimberly Olmtak

Christina Chin / Kimberly Olmtak 

a graceful hand

whips the tea

I sip the aroma

the pulled heart on 

matcha latte

spring garden

my small balcony

adorned with sweet alyssum

an enchantress bouquet

bees and butterflies 

sweet pea

a sunseeker

climbs up the trellis

sea breeze and coffee

on the patio

Poetry from Khalida Nuray

Middle aged Central Asian woman with short dark hair, brown eyes, earrings, a dark black top, and necklace.

Turkoglu

The smell of victory comes from the footsteps of the Turk

Listen, talent grows from every word of the Turk

One nation, two states are crying out with your breath,

Burn and destroy those who fought against your homeland,

Türkoğlu! For thirty years, Karabakh has been groaning underfoot,

Our heart is in ruins, our land is in ruins, it cries for help,

Lands full of martyr blood look shorter than you,

Ildirim, go to your troubles,

Turkoglu! Say thank you to the land and give your blood to the land

He who puts on his homeland’s clothes and gives his life to his homeland, Rising willingly to the summit of martyrdom,

Get into the enemy’s chest, indelible mountain,

Türkoğlu! God shared his unshakable power,

You declared your bravery and courage to the world,

Fight for summer history with your blood

Tax the flag to the victory summit,

Türkoğlu! He stands straight like a lion, a Turk’s head does not bend.

It fights to destroy its oil, it knows no fear,

Know that the country is indivisible, know that martyrs do not die

Feel sorry for the court of justice, Türkoğlu!

Poet-publisher, author of five books. AYB and AJB, Iraq Turkmen Writers Union, Central Asia, Yeni Avaz, Historians and Writers Member of the union, from 2018 to 2022, editor of the “Azad qələm” newspaper, from 2023 to 2023 “Literary pearls” journal from the province installer and chief editor. 2020-ci year KĪVIHÍ’s Rəyasət Committee “Poet of the Year” media award by decision, In the 2021 year, Central Asia, Yeni Avaz, Writers and Historians Union’s Əmir-Teymur fund The “Turan Unity” medal he established, In the year 2023, she was awarded the “Heydar Summit” honorary diploma and many other honorary diplomas.

Poetry from Jacques Fleury

Young adult Black man with short shaved hair, a big smile, and a suit and purple tie.
Jacques Fleury

Scribbles

[Written at a Boston-based writing group and included in Fleury’s book You Are Enough: The Journey to Accepting Your Authentic Self]


La vie

Ah, la douleur de la vie;
So sorrowful this life can be,
We live in a constant that is uncertainty,
Waiting to awaken each morning can be tiresome,
Waking from a nightmare can be winsome,
‘Til we see the dreadful daylight of reality!
Yearning to sleep;
Daring to wake;
What comes next?
Life is but a haste!

Bird Bath

The mockingbird emerged from its bath,
Singing while in sat on a raft,
Looking into the distant path,
And poised with some sass,
Swiftly flew off in a fit of wrath!

Insomnia

I dreamed I had insomnia
And birds of prey roamed
‘Round my sphere
My heart rhythm’s tachycardia
Abided in a bed of fear…
I dreamt I slept with insomnia
echoes of children
Resounded like nostalgia
My senses somewhat forlorn
Yearning for the years bygone
Wishing to wish away my melancholia
I dream of sleep
Awake I weep
I dreamt i prayed
My soul to keep
I fell asleep
Or so it seems
Wishing to weep
For my esteem
Alas to sleep
Perchance to dream…


What Place is This?

Surrounded by a shadowy grey environ,
Sitting cross legged on some ground,
Looking up in a circular motion,
I wondered why there was no one else around…
Yearning to hear a sound;
Something has blurred my vision,
Suddenly I hear a pound,
Could thunder be a thing I found?!
Alas…The dawning of my wakening,
I am living in a cloud!!!

Jacques Stanley Fleury is a Haitian-American Poet, Author and Educator. He holds an undergraduate degree in Liberal Arts and is currently pursuing graduate studies in the literary arts at Harvard University online. Once on the editing staff of The Watermark, a literary magazine at the University of Massachusetts, his first book Sparks in the Dark: A Lighter Shade of Blue, A Poetic Memoir was featured in and endorsed by the Boston Globe. His second book: It’s Always Sunrise Somewhere and Other Stories is a collection of short fictional stories dealing with the human condition as the characters navigate life’s foibles and was featured on Good Reads. His current book and hitherto magnum opus Chain Letter to America: The One Thing You Can Do to End Racism, A Collection of Essays, Fiction and Poetry Celebrating Multiculturalism explores social justice in America and his latest book, “You Are Enough: The Journey to Accepting Your Authentic Self”  along with all other previously mentioned titles are available at public libraries, The Harvard Book Store, Porter Square Books, The Grolier Bookshop, Goodreads, bookshop, Amazon etc…  His CD A Lighter Shade of Blue as a lyrics writer in collaboration with the neo-folk musical group Sweet Wednesday is available on Amazon, iTunes & Spotify to benefit Haitian charity St. Boniface.

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self

Poetry from Alan Catlin

Waves ripple

The dark and the sea

spray surrounds us

as a salt water

sky burst would

We can hear

the rocks below

breaking open

the energy of tides

exhaled from within

plosive as the wind

Iridescent

eyes of wild animals

amid the rain forest

trees

the real ones

and the imagined

carved from wood

or hewed from stone

All the paths forward

are overgrown with

mutating plants

stinging weeds

and poison ivy

pointed stalks

glow-in-the-dark

earthworms are trail

markers showing us

the way

Overcome by weariness

while walking without

a clear sense of purpose

or direction

we sit where the deer

lie down

feel our dreams

become an invasive species

inhabiting all

the exposed places

in our bodies

Lying still is

impossible

Our skin moves

without us

The transition from

sleeping to waking

is inseparable

are two indistinguishable

states

while walking

we enter a maze

of feeling

that seems to be

a physical one

where paths intersect

and lead nowhere

We wonder if there

is a center

if the center will hold

Feral

Other than the argot

infused standing

water

we have had nothing

to eat or drink

for days

Now we know

how it is to be

feral

unsure of what

or when we will

eat next

or if we will be

eaten in turn

We are reluctant

to gorge on wild

fruits and berries

having heard stories

of those who ate them

went mad

and died

We wonder now if any

of the stories

we have heard are true

Poetry from Mark Young

Demeaning the Dramaturg

We will have to wait

for the second act be-

fore anything of import

happens. The open-

ing is purely scene-

setting, inserting a

whiff of color to whet

the tongue, a round of

self-aggrandizement

to pleasure the author.


Under armored

Born

without a

larynx she

could not

call out

to say

she was

drowning

so signed

frantically &

invented

swimming.

Word marinade

He took the word

& left it overnight

in a marinade. Soy,

grated ginger, a

thin-sliced bird’s-eye

chili that he’d picked

from the garden just

that morning. Made

no difference to the

meaning, to the re-

sonations; but, oh

boy, did the kitchen

stink & produce a

steady flow of words.

The / I Ching / in the Fall

There is a

continuity

in the

natural

order. First

the leaves

fall & then

the stems

that they

were form-

erly part of.

Some temp-

oral over-

lapping. The

stems lie

in the pool,

on the path.

Yarrow stalks.

Cast &

counted. Con-

fusing hex-

agrams. Too

many answers.

Too few

questions.

You / could have / knocked me down

The ridge of up-

right hair made things

easy for. Distinctive or

prominent, given to

a number of

guests & held

in a public

manner. Gorilla war-

fear. Gratifying. But

only to those who were

affected by some terminal

payment. The remainder

reluctantly signed

their names to a petition.

Conclusion of Alexander Kabishev’s tales from the siege of St. Petersburg

The second autumn of the Blockade was coming. Our second house was also bombed. Since it was made of wood, it burned down to the foundation. Not only clothes and some other things were lost in this fire, but most offensively, almost all our family photos and some documents – everything that was saved in the spring from the Petrograd apartment.

After that, we lived with some relatives of my father for a while. I don’t remember this period so much, although it foreshadowed the end of my blockade story.

It happened in a completely ordinary way. It’s just that one day after school, my father told us:

– Volodya, Alexey, we are leaving.

The mother and sister were already aware, the youngest was unconscious after another illness. And we lost contact with Ivan and Leonid a few months ago.

We decided and were going to drive fast, literally during the day. That’s how the Blockade and my childhood in Leningrad ended for me. I didn’t know if I would come back then or not, what my life would be like next. But there’s something left in that city, maybe it’s a part of my soul.